THE BRITISH LIBRARY

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94 posts categorized "Collaborations"

12 June 2017

Odyssey Jam Games

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This post is by Digital Curator Stella Wisdom, on twitter as @miss_wisdom & BL Labs collaborator Gary Green  from Surrey Libraries, on twitter as @ggnewed. Gary and Stella are interested in many things including games and interactive fiction.

Earlier this year we blogged about the game jam Odyssey Jam, which Gary organised, as part of Read Watch Play. The idea behind it was to encourage people to create a text based game or piece of interactive fiction based on Homer's The Odyssey over a 2 week period. The purpose of the game jam was to support literacy and the development of readers and writers.

After the two week game making period entrants were encouraged to upload their entries to itch.io so that others could play them. Anyone around the world was able to enter, and at the end of the game jam there were 10 entries, including from people who had never made a game or written a piece of interactive fiction before, and who had never previously been involved in a game jam.

It was great to see a variety of style and content in the entries and how each developer had interpreted the theme - no two were the same. Some chose to create pure text games (The Long Ing Blink; Islands and Witches), others focused on creating entries that were more visual but still included text (TaithA flower from Hermes). There were humorous games (108 suitors; The Perils of Penelope), games set in their original setting, and others which re-set the Odyssey in a new context (Come Back Home; Hyperions Wake).

Game developers were also encouraged to share their work in progress on Twitter, and a few did just that. It was great to see how their games were taking shape and how enthusiastic they were about their involvement in the jam. A college in Milan encouraged students on their creative writing course to participate and a couple of their entries were submitted to the jam. 

As part of Odyssey Jam we also encouraged entrants to make use of the digitised images on Flickr that The British Library had released under a creative commons license. We identified a number of ancient Greece themed images from the Flickr collection. A couple of entries used these images, e.g. No One and 108 suitors.

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Scene from 108 Suitors by Lynda Clark

The games are available to play online or download, so please try them out and share. You can also watch short play-throughs of the entries thanks to video game blogger Jupiter Hadley and Emily Short wrote about the game jam on her excellent blog. Thanks to all the game developers involved in Odyssey Jam; it was fun playing your entries, and thanks to all who helped promote the jam.

If Odyssey jam has whetted your appetite and you are interested in writing interactive fiction,  we are pleased to share news that the British Library is running a new course:  The Infinite Library: Interactive Fiction Summer School 17-21 July 2017. This is led by multi-award-winner Dr Abigail Parry and will be taught by specialists in fiction, interactive fiction and games writing, including:

Dr Greg Buchanan, Writer of Paper Drumpf and No Man's Sky
Jerry Jenkins, Curator for Emerging Media, British Library
Rob Sherman, Writer and Games Designer
Richard Skinner, Director of the Fiction Programme at the Faber Academy
Jon Stone, Writer and Games Researcher
Olivia Wood, Narrative Editor, Writer and Content Manager at Failbetter Games

With their expert guidance attendees will tackle dialogue chains, reader choice and multiple endings. Plus given technical support to explore the possibilities offered by Twine, a simple open-source programme for managing branching text. More details on the summer school can be found at https://www.bl.uk/events/the-infinite-library-interactive-fiction-summer-school

06 June 2017

Digital Conversations @BL - Web Archives: truth, lies and politics

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Next week we are spoiled for choice here at the British Library with two topical and fascinating evening events about data and digital technology. On Monday 12 June there is the first  public Data Debate delivered in collaboration with the Alan Turing Institute about the complex issue of data in healthcare, for more details check out this blog post.  Then on Wednesday 14 June there is a Digital Conversation event on Web Archives: truth, lies and politics in the 21st century. Where a panel of scholars and experts in the field of web archiving and digital studies, will discuss the role of web and social media archives in helping us, as digital citizens, to navigate through a complex and changing information landscape.

Web archiving began in 1996 with the Internet Archive and these days many university and national libraries around the world have web archiving initiatives. The British Library started web archiving in 2004, and from 2013 we have collected an annual snapshot of all UK web sites. As such, there are rich web archive collections documenting political and social movements at international and local levels; including the Library of Congress collections on the Arab Spring, and the UK Web Archive collections on past General Elections.

The Digital Conversation will be chaired by Eliane Glaser, author of Get Real: How to See Through the Hype, Spin and Lies of Modern Life, the panel includes Jane Winters, Chair of Digital Humanities, School of Advanced Study, University of London, Valérie Schafer, Historian at the French National Center for Scientific Research (Institute for Communication Sciences, CNRS), Jefferson Bailey, Director of Web Archiving Programs at the Internet Archive and Andrew Jackson, Web Archiving Technical Lead at the British Library.

For more information and to book tickets go here. Hope to see you there!

