20 March 2025
‘America Now!’ continues: True Crime in the USA
The Eccles Institute and BAAS’s America Now! series continues on Tuesday 25 March 2025, with ‘True Crime in the USA’. Ahead of the event, here’s a look at the speakers joining us for the evening, and some materials related to true crime in the British Library’s collections.
"True crime" is a very American genre, and a very American obsession. Evolving from the yellow journalism of press barons like Hearst and Pulitzer, and new forms of literature like Truman Capote's In Cold Blood, true crime has also been central to the rise of new media and technology content creation and consumption over the past decade. Podcasting, streaming, and social media would not be what they are today without the American public's fascination with narrativizing violence, deception, and intrigue involving their fellow citizens. This panel of experts is on the case and will trace the threads that connect everything from Billy the Kid to Luigi Mangione, and from Serial and Making a Murderer to TikTok detectives and the very online, real-time, true crime-style storytelling of the present moment.
Chaired by our friends at BAAS, the event will include a panel of experts to lead what’s sure to be an engaging and enlightening discussion:
Dr George Larke-Walsh (University of Sunderland)
George is currently Senior Lecturer in Arts and Creative Industries at the University of Sunderland. She began her academic career in the north east, but then moved to the USA, teaching at the University of North Texas from 2004 to 2020. She has published books and articles on mythologies of the mafia on screen, including the Wiley-Blackwell Companion to the Gangster Film (2018) [when the British Library’s digital services are fully restored this item is available to consult at BL shelfmark ELD.DS.326648]*. More recently she has turned her attention to documentary and specifically true crime. Her articles have explored numerous media examples from histories of the mafia wars to well-known series such as Making a Murderer, and The Staircase. Her most recent book is an edited collection of new scholarship called True Crime in American Media (Routledge, 2023).
Megan Lupton (De Montfort University)
Megan is a final year PhD candidate at De Montfort University in Leicester. To investigate the ethics of true crime, she has conducted interviews with true crime podcasters and is using her findings to inform the characters, plot and themes in a fictional novel. Megan has previously spoken about child safety on TikTok at the TikTok Cultures Research Network symposium, presented at the 2024 Great Writing Conference, and written for the National Centre of Academic Excellence. She is also the co-founder of an independent, cooperative newspaper in Leicestershire, and a passionate storyteller with a master's degree in creative writing. Through her solutions-focused PhD, Megan’s novel and ethical reflections framework will take true crime practitioners on a journey through ethics.
Her Instagram account, documents her research journey.
Dr Lindsay Steenberg (Oxford Brookes University)
Lindsay is Reader/Associate Professor in Film Studies at Oxford Brookes University where she is Chair of their Equality, Diversity and Inclusion Research Network. She has published numerous articles on the crime and action genres and is the author of Forensic Science in Contemporary American Popular Culture: Gender, Crime, and Science (2017) [BL shelfmark: YK.2013.a.8439], Are You Not Entertained? Mapping the Gladiator in Visual Culture (2021) [BL shelfmark: YC.2022.a.14] and the forthcoming The Hollywood Fight Scene. She is particularly interested in the gender and race politics of violence in the popular media, from the lighter mode of ‘cozy crime’ to the darker obsessions of ‘dark tourism.’
The British Library collections hold a host of materials reflecting the American true crime genre and conversation. Secondary sources include true stories of domestic terrorism [BL shelfmark: m22/.10005] to anthologies offering comprehensive examinations of how American writers have explored crime in a multitude of ways, from Nathaniel Hawthorne to James Ellroy [BL shelfmark: m08/.33001]. True crime events which have proven ongoing subjects of fascination and discussion, such as the bloody St. Valentine's Day massacre of 1929, can be examined through online access to FBI documents* and music scores from the 1967 film of the same name [BL shelfmark: VOC/1967/NEWMAN]. If you really want to investigate early depictions of sensationalised crime, look at A Short Narrative of the Horrid Massacre in Boston perpetrated in the evening of the fifth day of March 1770 by soldiers of the XXIXth Regiment [BL shelfmark: 1061.h.11.] which includes Paul Revere’s engraving of the event we know now as the Boston Massacre, a pivotal event leading up to the American Revolution.
For those interested in early sensationalised journalism, 1883 examples of the The New-York World can be viewed on microfilm at BL shelfmark: MFM.MA79. The New-York World was established in 1860 but by the late 1870s the newspaper was losing money, tens of thousands of dollars a year. In 1883 it was purchased by Joseph Pulitzer who turned around its precarious fate. Hiring investigative journalists, it became a newspaper that concentrated on human-interest stories, scandal and exaggerated material, capturing readers' attention and upping its daily circulation. In response, William Randolph Hearst purchased the New York Journal in 1895 and employed an approach like Pulitzer. Pulitzer and Heart’s use of promotional schemes, overemphasised stories, and focus on illustrations and colour supplements, became known as yellow journalism and would have a lasting impact on the history of popular American newspaper production.
On our whistlestop tour of true crime through the 19th to 21st centuries in British Library collections, you may also be interested to find Pat F. Garrett's Authentic Life of Billy the Kid (William H. Bonney) [BL shelfmark: 010884.f.37.]. Originally published one year after the killing of Billy the Kid by Sheriff Pat Garrett, Sheriff of Lincoln County, New Mexico, this is considered one of the most authoritative biographies of William H. Bonney and the foundation of the Billy the Kid legend.
