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2 posts categorized "Africa"

27 October 2016

An African Abbot in Anglo-Saxon England

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To commemorate Black History Month in the United Kingdom, today we remember one of the Africans to live in Anglo-Saxon England. The man in question was Hadrian (d. 709), the abbot of St Peter’s and St Paul’s at Canterbury, who played a pivotal role in the development of the early Anglo-Saxon Church.

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Bede’s description of Hadrian, beginning column 2 line 18, from his Ecclesiastical History of the English People, England (Canterbury?), c. 825: Cotton MS Tiberius C II, f. 94r.

According to Bede, whose Ecclesiastical History of the English People was completed in 731, Hadrian was ‘vir natione Afir’ (translated as 'a man of African race' by Bertram Colgrave and R.A.B. Mynors), who spoke both Greek and Latin. Some scholars have suggested that Hadrian was a Berber, and that he came from the area that is now Libya. The evidence for his origin is found in a series of Biblical commentaries (surviving in a manuscript in Milan), derived from notes on Hadrian’s teaching at his school at Canterbury. These commentaries use vocabulary specific to that region, including terms for furniture and a beautiful bird called a porphyrio, 'said to be found in Libya' ('in Libia sit'). 

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Detail of North Africa, from a world map in a scientific miscellany, England, mid-11th century: Cotton MS Tiberius B V/1, f. 56v.

Hadrian may have been forced to flee the Arab invasions of North Africa, and at any rate he arrived in Italy as young man. In Europe, he had a remarkable career as the emperor’s translator, diplomat and abbot of a monastery near Naples. He was then sent by Pope Vitalian to accompany Theodore of Tarsus, the newly-appointed archbishop of Canterbury and arrived in England in 668. The two men immediately set about touring the archdiocese, restructuring the English Church by dividing large dioceses into smaller ones, and legislating through regular synods. They also created an internationally renowned school at Canterbury where they may have introduced the study of Greek to the Anglo-Saxons.

Among the students of that school was Aldhelm, later bishop of Sherborne, who was considered a pre-eminent scholar by many of his contemporaries. Aldhelm praised the school in his letters, including one to Hadrian himself, in which he described Hadrian as his 'revered father and respected teacher' and himself as a 'humble pupil of your holiness'. In another letter, Aldhelm scolded his young correspondent for going to study in Ireland when Hadrian and Theodore offered better educational opportunities in England. Certain manuscripts of Aldhelm’s letters have recently been digitised by the British Library and are now available online (Royal MS 6 A VI and Cotton MS Domitian A IX).

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Passage from Aldhelm's letter to Heahfrith where he praises Hadrian as 'endowed with ineffably pure urbanity', the moon to Archbishop Theodore's sun, England (Canterbury?), 1st half of the 11th century: Royal MS 6 A VI, f. 8v.

Judging from commentaries from his school and his students' writings, Hadrian can be credited with introducing Anglo-Saxons to a whole range of ideas, from astronomical thought inherited from Plato and Aristotle to the commemoration of Neapolitan saints venerated at his old monastery in Italy. He may even have influenced Anglo-Saxon literature through types of riddles: Aldhelm also wrote a book of riddles explicitly inspired by the North African writer Symphosius, whose enigmas may have been brought by Hadrian to England.

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Aldhelm's prologue invoking Symphosius, from Aldhelm's Riddles, England (Canterbury?), c. 1000: Royal MS 12 C XXIII, f. 79v.

One of the earliest books known to have been owned in post-Roman Britain also came from Africa, perhaps from Carthage. This book contains a 4th-century copy of letters by another North African, Cyprian. Although this manuscript is now fragmentary, when it first arrived in England it would have been an impressive codex, in fine uncial script and with the Biblical passages picked out in red. This book had come to England by the 8th century, because someone writing in early English script annotated, expanded and added to some of the words. These letters undoubtedly influenced 8th-century Anglo-Saxon writers, including Bede, who quoted from them. Some scholars have suggested that Hadrian himself may have brought this African manuscript to England.

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Detail of one of the earliest books known to have been owned in Anglo-Saxon England, containing the letters of Cyprian, North Africa, 4th century: Add MS 40165 A, f. 2r.

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Details of the letters â€˜vr’ added to the manuscript in England by the 8th century: Add MS 40165 A, f. 2v.

