American Collections blog

14 posts categorized "Australia"

01 October 2020

New additions to our electronic resources

The Americas and Oceania collections are pleased to offer three new electronic resources on women's rights, Native American studies, and early settlers in Australia and Aotearoa/New Zealand.  The resources can be accessed by Readers in the British Library Reading Rooms which are currently open but in a restricted capacity. Our hard-working Reference Enquiry Team are also able to access these new resources in order to support your virtual enquiries. You can contact them on their Quick Chat service for short research enquiries from Monday to Friday: 09.30–17.00, or get in touch with individual Reading Room teams via the 'Ask the Reference Team' function.

 

Photograph of unidentified woman putting up billboard with bucket and broom. Billboard reads: "'Women of Colorado, you have the vote. Get it for women of the nation by voting against Woodrow Wilson and the Democratic Candidate for Congress. Their party opposes national woman suffrage. The National Woman's Party."
A National Woman's Party campaign billboard in Colorado, 1916. Source: http://hdl.loc.gov/loc.mss/mnwp.159016


History Vault: Struggle for Women’s Rights: Organizational Records, 1880–1990

This digital collection is comprised of records of three important women's rights organizations in the US: the National Woman's Party, the League of Women Voters, and the Women's Action Alliance. Material included shows the organisations’ concerns with issues such as employment and employment discrimination, childcare, health care, and education and U.S. politics from 1920 to 1974. Types of content include party papers, correspondence, minutes, legal papers, financial records, printed material and photos. It’s an absolutely fascinating range of documents; lots of correspondence letters, offering a very different kind of approach to historical research on the topic of women’s rights

The collection provides a good primary resource for the study of first and second wave feminism. It includes the records of three important women's rights organizations in the US for the period 1913-1996, with additional material dating back to the 1850s. This resource complements existing areas of the British Library’s collections, particularly in regard to printed material around women’s suffrage movements in America. Later this month, the Library will be highlighting its collection around women’s rights with its major exhibition, Unfinished Business: The Fight for Women’s Rights, taking place, and this resource will provide researchers with further ways to investigate the stories and issues touched upon in the exhibition.

Related e-resources which can be accessed in the Reading Rooms and by our Reference Enquiry Team to support virtual enquiries during this time include:

Everyday Life & Women in America c.1800-1920

North American Women’s Letters and Diaries

Women's Studies Archive: Voice and Vision

 

Promotional material for the digital resource 'North American Indian Thought and Culture'

North American Indian Thought and Culture

For researchers looking at Indigenous Studies, American Studies and Canadian Studies, North American Indian Thought and Culture brings together more than 100,000 pages, many of which are previously unpublished, rare, or hard to find. The project integrates autobiographies, biographies, First Nations publications, oral histories, personal writings, photographs, drawings, and audio files for the first time. The result is a comprehensive representation of historical events as told by the individuals who lived through them. The database is an important resource for all those interested in research into the history of Native Americans, Alaska Natives, and Canadian First Peoples. It includes an archive of key texts about and by Indigenous peoples, including biographies, oral histories (audio and transcript), and photographs.

This resource complements existing collection strengths on North American Indigenous peoples at the British Library. Covering several centuries, its value particularly lies in the numerous accounts by Indigenous people (written and oral) which add a much needed dimension to the collections.  Many of the materials it provides access to are otherwise unavailable in the UK. Autobiographies by Black Hawk and Okah Tubbee can be accessed, and rare books included represent Sequoyah and Standing Bear. Twenty prominent Native Americans have been selected for special emphasis, with multiple biographies presented, including Tecumseh, Sitting Bull, Chief Joseph, and Plenty Coups.

Virtually all North American groups are represented—nearly 500 in all. Some nations are covered in great depth, including the Eskimos and Inuit of the Arctic; the sub-Arctic Cree; the Pacific Coastal Salish; the Ojibwa, Cheyenne, and Sioux of the Plains. Biographies have been collected from more than 100 Native American publications, such as The Arrow, the Cherokee Phoenix, and the Chickasaw Intelligencer. The collection includes 2,000 oral histories presented in audio and transcript form and at least 20,000 photographs including from the archives of the Bureau of Indian Affairs, and other rare collections.

Related e-resources which can be accessed in the Reading Rooms and by our Reference Enquiry Team to support virtual enquiries during this time include:

 American Indian Histories and Cultures

American Indian Newspapers

 

Promotional material for the digital resource 'Early Experiences in Australasia: Primary Sources and Personal Narratives 1788-1901'

Early Experiences in Australasia: Primary Sources and Personal Narratives 1788-1901

For researchers in settler colonial studies, history, area studies, migration studies, Indigenous studies, and more, this collection of first-person accounts provide a unique and personal view of events in Australia and Aotearoa/New Zealand from the arrival of the first settlers through to Australian Federation at the close of the nineteenth century. Through letters and diaries, narratives, and other primary source materials, we are able to hear the voices of the time and explore the experiences of women and men, settlers and Indigenous peoples, convicts, explorers, soldiers, and officials . Thousands of unique documents have been drawn from the archives of the State Library of Victoria; State Library of New South Wales; State Library of Queensland; Flinders University; University of Melbourne; and University of Waikato.

A key feature of this resource is the extensive indexing of material which allows the sources to be browsed and cross-searched in a variety of ways, including by date, person, and subject. Content can be explored by writer, region, audience, personal and historical event, environmental features including fauna and flora, and more. Supporting material such as images, maps, and photographs supplement the first-person narratives and provide additional context. The resource builds on the legacy of the James Cook: The Voyages exhibition in providing first-hand accounts of those who settled in Australia, New Zealand and the South Pacific following Cook’s exploration in the region.

Related e-resources which can be accessed in the Reading Rooms and by our Reference Enquiry Team to support virtual enquiries during this time include:

Age of Exploration

Colonial and Missionary Records *

* Reader Pass holders can access this resource remotely via our Remote Resources service

 

Lucy Rowland, Curator of Oceania Published Collections

14 May 2020

Views from the shore

Changing the perspective on James Cook’s arrival in Australia: online resources offering a view from the shore 

At the end of April, 250 years ago, the Gweagal people, in Kurnell (Kamay Botany Bay, New South Wales) encountered strangers approaching their shore. The written versions of this initial contact in journals and letters have since been studied and commemorated in Western culture. Extensive celebrations of the bicentenary in 1970 were televised worldwide and included a lengthy royal tour, pageants, and multiple re-enactments of Cook's arrival. Yet, now in 2020, James Cook's legacy in Australia is often the subject of controversial debate with commemoration events considerably more subdued than those 50 years ago. Re-examination of the original journals, letters and documents from the voyages by scholars since the 1970s has offered glimpses of a different narrative, and we are now beginning to hear other views of the events in 1770 and subsequent encounters: those recorded through story, song and dance and passed down through descendants of the Gweagal people and other communities who witnessed Cook's voyage up the east coast of Australia.  