Truman Capote is often a name that springs to mind on the subject of true crime. His 1966 novel, In Cold Blood, reconstructs the real-life murder in 1959 of a Kansas farmer, his wife and both their children, combining factual reporting with the imaginary possibilities of storytelling. The book is deemed by many to represent a milestone in the evolution of American true crime writing with Capote himself promoting the book as a new genre: the ‘literary non-fiction' novel. First published serially, in The New Yorker in 1965, Readers at the British Library can consult a first edition of the novel, published by Random House, New York, in the same year, at BL shelfmark: W13/2998 and later British-published edition from 1966 at BL shelfmark: 12208.a.1/2682.
We move swiftly into the era of podcasts and giant streaming services. The story of a 1999 murder case in Baltimore was reinvestigated in 2014 by Serial, an investigative journalism podcast, in which host Sarah Koenig narrated the nonfiction story over multiple episodes. The show became a cultural phenomenon, launching podcasts into the mainstream. The experience of the young man examined in relation to the murder, Adnan Syed, can be explored further in collection item Adnan's story: the search for truth and justice after Serial [BL shelfmark: YD.2017.a.627]. And finally, with the likes of Netflix tapping into the true crime trend, tough, sometimes controversial, and often needs-to-be-seen-to-be-believed watching has been provided through shows like Tiger King (2020), Monsters (2024) and Apple Cider Vinegar (2025) all of which can be examined in BL items ELD.DS.732936,* YK.1994.a.14823, and YKL.2018.a.20024 respectively.
From the Supreme Court to Cowboy Carter, you can catch up on the other topics we’ve covered in America Now! via our blog series:
- “America Now!” events series launches at the Eccles Institute
- On the Road Again: “America Now!” events series continues at the Eccles Institute
- The Inauguration of a New President: Where Will American Politics Go From Here?
If you’ve attended one of our America Now! events or have ideas about what you think we should discuss in the series, we’d love to hear from you. Share your thoughts and feedback via our online form.
*Access to some digital items and e-resources is currently limited while we recover from the cyber-attack of 2023. We are working to reinstate these and hope to provide full access again when possible. Visit our website for full details of what is currently accessible.
06 March 2025
Call For Papers: Twentieth-Century Black Periodicals and Space
Twentieth-Century Black Periodicals and Space Symposium
Thursday 8 May 2025
British Library, St Pancras, London
This symposium is about space and geography in the context of twentieth-century periodicals from across the Black Atlantic. Over the course of the twentieth century, Black periodicals negotiate space at several scales: in their pages, in their interests, in their circulation, and in the ways we conceptualise and archive them. How do Black periodicals occupy and traverse space, and how do the spatial forms of Black periodicals shape their meanings? How have theorists understood periodicals and blackness through spatial metaphors? How do spatial contingencies affect the ways that Black periodicals are collected, archived and accessed?
In December 2024, Elizabeth McHenry gave the 39th Annual Panizzi lectures at the British Library.1 Focusing on Black Bibliography, McHenry identified an overarching question which her three lectures asked of themselves and of the field more broadly: What does it mean to inhabit the space of black print? The symposium takes McHenry’s ending question as its beginning. It invites scholars, librarians and researchers from a variety disciplines whose primary objects of study are Black periodicals (magazines, newspapers, etc) published 1900-2000 in the Americas, Europe, and Africa to submit papers that ask about what it means to traverse the space of 20th Century Black Atlantic periodicals and what spaces these periodicals themselves traverse.
Participants are welcome to submit papers on topics including
- The circulations of specific periodicals
- Black bibliography, in particular its diasporic aspects
- Page layout and print space in Black periodicals
- Internationalism, diaspora and Pan-Africanism in Black periodical cultures
- Reflections on the spatial conceptualisations of Black periodicals
- The space of the Black periodical archive
International scholars, librarians and researchers from beyond the UK are also invited to get in touch. Although the symposium is in-person, there is the possibility of a follow up event held online if there is enough interest.
Please submit proposals for 10-minute work-in-progress papers, 20-minute papers, or 10-minute round table contributions. Proposals should be 300-500 words and sent along with a brief CV or bio to [email protected] by Thursday 17 April 2025. Email enquiries are also welcome.
This symposium is a product of the AHRC Collaborative Doctoral Partnership (CDP) PhD Studentship African American short fiction and magazines in the mid-twentieth century with the University of Cambridge and the Eccles Institute for the Americas & Oceania at the British Library. The Eccles Institute builds, cares for and shares the Americas and Oceania collection at the British Library, and champions knowledge and understanding of these regions through a rich programme of fellowships and awards, cultural events, research training, guides to the collections and programmes for schools.
References
1. Lecture One, 5 Dec 2024: Panizzi Lectures 2024: In Search of Black Readers
Lecture Two, 10 Dec 2024: Panizzi Lectures 2024: Thinking Bibliographically
Lecture Three, 12 Dec 2024: Panizzi Lectures 2024: Spaces of Black Study
07 January 2025
Delayed Promises and Steadfast Dreams: Mapping Out a Young Black Loyalist’s Fictional Journey
Monique Hayes is a historical fiction author, poet, and screenwriter from Maryland. She was a 2023 Eccles Institute Visiting Fellow at the British Library.
As an author who often utilizes young adult protagonists, I have to think about what passions and promises propel my characters to act. Will they ultimately get what they want? My novel-in-progress Sally Forth focuses on two enslaved brothers with disparate dreams and journeys, who go boldly into the Revolutionary War when they’re promised freedom for their service. While younger brother Brook’s path as a Continental Army soldier comes with difficult challenges, his older brother Albie, a Black Loyalist, goes down a rockier road full of weak promises, debilitating hardships, and dehumanizing moments. It becomes increasingly hard for Albie to get what he wants and deserves.