According to Bede, Hadrian had been reluctant to come to Kent, so much so that he turned down an offer to be made archbishop of Canterbury and instead nominated several others for that office, including his eventual companion, Theodore. Nevertheless, Hadrian stayed in England for 41 years, and his influence has lasted much longer. He was remembered in saints' Lives at Canterbury later in the Middle Ages, and he helped to shape religious structures and literary traditions which remain in England today.

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Beginning of Goscelin's Life of Hadrian, England (Canterbury), 1st quarter of the 12th century: Cotton MS Vespasian B XX, f. 233r.

Alison Hudson

@BLMedieval

07 January 2016

The Case of the Disappearing Ships

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In 2013 we were pleased to tell you about a ‘new life’ for one of our Royal manuscripts:  a banner-sized detail of a 15th century mappa mundi, which originally greeted visitors to our exhibition Royal Manuscripts: The Genius of Illumination, was repurposed to brilliant effect by Turner prize-winning artist Mark Leckey.

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Installation View:  detail of a Mappa mundi from Bartholomaeus Angelicus' De proprietatibus rerum, Royal MS 15 E III, f. 67v, behind Double Dome, 1967 by Derek Boshier, courtesy the Arts Council Collection from The Universal Addressability of Dumb Things curated by Mark Leckey, a Hayward Touring exhibition at Nottingham Contemporary 27 April – 30 June 2013. Photo: Andy Keate

But the story doesn’t end there.  Following its sojourn in the heady realm of contemporary art, the banner came home with me.  It made its way onto the wall of my infant daughter’s nursery, so that from a very early age she would be able to contemplate the important things in life (mappae mundi and medieval manuscript illumination, basically). 

BA Map in Eleanor's room
Over the course of the many many hours I spent in the nursery, I spent a lot of time staring at this vastly magnified painting.  And I soon noticed something interesting. 

But first a bit of background.  This miniature can be found at the beginning of Book 15 of a French translation of Bartholomaeus Angelicus’ encyclopaedia, De proprietatibus rerum.  Angelicus’s text, a compliation of theology, natural history, and science, was a bestseller, by medieval standards.  A century after it was written, De proprietatibus rerum  was translated into French, and illuminated copies began to be produced.  Royal MS 15 E III is a lavish copy, produced in Bruges in 1485, which may have once belonged to Edward IV.

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Detail of a tripartite mappa mundi, from a French translation of Bartholomaeus Angelicus’ De proprietatibus rerum, Bruges, 1482, Royal MS 15 E III, f. 67v

Book 15 of Angelicus’s text is called ‘On the provinces and countries’ and discusses Isidore of Seville’s division of the world into three parts: Asia, Africa, and Europe.  Most maps depicting this division show east at the top of the map (the origins of our term ‘to orient’), but the miniature above is interesting in that Asia shares the top space with Africa.  It is also unusual amongst maps of its type by depicting the three lands as mountainous landscapes, full of castles and rivers. 

It is in these rivers, though, that we can begin to see something odd – at least, the rivers in the Africa section.  At first glance it appears that there are no ships to be found in Africa, unlike Asia and Europe.  But a closer inspection reveals that there are ships, or rather, there were ships at one time.

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Detail of the Africa section of the tripartite mappa mundi, with ‘disappearing’ ships circled in red.

Three of these ships are visible (circled in red above), ghostly and barely present.  Examining the manuscript itself indicates that what we are seeing are most likely the original underdrawings, which were strangely emphasised in pigment but never fully painted.  The outlines of these ‘disappearing’ ships were painted over with the river landscapes, but are now visible. 

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Detail of the Africa section of the tripartite mappa mundi, with two black figures.

Also of interest in the Africa section are the only two inhabitants of the map: the outsized figures of two black men standing against a rocky outcrop.  Both figures appear to have been repainted (at least in part) to alter their positions; this is particularly visible in the way their arms are depicted.  It is possible, though far from certain, that these two men were not part of the original design but were added when the miniature was painted.

It is always a challenge to interpret such manuscript mysteries.  Were the Africa ships included in the original design in error and then corrected by the painter?  Was this only a simple design change?  Or were the ships removed at some point during the design process as part of an effort to make Africa appear more foreign, less civilised?  And how do the figures of the two black men – the only humans in evidence on the map – relate?

As always, we’re grateful for any ideas or suggestions you may have.  You can comment below, or reach us at Twitter @BLMedieval

-   Sarah J Biggs