Protestors during the Melbourne Invasion Day march in Melbourne on 26 January 2020
'Ever stopped to look through our eyes?' placard at Australia Day protests in Melbourne on 26 January 2020. Image by Mark Hrkac 2020 on Flickr, Creative Commons BY 2.0

With many of the public events marking the 250th anniversary suspended due to the current global pandemic (see Maria Nugent's perspective on the thwarted anniversary plans in her article, Virtually Captain Cook), we can look to the wealth of online exhibitions and digital resources that have been made available to explore First People’s accounts of Cook’s arrival in Australia. One such exhibition is the National Museum of Australia’s Endeavour Voyage: The Untold Stories of Cook and the First Australians which will be releasing new digital content to follow the voyage up Australia’s east coast until August 2020. This exhibition looks at the missing voices from the Endeavour story and content includes The Message: The Story from the Shore, a film made in collaboration with Indigenous communities which re-imagines how the news of the arrival of strangers was passed along groups on the east coast.                                                                                                                                                                                                                                          

East Coast Encounter: Re-imagining 1770 from Aust National Maritime Museum on Vimeo.

The Australian National Maritime Museum's Encounters 2020 program includes resources designed to bring to life perspectives from the shore as well as those from the ship. Material here includes an animated short film, The Strange Big Canoe, which combines journal records and Indigenous histories to depict HMB Endeavour’s voyage along the east coast, and the film, East Coast Encounter: Re-imagining 1770, which tells the story of the East Coast Encounter project, where a group of artists re-visit key places where Cook landed on Australia's East Coast. The Australian Government's Shared Histories site, part of their Endeavour 250 anniversary program, draws on items from these national collections to reflect on the events of 1770, and the lasting impact of the voyages on Indigenous Australians.

We are still here protest sign, Melbourne 2019
'We are still here' placard. Image by Julian Meehan, 2019 on Flickr Creative Commons BY 2.0

In the UK, the Portico Museum in Manchester, have launched the online exhibition What it is to be here: Colonisation and Resistance which is running until July 2020. The exhibits here trace the First Peoples of Australia’s resistance to colonisation in seven stages, from the first encounters in ‘The view from the shore’ up to the present day in ‘What it is to be here 2020’. This exhibition builds on the connections which have developed between Manchester, AIATSIS and the First Nations people of Australia. This relationship also saw the return of 43 secret sacred and ceremonial objects to the Aranda people of Central Australia, Gangalidda Garawa peoples’ of northwest Queensland, Nyamal people of the Pilbara and Yawuru people of Broome in 2019.

'Do you know the history of the land you walk?' placard at Australia Day protests in Melbourne, 2018.
'Do you know the history of the land you walk?' placard at Australia Day protests in Melbourne, 2018. Image by John Englart 2018 on Flickr, Creative Commons BY-SA 2.0

Online material is also available through previous exhibitions on the voyages, including Dr Shayne T. Williams’ article An Indigenous Australian perspective on Cook's arrival and Responses from across the Pacific from the the British Library's James Cook: The Voyages exhibition in 2018. The National Library of Australia held the exhibition Cook and the Pacific from 22 September 2018 to 10 February 2019 and material is still available online, including a useful overview of the exhibition. Resources from this exhibition include First Nation Voices, where contemporary responses to objects from the exhibition were provided by First Nation peoples from the communities visited by Cook on his voyages in the Pacific, and John Maynard's essay, “I’m Captain Cooked”: Aboriginal Perspectives on James Cook, 1770–2020. See also the blog post written during the exhibition which explores the relationships First Nation peoples have now with the Indigenous word-lists that were compiled during the voyages. The National Library of Australia have also created a collection of webpages on the 250th anniversary, captured for posterity through their web archive, which includes many of the sites mentioned in this post.

'Listen to Indigenous Voices' placard at Australia Day protests on Melbourne, 2019
'Listen to Indigenous Voices' placard at Australia Day protests in Melbourne, 2019.Andrew Arch 2019 on Flickr Creative Commons BY-NC-ND 2.0

Further digital resources which offer Indigenous perspectives on the 250th anniversary include articles from a variety of media sources. National Indigenous Television (NITV) features a piece from a Wuthathi man who considers why the anniversary can be seen as reason for celebration, award-winning journalist, Paul Daley, reflects on the Cook legacy in his essay On Cook in the literary journal, Meanjin, and ABC News looks at the first sighting of the Endeavour as remembered by the Yuin people of south-eastern Australia as part of their Walking Together series. The Conversation, an online source of viewpoints from the research community, has released a series of articles from Australian and UK academics which reflect on the impact of Cook’s arrival in the Pacific 250 years ago. The articles, 19 at the time of writing, cover a variety of topics from teaching Cook in the classroom to the impact of the voyages on Indigenous women. Maria Nugent, Co-Director, Australian Centre for Indigenous History, Australian National University, considers the Aboriginal Australian viewpoints on Cook collected during the bicentenary in 1970 which continue to shape the way we understand Cook today, while Bruce Buchan (Griffith University) and Eddie Synot (Indigenous Law Centre, University of NSW) explore how First Nations people are using art to challenge and confront Cook's legacies in Australia.

These 'views from the shore' are vital in helping to build a shared and balanced narrative of the encounters in 1770, and allow a deeper understanding of Australia's history: a perspective that, 250 years later, is reflected in the ethos of the official anniversary activities in 2020:

It is an opportunity for Australians of all backgrounds to listen to and learn from each other’s stories, to understand what took place, and to discuss what it means for our future. It is a chance to reflect on our histories and to connect our cultures. (Australian Government, 2020)

 

Lucy Rowland, Curator of Oceania Published Collections post-1850

 

References and further reading:

Australian Government (2020) 250th anniversary of Captain Cook's voyage to Australia [online] Available at: https://www.arts.gov.au/what-we-do/cultural-heritage/250th-anniversary-captain-cooks-voyage-australia

Hokari, M. (2011). Gurindji journey : A Japanese historian in the outback. Kensington, N.S.W.: University of New South Wales Press. BL shelfmark YD.2011.a.4474

Konishi, S., Nugent, M, & Shellam, T. (2015). Indigenous intermediaries : New perspectives on exploration archives. Acton, A.C.T. : Australian National University Press. BL shelfmark YD.2017.b.161

Pascoe, B. (2018). Dark emu : Aboriginal Australia and the birth of agriculture. Melbourne : Scribe. BL shelfmark YK.2019.a.662

Rose, D.B. (1991). Hidden histories. Canberra: Aboriginal Studies. BL shelfmark YA.1994.b.5340

 

 

 

 

24 April 2020

Poems from the edge of extinction (part 2)

Welcome to part 2 of our blog on poetry in endangered and lesser-known languages in collaboration with our European Studies colleaguesIn part 1 of this blog, we considered examples of poetry in Tongan and Yucatec Maya, and here in part 2 we look at examples in Patwa/Jamaican Creole and Yolngu Matha. If you've never heard of these languages, read on!

