THE BRITISH LIBRARY

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7 posts categorized "Medieval history"

04 August 2017

BL Labs Awards (2017): enter before midnight Tuesday 11th October!

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Posted by Mahendra Mahey, Manager of of British Library Labs.

The BL Labs Awards formally recognises outstanding and innovative work that has been created using the British Library’s digital collections and data.

The closing date for entering the BL Labs Awards (2017) is midnight BST on Tuesday 11th October. So please submit your entry and/or help us spread the word to all interested and relevant parties over the next few months or so. This will ensure we have another year of fantastic digital-based projects highlighted by the Awards!

This year, the BL Labs Awards is commending work in four key areas:

  • Research - A project or activity which shows the development of new knowledge, research methods, or tools.
  • Commercial - An activity that delivers or develops commercial value in the context of new products, tools, or services that build on, incorporate, or enhance the Library's digital content.
  • Artistic - An artistic or creative endeavour which inspires, stimulates, amazes and provokes.
  • Teaching / Learning - Quality learning experiences created for learners of any age and ability that use the Library's digital content.

After the submission deadline of midnight BST on Tuesday 11th October for entering the BL Labs Awards has past, the entries will be shortlisted. Selected shortlisted entrants will be notified via email by midnight BST on Friday 20th October 2017. 

A prize of £500 will be awarded to the winner and £100 to the runner up of each Awards category at the BL Labs Symposium on 30th October 2017 at the British Library, St Pancras, London.

The talent of the BL Labs Awards winners and runners ups of 2016 and 2015 has led to the production a remarkable and varied collection of innovative projects. In 2016, the Awards commended work in four main categories – Research, Creative/Artistic and Entrepreneurship:

  • Research category Award (2016) winner: 'Scissors and Paste', by M. H. Beals. Scissors and Paste utilises the 1800-1900 digitised British Library Newspapers, collection to explore the possibilities of mining large-scale newspaper databases for reprinted and repurposed news content.
  • Artistic Award (2016) winner: 'Hey There, Young Sailor', written and directed by Ling Low with visual art by Lyn Ong. Hey There, Young Sailor combines live action with animation, hand-drawn artwork and found archive images to tell a love story set at sea. The video draws on late 19th century and early 20th century images from the British Library's Flickr collection for its collages and tableaux and was commissioned by Malaysian indie folk band The Impatient Sisters and independently produced by a Malaysian and Indonesian team.
BL Labs Award Winners 2016
Image: 'Scissors and Paste', by M. H. Beals (Top-left)
'Curating Digital Collections to Go Mobile', by Mitchell Davis; (Top-right)
 'Hey There, Young Sailor',
written and directed by Ling Low with visual art by Lyn Ong; (Bottom-left)
'Library Carpentry', founded by James Baker and involving the international Library Carpentry team;
(Bottom-right) 
  • Commercial Award (2016) winner: 'Curating Digital Collections to Go Mobile', by Mitchell Davis. BiblioBoard, is an award-winning e-Content delivery platform, and online curatorial and multimedia publishing tools to support it to make it simple for subject area experts to create visually stunning multi-media exhibits for the web and mobile devices without any technical expertise, the example used a collection of digitised 19th Century books.
  • Teaching and Learning (2016) winner: 'Library Carpentry', founded by James Baker and involving the international Library Carpentry team. Library Carpentry is software skills training aimed at the needs and requirements of library professionals taking the form of a series of modules that are available online for self-directed study or for adaption and reuse by library professionals in face-to-face workshops using British Library data / collections. Library Carpentry is in the commons and for the commons: it is not tied to any institution or person. For more information, see http://librarycarpentry.github.io/.
  • Jury’s Special Mention Award (2016): 'Top Geo-referencer -Maurice Nicholson' . Maurice leads the effort to Georeference over 50,000 maps that were identified through Flickr Commons, read more about his work here.

For any further information about BL Labs or our Awards, please contact us at labs@bl.uk.

16 December 2016

Re-imagining a catalogue of illuminated manuscripts - from search to browse

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In this guest post, Thomas Evans discusses his work with Digital Curator Dr Mia Ridge to re-imagine the interface to the British Library's popular Online Catalogue of Illuminated manuscripts.