My Eccles Institute Visiting Fellowship gave me access to rich resources so I could flesh out Albie’s journey, from his first time holding a uniform emblazoned with “Liberty to Slaves” in Dunmore’s Ethiopian Regiment to his days of crippling doubt in Nova Scotia and then his struggle to survive in Sierra Leone.
My primary goal during my Visiting Fellowship was to unearth as much information as I could about the Black Loyalist settlement of Birchtown and the Freetown colony in Sierra Leone. Unlike his brother who craves education, Albie’s passion is land ownership. He’s denied this as a slave in Chester County, Pennsylvania, and brightens at the promise of getting his own land in Birchtown after he emigrates to Nova Scotia. My eyes were truly opened by the British Library’s holdings. There were enlightening eyewitness accounts and secondary sources detailing how much the 1,521 free Blacks of Birchtown were disenchanted by the poor soil, the delays in receiving their land allotments, the lack of food and housing supplies, and the prejudice that forced them to take low-paying labour jobs.
The most stunning account came from a white landowner’s grandfather: “They just dug a hole in the ground and put a little packed roof over it…There was a small trapdoor in one side of the roof and the negroes entered the house by dropping right down through. And that was the black man’s home - a hole in the ground with a roof over the hole.”1 Others erected crude huts, but the Black settlers often received lumber and tools after their white counterparts. It became much easier for me to compose scenes focused on Albie dealing with these injustices and waiting years for his longed-for land.
Inefficient surveyors and harsh winter conditions frustrated the Black Birchtown settlers as well. Some surveys for Black settlers were halted when new white Loyalists arrived looking for land. Other land allotments guaranteed to the Black Loyalists were taken away and used for other purposes.
I particularly gravitated to a passage about Black Loyalist Caesar Perth who went to his 34-acre lot for the first time, only to find “a rocky outcropping that was not suitable for crops.”2 This was what Perth and 183 men received after several years of patience. I was heartbroken and inspired to craft a scene between Albie and Perth, arriving to see the “rewards” for their service, another crushing blow years after the loss at Yorktown.
After this devastating realization, Albie accepts the offer Thomas Peters gave to nearly 1,200 Black Nova Scotians to emigrate to Sierra Leone in 1792. According to naturalist Henry Smeathman, the land in Sierra Leone was a “suitable location”: “An opportunity so advantageous may perhaps never be offered to them again; for they and their posterity may enjoy perfect freedom.”3
However, that freedom was not at all perfect. Studying Mary Louise Clifford’s From Slavery to Freetown allowed me to truly see the major distrust between abolitionist John Clarkson and Peters, the negative influence the Sierra Leone Company had over the budding colony, and the emasculation of Peters over time.
Still, I was very moved when reading about the emigrants’ experiences, including the eldest emigrant that made the journey funded by the Sierra Leone Company. The one-hundred- and four-year-old woman, possibly the mother of famous preacher Cato Perkins, was determined to go so “that she may lay her bones in her native country.”4 Albie is just as eager to connect with his African past and start a family in the newly formed Freetown.
What most surprised and inspired me was Thomas Peters’ downfall during the early days of Freetown. I was well aware that Sierra Leone’s intense rainy season and various illnesses plagued the settlers, but Peters’ life was more complex than I thought. Former Black pioneer Peters went from the settlers’ preferred leader to an outcast among his peers due to the machinations of Clarkson and other officials.
Orphan Albie views Peters as a father figure. He admires Peters, who protested when authorities delayed land distribution and failed to let the colonists govern themselves. Peters’ sudden death after being accused of theft is an event neither the settlers nor Albie are prepared for, and it’s a haunting historical example of what a life of dashed dreams can do.
I’m incredibly grateful for the Eccles Institute Visiting Fellowship which fulfilled one of my dreams to study these materials in-depth so I could give Albie a more historically accurate and meaningful journey. As he pursues his passions, Albie’s heart and spirit are tested on and beyond American shores, and I hope his story finds its way into the hearts of many readers.
References
1. "Birchtown: The History and the Material Culture of an Expatriate African-American Community", by Laird Navin and Stephen Davis. Chapter 4 of Moving On: Black Loyalists in the Afro-Atlantic World, ed. by John Pulis (London: Garland, 2013), p. 72. Shelfmark Y.C. 2003. a. 12259.
2. Mary Louise Clifford. From Slavery to Freetown (London: MacFarland, 1999) p. 60. Shelfmark Y.C. 1999. b. 6067
3. Henry Smeathman, Plan of a settlement to be made near Sierra Leone, on the Grain Coast of Africa (London: 1786). Shelfmark B.496.(1).
4. “The Black Loyalists in Sierra Leone” by Wallace Brown. Chapter 6 of Moving On: Black Loyalists in the Afro-Atlantic World, ed. by John Pullis (London: Garland,1999), p. 109. Y.C. 2003. a. 12259.
18 September 2024
From the Supreme Court to Cowboy Carter: “America Now!” events series launches at the Eccles Institute
Launching on Tuesday 24 September 2024, “America Now!” is a new series of live events exploring the current state of the USA and its place in the world. Book your free tickets and see the full programme on See Tickets.
In a world of hot takes these discussions will offer some much-needed deep dives, giving expert insight into some of the most pressing or peculiar aspects of modern American life - from the Supreme Court to Cowboy Carter.
Organised by the British Association for American Studies and the Eccles Institute for the Americas and Oceania, “America Now!" takes place every other month in the British Library Knowledge Centre.
Ahead of the first event, we took to the collections to share some suggestions of what can be found in the Americas holdings at the British Library which speak to the first topic we’ll be discussing: The Supreme Court.
Courting controversy: What’s the Deal with the US Supreme Court?
