Among the American expatriate writers who congregated in Paris in the interwar period, Kay Boyle was one of the most prolific. In her long and varied career she published fourteen novels, among them Death of a Man (1936) and Avalanche (1944), several collections of short stories, essays, poetry and translations.
By New York World-Telegram and the Sun staff photographer: Al Ravenna [Public domain], via Wikimedia Commons
Kay Boyle was born in St. Paul, Minnesota, in 1902. In 1922 she moved to New York, where she became an assistant to Lola Ridge, the editor of Broom magazine. Boyle attended Ridgeâs literary gatherings, where guests included William Carlos Williams and Marianne Moore. In June of the same year she married her first husband, the Frenchman Richard Brault, and the couple moved to France in 1923. While in Paris, Boyle met the writer and founder of Contact Editions Robert McAlmon, who became both a friend and a literary mentor.
In 1928 Boyle became acquainted with Harry and Caresse Crosby, founders of the Black Sun Press, one of the most renowned private presses run by American expatriates. The press, which was originally set up with the name Ăditions Narcisse, published works by celebrated modernist writers including D H Lawrence, Hemingway and James Joyce. In March 1929 the press published Boyleâs Short Stories in a limited edition of 150 [Cup.510.fa.7.]. Some of the seven stories that form the collection had previously appeared in little magazines of the period, including transition, and all of them were reprinted alongside new work in the later collection Wedding Day and Other Stories (1930).
During the late 1920s and 1930s Boyle worked on several literary translations from French into English, including Joseph Delteilâs novel Don Juan. In 1931 the Black Sun Press published Boyleâs translation of a work by the surrealist writer RenĂ© Crevel, Mr. Knife and Miss Fork, an extract of Crevelâs novel Babylone. The book was illustrated with nineteen photograms by the German artist Max Ernst. Boyleâs full translation of the novel into English was published in 1985 by North Point Press.
RenĂ© Crevel, Mr. Knife, Miss Fork (being a fragment of the novel Babylone), trans. by Kay Boyle. Paris : Black Sun Press, 1931. [C.184.f.4] From top to bottom: cover, detail of the spine, front page and photogram by Max Ernst.
The following year Boyleâs poem âA Statementâ was published by a lesser known American private press, The Modern Editions Press, founded by the African American writer Kathleen Tankersley Young . The press produced two series of beautifully crafted short story and poetry pamphlets in 1932 and 1933. Boyleâs poem included a frontispiece by the cubist artist Max Weber. The Modern Editions Press was a short-lived project, as Young died unexpectedly in 1933 during a trip to Mexico.
Kay Boyle. A Statement. New York : Modern Editions Press, 1932. [RF.2016.A.26] From top to bottom: front cover and frontispiece by Max Weber.
The Library has recently acquired Kay Boyle: A Twentieth Century Life in Letters, a volume that collects Boyleâs correspondence, edited by Sandra Spanier. Boyleâs selected letters, spanning eight decades, bear witness to her central role in several modernist networks and presents a fascinating picture of American expatriate life in Paris and beyond during the twentieth century.
Boyle, Kay. Kay Boyle: A Twentieth-Century Life in Letters, ed. by Sandra Spanier. Urbana, Chicago: University of Illinois Press, 2015. [YD.2016.a.2187]
Ford, Hugh. Published in Paris: American and British Writers, Printers, and Publishers in Paris, 1920-1939. London: Garnstone Press, 1975. [X.981/20326]
McAlmon, Robert and Kay Boyle. Being Geniuses Together 1920-1930. London: Michael Joseph, 1970. [X.989/5601.]
Spanier, Sandra Whipple. Kay Boyle: Artist and Activist. Carbondale and Edwardsville: Southern Illinois University Press, 1986. [YC.2002.a.22409]