Patwa/Jamaican Creole

Front cover of book Miss Lou : Louise Bennett and Jamaican Culture by Mervyn Morris
Miss Lou : Louise Bennett and Jamaican Culture by Mervyn Morris. BL shelfmark YKL.2014.a.5466

Bun an Cheese by Louise Bennett-Coverley

Dem Bwoy dah jeer Miss Matty,
An a mock her an tease,
Dem a kill demself wid laugh mah
An a call her Bun an Cheese
 
Dem sey from Good Friday mawnin
Her jawbone no get ease
Mawnin  noon an night bedtime
She was nyamin Bun and Cheese
 
Fe breakfuss lunch an dinna
She got so-so bun and cheese
She kea it go a church an
Movin pictures if you please
 
She no count saltfish an ackee
Cut her y’eye pon rice an peas
Hear her “me put pot pon fire
When me got me Bun and Cheese!”
 
Easter time gwine come an go weh
Days an moment fly like breeze
But as long as Matty live dem bwoy
Gwine call her Bun and Cheese!

 

English translation

Those boys jeer Miss Matty
And Mock and tease her
They are killing themselves with laugh
And call her Bun and Cheese
 
They say from Good Friday morning
Her jawbone got no ease
Morning noon and nighttime
She was eating Bun and Cheese
 
For Breakfast lunch and dinner
She got only bun and cheese
She took it to church and
Moving pictures if you please
 
She does not count saltfish and ackee
Cut her eye on rice and peas
Hear her “I put my pot on the fire
When I got my Bun and Cheese!”
 
Easter time come and go away
Days and moment fly like breeze
But as long as Matty live those boys
Going to call her Bun and Cheese!

 

Coming off the heels of Easter, this is one of my favourite Louise Bennett-Coverley poems. “Miss Lou” as she was affectionately called is one of the most loved and highly respected Jamaican poets.  She uses the themes of food culture and local traditions in this timeless work. These themes highlight the love affair the protagonist “Miss Matty” has with the popular Jamaican Easter treat “bun and cheese”, closely associated with the popular English “hot cross buns”.  The use of the Jamaican dialect, Patois (Patwa) by Miss Lou makes this poem even more expressive and exciting. Regardless of the time of day, place and alternative food options Miss Matty is only interested in her tasty treat. This poem encapsulates the happy atmosphere that surrounds one of Jamaica’s most delightful Easter traditions.

Chantelle Richardson (Chevening Fellow at the British Library and Special Collections Librarian at the National Library of Jamaica)

 

Yolngu Matha  (Australia)

*Please note: Aboriginal and Torres Strait Islander people should be aware that these pages may contain images, voices or names of deceased persons in photographs, film, audio recordings or printed material.*

Illustration of four kangaroos grazing
British Library Image taken from page 360 of 'New Homes for the Old Country. A personal experience of the political and domestic life, the industries, and the natural history of Australia and New Zealand. ... With ... illustrations' (BL shelfmark HMNTS 10492.g.19.)

 When a list of 200 Aboriginal Australian words was recorded in the north of Australia during James Cook’s voyage in 1770, it was assumed that these words would be spoken by all the Indigenous people in the country. One of the words on this list was ‘kangaroo’ (kanguru or gangurru), which was provided by the Guugu Yimidhirr people in what is now known as Far North Queensland. Yet, when European settlers arrived in 1788, in what would become Sydney, and tried to make use of the list, the word 'kangaroo’ was met with confusion by the local Aboriginal people who believed this to be an English word. Only later did the Europeans realise that the First people of Australia spoke more than 250 different languages, including 800 dialectal varieties, at the time of European settlement. For a visual representation of this language distribution, see the AIATSIS map of Indigenous Australia which attempts to represent all the language, tribal or nation groups of the First peoples of Australia. Of the 160 varieties still spoken, only 13 are spoken by children and 90% of Indigenous Australian languages are in danger of dying out.  

One of the 13 languages still spoken by children, and in somewhat less danger, is the language group known as Yolngu Matha (or Yolŋu Matha). Yolngu Matha, has around 2,000 speakers and is a member of the Pama-Nyungan family of languages. It is spoken by the Yolngu people in the north-eastern part of Arnhem Land in the Northern Territory of Australia. There are a dozen dialects of Yolngu Matha, each with its own name and with significant variation between them, though there is some mutual understanding between the dialects. During the 1930s, missionaries developed various ways of writing Yolngu Matha, which are still used today, though there is no standard spelling system. This linguistic complexity of variant spellings, and clan and dialect distinctions in Yolngu Matha (as with all the Indigenous Australian languages), has now been mapped to a great extent in the AUSTLANG database. This landmark project by the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) provides the means for institutions to begin the process of attributing the correct language to bibliographic records, as is being done through crowd sourcing at the National Library of Australia.

Front cover of Nganajungu yagu by Charmaine Papertalk Green
Papertalk-Green, C. (2019). Nganajungu yagu. Victoria, Australia : Cordite Books. BL shelfmark YD.2019.a.5930

When we look at the British Library records for poetry by Indigenous Australians, although we can find recent examples written in English (see Ellen van Neerven, Alison Whittaker, or Lionel Fogarty), those written in Indigenous Australian languages are far scarcer (although a welcome example is Nganajungu yagu by Charmaine Papertalk-Green which mixes Wajarri, Badimaya, and English - shelfmark YD.2019.a.5930). And while we can attribute this partly to historical collection practices which favoured non-Indigenous languages (and similar discrimination in the publishing industry), this is also due to the history in Indigenous cultures of spoken word over written language. 

Front cover of Song spirals
Gay'wu Group of Women (2019). Songspirals: Sharing women's wisdom of Country through songlines. Crows Nest, NSW: Allen & Unwin. (awaiting shelfmark)

A particularly rich poetic oral tradition in Indigenous Australian culture can be seen in songlines. Also known song spirals or song cycles, these living archives of cultural knowledge and wisdom are preserved and passed on through song. Using cues from the land, sky and sea to navigate through space and time, songlines are handed down through generations. A member of the community acts as the custodian of the songline and these are rarely shared with outsiders. For this blog, I have chosen to highlight a 2019 Yolngu Matha collection, Songspirals: Sharing women's wisdom of Country through songlines  by the Gay'wu Group of Women (Allen and Unwin 2019 - awaiting cataloguing at the British Library). Here women’s roles in songlines are explored and the authors share five song spirals in Gumatj, a dialect of Dhuwal (also Dual, Duala), one of the Yolngu Matha languages.  

Below is an excerpt from Wuymirri, the Whale 
 
Nguruku miyamanarawu Dhangaḻa aaaaaaaa... 
Waṉa nyerrpu miyaman ngunha marrtji Bangupanngu. 
Miyaman marrtji Balwarri Nepaway, Maywuṉdjiwuy. 
 