Tuesday 24 September 2024 | 18.30-19.30
From reversing the constitutional right to have an abortion to boosting the power of the President, the US Supreme Court has been making some headline-grabbing decisions over the past few years. With its judgments also potentially reshaping other major issues including gun control, environmental protections, and Indigenous tribal sovereignty, it seems we need to talk about the conservatism of the Supreme Court. How have we got here, and how will the court’s impact be felt on the ground for everyday Americans?
Who sits on the Supreme Court? What are their backgrounds and specialisms that shape their interests and priorities in making decisions that impact a superpower like the USA? Consult this online resource, via US Federal Government Documents: The nomination of Judge Ketanji Brown Jackson to the Supreme Court, to find out more about the first Black woman to serve on the Supreme Court. While Being Brown: Sonia Sotomayor and the Latino Question (YC.2021.a.45) tells the story of the country’s first Latina Supreme Court Associate Justice’s rise to the pinnacle of American public life at a moment of profound demographic and political transformation.
Primary source ephemera documenting historical movements in America relating to gun control, abortion laws and environmental protections are also available in the collections to unpack these very relevant and ongoing topics. For example:
- a broadsheet by the People to Abolish Abortion Laws demonstrating against New York State Abortion Laws (YD.2014.b.915). This campaign poster, including the name of Betty Friedan, called for the repeal of all laws restricting abortion in the 1970s
- an interesting and illustrated 70s women's guide on self-defense can be seen in The woman's gun pamphlet: a primer on handguns, 1975 (RF.2018.a.2015).
And here are the event speakers’ ‘must read’ books, articles, and resources for anyone who's appetite for further exploration of the topic is whetted by the talk.
Dr. Ilaria Di Gioia, an academic with expertise in the American Constitution, American federalism and intergovernmental relations at Birmingham City University, recommends:
- Jeffrey Toobin, The Nine: Inside the Secret World of the Supreme Court (Doubleday, 1st Ed., c2007), BL shelfmark: m07/.33898
- Stephen Breyer, The Authority of the Court and the Peril of Politics (Harvard University Press, 2021)
- Bob Woodward and Scott Armstrong, The Brethren: Inside the Supreme Court (Simon and Schuster, c1979), BL shelfmark: 80/11640
Dr. Emma Long, Associate Professor in American History and Politics at UEA, recommends:
- SCOTUSBlog - arguably the single best online resource for studying the Court - largely written for those with some knowledge of the Court and its work, it's the best resource for keeping up with what the Court is doing and what people are saying about it
- National Constitution Center - not just about the Court, but about the broader role of the Constitution in American politics and society - runs an incredible programme of events, podcasts, and discussions (almost all available online) that are designed from all levels from primary school to professorial
- Linda Greenhouse, The US Supreme Court: A Very Short History (Oxford University Press, 2nd Ed., 2020) - a good, short introduction to how the Court works from the former New York Times' Court reporter
- David O'Brien, Storm Center: The Supreme Court in American Politics (W.W. Norton & Co., 2020) - available in multiple editions, one of the best academic introductions to the Court (previous editions in BL holdings available)
Dr. Mitch Robertson, Lecturer in US History at UCL, recommends:
- Geoffrey Stone and David Strauss, Democracy and Equality: The Enduring Constitutional Vision of the Warren Court (Oxford University Press, 2020), BL shelfmark: YC.2022.a.1168
- Mary Ziegler, Roe: The History of a National Obsession (Yale University Press, 2023)
- J. W. Peltason, Fifty-eight Lonely Men: Southern Federal Judges and School Desegregation (University of Illinois Press, 1971), BL shelfmarks: X6/2646, W55/6339
- Anthony Lewis, Gideon's Trumpet (Random House, 1964), BL shelfmark: W28/9549
- Slow Burn: Roe v. Wade (podcast series)
Some of these titles haven't hit the British Library's shelves yet but they should be available in other major libraries. Find items in libraries near you via WorldCat.
Please note: we're continuing to experience a major technology outage as a result of a cyber-attack. Our Reading Rooms in London and Yorkshire are open, but access to our collection and online resources is limited. Visit our website for full details of what is currently accessible.
Stay tuned for further blogs with reading lists related to “America Now!”, and book your tickets for Why Country Music Conquered the World in 2024 on Thursday 28 November and The Inauguration of a New President: Where Will American Politics Go From Here? on Tuesday 23 January 2025. Details of events for the rest of 2025 will be announced later this year. If you have any suggestions of topics that you’d like to see discussed, please email [email protected] with ‘America Now!’ in the subject line.
America Now! is organised by the Eccles Institute and BAAS, and supported by the US Embassy London.
10 September 2024
Moving Texts and Individuals between New England and England in the Mid-Seventeenth Century
Weiao Xing (PhD in History, University of Cambridge, 2023, @WeiaoX) is a visiting postdoctoral fellow at the Global Encounters Platform and Institute of Modern History, University of Tübingen in Germany. He works on cultural and literary history in early modern English-Indigenous and French-Indigenous encounters and was a 2022 Eccles Institute Visiting Fellow at the British Library.
Among the items I consulted at the British Library as an Eccles Institute Visiting Fellow was a 215-folio manuscript entitled ‘State papers of John Thurloe, Secretary of State, 1650–1658’ (Add MS4156).1 Its compiler, John Thurloe, made use of his intelligence network across Europe, playing a pivotal role in domestic politics and foreign affairs during the Interregnum (1649–1660).2 Within the manuscript, on its second folio, rests a copy of a letter that has traversed the Atlantic. Dated 2 October 1651, the original letter was sent from Oliver Cromwell to John Cotton, the esteemed pastor of the Boston church in New England. ‘I receaued yours a few days sithence’ [sic], as Cromwell commenced his letter in a continuing dialogue, the circulation of texts intertwined political and religious circumstances in England and New England.
