THE BRITISH LIBRARY

Untold lives blog

22 February 2018

Mr Robertson and the Great Stupa at Amaravati

In the British Museum’s Asahi Shimbun Gallery there is a permanent display of sculptures from Amaravati Stupa. These beautifully carved limestone sculptures originally surrounded a massive Buddhist monument in Andhra Pradesh, India. It was constructed between the 3rd Century BC and the 3rd Century AD. When Buddhism’s popularity in southern India went into decline, the Great Stupa at Amaravati became disused, and was eventually abandoned.

1 Asahi Shimbun GalleryThe recently reopened Asahi Shimbun Gallery in the British Museum. Noc

In 1816-17 a British survey team excavated Amaravati Stupa’s remains, and in 1859, 121 of the stupa’s sculpted stones were shipped to the British Museum. What few people realise is that some unusual things happened to these precious sculptures in the four decades between these two events.

 2a IMG_1743King standing with attendants -  in the Asahi Shimbun Gallery.Noc

2b WD1061f13largeKing standing with attendants - drawing taken during the 1816/17 excavation. WD1061, f.13.Noc

2c photo958 23b detailKing standing with attendants - photograph by Linnaeus Tripe taken at Madras in 1856, before it was sent to London. Photo 958/(23b). Noc

Francis W. Robertson was the East India Company’s Assistant Collector at Masulipatam from 1817 to 1819. Masulipatam was the closest seaport to Amaravati, and Robertson knew the man in charge of the stupa’s excavation in 1816-17. Together, they made plans to beautify Masulipatam’s market place by building a monument out of Amaravati sculptures.

The resulting monument, known locally as “Robertson’s Mound”, was probably completed in around 1819. It attracted virtually no outside attention until 1830, when the Governor of Madras, Sir Frederic Adam, paid a visit to Masulipatam. Adam wanted to establish a museum in Madras Presidency, and upon seeing Robertson’s Mound in the market place, he gave orders for it to be dismantled so the sculptures could be deposited in the new museum, once it was created.

3a IMG_1741Horse walking through gate - in the Asahi Shimbun Gallery. Noc

3b WD1061f28largeHorse walking through gate - drawing taken during the 1816/17 excavation. WD1061, f.28. Noc

3c photo958 32b detailHorse walking through gate - photograph by Linnaeus Tripe taken at Madras in 1856, before it was sent to London-  Photo 958/(32a). Noc

Over 20 years later, the Madras Government Museum was finally established. In 1854 the stones from Robertson’s Mound, along with some other sculptures from Amaravati, were sent to Madras. 121 of them were sent to the British Museum in 1859. By looking at drawings, photographs and other documentation in the British Library, one can identify which of the British Museum’s 121 Amaravati sculptures were part of Robertson’s Mound. One can also ascertain the condition of these sculptures before and after they were attached to this curious and short-lived monument.

4a IMG_1759Man and woman standing next to a horse - in the Asahi Shimbun Gallery. Noc

4b WD1061f31largeMan and woman standing next to a horse - drawing taken during the 1816/17 excavation. WD1061, f.31.Noc

4c photo958 31 detailMan and woman standing next to a horse - photograph by Linnaeus Tripe taken at Madras in 1856, before it was sent to London. Photo 958/(31). Noc

Jennifer Howes
Art Historian specialising in South Asia

Further reading:
Howes, Jennifer. “The Colonial History of Sculptures from Amaravati Stupa.”
In Hawkes, J. & Shimada, A. Buddhist Stupas in South Asia. Delhi: Oxford University Press, 2009.
Taylor, William. On the Elliot Marbles. Madras: 1856. (BL, V9700)
Tripe, Linnaeus. Photographs of the Elliot Marbles. Madras: 1858-9. (BL, Photo 958)