Bawaywuyngu miyamara Dhuḻuḻwuynguru; 
Bawaywuyngu miyamara Rrawuḻuḻwuynguru; 
Nguruku miyaman ngarra marrtji Rrawuḻuḻwuynguru. 
 
Of that body of water I sing, I sing of the body of water. 
The arm of the paddler is knowledgeable, over there is Bangupanngu. 
I am singing about Balwarri, the whale, Nepaway, the open sea. 
Of the place between sunrise and sunset I sing, 
 
Where the whales swim with open mouths, scooping water,  
   filtering fish; 
A pod of whales, flipping and jumping, playing and roaming; 
A gathering of many people; 
For that I sing Rrawuḻuḻ, the place where the whales 
   are feeding.  
I sing for those people, the ones far away. 

 

In Indigenous Australian culture, languages with few or no speakers are described as ‘sleeping’, and there are some welcome initiatives to re-awaken these sleeping languages. These include the formation of the AIATSIS foundation to record languages and songlines and publish 15 dictionaries of languages a year over the next decade. An exciting effort to re-awaken language through poetry has been developed through the Poetry in First Languages project, devised by Gunai poet, Kirli Saunders. In this program, Indigenous poets, Elders and Language Custodians work directly with Indigenous students to write poetry in their cultural language. 


To hear Yolngu Matha in a musical context, take a listen to the award-winning Yolngu rapper Baker Boy who seamlessly mixes this language with English in his performances such as 'Marryuna' (Let's Dance) below.

 

 

Lucy Rowland, Curator of Oceania Published Collections post-1850

 

Further reading:

General

Chris McCabe (ed.), Poems from the Edge of Extinction (London, 2019), [BL shelfmark: ELD.DS.463137] 

Read more about the Endangered Poetry Project

Patwa/Jamaican creole

Morris, M. (2014). Miss Lou : Louise Bennett and Jamaican Culture. BL shelfmark YKL.2014.a.5466

Bennett, L., & Morris, M. (2003). Auntie Roachy seh. Kingston: Sangster's Book Stores. BL shelfmark YD.2005.a.1825

Bennett, L (1983) Selected Poems. Kingston, Jm. : Sangster's Book Stores. BL shelfmark X.958/29332

Bennett, L (1949) Jamaican dialect poems. Kingston , Jm : printed by the Gleaner Co. BL shelfmark X.909/29896

Yolngu Matha  

Dyungayan, G., & Cooke, S. (2014). George Dyungayan's Bulu Line : A West Kimberley song cycle. Glebe, NSW: Puncher & Wattmann. BL shelfmark YD.2017.a.916 


Gay'wu Group of Women (2019). Songspirals: Sharing women's wisdom of Country through songlines. Crows Nest, NSW: Allen & Unwin. (awaiting shelfmark) 


Papertalk-Green, C. (2019). Nganajungu yagu. Victoria, Australia : Cordite Books. BL shelfmark YD.2019.a.5930 

 

22 November 2019

Literary lip warmers for Movember

Over the past few years the month of November has become synonymous with the moustache all in the name of Movember – the leading global organisation committed to changing the face of men's health. So we thought it was only right to pay homage to some of our favourite bros with enviously good mos…

Ralph Ellison

Black and white photo of author Ralph Ellison in front of bookcase
Image of Ralph Ellison from Wikimedia Commons sourced from US National Archives and Records Administration (NARA)

As sharp as the unnamed narrator in his 1952 landmark novel, Invisible Man, Ralph Ellison's well-groomed moustache demands attention and admiration. Before embarking on a writing career, Ellison was a trumpet player and music student at the Tuskegee Institute in Alabama; the all-black university found by Booker T. Washington which would become the model for the college in Invisible Man. Much attention has been paid to the links between Ellison's writing and the composition techniques used in jazz, particularly his use of solos, improvisation and movement as literary devices in Invisible Man. His pencil-thin moustache worked equally well with both of his talents; writer and jazz aficionado.

Suggested reading

Invisible Man by Ralph Ellison (New York : New American Library of World Literature, 1964). Shelfmark X.907/2412.

Fascinating rhythm : reading jazz in American writing by David Yaffe  (Princeton, N.J. : Princeton University Press, 2006). Shelfmark YC.2006.a.7114                
 

Dashiell Hammett

Photograph of Smart Set: Hammett's first story appeared in The Smart Set magazine in November 1922
Photograph of Smart Set from the British Library's collections (shelfmark P.P.6383.ah.)

Perfectly befitting the innovative creator of hard-boiled detective fiction, Dashiell Hammett’s personal style was striking and urbane: a neat, black moustache brilliantly contrasting with a shock of white hair. Surprisingly, given the impact of his fiction, Hammett’s fiction-writing career lasted only twelve years. His first story appeared in The Smart Set magazine in November 1922. With The Maltese Falcon (1930), he became a literary sensation. But by 1934 he had essentially retired from writing.

Edgar Allan Poe(vember)

Portrait from ‘Illustrations to Edgar Allen Poe’ by Aubrey Beardsley showing Poe's black hair and moustache
Portrait of Poe from ‘Illustrations to Edgar Allen Poe’ by Aubrey Beardsley (shelfmark 7852.t.19.)

With hair as black as a raven, no one wears the lampshade moustache quite like Edgar Allan Poe. The images of Poe that I’ve seen have always seemed so melancholy and, given the nature of his tales, I assumed his character to be so too. So I was surprised to find in a short article by Mrs. Susan A. T. Weiss, in Scribner's Monthly from 1878, a description of Poe that quite counters this idea: ‘… he appeared … invariably cheerful, and frequently playful in mood … quietly amused … with a playful sarcasm.’ (p 709)  

As well as his disposition, Mrs Weiss offers quite the description of Poe’s trademark facial hair: ‘He wore a dark mustache, scrupulously kept, but not entirely concealing a slightly contracted expression of the mouth, and an occasional twitching of the upper lip, resembling a sneer … There was in it nothing of ill-nature, but much of sarcasm…’ (p 711).

Aubrey Beardsley’s trademark style captures Poe’s features in all their glory in this portrait printed in with a collection of illustrations in 1926 (7852.t.19.). The Library holds plenty of items by this moustached maverick including a first edition of Tamerlane (C.34.b.60.), which Poe authored under simply ‘a Bostonian’, rather than his real name.

Suggested reading

The Smart Set: A magazine of cleverness (New York: 1900–25) shelfmark: P.P.6383.ah.

The Dashiell Hammett Omnibus: The Thin Man, The Maltese Falcon, The Glass Key, The Dain Case, Red Harvest & four short stories by Dashiell Hammett (London: Cassell & Co, 1950) shelfmark: 12646.h.17.

Last Days of Edgar Allan Poe by Mrs. Susan A. T. Weiss (in Scribner's Monthly, Nov 1777 to April 1878; New-York: Scribner & Co, 1878; Digitised by Google, original from University of Michigan)

Illustrations to Edgar Allen Poe by Aubrey Beardsley (Indianapolis: Aubrey Beardsley Club, 1926) shelfmark: 7852.t.19.