The original Catalogue was built using an Access 2003 database, and allows users to create detailed searches from amongst 20 fields (such as date, title, origin, and decoration) or follow 'virtual exhibitions' to view manuscripts. Search-based interfaces can be ideal for specialists who already know what they're looking for, but the need to think of a search term likely to yield interesting results can be an issue for people unfamiliar with a catalogue. 'Generous interfaces' are designed as rich, browsable experiences that highlight the scope and composition of a particular collection by loading the page with images linked to specific items or further categories. Mia asked Thomas to apply faceted browsing and 'generous' styles to help first-time visitors discover digitised illuminated manuscripts. In this post Thomas explains the steps he took to turn the catalogue data supplied into a more 'generous' browsing interface. An archived version of his interface is available on the Internet Archive.

With over 4,300 manuscripts, written in a variety of languages and created in countries across Europe over a period of about a thousand years, the British Library's collection of illuminated manuscripts contains a diverse treasure trove of information and imagery for both the keen enthusiast and the total novice.

As the final project for my Masters in Computer Science at UCL, I worked with the British Library to design and start to implement alternative ways of exploring the collection. This project had some constraints in time, knowledge and resources. The final deadline for submission was only four months after receiving the project outline and the success of the project rested on the knowledge, experience and research of a fresh-faced rookie (me) using whatever tools I had the wherewithal to cobble together (open source software running on a virtual machine server hosted by UCL).

Rather than showing visitors an empty search box when they first arrive, a generous interface will show them everything available. However, taken literally, displaying 'everything' means details for over 4,300 manuscripts and around 40,000 images would have to be displayed on one page. While this approach would offer visitors a way to explore the entire catalogue, it could be quite unwieldy.

One way to reduce the number of manuscripts loaded onto the screen is to allow visitors to filter out some items, for example limiting the 'date' field to between 519 and 927 or the 'region' field to England. This is 'faceted' browsing, and it makes exploration more manageable. Presenting the list of available values for region or language, etc., also gives you a sense of the collection's diversity. It also means that 'quirky' members of the collection are less likely to be overlooked.

Screenshot of filters in Thomas CIM interface II
An example of 'date' facets providing an instant overview of the temporal range of the Catalogue

For example, if you were to examine 30 random manuscripts from the British Library's collection, you might find 20 written in Latin, three each in French and English, and perhaps one each in Greek, Hebrew or Italian. You would almost certainly miss that the Catalogue contains a manuscript written in Cornish, another in Portuguese and another in Icelandic. These languages might be of interest precisely because they are hard to come by in the British Library's catalogue. Listing all the available languages (as well as their frequencies) exposes the exceptional parts of the collection where an unfaceted generous interface would hide them in plain sight.

Once I understood the project's goals and completed some high-level planning and design sketches, it was time to get to grips with implementation. Being fairly inexperienced, I found some tasks took much longer than expected. A few examples which stick in the mind are properly configuring the web server, debugging errant server-side scripts (which have a habit of failing either silently or with an unhelpful error message) and transforming Library's database into a form which I could use.

Being the work of many hands over the years, the database inevitably contained some tiny differences in the way entries were recorded, which Mia informs me is not uncommon for a long-standing database in a collecting institution. These small inconsistencies - for example, the use of an en-dash in some cases and a hyphen in others - look fine to us, but confuse a computer. I worked around these where I could, 'cleaning' the records only when I was certain of my correction.

Being new to web design, I built the interface iteratively, component by component, consulting periodically with Mia for feedback. Thankfully, frameworks exist for responsive web design and page templating. Nevertheless, there was a small learning curve and some thought was required to properly separate application logic from presentation logic.

There were some ambitions for the project which were ultimately not pursued due to time (and knowledge!) constraints, but this iterative process made other improvements possible over the course of my project. To make exploration of the catalogue easier, the page listing a manuscript's details also contained links to related manuscripts. For instance, Ioannes Rhosos is attributed as the scribe of Harley 5699, so, on that manuscript's page, users could click on his name to see a list of all manuscripts by him. They could then apply further filters if desired. This made links between manuscripts much more clear than the old interface, but it is limited to direct links which were explicitly recorded in the database.

An example of a relevant feature not explicitly recorded in the database is genre - only by reading manuscript descriptions can you determine whether it is religious, historical, medical etc. in its subject matter. Two possible techniques for revealing such features were considered: applying natural language processing to manuscript descriptions in order to classify them, or analysing data about which manuscripts were viewed by which users to build a recommendation system. Both of these turned out to require more in-depth knowledge than I was able to acquire within the time limit of the project.

