Americas and Oceania Collections blog

Exploring the Library’s collections from the Americas and Oceania

Introduction

The Americas and Oceania Collections blog promotes our collections relating to North, Central and South America, the Caribbean, and Oceania by providing new readings of our historical holdings, highlighting recent acquisitions, and showcasing new research on our collections. It is written by our curators and collection specialists across the Library, with guest posts from Eccles Centre staff and fellows. Read more about this blog

07 January 2025

Delayed Promises and Steadfast Dreams: Mapping Out a Young Black Loyalist’s Fictional Journey

Monique Hayes is a historical fiction author, poet, and screenwriter from Maryland. She was a 2023 Eccles Institute Visiting Fellow at the British Library.

As an author who often utilizes young adult protagonists, I have to think about what passions and promises propel my characters to act. Will they ultimately get what they want? My novel-in-progress Sally Forth focuses on two enslaved brothers with disparate dreams and journeys, who go boldly into the Revolutionary War when they’re promised freedom for their service. While younger brother Brook’s path as a Continental Army soldier comes with difficult challenges, his older brother Albie, a Black Loyalist, goes down a rockier road full of weak promises, debilitating hardships, and dehumanizing moments. It becomes increasingly hard for Albie to get what he wants and deserves.

My Eccles Institute Visiting Fellowship gave me access to rich resources so I could flesh out Albie’s journey, from his first time holding a uniform emblazoned with “Liberty to Slaves” in Dunmore’s Ethiopian Regiment to his days of crippling doubt in Nova Scotia and then his struggle to survive in Sierra Leone.

My primary goal during my Visiting Fellowship was to unearth as much information as I could about the Black Loyalist settlement of Birchtown and the Freetown colony in Sierra Leone. Unlike his brother who craves education, Albie’s passion is land ownership. He’s denied this as a slave in Chester County, Pennsylvania, and brightens at the promise of getting his own land in Birchtown after he emigrates to Nova Scotia. My eyes were truly opened by the British Library’s holdings. There were enlightening eyewitness accounts and secondary sources detailing how much the 1,521 free Blacks of Birchtown were disenchanted by the poor soil, the delays in receiving their land allotments, the lack of food and housing supplies, and the prejudice that forced them to take low-paying labour jobs.

The most stunning account came from a white landowner’s grandfather: “They just dug a hole in the ground and put a little packed roof over it…There was a small trapdoor in one side of the roof and the negroes entered the house by dropping right down through. And that was the black man’s home - a hole in the ground with a roof over the hole.”1 Others erected crude huts, but the Black settlers often received lumber and tools after their white counterparts. It became much easier for me to compose scenes focused on Albie dealing with these injustices and waiting years for his longed-for land.

Inefficient surveyors and harsh winter conditions frustrated the Black Birchtown settlers as well. Some surveys for Black settlers were halted when new white Loyalists arrived looking for land. Other land allotments guaranteed to the Black Loyalists were taken away and used for other purposes.

I particularly gravitated to a passage about Black Loyalist Caesar Perth who went to his 34-acre lot for the first time, only to find “a rocky outcropping that was not suitable for crops.”2 This was what Perth and 183 men received after several years of patience. I was heartbroken and inspired to craft a scene between Albie and Perth, arriving to see the “rewards” for their service, another crushing blow years after the loss at Yorktown.

After this devastating realization, Albie accepts the offer Thomas Peters gave to nearly 1,200 Black Nova Scotians to emigrate to Sierra Leone in 1792. According to naturalist Henry Smeathman, the land in Sierra Leone was a “suitable location”: “An opportunity so advantageous may perhaps never be offered to them again; for they and their posterity may enjoy perfect freedom.”3

Black and white illustration of a coastal bay, with a few vessels on the water and houses in the distrance.
Image 1: A drawing of Freetown in 1798, by William Augustus Bowles, a visiting Creek Indian leader. Frontispiece for Dr. Thomas Winterbottom’s An Account of the Native Africans of Sierra Leone (1803). Shelfmark L.69/5614.

However, that freedom was not at all perfect. Studying Mary Louise Clifford’s From Slavery to Freetown allowed me to truly see the major distrust between abolitionist John Clarkson and Peters, the negative influence the Sierra Leone Company had over the budding colony, and the emasculation of Peters over time.

Still, I was very moved when reading about the emigrants’ experiences, including the eldest emigrant that made the journey funded by the Sierra Leone Company. The one-hundred- and four-year-old woman, possibly the mother of famous preacher Cato Perkins, was determined to go so “that she may lay her bones in her native country.”4 Albie is just as eager to connect with his African past and start a family in the newly formed Freetown.

