THE BRITISH LIBRARY

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5 posts categorized "Digital scholarship"

10 July 2018

Chopin First Editions available online

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Chopin par Delacroix Eugène Delacroix (ca 1838)  Portrait de Frédéric Chopin, compositeur. Louvre Museum R.F1717

 As part to our commitment to bring our collections to everyone, we have digitised over sixty first editions of piano music by Frédéric Chopin, which are now available online.

As is the case with most composers, first editions of Chopin’s music are important to study the text of a given piece. Chopin would often add expression marks to the printing proofs, marks which weren't in the manuscripts provided to the publisher. Sometimes these additions were so numerous that a second proof had to be prepared for Chopin to approve for publication. In these cases they reveal a more advanced compositional state than the autograph manuscripts.

You may download a spreadsheet with the complete list by clicking here. The links on the right hand side will take you to the corresponding catalogue record. To view the score click on the "I want this" tab, and then on the red “GO” button next to "Digital Content, Collection Item". This newly digitised set will no doubt be a welcomed complement to the Chopin Online Resources, which includes other first editions from our collections.

19 June 2018

More Digitised Music Manuscripts available online

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 We have the pleasure of bringing you some more highlights from our collection which we have digitised in high resolution and uploaded onto our website so anyone can enjoy them remotely.
 All the below are autograph, unless noted.

Egerton MS 2954Musical treatises (15th century)
Italian Musical Treatise by Johannes de Muris
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Egerton_MS_2954 
Egerton_ms_2954_f014v

Add MS 36738 - Franz Schubert, Piano Sonata in G major D. 894, Op. 78 (1826)
Published as the Fantasy, Andante, Menuetto and Allegretto, is the eighteenth sonata of Franz Schubert composed in October 1826.
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_36738
Add_36738_f011r
Lansdowne MS 763 - Musical treatises (15th century)
Treatises transcribed, and probably to a great extent compiled, by John Wylde, precentor of Waltham Holy Cross Abbey, about 1460.
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Lansdowne_MS_763 
Lansdowne_ms_763_f017r

R.M.19.d.9 - George Frideric Handel,  Il Trionfo del Tempo HWV 46a (c 1710)
Manuscript copy, except for the Overture on ff. 69-78, and the corrections which are in the hand of Handel.
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=R.M.19.d.9R.m.19.d.9_f070r

Add MS 47849 - Joseph Haydn, Symphony no. 40 in F major (1763)
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_47849 
Add_ms_47849_f001r

Egerton MS 2327 - Ludwig van Beethoven, Rough copies of twelve airs for pianoforte, with accompaniment for flute or violin (c. 1817)
These are connected with his arrangements of English, Scotch, Welsh, and Irish airs. They were all published in Sechs variirte Themen (op. 105) and Zehn variirte Themen (op. 107), about the year 1817. From op. 107 are taken nos. 1-4 (nos. 9, 10, 2, 8, respectively), no. 9 (no. 4), and nos. 11, 12 (nos. 1, 5); and from op. 105, nos. 5-8 (nos. 1, 2, 4, 5), and no. 10 (no. 6).
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Egerton_MS_2327
Egerton_ms_2327_f002r

Egerton MS 2746 - Miscellaneous, including:
Robert Schumann, March in G minor, op. 76/2 
Richard Wagner, Sketch of the people's chorus (melody and bass only) from Act ii of 'Rienzi' (1839)
Richard Wagner, Largo maestoso (introductory movement) and Allegro con brio (beginning only), in C, for 4 hands
Draft of a letter, apparently by Richard Wagner, but unsigned
    Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Egerton_MS_2746
Egerton_ms_2746_f004r

30 March 2018

Latest Music Manuscripts available on our website

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 In addition to the previous batch announced here, we are pleased to share with you a few more Music Manuscripts freshly uploaded onto our website. 

One of the principal reasons that compel us to make these images available, is to preserve our collections for future generations. Every reading room request will involve at least eight pairs of hands that will handle the item from the shelf, to the reading desk and back. Naturally, this means that considerable stress is placed upon collection items which may be -as in the case of Music Collection materials- over 500 years old. Therefore, having high resolution images available on our website greatly minimizes threats to the longevity of our collection.

Please note that all of the below are Autograph Manuscripts, unless noted.

Add MS 31707 - Franz Joseph Haydn, Symphony no.103 in E-flat major "The Drumroll(1795)
This manuscript was presented by Haydn to Luigi Cherubini, who is said to have provided the missing folios 23r, 23v, and 26r by his own hand. From the collection of Julian Marshall.
Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_31707
Catalogue Record: http://searcharchives.bl.uk/IAMS_VU2:IAMS040-002023864
Add_ms_31707_f002v

Add MS 32173 - Franz Joseph Haydn, Johann Michael Haydn - A collection of songs, duets, choruses, cantatas, and a divertimento (18th-19th century)
Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_32173
Catalogue Record: http://searcharchives.bl.uk/IAMS_VU2:IAMS040-002025922 Add_ms_32173_f039r
Add MS 47851, Ludwig van Beethoven,  Concerto, op. 61, for violin or piano (1808) 
 Manuscript copy made for the first printed version of the concerto, with autograph corrections. This document is the main textual source for both the violin solo part and its piano arrangement. More information elsewhere on this blog.
Catalogue Records: http://searcharchives.bl.uk/IAMS_VU2:IAMS040-002104251
Digital Version: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_47851
Add_ms_47851_f010r 