This letter concisely conveyed the prevailing political situation in England. Just one month prior to its writing, the Battle of Worcester, a major event at the end of the English Civil War (1642–1651), witnessed the Parliamentarians defeating a predominantly Scottish Royalist force led by Charles II. In his letter, Cromwell celebrated this victory with Cotton – when Charles II and his ‘malignant party’ invaded England, ‘the Lord rained upon them such snares’.3 Moreover, Cromwell earnestly sought religious support from Cotton, emphasising the need for prayers ‘as much as ever’ given the recent successes, or ‘such mercies’ in his own words. This letter affirms Cotton’s interest in English politics and his significance among Puritans in England during the Interregnum.4
The transatlantic movement of texts and individuals unveils intricate connections within the political and religious realms of England and New England. In the summer of 1651, five Massachusetts ministers, including John Cotton, corresponded with their fellow ministers in England.5 They defended the embargo placed by the colony’s General Court on a theological book entitled The Meritorious Price of Our Redemption […], authored by William Pynchon, one of the founding figures of the colony.6 Pynchon had managed to publish and sell his book in London in 1650 while residing in the colony. At the British Library, a copy of this work, annotated with ‘June 2d’, is under the shelf-marked E.606.(3.). It was acquired from ‘Thomason Tracts’, a collection of imprints dated from 1640 to 1661, curated by the London-based bookseller George Thomason (c. 1602–1666). The provenance of this copy suggests that Pynchon’s work, albeit heretical in New England, entered the intellectual spheres amid the political upheaval in England. Facing religious tensions and sanctions, Pynchon relocated to England in 1652 and continued publishing books that reflected his theological views. Pynchon to some extent maintained his ‘New England’ identity; he identified himself as ‘late of New England’ in his The Meritorious Price reprinted in 1655.7
Between the 1640s and the 1660s, a convergence of political, religious, and economic motives prompted numerous English settlers in New England to return home. While this statement articulated by William Sachse in 1948 holds merit, it does not fully alter the prevalent presumption of seventeenth-century transatlantic migrations as one-way journeys from Europe to the Americas.8 Many returnees from New England embarked on careers in England while maintaining their transatlantic connections. Sir George Downing exemplifies this pattern. As an ambassador in the Hague from 1657 to 1665, he facilitated England’s acquisition of New Amsterdam from Dutch settlers – in 1642, he had previously graduated from Harvard College in its inaugural graduate cohort.9 The tapestry of transatlantic migration is also woven from ordinary lives. In the prologue of her monograph Pilgrims, Susan Moore zooms in on Susanna Bell (d. 1672), an English merchant’s wife who crossed the Atlantic twice. Bell’s testimony, published in London upon her death, encapsulates her experiences, rhetoric, and mentalities.10
Within the British Library’s holdings, a myriad of manuscripts unfolds stories of texts and individuals crossing the Atlantic. Egerton MS 2519, for instance, encompasses correspondence and papers of Samuel Desborough (or Disbrowe), who assumed the role of the Keeper of the Great Seal of Scotland from 1657 onwards.11 Desborough, after setting off for New England in 1639 and settling in Guilford, New Haven, returned to England in 1650 amid the Civil War before relocating to Scotland.12 In this manuscript, on folios 10 and 11, a letter dated 1654 from Guilford by William Leete appears (see Fig. 1).13 Leete, who would later become the governor of New Haven and Connecticut colonies, shared recent affairs in New England with Desborough, particularly his operation of Desborough’s colonial estate and several settlers who returned to England. This letter epitomises multiple connections between New England and England, ranging from personal careers and businesses to colonial affairs. As Moore suggests, it underscores the ‘delicate relation’ between those who remained in the settlements and those who returned to England.14 Additionally, as the letter tells, Desborough had addressed Cromwell, expressing his concern about potential threats from the Dutch on the settlement. Therefore, such transatlantic movements of texts and individuals repositioned overseas affairs of New England within the scope of domestic and European politics.
For the New Englanders who made the voyage back to England during the mid-seventeenth century, their ‘American’ identities were ill-defined as they ‘returned’ to their careers and lives in England, but many maintained connections with the settlements. Their experiences, in both New England and England, contribute to our comprehension of their engagement in and perceptions of transatlantic travels, mobility, Puritanism, colonisation, and English politics.
Notes
1. John Thurloe, ‘State Papers of John Thurloe, Secretary of State, 1650–1658 (Especially 1654–1655)’ (1658), Add MS 4156, British Library, https://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_4156.
2. Timothy Venning, ‘Thurloe, John (Bap. 1616, d. 1668)’, in Oxford Dictionary of National Biography, 2008, https://doi.org/10.1093/ref:odnb/27405.
3. In his letter, Cromwell enclosed a short narrative (possibly available on 26 September), see C. H. Firth and R. S. Rait, eds., ‘Table of Acts: 1651’, in Acts and Ordinances of the Interregnum, 1642–1660 (London: His Majesty’s Stationery Office, 1911), British History Online, http://www.british-history.ac.uk/no-series/acts-ordinances-interregnum/lxxxii-lxxxvii.
4. John Cotton, The Correspondence of John Cotton, ed. Sargent Bush (Chapel Hill: University of North Carolina Press, 2001), 458–61.
5. Cotton, 454–58.
6. William Pynchon, The Meritorious Price of Our Redemption, Iustification, &c. Cleering It from Some Common Errors (London: Printed by J.M. for George Whittington, and James Moxon, and are to be sold at the blue Anchor in Corn-hill neer the Royall Exchange, 1650); Michael P. Winship, ‘Contesting Control of Orthodoxy among the Godly: William Pynchon Reexamined’, The William and Mary Quarterly 54, no. 4 (1997): 795–822.