A coloured illustration of large sailing ship close to a hilly coastline.
Image 2: Margaret Whitman Blair, “Liberty or Death: The Surprising Story of Runaway Slaves Who Sided with the British During the American Revolution” (2010). Shelfmark Y.K. 2010.b.6889.

What most surprised and inspired me was Thomas Peters’ downfall during the early days of Freetown. I was well aware that Sierra Leone’s intense rainy season and various illnesses plagued the settlers, but Peters’ life was more complex than I thought. Former Black pioneer Peters went from the settlers’ preferred leader to an outcast among his peers due to the machinations of Clarkson and other officials.

Orphan Albie views Peters as a father figure. He admires Peters, who protested when authorities delayed land distribution and failed to let the colonists govern themselves. Peters’ sudden death after being accused of theft is an event neither the settlers nor Albie are prepared for, and it’s a haunting historical example of what a life of dashed dreams can do.

I’m incredibly grateful for the Eccles Institute Visiting Fellowship which fulfilled one of my dreams to study these materials in-depth so I could give Albie a more historically accurate and meaningful journey. As he pursues his passions, Albie’s heart and spirit are tested on and beyond American shores, and I hope his story finds its way into the hearts of many readers.

References

1. "Birchtown: The History and the Material Culture of an Expatriate African-American Community", by Laird Navin and Stephen Davis. Chapter 4 of Moving On: Black Loyalists in the Afro-Atlantic World, ed. by John Pulis (London: Garland, 2013), p. 72. Shelfmark Y.C. 2003. a. 12259.

2.  Mary Louise Clifford. From Slavery to Freetown (London: MacFarland, 1999) p. 60. Shelfmark Y.C. 1999. b. 6067

3.  Henry Smeathman, Plan of a settlement to be made near Sierra Leone, on the Grain Coast of Africa (London: 1786). Shelfmark B.496.(1).

4.  “The Black Loyalists in Sierra Leone” by Wallace Brown. Chapter 6 of Moving On: Black Loyalists in the Afro-Atlantic World, ed. by John Pullis (London: Garland,1999), p. 109. Y.C. 2003. a. 12259.

27 November 2024

'US Politics Today' A Level Conference 2024: Student Notes

These Student Notes accompany the 2024 edition of ‘US Politics Today’, an exciting learning programme that takes place each November for students of A-level Politics.  

Former Members of the US House of Representatives – one Democrat, one Republican – share reflections from their direct experience at the heart of Washington D.C., and discuss the latest trends and events with leading academics. These conferences and events offer students the chance to hear some of the critical questions and issues in US politics come alive and leap out of the textbook, and support classroom work on key topics in A-level US Politics courses, including sessions on The Presidency, Congress, the Supreme Court, and Elections and Democracy. 

This year, former Members of Congress Cheri Bustos (D-IL, 2013-2023) and Bob Dold (R-IL, 2011-2013; 2015-2017) shared their experiences and insights of lawmaking and representing two very different congressional districts in Illinois – together with their interpretations of the Republicans’ triumph in the general election.  

A man at a lectern; a man and woman seated.
Professor Andrew Moran, Rep. Bob Dold and Rep. Cheri Bustos at the British Library, 22 November 2024.

If you would like access to catch-up recordings of the conference which took place at the British Library on Friday 22 November 2024, including academic presentations and Q&As with the Former Members of Congress, please email [email protected]. Please also get in touch if you would like to register your interest in bringing a class to the live events in London in 2025. 

Student Notes 

Professor Philip Davies: The Party Political Balance in Washington

Professor Josephine Harmon: Congress

Professor Andrew Moran: The Presidency

Dr Emma Long: The Supreme Court

Other Links and Resources 

Cheri Bustos recalls the events of 6 January 2021: https://www.politico.com/news/2022/01/03/january-6-capitol-riot-house-democrats-525975 

CNN’s updated data on the general election: 

https://edition.cnn.com/election/2024/results/president?election-data-id=2024-PG&election-painting-mode=projection-with-lead&filter-key-races=false&filter-flipped=false&filter-remaining=false 

Congress to Campus is organized by the Eccles Institute for the Americas and Oceania, in collaboration with the USAFMC and with the support of the US Embassy, London.

19 November 2024

On the Road Again: “America Now!” events series continues at the Eccles Institute

Country music is certainly having a moment this year. Beyoncé surprised everyone by dropping Cowboy Carter, intentionally disrupting the racial politics of Americana. Orville Peck's interrogation of the genre's sexual and gender politics has crossed over into the mainstream. And a singer named Taylor, who started her career as a teen on Music Row in Nashville, has taken over the world. What are we to make of this country music moment? What does it tell us about the USA's understanding of itself and its culture? And is it going to last? Join us, members of the British Associate for American Studies and a panel of superfans and pop-culture experts (detailed below) to discuss more later this month. 