Tamerlane, and other poems by a Bostonian (Boston: C. F. S. Thomas, 1827) shelfmark: C.34.b.60.

 

Nick Cave

 

Photo of Nick Cave performing on stage
Image of Nick Cave from Wikimedia Commons sourced from Bubamara
 

The musician and author sported an enviable  moustache for the better part of a decade until, in the fog of jet lag following a long haul flight, his wife convinced him to shave it off. His moustache veered between a polished handlebar and a pure '70s sleaze 'tache during the Grinderman era; his obvious delight in the aesthetics of facial hair placed him well to judge the World Beard and Moustache Championships, held in Brighton in 2007.

Suggested reading

The Death of Bunny Munro by Nick Cave, Edinburgh : Canongate, 2009.  Shelfmark Nov.2010/137           
 
And the Ass saw the Angel by Nick Cave, London : Penguin, 1990, c1989. Shelfmark H.2001/1388
     
              

17 October 2019

Black History Month

October is Black History Month in the UK and has been celebrated here for nearly 40 years. The month marks an annual commemoration of the history, achievements and contributions of black people in the UK. Originally founded to recognise the contributions made by people of Caribbean and African backgrounds, the focus of Black History Month has now expanded to include the history of African, Asian and Caribbean peoples and the importance of their contributions to the culture of the UK.

To mark Black History Month, we have selected a few items from our collections which highlight significant moments in black history around the world. The British Library will also be hosting Caribbean Fest events on Saturday October 19th 2019 including poetry, food and performance.

 

Ottavia Salvador, Fabrizio Denunzio, Morti senza sepoltura. Tra processi migratori e narrativa neocloniale (Ombre corte, 2019) YF.2019.a.14806

 
Chosen by Valentina Mirabella, Curator Romance Collections (Italian)
 
Front cover of 'Morti senza sepoltura. Tra processi migratori e narrativa neocloniale'
Cover of: Ottavia Salvador, Fabrizio Denunzio, Morti senza sepoltura. Tra processi migratori e narrativa neocloniale (Ombre corte, 2019) YF.2019.a.14806

 

Migrations in the Mediterranean are the subject of a lot of Italian books at the moment. I chose this title because the authors don't shy away from holding neo-colonialism responsible for the immigration process. The title 'Dead without Burial' evokes the horror of dying in a foreign country, in exile, often without a grave with a name on. Like French sociologist Abdelmalek Sayad (more from him, also in English in our collections) says in the essay in the appendix, the way a country treats a foreigner who dies on its soil says a lot.

 

John Michael Vlach, Back of the Big House: The Architecture of Plantation Slavery (Chapel Hill and London: The University of North Carolina Press, 1993). q93/15775

Chosen by Cara, Deputy Head, Eccles Centre for American Studies at the British Library

Cover of 'Back of the Big House'
Cover of: John Michael Vlach, Back of the Big House: The Architecture of Plantation Slavery (Chapel Hill and London: The University of North Carolina Press, 1993). q93/15775        
Book open to show photographs and plans of buildings
Inside pages of: John Michael Vlach, Back of the Big House: The Architecture of Plantation Slavery (Chapel Hill and London: The University of North Carolina Press, 1993). q93/15775;

 

This book made a deep impression on me when I first came across it as part of an MA course on the built environment in America.  I was impressed by how thoroughly Vlach managed to bring the lived experiences of the enslaved into sharp focus through the architectural landscapes they had inhabited.  As he says himself in his Preface his “main objectives here are first to describe, in broad terms, the architectural settings of plantation slavery and then to suggest some of the ways in which black people may have transformed those architectural settings into places that best served their social needs” (p.x).  The major source for the visual material in the book is the Historic American Buildings Survey (HABS).  Originally founded in 1933, it still operates as a division of the National Parks Service.  During the 1930s and later, HABS teams documented large numbers of slave buildings and associated spaces and Vlach uses these photographs and plans to great effect in his book.  These are then complemented by another Depression-era source, the oral histories of formerly enslaved people conducted by interviewers for the Federal Writer’s Project.  As Vlach explains “My description of the architecture of slavery thus meshes information from two archival projects that have been separated for more than half a century” (p.xiii).  I found this mixture of first-person accounts, as well as other archival evidence (business records, personal letters etc), with the structures that had shaped people’s everyday lives to be incredibly evocative.  I came away from the book with a deeper understanding of the importance of vernacular spaces to historical enquiry, as well as more especially a better understanding of the way the built environment shaped, and was shaped by, the lives of enslaved African-Americans and their white overseers and owners.  I’ve found myself thinking about this book often over the years, especially as discussions around how to more fully represent the experiences of enslaved people have come to the forefront in heritage and tourism contexts (for example, the incorporation of slave buildings and stories into the interpretation offered to visitors at plantation sites in the US, most notably at Thomas Jefferson’s Monticello home).

For more information on Federal Writer’s Project holdings at the British Library, including the accounts of former slaves, see the guide prepared by my Eccles Centre colleague, Jean Petrovic.

 

 

 

The Color Purple by Alice Walker (Boston, Mass: G.K. Hall, 1986), Nov.1987/702

 
Chosen by Rachael (Curator, American Printed Collections Post 1850)
 
Book cover of 'The Color Purple'
First edition cover of The Color Purple. Image from Wikimedia Commons sourced from Biblioctopus.

 

I was introduced to the The Color Purple while in my first year as an undergraduate at the University of Nottingham. It was like nothing I’d read before, in both voice and content. I’d never encountered a character like Cecile, nor the abuse she endures in a novel, and I remember being interested in the contrasting ways the various females in the book are portrayed. Told in an epistolary format as Cecile writes to God, she tells of the horrors she suffers at the hands of her father and later her husband, and the life that eventually leads her to Shug – a woman who opens her eyes to a different way of living. The Color Purple won the Pulitzer Prize in 1983 and frequently features on lists of banned or contested books (see more of these on our Banned Books Week blog).

 

Land Rights Before Games poster (Brisbane, Australia: 1982) shelfmark HS.74/2436

 
Chosen by Lucy (Curator, Oceania Published Collections Post-1850)
 
Campaign poster on Aboriginal flag background with slogan 'Land Rights Before Games'
Land Rights Before Games poster (Brisbane, Australia: 1982) British Library shelfmark HS.74/2436

This poster represents a key piece of 20th century campaign material in Australian history. The 1982 Commonwealth Games in Brisbane were the focus of a series of protests from Indigenous Australians who aimed to bring the issue of land rights to the international stage. The campaign called for rights over indigenous lands in Queensland and control over mining in those areas. The Queensland premier at the time, Joh Bjelke-Peterson, declared a state of emergency and banned street marches during the games. Yet around 2000 people still took to the streets of Brisbane on 26th September in support of the campaign and in protest of the continuing oppression of Indigenous Australians. Further sit-ins and marches were held throughout the games with hundreds of arrests made by police. The protests gained international attention and remain a significant moment in the indigenous civil rights movement in Australia. In 2012, the State Library of Queensland held an exhibition called 'State of Emergency' to mark the 30th anniversary of the protests.

