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4 posts categorized "World War One"

23 April 2015

Commemorating Conflict: Australia, New Zealand and Canada

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Above: the cover of 'Fighting Australasia' [BL: 9081.h.9]. From the BL-Europeana learning resource.

This week sees the beginning of two distinct commemoration events for nations who supported Britain in the First World War. While last year saw a number of events to mark and reflect upon 100 years since the start of the war, for Australia, New Zealand and Canada this year marks a century since two of their most famous battles. Indeed, that description falls somewhat short as the battles in question are understood to have an enduring effect on the national identities of these countries.

For Australia and New Zealand, Saturday's ANZAC Day marks 100 years since the Gallipoli landings. While ANZAC Day now serves as a more general commemoration for those who fell in both world wars and an opportunity to reflect on all soldiers lost in conflict, it was initially intended to commemorate Gallipoli specifically. Given the enduring political and social legacy of ANZAC involvement in those landings and the continued significance of ANZAC day in general this Saturday is therefore an important moment of reflection.

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Above: 'Letter of appreciation for the assistance given to the Australian Medical Corps by Indian ambulance men at Gallipoli' [BL: IOR/L/MIL/7/18921]. From the BL-Europeana learning resource.

In Canada this week has also marked a century since the beginning of the Second Battle of Ypres. Perhaps less well known that Gallipoli, the battle saw Canadian forces play a significant role in stemming German attempts to break through a strategically vulnerable point on the Allied line. During over a month of action the Canadian forces showed mental strength and tactical prowess to form a central part of the effort to repulse the Central Powers, even defeating a German force at the Battle of Kitchener's Wood.

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Above: a map of the medical provisions at Ypres, one day before the battle began. Found in, 'The War Story of the Canadian Army Medical Corps' [BL: 9084.b.21], from the BL-Europeana learning site.

While Gallipoli is marked by tragedy and Ypres a sense of martial pride, there is a common thread in these battles that links Australia, New Zealand and Canada. Through sacrifice and success the soldiers from these dominions demonstrated an ability to 'hold their own' on the world stage. For all three nations these battles are viewed as crucial points, where a bridge between dependency and independence was irrevocably crossed. As a result, what is remembered this week is not just the fallen but what they are understood to have built.

Last year the Library took part in an international project to digitise the material history of the First World War. This material is now available online via the Europeana 1914-18 website and provides sources to analyse and research the enduring impact of this conflict. There is also a learning site, put together by the British Library Learning team that provides an introduction to many of the war's key events and consequences.

[PJH]

15 September 2014

The Unbuilt Room

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Unbuilt-room411x195

Running on a mainframe at a firm working on the US military's contribution to the internet, ARPANET, the world's first text-based adventure gameAdventure (c1975), let the player wander around an underground cave system (supposedly based on the Mammoth cave system in Kentucky). Issuing typed instructions ("Go North", etc.), the player explored a world described in text and contained within 300kb; it was a world that would become very familiar to any players of similar games in the 1980s, or indeed viewers of Game of Thrones: swords, magic spells and strange creatures.

A bit nerdy, kind of old fashioned, and almost completely replaced by graphically expansive first-person simulations, text-based adventure games now only live on as a kind of retro-chic, or as a small sliver of popular culture (a line from a Australian game, The Hobbit, has just about made it out into the wider world: 'Thorin sits on the floor and starts to sing about gold'). As such, they may provide the fodder for artistic reinvention, or at least a fresh way to approach something you think you know.

The Unbuilt Room does this. I've just returned from a dummy run with the artist Seth Kriebel. He has performed a similar show at the Battersea Arts Centre, and now is offering a limited run of visits (if that is the word) to the room at the British Library for our Enduring War exhibition, a show that I helped to curate.  I can't give too much away, but it's part seance (think lights in a darkened room), part theatrical performance, and part (in a non-terrible way) team-building exercise, like a art-school version of the Crystal Maze or the Adventure Game.

There is also, following the trope set out by Adventure, a labyrinth. As such, it echoes the tunnels and darkness of the war. We managed to unlock some of its secrets, with Seth reading some startling extracts from some of the items on display in the First World War exhibition (Indian sepoys' letters home, the crash of a Zeppelin bomb under a moonlight sky, the last letter before going over the top). It's all appropriately unsettling, puzzling, and an intriguing way to set up a visit to an exhibition (which follows the performance), and which makes you read the items in a new way. The fantasy of the adventure form also echoes some of the dominant contemporary myths of the war - the belief in the honour of combat, the chivalric nature of military heroism, the search for adventure; myths which in part explain the motivations for some of those who fought.