7. William Pynchon, A Farther Discussion of That Great Point in Divinity the Sufferings of Christ (The Meritorious Price of Our Redemption [...]) (London: Printed for the Author, and are to bee sold at the Signe of the three Lyons in Corn-hill, over against the Conduit, 1655).
8. William L. Sachse, ‘The Migration of New Englanders to England, 1640–1660’, The American Historical Review 53, no. 2 (1948): 1640–1660.
9. Jonathan Scott, ‘Downing, Sir George, First Baronet (1623–1684)’, in Oxford Dictionary of National Biography, 2008, https://doi.org/10.1093/ref:odnb/7981.
10. Susan Hardman Moore, Pilgrims: New World Settlers & the Call of Home (New Haven: Yale University Press, 2007), 1–15; Susanna Bell, The Legacy of a Dying Mother to Her Mourning Children Being the Experiences of Mrs. Susanna Bell, Who Died March 13, 1672 (London: Printed and are to be sold by John Hancock, Senior and Junior at the three Bibles in Popes-Head Alley in Cornhill, 1673).
11. Samuel Desborough, ‘Correspondence and Papers of Samuel Disbrowe, or Desborough, of Elsworth, Co. Cambridge, Keeper of the Great Seal of Scotland, 1651/2–1660’ (1660), Egerton MS 2519, British Library, http://searcharchives.bl.uk/permalink/f/1r5koim/IAMS032-001983482.
12. Susan Hardman Moore, Abandoning America: Life-Stories from Early New England (Woodbridge: The Boydell Press, 2013), 90–91.
13. Bruce P. Stark, ‘Leete, Williamunlocked (1613–16 April 1683)’, in American National Biography, 2000, https://doi.org/10.1093/anb/9780198606697.article.0100511.
14. Hardman Moore, Abandoning America, 91.
27 September 2023
On the Trail of the Contemporary Singing Voice
Diane Hughes is a Professor in Vocal Studies and Music at Macquarie University, Sydney, Australia, and was a 2022 Eccles Centre Visiting Fellow at the British Library.
My research as an Eccles Centre Visiting Fellow was undertaken at the British Library during April to May, 2023. I arrived with a long list of sources to examine - recordings, historical references, and a range of interviews. I am passionate about music and singing. The aim of my current project is to document the evolution of the contemporary singing voice and its intersection with, and the influences of, American and British popular singing. This includes the conceptualisation and contexts of contemporary singing that centre around questions of voice and identity and sociocultural perspectives of song and of singing. It also involves diverse perspectives of contemporary voice and related technologies.
At the British Library, I discovered and listened to first-hand accounts related to crooning and orchestrated singing, along with more contemporary types of singing.1 This furthered my understanding of the historical significance of the musical arranger, of different recording technologies, and of various creative intents and interests. As recording technologies adapted to enable singers to be isolated from surrounding musicians, or in recording sound booths, more nuanced styles of singing emerged.2 Such nuanced audibility is often attributed to the communicative capabilities of “the microphone”, however, my research identified that this equally related to artistic objectives and to modes of audience engagement.
Several reflective accounts by touring and established singers, and by musical arrangers, provided detailed information on specific career trajectories.3 These accounts also contained commentary on changing musical styles, vocal delivery and on individual artistry. They assisted in contributing to a timeline of why and where transition points in contemporary singing occurred–broadly involving the strident sounds of vaudeville, the smoother crooning styles, the resonant singing of orchestrated standards, the personally expressive singer-songwriters, the stylistic influenced revival of skiffle, the innovative vocalisms of jazz, and the contemporary characteristics of rock ‘n’ roll, rock, and pop. I found it exciting to further explore these transitions through “captured” singing in broadcasts and recordings, through to singing in “live” performances.
During my research, I uncovered several unexpected sources. These related to mid-20th century definitions of popular music,4 and pedagogical publications on contemporary singing.5 In 1950, a renowned pedagogue of her time, Miriam Spier, offered aspiring singers the salient advice to use “the best artists as your guides, analyze and experiment; do not merely imitate”.6 This exploratory approach is still relevant today and has much to do with the evolutionary nature of contemporary singing styles and sounds. Other sources alluded to the progression and succession of popular styles, where rock ‘n’ roll/rock was hypothesised as having “the characteristics of a temporary craze”7 or where the development of contemporary jazz singing followed an exploration of vocal sounds and words.8 Many sources referenced the popularity of singing in relation to individual or communal listening and, as such, the value of singing clearly extended beyond the performer to their audience.
The evolution of the jazz and popular singing voice in Britain and the USA is complex and multilayered. Each is highly influenced by creativity, technologies, sounds, styles, and people, and will adapt and evolve as vocal exploration continues.
My sincere thanks to the Eccles Centre at the British Library for the opportunity to conduct this research and to the librarians at the Sound Archive for their assistance during my visit.
References
1. Stan Britt Collection. Sound and Moving Image Catalogue. This is a collection of interviews with a range of jazz and popular music performers undertaken by Stan Britt during the latter part of the 20th century.
2. See, for example, Peggy Lee interviewed by Stan Britt (23/07/1977). Stan Britt Collection. Sound and Moving Image Catalogue. C1645/238.
3. Stan Britt Collection.
4. Peter Gammond and Peter Clayton, A Guide to Popular Music. London: Phoenix House, 1960. British Library shelfmark: General Reference Collection 2737.c.3. Music Collections REF M.R.Ref. 781.63.