Grow the real economy ijclark
Image credit: Grow the real economy by ijclark, depicting the Occupy London protest camp in 2011, CC BY 2.0

This Digital Conversations event is part of the Web Archiving Week 12-16 June co-hosted by the British Library and the School of Advanced Study, University of London. This is a week of conferences, hackathons and talks in London to discuss recent advances in web archiving and research on the archived web. You can follow tweets from the conferences and the Digital Conversation on Twitter, using the hashtag #WAweek2017.

This post is by Digital Curator Stella Wisdom, on twitter as @miss_wisdom.

31 May 2017

Series of public Data Debates delivered in collaboration with the Alan Turing Institute

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Data has become part of our everyday lives and we are increasingly getting used to dealing with consequences of our personal data being accessible to a myriad of different services, from banking to social media.  Some uses of data, however, remain more complex and more difficult to understand for the majority of us, possibly nowhere more so than when it comes to our health.  Will more data about us improve our healthcare in the future?  Or does it compromise our privacy in a new way that we hardly understand?

As a part of the British Library’s collaboration with the Alan Turing Institute we are organising a series of Data Debates over the coming months.  In our next event on 12 June 2017, we are discussing the complex issue of data in healthcare.

Introducing this event, Angelo Napolano from the Alan Turing Institute writes:

Can we safeguard our privacy while using health data for better medical care?

It is clear that data-driven technology is transforming medical knowledge and practice.

Innovation is taking place on many levels, for example devices such as fitbits are helping to monitor heart rates, blood sugar levels and sleep cycles, and IBM’s A.I. system, Watson, is giving scientists insight into how genes affect our health.

Data is also being analysed to generate new medical findings, for example scientists at The Alan Turing Institute, are collaborating with the Cystic Fibrosis Trust, to investigate how to apply machine learning techniques to their data to help improve healthcare for people living with the life-limiting condition.

However, despite the benefits for medical research, incidents like the care data breach and subsequent fears around protecting personal information mean there is legitimate public concern around how to share health data safely.

In a special Data Debate event, we will ask a panel of experts:

  • How can we balance the potential benefits of using personal data for healthcare research, with the ethical dilemmas they provoke?
  • Should we allow companies to use medical data for technological developments and interventions that may improve our lifestyles, or does this contravene our privacy rights?
  • How can we ensure a future in which health care data is used in a way which ensures the public trust?
  • Can we safeguard our privacy and regulate the use of health data while making medical practice and discovery more effective through technology developments?

Speakers include:

Luciano Floridi, Turing Faculty Fellow and Professor of Philosophy and Ethics of Information at the Oxford Internet Institute. His research areas are the philosophy of Information, information and computer ethics, and the philosophy of technology.

Sabina Leonelli, Co-Director of the Exeter Centre for the Study of the Life Sciences (Egenis), where she leads the Data Studies research strand. Currently, Sabina focuses on the philosophy, history and sociology of data-intensive science, especially the research processes, scientific outputs and social embedding of Open Science, Open Data and Big Data.

Natalie Banner, Policy Adviser at the Wellcome Trust. Her focus is on how to get the best use and value from health and genetic data while ensuring it is well protected, responsibly managed and ethically used, both in the UK and internationally.

The panel will be chaired by writer and broadcaster Timandra Harkness. Timandra presents BBC Radio 4 series, FutureProofing and has presented the documentaries, Data, Data Everywhere, Personality Politics & The Singularity. Her recent book Big Data: Does Size Matter? has been published by Bloomsbury Sigma in June 2016. She is Visiting Fellow in Big Data, Information Rights and Public Engagement within the Centre for Information Rights at the University of Winchester.

Data Debates are a collaboration between The Alan Turing Institute and The British Library, aiming to stimulate discussion on issues surrounding big data, its potential uses, and its implications for society.

You can book your place from: https://www.bl.uk/events/health-data-fit-or-failing

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16 May 2017

Michael Takeo Magruder @ Gazelli Art House

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Posted by Mahendra Mahey (Manager of BL Labs) on behalf of Michael Takeo Magruder (BL Labs Artist/Researcher in Residence).

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Michael Takeo Marguder's Gazell.io works

Earlier this year I was invited by Gazelli Art House to be a digital artist-in-residence on their online platform Gazell.io. After a series of conversations with Gazelli’s director, Mila Askarova, we decided it would be a perfect opportunity to broker a partnership with British Library Labs and use the occasion to publish some of the work-in-progress ideas from my Imaginary Cities project at the British Library.

Given Gazelli’s growing interest in and reputation for exhibiting virtual reality (VR) art, we chose to launch my March showcase with A New Jerusalem since it was in many ways the inspiration for the Imaginary Cities concept.