Why Country Music Conquered the World in 2024 takes place at the British Library, London, on Thursday 28 November 2024. Book your ticket today

On the panel will be:

Rachel Sykes: an Associate Professor in Contemporary Literature and Culture at the University of Birmingham, where they lead courses in gender and sexuality studies and popular culture. Their work focuses on confession in contemporary culture and recently published (separate) articles on ‘hot’ priests, Princess Diana, and confessional pop music.

Jon Ward: a Lecturer in Race and Diversity Studies at King’s College London. His research and teaching generally focuses on representations of the body in visual, literary, and popular culture. His recent work examines “misremembrance” of racialized histories and coloniality in popular culture, and the figure of the “White Saviour” in US popular film.

Robyn Shooter: a Ph.D. candidate in English and American Studies at King’s College London. Her current research examines the role of (post-)genre classifications, gender representation, and community formations in the establishment and reception of Americana music (1960 to Present).

Claire Hurley: a lecturer in American and 20th century Literature at the University of Kent. She teaches modules on race, gender and sexuality, with a special interest in Black feminism. She has a chapter in the recently published Bloomsbury collection, The Literary Taylor Swift and organised a conference on Taylor Swift entitled ‘F**k the Patriarchy’ in May this year.

Listen to our event playlist on Spotify: Cowboy Carter to Taylormania!

Beyonce Cowboy Carter Billboard on April 6, 2024 in Los Angeles, California, USA. Photo by Barry King/Alamy Stock Photo
Beyonce Cowboy Carter Billboard on April 6, 2024 in Los Angeles, California, USA. Photo by Barry King/Alamy Stock Photo

When we hear stories of long, hot summers, decayed and grotesque settings, and flawed or troubled characters do we think Southern Gothic literature or 21st-century country music? Themes of social climate, gender identity, and sexuality can certainly be seen in both. For those interested in exploring representations of the Southern Gothic, particularly through a lens examining contemporary racial and gender stereotypes, the Library holds Kara Walker’s Freedom: A Fable (RF.2017.a.46). Featuring Walker’s famous silhouettes, the short story tells of a woman granted emancipation from slavery but who can never escape oppression and discrimination; the book speaks directly to the persistence of negative stereotypes that emerged in performances, novels, and artworks of the 18th and 19th centuries in America 

The artistic reinventions of Taylor Swift may have changed over the course of the last 18 years but to revisit her country era beginnings, the Library holds an early edition of Nathaniel Hawthorne’s Gothic Romance The Scarlet Letter (12704.f.15.), published by Ticknor, Reed & Fields in Boston, Massachusetts in 1850. Telling the story of a young woman outcast from society after an illicit affair, the novel is one of the many intertextual references mentioned by the Swift in her songwriting, in this case, 2008’s Love Story. When Swift re-recorded the song in 2021, it marked her eighth number 1 on Billboard's Hot Country Songs chart.  

Lana Del Rey’s country album Lasso is set for release in 2025 so it seems an apt time to nod to the Americana that has inspired her creative practice. From A Streetcar Named Desire to the Beats via 150+ years of Walt Whitman; all can be found in various forms at the Library. Along with a first edition of Leaves of Grass, published anonymously in 1855 (C.58.g.4) the Library also holds this place / this hour (2019)*, an accordion-fold artists’ book commemorating the 200th anniversary of Walt Whitman’s birth. Created by Brooklyn-based artist Anne Gilman, the book combines Gilman's own writings with related quotes from Whitman’s works and is a fascinating contemporary interpretation of a piece of classic Southern American literature.  

New Directions front cover for A Streetcar Named Desire, designed by Alvin Lustig, BL shelfmark: YA.1996.b.5800, and Pictures of the Gone World (Fifth Printing) by Lawrence Ferlinghetti (San Francisco: City Lights Books, 1955) BL shelfmark 011313.t.3/1.

New Directions front cover for A Streetcar Named Desire, designed by Alvin Lustig, BL shelfmark: YA.1996.b.5800, and Pictures of the Gone World (Fifth Printing) by Lawrence Ferlinghetti (San Francisco: City Lights Books, 1955) BL shelfmark 011313.t.3/1.
 
First edition of Leaves of Grass, BL shelfmark: C.58.g.4
First edition of Leaves of Grass, BL shelfmark: C.58.g.4

Remember it’s free to get a Reader Pass from the British Library and access materials in London and at our Reading Room in Yorkshire.   

“America Now!” is a new series of live events exploring the current state of the USA and its place in the world. See the full events programme on See Tickets and read about the season launch in our blog from September 2024.

*Shelfmarking of this item has been delayed due to the Library’s cyber-attack in 2023; we hope to make it available to Readers as soon as possible.