 

 

 

09 August 2019

Book Lovers Day

It turns out there really is a celebratory day for everything (yes, we’re still enjoying yesterday’s International Cat Day moment), and 9 August is no exception. Happy Book Lovers Day!

To pay homage, Team Americas, Australasia and Eccles has picked a few much-loved books to share. Some have played an admirable role in guiding us on the various paths that have led us to the mothership that is the British Library, while others have been part of the discoveries made journeying through, and adding to, the vast and varied collections held here. Of course some heads starting to smoke at the thought of picking just one favourite book each, so this is a carefully selected array of those we love from our individual, rather long (and always growing) lists.

We’re confident that there will be another book-related annual festivity just beckoning for a blog in the not-too-distant future – look out for it as we shoehorn in the ‘ones that got away’ from today’s offering.

Book: Populuxe by Thomas Hine

British Library holding: Populuxe by Thomas Hine (London: Bloomsbury, 1987) YV.1988.b.2193

‘I came across Populuxe as an MA student and found it completely alluring. It has a beautiful pink binding and silvery blue lettering. Not many of the academic books I was reading at the time had such welcoming covers! The book is an examination of American material culture in the 1950s and ‘60s. As someone long fascinated by popular culture, its analysis was a revelation to me and helped me understand how everyday objects could be imbued with meaning. I had a literature, rather than a design or art history background, and Hine’s book helped me develop my critical thinking about material culture and the built environment. But also, it is just so much fun to read and I love poring over the fabulous illustrations.’

Book lover: Cara, Eccles Centre for American Studies

Pink front cover of Populuxe with shiny turquoise lettering
Pretty in pink. Populuxe by Thomas Hine (London: Bloomsbury, 1987) YV.1988.b.2193
   Colourful spread of cars with tailfins from Populuxe
King of the tailfin. A colourful spread from Populuxe by Thomas Hine (London: Bloomsbury, 1987) YV.1988.b.2193

Book: A Confederacy of Dunces by John Kennedy Toole

British Library holding: A Confederacy of Dunces by John Kennedy Toole (Louisiana State Univ Press, 1980) 81/6110

‘There are few books which make me laugh out loud, fewer still that make me cry with laughter. A Confederacy of Dunces is one of these books. The main character, the irascible, gluttonous, and completely hilarious Ignatius J. Relly, is a wonderful creation, and following his picaresque search for truth, meaning, and the perfect hotdog is an unrivalled delight. There are all sorts of literary and philosophical allusions to unravel if you so wish, including references to the works of Boethius, Aquinas, François Rabelais and Jonathan Swift. If, however, you just want to sit back and enjoy the ride through the backstreets and dive bars of 1960s New Orleans, there is no better driver than Ignatius and his creator, John Kennedy Toole.’

Book lover: Philip, Eccles Centre for American Studies

Front cover of A Confederacy of Dunces including illustration of detective with sword in one hand and a hotdog in the other
Hotdog with a side of sword. A Confederacy of Dunces by John Kennedy Toole (Louisiana State Univ Press, 1980) 81/6110

Book: Elogio y paisaje by Nancy Morejón

British Library holding: Ciudad de La Habana: Ediciones Unión, c1996. (YA.2000.a.31155)

‘I like to read poetry in the summer holidays, especially after lunch when time goes slower and you can put the book down after each poem and leave the words floating in the air. This year I have loved Nancy Morejón’s Elogio y Paisaje, a book containing two poetry collections, Elogio de la danza (Ode to Dance) and Paisaje célebre (Famous Landscape).  Morejón (Havana, 1944) is perhaps the most prominent voice of Cuban poetry today, as well as a translator and a scholar of the poetry of Nicolas Guillén. For English speakers, a bilingual edition of her poems, Looking Within: Selected Poems, 1954-2000 = Mirar adentro: poemas escogidos, 1954-2000 is available at YC.2003.a.20176.’

Book lover: Mercedes, American and Australasian Collections

Pink front cover of Elogio y paisaje by Nancy Morejón with illustration of faces and trees
Words floating in the air... Front cover of Elogio y paisaje by Nancy Morejón (Ciudad de La Habana: Ediciones Unión, c1996) YA.2000.a.31155

Book: Restricted Images: Made with the Warlpiri of Central Australia by Patrick Waterhouse

British Library holding: London: SPBH Editions, 2018. (YC.2019.b.1013)

WARNING – Members of Australian Aboriginal and Torres Strait Islander communities are respectfully advised that a number of people mentioned in the text and depicted in the images of this publication have died.

‘This book has always stuck in my mind and is one that has since influenced my own practice as a curator. Over many trips to Warlpiri country in Central Australia, British artist, Patrick Waterhouse, photographed members of the Yeunduma and Nyirrpi Aboriginal communities, and then invited them to restrict and amend their own images using traditional dot painting. The project was an attempt to return the agency of their representation to the Warlpiri, whose images were used without consent and regard to their cultural beliefs in the 1899 book, The Native Tribes of Central Australia. The result is a compelling conversation about the power dynamics in photography, particularly in the colonial narratives which still dominate our library collections today.’

Book lover: Lucy, Australasian Published Collections

Front cover of Restricted Images by Patrick Waterhouse
Front cover of Restricted Images: Made with the Warlpiri of Central Australia by Patrick Waterhouse (London: SPBH Editions, 2018) YC.2019.b.1013
An example of a portrait from Restricted Images
A portrait from Restricted Images: Made with the Warlpiri of Central Australia by Patrick Waterhouse (London: SPBH Editions, 2018) YC.2019.b.1013

Book: New England’s Rarities Discovered by John Josselyn

British Library holding: London: For G. Widdowes, 1672. (435.a.5)

‘One of my favourite items is John Josselyn’s New England’s Rarities Discovered, which was published in London in 1672. Josselyn first visited New England in 1638 and, armed with the 1633 edition of John Gerard’s Herball, he spent a decade examining the “birds, beasts, fishes, serpents and plants of that country”. He was particularly interested in the plants used by the native population to “cure their distempers, wounds and sores”. Although its small size and rough and ready woodcuts give the impression of rather rustic work, Rarities was cited by Linneaus. Together with Josselyn’s second work, Account of Two Voyages to New England (1674), it remained the most complete summary of North American flora for more than a century.’