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A New Jerusalem by Michael Takeo Magruder

During the second half of my Gazell.io residency I began publishing various aesthetic-code studies that had been created for the Imaginary Cities project. I was also invited by Gazelli to hold a private sharing event at their London gallery in Mayfair to showcase some of the project’s physical experiments and outcomes. The evening was organised by Gazelli’s Artist Liaison, Victoria Al-Din, and brought together colleagues from the British Library, art curators from leading cultural institutions and academics connected to media art practice. It was a wonderful event, and it was incredibly useful to be able to present my ideas and the resulting artistic-technical prototypes to a group with such a deep and broad range of expertise. 


Sharing works in progress for the Imaginary Cities project at Gazelli Art House, London. 30th March 2017

12 April 2017

New technologies challenging author and reader roles

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This a guest post is by Carol Butler introducing her PhD topic, you can follow her on twitter as @fantomascarol.

New technologies are challenging the traditional view of what it is to be an author or a reader. A range of digital tools are used by readers and authors to ask each other questions, share interpretations and knowledge, and to socialise.

I am a Collaborative Doctoral Partnership student based at the British Library (BL) and City, University Of London, supervised by Ian Cooke at the BL, and Dr Stephann Makri at City. My research explores how online social networking technologies enable authors and readers to interact in ways that were previously not possible. I am interested in how this can impact understanding of a written work, and how it can shape an author’s ongoing or future work.

Authors and readers have always sought to better their understanding of a written work- and of each other- by exchanging questions and feedback. However, historically, their communications have been mediated through a hierarchical chain, for example through letters sent privately via an author’s agent. Constrained by process, available technology and geography, this has also largely only possible after a finished work has been published. Interaction has therefore been somewhat slow and limited.

There are now digital tools for reading-related activities used by authors and readers alike, for example GoodReads, which is for writing reviews and cataloguing books. With these tools, communities discuss their reading, partake in competitions and also share their writing. In some, an author may use reader feedback to develop writing in progress, which may be published as a working draft, rather than a final artefact. Authors can also field questions from their readers - either as an ongoing open communication channel, or in a timed Q&A session (an example of this can be seen here).

Other tools, such as Genius, support discussion about a text directly on top of it, through digital annotations. An example can be seen here, where a scene from Shakespeare’s Hamlet has been annotated line by line, with readers sharing their interpretations and providing links to external reading. Also here, the author has annotated his own work (in green), to offer deeper contextual understanding to the reader.

However, as well as purpose-made tools, communities also use ones that were intended for different purposes, such as social media sites, e.g. Twitter. People also do not always confine their behaviour to any one tool, and so an activity starting in one tool may often bleed into, repeat, or further develop in another.

A useful example of how readers meander between multiple tools can be found here, where a reader describes his process for reading a physical book- a task supported by checking in with a range of tools and social networks.

A symbiotic relationship between tools and behaviour means that technology evolves in response to how it is used. However, with reader and author activity dispersed across multiple tools, often contrary to a tools intended purpose, and over fluctuating periods of time, this usage cannot be readily observed or understood.

By ascertaining where, how and why readers and authors interact with each other and the tools, I hope to better understand their needs and behaviours. I will investigate how interaction behaviour is mediated, hindered by, and at times resultant of this technology. My intent is to develop theory to explain their behaviour which I can use to provide design guidelines for future tools, to help better support their needs. I will also be looking at what types of works, ways of working and publishing trends emerge from this use of technology, and the challenges posed for the British Library in collecting and preserving them.

I will shortly be conducting interviews with authors and readers to begin to unveil both their motivations for interacting in this manner, and their experiences with doing so.  

I would be happy to speak to anyone with an interest in this area, either by email or in person, so feel free to contact me (carol.butler@bl.uk).

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The traditional view of reader and author roles- where the reader only sees a finished artefact, isolated from the drafts and processes that formed it - is challenged by readers’ increasingly participatory involvement prior to publication.

06 April 2017

Free Public Lecture and Workshop: Exploring Scissors-and-Paste Journalism in The British Library’s Newspaper Collections

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Posted by Mahendra Mahey on behalf of Melodee Beals, Lecturer in History, Department of Politics, History and International Relations, School of Social, Political and Geographical Sciences, Loughborough University

Scissors and paste
Image courtesy of David Brewer CC-BY.

Two hundred years ago, the British public was abuzz with news of revolution, mass migration and an uncertain economic future. And into this excited and worried noise stepped an army of young and adventurous newspapers, working hard to give their readers the world at their fingers. From Calcutta to Peru, Sydney to Istanbul, Paris to New York, they overflowed with news of peoples, places and political scandals from all over the world.

But, before satellites, radio or the telegraph, they relied on people – friends, family, and fellow newspaper men and women – to send in letters and clippings from around the world to provide the most up-to-date and wide-ranging news to their readers. This scissors-and-paste journalism was the very backbone of many British newspapers up through the 1850s but we still don’t know enough about how it worked in practice.

You can help!