I enjoyed working out how to transform all the possible inputs to the webpage into queries which could be run against the database, dealing with missing/invalid inputs by providing appropriate defaults etc. There was a quiet satisfaction to be had when tests of the interface went well - seeing something work and thinking 'I made that!'. It was also a pleasure to work with data about such an engaging topic.

Hopefully, this project will have proved that exploration of British Library's Catalogue of Illuminated Manuscripts has the potential to become a richer experience. Relationships between manuscripts which are currently not widely known could be revealed to more visitors and, if the machine learning techniques were to be implemented, perhaps new relationships would be revealed and related manuscripts could be recommended. My project showed the potential for applying new computational methods to better reveal the character of collections and connections between their elements. Although the interface I delivered has some way to go before it can achieve this goal, I earnestly hope that it is a first step in that direction.

Thomas' Catalogue interface
Thomas' Catalogue interface

28 January 2016

Book Now! Nottingham @BL_Labs Roadshow event - Wed 3 Feb (12.30pm-4pm)

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Do you live in or near Nottingham and are available on Wednesday 3 Feb between 1230 - 1600? Come along to the FREE UK @BL_Labs Roadshow event at GameCity and The National Video Game Arcade, Nottingham (we have some places left and booking is essential for anyone interested) and:

 

BL Labs Roadshow in Nottingham - Wed 3 Feb (1200 - 1600)
BL Labs Roadshow at GameCity and The National Video Game Arcade, Nottingham, hosted by the Digital Humanities and Arts (DHA) Praxis project based at the University of Nottingham, Wed 3 Feb (1230 - 1600)
  • Discover the digital collections the British Library has, understand some of the challenges of using them and even take some away with you.
  • Learn how researchers found and revived forgotten Victorian jokes and Political meetings from our digital archives.
  • Understand how special games and computer code have been developed to help tag un-described images and make new art.
  • Find out about a tool that links digitised handwritten manuscripts to transcribed texts and one that creates statistically representative samples from the British Library’s book collections.
  • Consider how the intuitions of a DJ could be used to mix and perform the Library's digital collections.
  • Talk to Library staff about how you might use some of the Library's digital content innovatively.
  • Get advice, pick up tips and feedback on your ideas and projects for the 2016 BL Labs Competition (deadline 11 April) and Awards (deadline 5 September). 

Our hosts are the Digital Humanities and Arts (DHA) Praxis project at the University of Nottingham who are kindly providing food and refreshments and will be talking about two amazing projects they have been involved in:

ArtMaps: putting the Tate Collection on the map project
ArtMaps: Putting the Tate Collection on the map

Dr Laura Carletti will be talking about the ArtMaps project which is getting the public to accurately tag the locations of the Tate's 70,000 artworks.

The 'Wander Anywhere' free mobile app developed by Dr Benjamin Bedwell.
The 'Wander Anywhere' free mobile app developed by Dr Benjamin Bedwell.

Dr Benjamin Bedwell, Research Fellow at the University of Nottingham will talk about the free mobile app he developed called 'Wander Anywhere'.  The mobile software offers users new ways to experience art, culture and history by guiding them to locations where it downloads stories intersecting art, local history, architecture and anecdotes on their mobile device relevant to where they are.

For more information, a detailed programme and to book your place, visit the Labs and Digital Humanities and Arts Praxis Workshop event page.

Posted by Mahendra Mahey, Manager of BL Labs.

The BL Labs project is funded by the Andrew W. Mellon Foundation.

27 January 2016

Come to our first @BL_Labs Roadshow event at #citylis London Mon 1 Feb (5pm-7.30pm)

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Labs Roadshow at #citylis London, Mon 1 Feb (5pm-7.30pm)

Live in or near North-East London and are available on Monday 1 Feb between 1700 - 1930? Come along to the first FREE UK Labs Roadshow event of 2016 (we have a few places left and booking is essential for anyone interested) and:

#citylis London BL Labs London Roadshow Event Mon 1 Feb (1730 - 1930)
#citylis at the Department for Information ScienceCity University London,
the first BL Labs Roadshow event Mon 1 Feb (1700 - 1930)
  • Discover the digital collections the British Library has, understand some of the challenges of using them and even take some away with you.
  • Learn how researchers found and revived forgotten Victorian jokes and Political meetings from our digital archives.
  • Understand how special games and computer code have been developed to help tag un-described images and make new art.
  • Talk to Library staff about how you might use some of the Library's digital content innovatively.
  • Get advice, pick up tips and feedback on your ideas and projects for the 2016 BL Labs Competition (deadline 11 April) and Awards (deadline 5 September). 