Book lover: Jean, Eccles Centre for American Studies

An illustration of flora from New England’s Rarities Discovered by John Josselyn
Flora: an illustration from New England’s Rarities Discovered by John Josselyn (London: For G. Widdowes, 1672) 435.a.5

Book: The Scarlet Letter by Nathaniel Hawthorne

British Library holding: Second edition, Boston: Ticknor, Reed & Fields, 1850. (12701.i.12)

‘I resisted the temptation of pointing to Edgar Allen Poe again and have chosen to shine a light on The Scarlet Letter. It was during my first semester as an undergraduate that I was introduced to this book. It opened my eyes to a whole new world of historical American fiction. Enraptured by the story of Hester, and how her experience grapples with the ‘romance’ the novel claims to be on its title page, my love of North American literature stems, in part, from this book. Some years later I read The Handmaid’s Tale and was struck by the similarities you can draw between the two – it’s probably no surprise that this is also a favourite on my bookshelf (but we can save that for another day). This second edition has the opening note from a previous owner: “You will be much pleased with Hawthorne.” And much pleased I was.’

Book lover: Rachael, N American Published Collections

Title page of The Scarlet Letter, A Romance
'A Romance': title page from The Scarlet Letter by Nathaniel Hawthorne (Second edition, Boston: Ticknor, Reed & Fields, 1850) 12701.i.12
A note from an owner of this edition – it reads ‘You will be much pleased with Hawthorne.’
'You will be much pleased with Hawthorne': a note from the previous owner

 

23 May 2018

Indigenous Australian Comic Characters in the British Library

IMG_6809
Left: X-Men Anthology featuring Gateway. Right: The compiled Millennium series, featuring Betty Clawman. See endnotes for publication details.

After reading Luke Pearson’s blog post on Indigenous X about Indigenous Australian characters in comic books, I decided to see what comics the British Library held that represented Indigenous Australasian characters.[1] Instead of reiterating Pearson’s existing article, which I recommend reading, I have simply listed the comics I was able to find and their shelfmarks at the end of the post. The Condoman poster for a sexual health campaign is a great example of how comic characters can appeal to and educate children and teenagers. By making Condoman an Indigenous man there is a clear relatability for the Indigenous teens that this poster was aimed at.

It is clear that creating characters that readers or viewers can identify with is important; it provides a role model that one can recognise themselves in. Ryan Griffen, creator of the television show Cleverman – a program centred on Indigenous Australian characters and inspired by Indigenous culture, explained how he had created Cleverman so his son had Indigenous superheroes he could be as excited by as he was the Teenage Mutant Ninja Turtles:
‘I wanted to create an Aboriginal superhero that he could connect with, no matter what others said. I wanted a character that would empower him to stand and fight when presented with racism. Just like the old dreaming stories, Cleverman would be able to teach moral lessons; not only for my son, not just for Aboriginal people, but for many more out there as well.’[2]
As Pearson points out, the majority of the Indigenous characters he lists were created by non-Indigenous people. I was interested in how some of these Indigenous characters were depicted so decided to focus on one of them, a DC character named Betty Clawman. She appears in the Millennium comic, the compilation of which is in the British Library collections.[3]

Betty does not appear until week two of the series, where she is found squatting by ‘the aptly named Ayres Rock, near Alice Springs, Australia.’[4]  The comic series was produced three years after custodianship of Uluru was returned to the Anangu traditional owners so it seems likely this event caught the international imagination and resulted in Indigenous Australians being associated with Uluru. Ayres Rock was the name that colonisers gave the rock, it was named after a South Australian Premier called Sir Henry Ayres, I am unsure how this makes it ‘aptly named’ and I assume it underlines how little research the comic writers had undertaken into Indigenous Australian history and culture. Betty has been selected as one of a group of people to become immortal guardians of earth, a fact she already knew before she was approached as she foresaw it in the ‘Dreamtime.’[5] While Betty seems to impress the existing Guardians, she is rather passive throughout the encounter and makes multiple references to dreaming and the land – ‘while I, rather than dreaming on the land, learn how to wake from its embrace!’[6] These vague references around dreamings and land could also be reference to a half-formed understanding of Indigenous culture through the debates surrounding the return of Uluru. It seems no coincidence, however, that this comic was produced in 1988, the same year Australia celebrated the Bicentennial of its ‘founding’. On 26th January 1988 (Australia Day) Indigenous and non-Indigenous people alike took to the streets to protest the celebration of two-hundred years of history that tried to rewrite the 40,000 years of history Indigenous Australia had prior to British conquest. The protests sought to highlight ongoing denial of land rights along with the integral structural racism Indigenous Australians often experienced. It would be interesting to know how much of this political background Englehart, Staton and Gibson were aware of when they conceived Betty Clawman.

The other future Guardians set to join Betty suggests that the writers were keen to create an inclusive and diverse range of characters, yet they fell into the trap of easy cultural stereotypes (another future Guardian is Xiang Po, a Chinese woman who seizes the opportunity because ‘it never would have happened before the reforms)[7]. While I understand that the pages of comic books do not lend themselves to nuance and subtlety, it is a shame that the characters are so stereotyped. Betty’s willingness to follow the existing Guardians could at first be taken as passivity, but she often shows that she is confident and intelligent, such as questioning the teachings that the universe is logical. She is fore fronted in the cartoon frames and praised for her readiness to become a Guardian. I was very excited about the empowering depiction of Betty until the selected new Guardians transitioned into their new forms – the stereotyping became almost comical again: Xiang Po becomes incredibly sexy and her whole appearance is Westernised. Betty quite simply disappears! She becomes an invisible spirit that is simultaneously part of the earth and the other Guardians but no longer visible or audible; she informs others and perhaps shapes their actions but can no longer take actions herself.

This characterisation of the spiritual silent Indigenous person is reminiscent of Gateway, the Indigenous character Marvel created the same year the DC created Betty Clawman. Like Betty in her Guardian form, Gateway is silent and only communicates through telepathy. He simply sits and watches the actions of the X-Men, opening portals for them on request.[8] From my close reading of these two comics and looking at the Indigenous characters on Pearson’s list, it does seem that if writers want a mysterious character that is imbued with spirituality, they make that character Indigenous. While there is perhaps nothing necessarily wrong with depicting an Indigenous person as deeply wise and spiritual, it becomes problematic when that is all they are shown as. It firmly places Indigenous Australians in a position of ‘other’, making it difficult for Indigenous people to identify with those characters, let alone other comic book fans.

Joanne Pilcher is currently carrying out a PhD placement project at the British Library, exploring contemporary publishing in Australia. If you would like to know more about placement opportunities at the Library for doctoral students please click here.