The Unbuilt Room can be booked here (16, 23 Sept, 7 Oct).

[Matthew Shaw]

23 June 2014

World War One: Inter-Allied Games

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Inter-Allied-Games

Tentative Programme for the Inter-Allied Games Dedication Day. Public Domain Mark

Public Domain Mark
These works are free of known copyright restrictions. - See more at: http://britishlibrary.typepad.co.uk/americas/2014/06/new-exhibition-enduring-war.html#sthash.qtQ45UqO.dpuf Public Domain Mark
These works are free of known copyright restrictions. - See more at: http://britishlibrary.typepad.co.uk/americas/2014/06/new-exhibition-enduring-war.html#sthash.qtQ45UqO.dpuf

We opened our free Folio Gallery exhibition, Enduring War: grief, grit and humour (19 June-12 October) last week.  The exhibition is international in scope, although naturally enough, its focus is British. That said, we have included a number of Canadian items, as well as West Indian material: Phil has already blogged on Squidge. We had a number of US items lined up (the United States entered the war in 1917, as you know), but the demands of the space and exhibition storyline meant that they were returned to the stacks.  However, we can take advantage of this, and begin an ongoing series of items that didn't make it into the gallery.

The first of which is shown above, a programme for the Inter-Allied sports day that took place in France, 22 June–6 July 1919.  It is a recent acquisition, and we also hold a volume  summarizing the organisation and the results from the games at RG.2014.b.13 (a digitised copy from Cornell is available via the Internet Archive).

The games were an inclusive event, and included tug-of-war to soccer, tennis, basketball, fencing, water polo, boxing and equestrian events, as well as track and field, many of which took place at Pershing Stadium at Vincennes, France.  Constructed by the US military in cooperation with the YMCA, the stadium was gifted by the Americasn people to France after the games. According to the editors of the companion volume, 'the games were played before crowds so immense that the number of spectators could not have been increased except by the use of aeroplanes or observation balloons.'

Indeed, the games were not limited to terra firma, but included an 'Aeroplane Parade' as a grand finale.  The planes flew in formation, west to east over the stadium, dropping parachutes with the flag of each nation participating in the fly past (France, Italy, Belgium and the US).  The five American planes included a captured Fokker, which was due to 'climb to a good altitude and engage in combat with two [US] spads].'

It didn't quite work out like that. The captured Fokker instead fell from the sky and crash landed at the nearby racetrack (with the unhurt captain displaying 'splendid airmanship in his enforced landing'). The crowd tore the plane to pieces for souvenirs.  A handwritten note on the tentative programme reads, 'I saw this plane drop. This is a piece of it. don't lose it or cut it.'

The note was ignored, and the piece is not present (fear not, it wasn't there when we acquired it either). 

To make up for this, if you can come to the Folio Gallery before 12 October, you can instead see a fragment of a Zeppelin, picked up in Essex, as well as progammes for other sporting events that took place during the war.

[MJS]

 

19 June 2014

New exhibition: Enduring War

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469px-Squidge_Regimental_pet_of_the_24th_Battalion_(HS85-10-29943)

Above: 'Squidge', who manages to look even more magnificent in the exhibition space.

Public Domain Mark
These works are free of known copyright restrictions.

After all the work that has gone into the Library's contribution to Europeana 1914-1918 and preparation for events to commemorate the centenary of the beginning of the First World War, Team Americas are very pleased to see 'Enduring War: Grief, Grit and Humour' open in the Folio Society Gallery today. By focussing on how people coped with the war the exhibition inevitably shows the use of humour as a way of engaging with the conflict, providing a view of the war through soldiers' eyes (and pens).

Our own Dr Shaw was co-curator for the exhibition and he noted during the selection of items just how prolific the use of humour was in soldiers' accounts of the conflict. As Matthew points out, far from being flippant there was something about military service that, 'focussed the mind on a particular sense of humour'. One of the items on display is 'The Waitemata Wobbler' and this contains a number of examples of this sort of humour, one that frequently treats officers as the but of jokes (see below).

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Above: a cartoon from 'The Waitemata Wobbler'. 

We were also very pleased that Squidge has made a physical appearance in the exhibition. Since Europeana 1914-1918 and Picturing Canada started he has been something of a favourite around the Library and now he's ready for his public close up. These are just two of the many items on display that show the experiences of troops from across the Americas and Australasia - indeed, Squidge is kept company by a book on the British West Indies Regiment.

Based on this morning's activity Squidge and others will get a lot of viewers and the exhibition is going to be very popular. If you come along remember that you can track down items such as the 'Wobbler' at Europeana 1914-18 and leaf through them once you are home.

[PJH]