Our first hosts are the Department for Information Science (#citylis) at City University London. #citylis have kindly organised some refreshments, nibbles and also an exciting student discussion panel about their experiences of working on digital projects at the British Library, who are:

#citylis student panel  Top-left, Ludi Price and Top-right, Dimitra Charalampidou Bottom-left, Alison Pope and Bottom-right, Daniel van Strien
#citylis student panel.
Top-left, Ludi Price 
Top-right, Dimitra Charalampidou
Bottom-left, Alison Pope
Bottom-right, Daniel van Strien

For more information, a detailed programme and to book your place (essential), visit the BL Labs Workshop at #citylis event page.

Posted by Mahendra Mahey, Manager of BL Labs.

The BL Labs project is funded by the Andrew W. Mellon Foundation.

22 January 2016

BL Labs Competition and Awards for 2016

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Today the Labs team is launching the fourth annual Competition and Awards for 2016. Please help us spread the word by tweeting, re-blogging and telling anyone who might be interested about it!

British Library Labs Competition 2016

The annual Competition is looking for transformative project ideas which use the British Library’s digital collections and data in new and exciting ways. Two Labs Competition finalists will be selected to work 'in residence' with the BL Labs team between May and early November 2016, where they will get expert help, access to the Library’s resources and financial support to realise their projects.

Winners will receive a first prize of £3000 and runners up £1000 courtesy of the Andrew W. Mellon Foundation at the Labs Symposium on 7th November 2016 at the British Library in London where they will showcase their work.

The deadline for entering is midnight British Summer Time (BST) on 11th April 2016.

Labs Competition winners from previous years have produced an amazing range of creative and innovative projects. For example:

(Top-left)  Adam Crymble's Crowdsource Arcade (Bottom-left) Katrina Navickas' Political Meetings Mapper and (Right) Bob Nicholson's Mechanical Comedian.
(Top-left) Adam Crymble's Crowdsource Arcade and some specially developed games to help with tagging images
(Bottom-left) Katrina Navickas' Political Meetings Mapper and a photo from a Chartist re-enactment 
(Right) Bob Nicholson's Mechanical Comedian

A further range of inspiring and creative ideas have been submitted in previous years and some have been developed further.

British Library Labs Awards 2016

The annual Awards, introduced in 2015, formally recognises outstanding and innovative work that has been carried out using the British Library’s digital collections and data. This year, they will be commending work in four key areas:

  • Research - A project or activity which shows the development of new knowledge, research methods, or tools.
  • Commercial - An activity that delivers or develops commercial value in the context of new products, tools, or services that build on, incorporate, or enhance the Library's digital content.
  • Artistic - An artistic or creative endeavour which inspires, stimulates, amazes and provokes.
  • Teaching / Learning - Quality learning experiences created for learners of any age and ability that use the Library's digital content.

A prize of £500 will be awarded to the winner and £100 for the runner up for each category at the Labs Symposium on 7th November 2016 at the British Library in London, again courtesy of the Andrew W. Mellon Foundation.

The deadline for entering is midnight BST on 5th September 2016.

The Awards winners for 2015 produced a remarkable and varied collection of innovative projects in  Research, Creative/Artistic, Entrepreneurship categories and a special Jury's prize:

(Top-left) Spatial Humanities research group at the University Lancaster,  (Top-right) A computer generated work of art, part of  'The Order of Things' by Mario Klingemann,  (Bottom-left) A bow tie made by Dina Malkova  and (Bottom-right) work on Geo-referenced maps at the British Library that James Heald is still involved in.
(Top-left) Spatial Humanities research group at the University Lancaster plotting mentions of disease in newspapers on a map in Victorian times,
(Top-right) A computer generated work of art, part of 'The Order of Things' by Mario Klingemann,
(Bottom-left) A bow tie made by Dina Malkova inspired by a digitised original manuscript of Alice in Wonderland
(Bottom-right) Work on Geo-referencing maps discovered from a collection of digitised books at the British Library that James Heald is still involved in.
  • Research: “Representation of disease in 19th century newspapers” by the Spatial Humanities research group at Lancaster University analysed the British Library's digitised London based newspaper, The Era through innovative and varied selections of qualitative and quantitative methods in order to determine how, when and where the Victorian era discussed disease.
  • Creative / Artistic:  “The Order of Things” by Mario Klingemann involved the use of semi-automated image classification and machine learning techniques in order to add meaningful tags to the British Library’s one million Flickr Commons images, creating thematic collections as well as new works of art.
  • Entrepreneurship: “Redesigning Alice” by Dina Malkova produced a range of bow ties and other gift products inspired by the incredible illustrations from a digitised British Library original manuscript of Alice's Adventures Under Ground by Lewis Carroll and sold them through the Etsy platform and in the Alice Pop up shop at the British Library in London.
  • Jury's Special Mention: Indexing the BL 1 million and Mapping the Maps by volunteer James Heald describes both the work he has led and his collaboration with others to produce an index of 1 million 'Mechanical Curator collection' images on Wikimedia Commons from the British Library Flickr Commons images. This gave rise to finding 50,000 maps within this collection partially through a map-tag-a-thon which are now being geo-referenced.

A further range of inspiring work has been carried out with the British Library's digital content and collections.

If you are thinking of entering, please make sure you visit our Competition and Awards pages for further details.

Finally, if you have a specific question that can't be answered through these pages, feel free to contact us at labs@bl.uk, or why not come to one of the 'BL Labs Roadshow 2016' UK events we have scheduled between February and April 2016 to learn more about our digital collections and discuss your ideas?

We really look forward to reading your entries!

Posted by Mahendra Mahey, Manager of British Library Labs.

The British Library Labs project is funded by the Andrew W. Mellon Foundation.

 

12 November 2015

The third annual British Library Labs Symposium (2015)

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The third annual BL Labs Symposium took place on Monday 2nd November and the event was a great success!

The Labs Symposiums showcase innovative projects which use the British Library's digital content and provide a platform for development, networking and debate in the Digital Scholarship field.

The videos for the event are available here.

This year’s Symposium commenced with a keynote from Professor David De Roure, entitled “Intersection, Scale and Social Machines: The Humanities in the digital world”, which addressed current activity in digital scholarship within multidisciplinary and interdisciplinary frameworks.

DSL_6178

 Professor David De Roure giving the Symposium keynote speech

Caroline Brazier, the Chief Librarian of the British Library, then presented awards to the two winners of the British Library Labs Competition (2015) – Dr Adam Crymble and Dr Katrina Navickas, both lecturers of Digital History at the University of Hertfordshire.  

   DSL_6204

(L-R): Caroline Brazier, Chief Librarian; Competition winners Katrina Navickas and Adam Crymble; Dr Adam Farquhar, Head of Digital Scholarship 

After receiving their awards, it was time for Adam and Katrina to showcase their winning projects.

Adam’s project, entitled “Crowdsourcing Arcade: Repurposing the 1980s arcade console for scholarly image classification”, takes the crowdsourcing experience off the web and establishes it in a 1980s-style arcade game.

PB021291

Presentation by Dr Adam Crymble, BL Labs Competition (2015)  winner 

Katrina’s project, “Political Meetings Mapper: Bringing the British Library maps to life with the history of popular protest”, has developed a tool which extracts notices of meetings from historical newspapers and plots them on layers of historical maps from the British Library's collections.

PB021332

Presentation by Dr Katrina Navickas, BL Labs Competition (2015)  winner 

After lunch, the Symposium continued with Alice's Adventures Off the Map 2015 competition, produced and presented by Stella Wisdom, Digital Curator at the British Library. Each year, Off the Map challenges budding designers to use British Library digital collections as inspiration to create exciting interactive digital media.

The winning entry was "The Wondering Lands of Alice", created by Off Our Rockers, a team of six students from De Montfort University in Leicester: Dan Bullock, Freddy Canton, Luke Day, Denzil Forde, Amber Jamieson and Braden May.

 

Video: Alice's Adventures Off the Map 2015 competition winner 'The Wondering Lands of Alice'

This was followed by the presentations of the British Library Labs Awards (2015), a session celebrating BL Labs’ collaborations with researchers, artists and entrepreneurs from around the world in the innovative use of the British Library's digital collections.