5. Frank Sinatra in collaboration with John Quinlan, (c1946), Tips on Popular Singing. For the British Empire (excluding Canada and Australasia) and the whole of Europe, the property of Peter Maurice Music Co. Limited. Music Collections VOC/1946/SINATRA; Miriam Spier, (1950), The Why and How of Popular Singing: A Modern Guide for Vocalists. New York: Edward. B. Marks Music Corporation, [1950]. British Library shelfmark: General Reference Collection 7889.b.43.
6. Spier, p.41
7. Gammond and Clayton, p.177.
8. Norma Winstone [interview] (1994). Oral History of Jazz in Britain. C122/206-C122/207.
13 September 2023
Machado de Assis, Portinari and the Bilingual Brazilian Book Club at the British Library
Rafael Pereira do Rego is the Interim Programme Manager and Area Specialist at the Eccles Centre for American Studies
It was a great pleasure for the Eccles Centre to welcome the Brazilian Bilingual Book Club to the British Library during the celebration of their 100th edition on Saturday 15th July. The Embassy of Brazil has been running the Book Club for the past nine years with a wide network of international members and friends. This special edition at the Library was an opportunity to deepen ties between our two institutions and to celebrate and invite discussion and reflection on Brazilian literature and culture through the Library’s collections.
The star of the event discussed during the Book Club – and for which we brought a special edition for the show-and-tell presentation – was the classic novella O Alienista (translated in English as ‘The Psychiatrist’ or ‘The Alienist). Originally published in 1882, by the illustrious Brazilian writer Machado de Assis, it is a wonderful short satirical work with an elegant and concise style centred on Dr Bacamarte, an alienist – the designation of psychiatrist in the nineteenth century, from the French ‘aliéniste’ – and his scientific experiments in the town of Itaguai, near Rio de Janeiro. There he established the Casa Verde (Green House) – a cross between a 19th century prototype of a psychiatric asylum and a scientific laboratory – to conduct experiential studies on the human mind. Dr. Bacamarte used his scientific power to define which denizens of the town should be confined to the asylum according to his shifting ideas of normality. As the narrative unfolds, the alienist gets lost in a madness of his own making. O Alienista was included recently in Machado de Assis: 26 Stories (2019) translated by Margaret Jull Costa and Robin Patterson, which among other translations of the title, are available at the British Library.
Machado de Assis is the most celebrated classic Brazilian author, so it is natural that the Library’s holdings will encompass some of his works, but it was very exciting to see the scope and depth of our collections reflecting the interest that his books have attracted from the time of their first publications in Britain. There are over 300 copies of various works by and about Machado de Assis, including some of his earliest works acquired in the nineteenth century, many of which are rare volumes. Nadia Kerecuk, the creator and convenor of the Book Club, very kindly made a list of all of our holdings available. For instance, the British Library holds the first edition of one of his most famous novels Dom Casmurro published in 1889, and the poetry collections Chrysalidas (1866), and Phalenas (1869). In addition, we have some beautiful editions including the 1948 version of the novella with illustrations of one of my favourite Brazilian artists, Cândido Portinari1.
Last year when I visited my hometown, Rio, there was a lovely and comprehensive exhibition at Centro Cultural Banco do Brasil providing an overview of the various facets and languages explored by Portinari – and including some of the illustrations that are present in the selected 1948 edition, as well as from other illustrated editions of Machado de Assis’ Memoria Postumas de Braz Cubas and Miguel de Cervantes’ Don Quixote de la Mancha.
Both Machado de Assis and Cândido Portinari had this incredible capacity to capture the human condition and Brazilian-ness in ways that feel both universal and culturally specific. Portinari was a keen enthusiast of Machado de Assis’ work and both lived in one of the neo-colonial elegant houses in Cosme Velho, a bucolic neighborhood in Rio and perhaps one of my favourite areas of the city. They came from a rather deprived childhood but with unwavering talent and determination, came to represent big names in literature and visual arts.
The 1948 edition was sponsored by the bibliophile and executive Raymundo Ottoni de Castro Maya (1894-1968). It is part of a wider collection named Os Cem Bibliófilos do Brasil (100 Bibliophiles of Brazil) named after a bibliophilic society created by Castro Maya. The society was composed of a hundred personalities of the time, among intellectuals, executives and society figures, which met annually to produce and publish works by great authors of Brazilian literature, illustrated by notable visual artists. In 30 years, they published names such as Machado de Assis, Guimarães Rosa, Jorge Amado, José Lins do Rego, Lima Barreto and Mário de Andrade, with their literary work illustrated by major visual artists such as Di Cavalcanti, Portinari, Iberê Camargo, Cícero Dias, Carybé, among others.
The Brazilian media tycoon Roberto Marinho was part of the select society, alongside names that might be very familiar to Brazilians, such as Walter Moreira Salles, Maria do Carmo de Melo Franco Nabuco, Horácio Klabin, Gilberto Chateaubriand, Francisco Matarazzo Sobrinho, Lineu de Paula Machado, D. Pedro Gastão de Orléans and Bragança, Celso Lafer, Clemente Mariani and Niomar Moniz Sodré Bittencourt.
The artisanal publication of these beautifully illustrated editions was an important initiative, which resulted in the publication of authors and artists portraying Brazil in a variety of themes and motifs. At the same time, it is revealing of the Eurocentric references of Brazilian elites, importing values, techniques and cultural codes to the ‘developing’ country. Castro Maya based this collection on European publishing trends, especially from France where he lived. The publications were generally composed by hand and printed on manual presses. The paper had great quality specifications with rough texture and watermark, supplied by French manufacturers. Many books were engraved with different techniques such as etching, dry point, xylography and lithography.