Add MS 35272, 35273 - Franz Joseph Haydn, Collection of Scottish airs for one or two voices (c. 1803)
 Manuscript Copies, mainly in the hand in the hand of his amanuensis J. Radnitzky, with autograph additions.
Digital Versions: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_35272
                               http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_35273
Catalogue Record: http://searcharchives.bl.uk/IAMS_VU2:IAMS036-002088745
Add_ms_35272_f001v

 Add MS 35274 - 35275 Franz Joseph Haydn, Collection of Welsh airs for one or two voices (c.1804)
Manuscript copy, with an autograph note by the composer at the beginning,
Digital Versions: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_35274
                               http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_35275
Catalogue Records: http://searcharchives.bl.uk/IAMS_VU2:IAMS040-002088748
                                    http://searcharchives.bl.uk/IAMS_VU2:IAMS040-002088749
Add_ms_35274_f002v 

03 June 2016

Peter Kennedy Archive

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As part of an AHRC Cultural Engagement project grant awarded to City University and partially funded by the National Folk Music Fund, ethnomusicologist Andrew Pace, has engaged in a project to catalogue thousands of paper and photographic files from Peter Kennedy’s collection of British and Irish folk music held at the British Library.

This month we have launched a unique website - www.peterkennedyarchive.org - in which listeners can retrace the chronology and geographical routes of Kennedy's extensive field recording activity. In the text below, Andrew describes the project and walks us through the website's main features.

PR0925
Peter Kennedy interviewing Edgar Button. Thebburton, Suffolk, 1956 [PR0925]

Peter Kennedy was one of the most prolific collectors of British and Irish folk music and customs from the 1950s up until his death in 2006. Working closely with other collectors of his generation, such as Alan Lomax, Sean O’Boyle and Hamish Henderson, he recorded hundreds of traditional performers ‘in the field’, including Margaret Barry, Fred Jordan, Paddy Tunney, Harry Cox, Frank and Francis McPeake and Jack Armstrong. In 2008 his collection came under the care of the World and Traditional Music section of the British Library.

I’ve been working on Peter’s sizeable collection periodically since 2010, cataloguing thousands of audio tapes and photographs of traditional performers and uploading some of this material to Sounds. In fact, just this month an additional 500 photographs and 70 audio recordings from Peter’s collection have been added to the existing collection available online. 

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Bob Copper, John Copper, Ron Copper and Jim Cooper photographed by Peter Kennedy in Rottingdean, Sussex, 1950s [025I-MSMUS1771X1X-0201A0]

However, Peter’s paper files, comprising song texts, scores, contracts, draft manuscripts and a large amount of correspondence between himself and performers, collectors, institutions and enquirers, hadn’t been catalogued. This is the task that I’ve been undertaking since January. All of these papers will be uploaded to the Library’s catalogue in due course.

Amongst these papers I discovered 31 reports written by Peter for the BBC’s ‘Folk Music and Dialect Recording Scheme’, a project on which he was working during the 1950s. Across 180 typewritten pages, Peter describes his daily itinerary recording traditional performers around the UK and Ireland between 1952 and 1962. Full of anecdotes and insightful information about the musicians he recorded - including confirmation of when and where he recorded them - these documents reveal a great deal about Peter’s fieldwork during this period.

I decided to use these reports as the basis for a new website which brings these narratives together with all of the audio recordings and photographs from Peter’s collection that have been digitised so far: www.peterkennedyarchive.org.

These reports feature ‘hotspots’ placed over the names of the more than 650 musicians that Peter recorded during these trips. Clicking on the name of a performer reveals any sound recordings or photographs taken of them by Peter on that particular day that are available to view and listen to on Sounds. Additionally, links to entries in the British Library’s catalogue are provided for any related material that hasn’t yet been digitised, such as Peter’s tapes or BBC transcription discs.

What makes this website unique is the way it contextualises recordings and photographs of performers with Peter’s own notes about them. Whilst the British Library’s catalogue is useful as a search tool, it doesn’t reveal how a collection was formed and developed – and it doesn’t tell us very much about who created it. This new website gives us a better idea of what’s in this collection by refocusing attention on Peter as a recordist and reconstituting his material into a form that better resembles how he created it.

I hope www.peterkennedyarchive.org will prove useful to researchers and musicians alike and encourage more people to explore Peter’s collection at the British Library. As more of his field recordings are digitised and attached to the site, it should become an increasingly valuable resource

- Andrew Pace

Find out more about the work of the British Libary's Sound Archive and the new Save our Sounds programme online.

Follow the British Library Sound Archive @soundarchive and the British Library's World and Traditional Music activities @BL_WorldTrad on Twitter.

 

27 October 2015

Curatorial vacancy in the Music Collections

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We recently advertised details of a vacancy that has arisen in the British Library’s music department. The post will have a particular focus for exploring digital opportunities with music materials, but will also involve working with the Library’s rich heritage music collections in manuscript and print format. The post will require a mix of musicological and professional library-based skills and experience, as well as technical knowledge relevant to digital humanities in the field of music. The closing date is 1 November, and interviews are scheduled for 16 November in London. For further details please see the Vacancies section of the Library’s website: http://www.bl.uk/.