On 27 April 2017, British Library Labs and Loughborough University will be hosting a free, public workshop at the British Library in the Foyle Suite, Centre for Conservation, London, introducing “Georgian Pingbacks”, a new crowdsourcing website to allow the public (you!) to help uncover how news—the good, the fake and the poorly punctuated—spread across the country. With just a few clicks on your smartphone, tablet or home computer on your daily commute or queuing for the till, you can contribute to the growing debate on what makes news “real” and what makes it “viral”.

After a talk on scissors-and-paste journalism by Dr M. H. Beals (Loughborough University), exploring the history of this much loved system of “theft”, we will take you through our brand new website, where you can help contribute to our collective understanding of historical journalism, one clip and one click at a time.

This event is free, open to the public and a complimentary lunch will be provided.

To register, please visit our Eventbrite website.

If you have any questions about the event, please contact Dr Beals at m.h.beals@lboro.ac.uk. Please note, to fully take part in the event, you will need to bring a laptop or other internet-ready device, such as a tablet or large-screen smartphone, but this is not a requirement for attendance.

22 March 2017

British Library Launches OCR Competition for Rare Indian Books

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Calling all transcription enthusiasts! We’ve launched a competition to find an accurate and automated transcription solution for our rare Indian books and printed catalogue records, currently being digitised through the Two Centuries of Indian Print project. 

The competition, in partnership with the University of Salford’s PRIMA Research Lab, is part of the International Conference on Document Analysis and Recognition, taking place in Kyoto, Japan this November. The winners will be announced at a special event during the conference.

Digitised images of the books will be made openly available through the library’s website and we hope this competition will produce transcriptions that enable full text search and discovery of this rich material. Sharing XML transcriptions will also give researchers the foundation to apply computational tools and methods such as text mining that may lead to new insights into book and publishing history in India.   

Split into two challenges, those wishing to participate in the competition can enter either or both.

The first challenge is to find an automated transcription for the 19th century printed books written in Bengali script. Optical Character Recognition of many non-Latin scripts is a developing area, but still presents a considerable barrier for libraries and other cultural institutions hoping to open up their material for scholarly research.

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Above: A page from 'Animal Biography', one of the Bengali books being digitised as part of Two Centuries of Indian Print (VT 1712)

 

Challenge number two involves our printed catalogue records, known as ‘Quarterly Lists’. These describe books published in India between 1867 and 1967. The lists are arranged in tables and therefore accurately representing the layout of the data is important if researchers are able to use computational methods to identify chunks of information such as the place of publication and cost of the book.    

Quarterly_List

 Above: A typical double page from the Quarterly Lists (SV 412/8)

 

With the competition now open, we’ve already gone some way to helping participants by manually transcribing a few pages to create ‘ground truth’ using PRIMA's editing tool, Aletheia.  You can watch a video introducing the competition. So if you or anyone you know would like to enter, do please register and you could be contributing to this landmark project, and picking up an award for your troubles!   

21 March 2017

Poetic Places and World Poetry Day 2017

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This post is by Digital Curator Stella Wisdom, on twitter as @miss_wisdom.

Happy World Poetry Day!

The Digital Scholarship team are marking the day with an event exploring how poetry, history and literature can be discovered and experienced via digital technologies. Creative Entrepreneur-in-Residence Sarah Cole is talking about the development of Poetic Places, a free app for iOS and Android devices, that creates digital encounters with poems and literature in the locations described, accompanied by sounds and illustrations from cultural heritage collections; including the British Library's images on Flickr.

Being a creative type Sarah has also been using the Flickr collection in her new enterprise Badgical Kingdom, which takes images from galleries, libraries, archives, and museums released under Creative Commons licenses and turns them into badges. Sarah hopes to bring forgotten works out into the everyday world where they can be re-admired. Furthermore, every piece is sent with a card detailing a little of the design’s history and naming the institution which has made the work available; including the Rijksmuseum, whose collections have inspired these flower brooches, which could make perfect Mother's Day presents in my opinion.

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Images of Billycock Cat Pin, copyright Sarah Cole.

Also speaking at the event are 

  • Dr Jennifer Batt, a lecturer in English, University of Bristol, who has been working with British Library Labs on an innovative project to data mine 18th-century newspapers for verse.
  • Dr Duncan Hay, from the Bartlett Centre for Advanced Spatial Analysis who works on the Survey of London, check out their map. It is also worth noting that Duncan is a colleague of Martin Zaltz Austwick, who did GPS mapping of a walk based around the first section of William Gull's coach ride in Alan Moore's From Hell. There is a short video of this here.

For those of you unable to join us this evening and also those of you who are; please check out the British Library's drama and literature recordings on SoundCloud. These include excellent poems from The Michael Marks Awards for Poetry Pamphlets winners and shortlisted entries and readings from other British Library events, enjoy ...

 Recording of Richard Scott reading from his pamphlet ‘Wound’, published by The Rialto