Each edition took about a year to be completed and each member of the society would receive their own exclusive copy with their names identified and within loose sheets, so the binding could be personalised according to the owners’ tastes. Print runs were limited to about 120 copies. The Society launches took place at gala dinners at Rio’s most exclusive Country Club – established by British executives in 1916 and since then the meeting point of the crème de la crème of carioca society – when auctions were held of the original illustrations not included in the final edition. I was very pleased to find out that the British Library has 20 published copies of the collection Os Cem Bibliófilos do Brasil! Rare and exclusive copies of the beautiful pas-des-deux between classic authors of Brazilian literature and notable visual artists. I hope you can explore more the collection available at the British Library.
After the show-and-tell presentation, O Alienista was specifically addressed during the hybrid meeting of the Brazilian Bilingual Book Club, with members joining from overseas via MS Teams. Nadia Kerecuk prepared a historical background of the publication and a series of questions to direct the engaging discussion with the members of this successful bilingual and bibliophile ‘society’ with the welcomed accompaniment of delicious snacks and wine. Notwithstanding the indisputable differences between the Country Club in Rio and the British Library in London, we could say this was an exclusive gala afternoon!
Notes:
1To learn more about Candido Portinari’s work please check the five-volume catalogue raisonné available at the British Library organised by his son Joao Candido Portinari as part of the major Portinari Project which has the aim of cataloguing thousands of paintings, drawings and printings, as well digitally processing images and oral history outputs. Some of the audiovisual content of this project is also available via the online platform here.
08 August 2023
Cold War Whiteness: Literature and Race between Canada and Czechoslovakia
Františka Schormová is a post-doc researcher at the Institute of Czech Literature, Czech Academy of Sciences and an Assistant Professor of American Studies at the University of Hradec Králové and was a 2023 Eccles Centre Visiting Fellow at the British Library.
To be a scholar outside of US/Canadian studies outside of North America means a transcultural perspective is a part of what we do and who we are. It allows us to think about the culture and region afresh and to reflect on our positions as mediators as scholars, educators, and public intellectuals. To be a scholar of US/Canadian studies from Central Eastern Europe and other regions outside of the usual trajectories of prestige might also mean that sources for our research are more difficult to obtain. This is why I went to the British Library to research Czech immigration to Canada.
In my previous research project, Translation and the Global Fifties: When the African American Left Went to Prague, I looked at the transnational journeys, exchanges, and allegiances between the African American Leftist intellectuals and early Cold War Czechoslovakia. One of the translators and mediators of African American literature in the 1950s and early 1960s, the Czechoslovak writer Josef Škvorecký, later became one of the almost twelve thousand people who fled to Canada after the Soviet-led Warsaw Pact invasion to Czechoslovakia in 1968. Following Škvorecký and his wife, Zdena Škvorecká-Salivarová to Canada opened up a new set of questions for me some of which I tried to answer during my time in the British Library.
Škvorecký was awarded the Governor General's Award for English Language Fiction for The Engineer of Human Souls, a novel translated by Paul Wilson. This cultural moment became my entry point in the Canadian cultural field in the 1970s and 1980s. I explored magazines and journals I found out about in the United States and Canadian Newspaper Holdings in the British Library Newspaper Library (for example, Nový Domov: The New Homeland)1, conference proceedings from the time, fictional and autobiographical accounts of the Škvorecký’s and other Czechoslovak authors, diverse secondary sources on culture and politics of the era, multilingual sources published in various places. What I was looking for were interconnections between Canadian literature, quickly developing at this time as its own discipline tightly linked to the nation state, the official politics of multiculturalism, and the position of the so-called ethnic writers within this cultural field.
These interconnections support my broader project in the framework of which I look at how the notion of whiteness has operated within the Canadian cultural field in the late Cold War in connection to various immigrant groups coming to the country. It builds on critical whiteness studies but also asks whether these concepts can be applied and/or translated to Central Eastern European contexts. The ambiguous status of the Slavic and other groups in and from this region has been noticed by scholars such as Ivan Kalmar or Zoltán Ginelli; the historians of immigration have also noted the various ways racial discourses have transformed throughout the 20th century. The Cold War has introduced new challenges, trajectories, and allegiances, race refigurings, and vocabularies of whiteness that has shaped how both the immigrants and the domestic populations in Central Eastern Europe were perceived.
I found some of the answers I was looking for: yet I left with further questions. The British Library is its own little universe. In the weeks of the fellowship, one wanders in awe through the various reading rooms and the packed hallways. As a visiting researcher, one is not left to navigate this world on one’s own: the fellowship also gives one the opportunity to talk to the Eccles staff, people who work and research in the British Library and know many of its secrets. And while they are incredibly helpful, it is better to come prepared (the sheer quantity of the material at your fingertips can get intimidating!) but also keep one’s eyes open for surprising turns the research route might take.
Searching through my keywords one day, I found sheet music based on the poetry of Langston Hughes, the African American poet, novelist, playwright, translator, and social activist . It was a 1966 composition by the Czech composer Jiří Dvořáček with lyrics in Czech, English, and German, published in 1978 (Image 1, above). Despite having dealt with Hughes’s Czechoslovak connections extensively, I have never known this sheet music existed and I could not help but hum the melody (albeit very quietly). Hughes was one of the writers Josef Škvorecký also translated before emigrating to Canada. This multilingual, translational, transmedial cultural artifact reminded me that it is important that our scholarship can cross the linguistic, cultural, and national borders in a similar way.
Notes:
Nový Domov: The New Homeland. Toronto. Vol. 9, no. 19 etc. (10 May 1958 - 21 March 1970). Imperfect. British Library shelfmark: General Reference Collection Microform MFM.MC271.D
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