The winners were: 

BL Labs Research Award (2015) – “Combining Text Analysis and Geographic Information Systems to investigate the representation of disease in nineteenth-century newspapers”, by The Spatial Humanities project at Lancaster University: Paul Atkinson, Ian Gregory, Andrew Hardie, Amelia Joulain-Jay, Daniel Kershaw, Cat Porter and Paul Rayson.  

The award was presented to one of the project collaborators, Ian Gregory, Professor of Digital Humanities at Lancaster University.

PB021372

Professor Ian Gregory  receiving the BL Labs Research Award (2015), on behalf of the Spatial Humanties project, from Dr Aquiles Alencar-Brayner

 

BL Labs Creative/Artistic Award (2015) – “The Order of Things” by Mario Klingemann, New Media Artist.

PB021381

Mario Klingemann receiving the BL Labs Creative/Artistic Award (2015) from Nora McGregor

  

BL Labs Entrepreneurial Award (2015) –“Redesigning Alice: Etsy and the British Library joint project” by Dina Malkova, designer and entrepreneur.

PB021398

Dina Malkova receiving the BL Labs Entrepreneurial Award (2015) from Dr Rossitza Atanassova

 

Jury’s Special Mention Award – “Indexing the BL 1 million and Mapping the Maps” by James Heald, Wikipedia contributor.

PB021417

James Heald receiving the Jury's Special Mention Award (2015) from Dr Mia Ridge

The Symposium concluded with a thought provoking panel session, “The Ups and Downs of Open”, chaired by George Oates, Director of Good, Form & Spectacle Ltd. George was joined by panelists Dr Mia Ridge, Digital Curator at the British Library, Jenn Phillips-Bacher, Web Manager at the Wellcome Library, and Paul Downey, Technical Architect at the Government Digital Service (GDS). The session discussed the issues, challenges and value of memory organisations opening up their digital content for use by others. 

PB021425

Panel session (L-R): George Oates; Jenn Phillips-Bacher; Paul Downey; Mia Ridge

The BL Labs team would like to thank everyone who attended and participated in this year’s Symposium, making the event the most successful one to date – and we look forward to seeing you all at next year’s BL Labs Symposium on Monday 7th of November 2016!

Posted by Mahendra Mahey, Manager of British Library Labs.

The British Library Labs Project is funded by the Andrew W. Mellon Foundation.

05 October 2015

British Library Labs Symposium (2015)

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  Bl_labs_logo

The BL Labs team are excited to announce that the third annual British Library Labs Symposium (2015) is taking place on Monday 2nd November 2015, from 09:30 –17:00 in the British Library Conference Centre, St Pancras. The event is free, although you must book a ticket. Don’t delay, as last year’s event was a sell out!

The Symposium showcases innovative projects which use the British Library’s digital content, and provides a platform for development, networking and debate in the Digital Scholarship field.

This year, Dr Adam Farquhar, Head of Digital Scholarship at the British Library, will launch the Symposium. This will be followed by a keynote from Professor David De Roure, Professor of e-Research at the University of Oxford and Director of the Oxford e-Research Centre. The British Library’s Chief Librarian, Caroline Brazier, will then present awards to the two British Library Labs Competition (2015) winners, who will follow with presentations on their winning projects.

After lunch, Stella Wisdom, Digital Curator at the British Library, will announce the winners of the Alice’s Adventures Off the Map competition, which challenged budding designers to use British Library digital collections as inspiration in the creation of exciting interactive digital media.

Following, the winners will be announced of the British Library Labs Awards (2015), which recognises projects that have used the British Library’s digital content in exciting and innovative ways. Presentations will be given by the winners in each of the Awards’ three categories: Research, Creative/Artistic and Entrepreneurial.  

The afternoon will end with a thought provoking panel session discussing the issues of opening up digital content for memory organisations, chaired by George Oates, Director of Good, Form & Spectacle Ltd.

The Symposium will conclude with a networking reception in the Chaucer and Foyer area.

Don’t forget to book your place for the Symposium today!

For any further information, please contact labs@bl.uk

Posted by Mahendra Mahey, Manager of British Library Labs.

The British Library Labs Project is funded by the Andrew W. Mellon Foundation.