In my placement at the Library I have suggested the purchase of comic books that show a wide variety of Indigenous characters and complex personalities. If you have any other good suggestions do tweet me: @JoannePilcher1

Comic books/graphic novels in the British Library Collections that feature Indigenous Australian characters:

Grant Morrison et al, The Multiversity: the deluxe edition, New York: DC Comics, 2015, [shelfmark: General Reference Collection YKL.2017.b.559]

Hugh Dolan, Adrian Threlfall, Reg Saunders: An Indigenous War Hero, Sydney, NSW, Australia: NewSouth, 2015 [shelfmark: General Reference Collection YKL.2017.b.766]

Marvel Comics, Essential X-Men, Volume 8, New York, N.Y. : Marvel Publishing ; London : Diamond, distributor, 2007, [General Reference Collection YK.2009.b.171]

Steve Englehart, Joe Staton, Ian Gibson, Millennium: Trust No One, DC Comics, New York 2008. [shelfmark: General Reference Collection YK.2009.b.9556]

 

References:

[1] Luke Pearson, ‘The Wombat to Kaptn Koori – Aboriginal Representation in Comic Books and Capes,’ Indigenous X, 13th June 2017, https://indigenousx.com.au/luke-pearson-the-wombat-to-kaptn-koori-aboriginal-representation-in-comic-books-and-capes/#.Wm8DF1hLHcs, [last accessed 29/01/18]

[2] Ryan Griffen, ‘We need more Aboriginal superheroes, so I created Cleverman for my son’, The Guardian, 27th may 2016, https://www.theguardian.com/tv-and-radio/2016/may/27/i-created-cleverman-for-my-son-because-we-need-more-aboriginal-superheroes, [last accessed 29/01/18]

[3] Steve Englehart, Joe Staton, Ian Gibson, Millennium: Trust No One, DC Comics, New York 2008. Originally published as an eight part magazine series in 1988. [shelfmark: General Reference Collection YK.2009.b.9556]

[4] Millennium, DC Comics, p32

[5] ibid

[6] ibid p33

[7] ibid p40

[8] Marvel Comics, Essential X-Men, Volume 8, New York, N.Y. : Marvel Publishing ; [London : Diamond, distributor], 2007, [General Reference Collection YK.2009.b.171]. Originally printed as serial magazines in 1988.

12 January 2018

Resources for engaging Māori contemporary culture and politics

Following on from my last post were I outlined some resources I have found useful for learning about contemporary Indigenous Australian issues; I have turned my attention to Māori resources in this post. As with the previous post, I have tried to provide resources that are written by Māori people, in some cases this is easier said than done as it is certainly not up to me to decide who is Māori and who is not. I am an outsider to Māori culture and this collection of resources is only intended to skim the surface in order to provide a few avenues for further research. If you think there is anything I have overlooked in this post or have other suggestions for me, I encourage you to tweet me: @JoannePilcher1

 

Carving
"The tools of the masters" #nzmaci #TeWānangaWhakairoRākauoAotearoa’. A carving from the New Zealand Māori Arts and Crafts Institute shared on their Facebook page. They post many beautiful examples of Māori art and design.

 

Websites

Te Ara – The Encyclopaedia of New Zealand has been an invaluable resource for me, the website splits into themes that contexualise contemporary Māori life such as The Bush, The Settled Landscape and Economy and the City. It is possible to browse around topics based on these themes or it is an excellent place to go to read up on a specific issue but simply searching key words. They also feature stories and articles, for example this week’s featured story is Deep-sea Creatureshttps://teara.govt.nz/en

Maori.org.nz – This website provides useful summaries of elements of contemporary Māori culture and their historical context. I particularly enjoyed looking at the section on Korero O Nehera (Stories of Old), which is a collection of traditional Māori stories written by Māori authors. It also includes a selection of further links to learn more about each of the themes it addresses. http://www.maori.org.nz/

Māori Television has a news section on their website that covers current affairs from a Māori perspective. The Headlines section gave an interesting overview all news and I found the Politics section really useful for understanding how Māori issues are represented within the political structures in New Zealand. http://www.maoritelevision.com/news/headlines

While New Zealand History is not a specifically Māori focused website, it has been recommended by other Māori sites as a useful resource for providing historical context on Māori culture. It provides a Brief pre-history of how Māori peoples came to settle in New Zealand as well as going into a lot of detail on key dates in Māori history. It also has a really useful section on the various wars that took place between different Māori tribes and the Pākehā (non-Māori New Zealanders) and how this shaped the treatment of Māori peoples in New Zealand today. http://history-nz.org/maori.html

Online Journals

Mai Journal website, http://www.journal.mai.ac.nz/

He Pukenga Korero – A Journal of Māori Studies website http://www.hepukengakorero.com/

Facebook Pages

The New Zealand Human Rights Commission’s page discusses equality and human agency more broadly and often shares information relating to Māori issues.  https://www.facebook.com/NZHumanRightsCommission/

New Zealand Māori Arts and Crafts Institute shares a wide array of Māori art and design for anyone interested in learning more about traditional Māori visual culture. https://www.facebook.com/nzmaci/?ref=br_rs

Māori Rights in NZ shares a range of posts, from more political think pieces to more community-based information. https://www.facebook.com/MaoriRightsInNz/?ref=br_rs

Podcasts

Te Ahi Kaa – this podcast provides a bilingual discussion of various Māori experiences from the past, present and future. https://www.radionz.co.nz/national/programmes/teahikaa

Books

There is a very wide selection of books on Māori New Zealand in the British Library collections. In this list I have outlined ones that provide a more general context of Māori beliefs and culture, I will be revisiting some of these titles in future blog posts.

Rawinia Higgins, Poia Rewi and Vincent Olsen-Reeder eds, The value of the Māori language /Te hua o te reo Māori, Wellington : Huia Publishers, 2014, [shelfmark: Asia, Pacific & Africa YP.2014.a.6419] A  bilingual collection of essays in Te Reo and English that discuss the importance of preventing the Māori language from dying out.

Tracey McIntosh and Malcolm Mulholland ed, Māori and social issues, Wellington, N.Z. : Huia Pub., 2011 [shelfmark: Asia, Pacific & Africa YD.2012.a.4357] This book is part of the same series as The value of the Māori language, it aims to highlight social issues faced by Māori people from their perspective and suggests solutions that are Māori-centred.

Cleve Barlow, Tikanga Whakaaro : key concepts in Maori culture, Auckland : Oxford University Press, 1991 [General Reference Collection YC.1991.a.5030] Written by a Māori man who comments that his combination of Māori upbringing and western style education has inspired the book's structure. He focuses in on key Māori themes, selecting ones that are most relevant to contemporary Māori life. Each entry is bilingual.

Tania Ka'ai, Ki te whaiao : an introduction to Māori culture and society, Auckland, N.Z. : Pearson Longman, 2004 [shelfmark: Document Supply m04/30485] This book is structured so that the first part focuses on the Māori world, Te Ao Māori, and the second, Ngā Ao e Rua (The Two Worlds), looks at how the worlds of the Māori and Pākehā have interacted and existed alongside each other throughout time.

Auckland Art Gallery, Pūrangiaho: seeing clearly: casting light on the legacy of tradition in contemporary Māori art, Auckland, N.Z. : Auckland Art Gallery, c2001 [shelfmark: General Reference Collection YA.2002.a.20895]. There is often a risk of associating the traditional art of First Peoples of any country as historical or anthropological objects. While they can be both historical and anthropological (like all artworks) they can also be considered as great pieces of contemporary art. This exhibition catalogue looks at how contemporary Māori artists have utilised traditional techniques in their work.

 

By Joanne Pilcher

PhD Placement Student

British Library and Brighton University

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