The India Office Records (IOR) contain some fascinating visual materials, mainly photographs capturing the Kaʿba and the Hajj Season (pilgrimage) in the late nineteenth and early twentieth century. These visual materials are provided with short descriptions without any further elaboration on the history of the places or people captured. Displaying a number of those photographs along with some external materials, this blog presents a historical narrative of the Kaʿba, its physical features, and the development of its religious status before becoming the site of Muslim pilgrimage.

The Kaʿba and the Great Mosque during the Hajj season, 1888. Photographer: al-Sayyid ʻAbd al-Ghaffar  (British Library, X463/1)

The Kaʿba is the holiest site in Islam. It is known as al-Bayt al-Haram (the Sacred House), and the second qibla (direction). It is located at the centre of the Great Mosque in Mecca. Although other Kaʿbas existed in the pre-Islamic period, such as the Kaʿba of Petra and the Kaʿba of Najran, the Kaʿba of Mecca was the most popular, hence taking over the name without the need to specify its location (Hebbo, Tarikh al-ʿArab, 380).


The city of Mecca. Photographer: H. A. Mirza & Sons, c. 1907 (British Library, Photo 174/3

Muslims in general believe that the Kaʿba was the first structure on earth. Behind its majestic cubic shape hides an interesting story of its construction. Its foundation is believed to go back to the Day of Creation, when Prophet Adam built it as a house of worship.

إنّ أولَ بيتٍ وُضعَ للنّاسِ للَّذي ببكَّة مباركاً وهدىً للعالمين
The first House (of worship) appointed for men was that at Bakka [Mecca] full of blessing and of guidance for all kinds of beings. (Qurʼan 3:96)

It was, however, during the time of Prophet Ibrahim (Abraham) that the Kaʿba acquired its current shape and characteristics. Following God’s instructions, Ibrahim and his son Ismaʿil (Ishmael) raised the walls of the building on the foundations that were already in place since Adam’s time. The first Kaʿba was without a roof and there are different traditions concerning the number of its doorways.

وإذْ يَرفَعُ ابراهيمُ القواعدَ منَ البيتِ واسماعيلُ ربَّنا تقبلْ منّا إنكَ أنتَ السميعُ العليمُ
And remember Abraham and Ismail raised the foundations of the House (with this prayer): “Our Lord! accept (this service) from us for thou art the All-Hearing and the All-Knowing” (Qurʼan 2:127)

The significance of Ibrahim’s Kaʿba is in establishing of most of the features present in today’s Kaʿba. These are, al-Hajar al-Aswad (the Black Stone), Maqam Ibrahim (the Station of Ibrahim), Hijr Ismaʿil (the Lap of Ismaʿil), Biʾr Zamzam (the Well of Zamzam), and al-Mataf (the circular space around the Kaʿba).

Situated in the eastern corner of the Kaʿba, al-Hajar al-Aswad is believed to have descended to Ibrahim from heaven. He then set the stone as the starting point of tawaf (circumambulation) around the Kaʿba. When pilgrims pass by the stone, they know they have completed one round. Maqam Ibrahim on the other hand, is named after the place that is believed to have “miraculously” preserved the marks of Ibrahim’s feet when standing at the spot to build the Kaʿba. Today, the Maqam is in a multilateral structure made of glass and brass bars.

A photograph showing the main features of the Kaʿba (British Library, 1781.b.6/2)

Hijr Ismaʿil refers to the place where Ibrahim left his wife and son in Mecca. The Hijr is situated on the north-western side of the Kaʿba, and is marked by a wall surrounding it. Biʾr Zamzam, on the other hand, is believed to have sprung in the place where Ismaʿil stood, thirsty, while his mother engaged in finding water for him. Although it was subject to periods of dryness, the well continues to provide pilgrims with water until today. Al-Mataf refers to the courtyard around the Kaʿba and starts from a fixed point: al-Hajar al-Aswad.


Kaʿba during the Hajj season. Photographer: H. A. Mirza & Sons, c. 1907 (British Library, 174/5)

Announcing the Kaʿba as the House of One God, Ibrahim is considered the founder of tawhid (monotheism) in Mecca, and the one who set up the pilgrimage ritual. It is believed that, pilgrimage performed by Muslims today is very similar to the one practiced during Ibrahim’s time. The Kaʿba continued its status as a place of monotheistic religion under its new guardians, the Yemenite tribe of Jurhum. The Jurhum claimed ‘they were related to Ismaʿil by intermarriage, hence their right to the guardianship’ (Hebbo, Tarikh al-ʿArab, 100 and 222). They were powerful in the region and greatly contributed to the prosperity of Mecca. Pilgrims brought expensive gifts to present to the Kaʿba, which eventually became full of treasure.


Pilgrims camping near Mecca in the 1880s. Photographer: al-Sayyid ʻAbd al-Ghaffar, 1886-9 (British Library, X463/8)

The major change to the Kaʿba occurred when the head of the Khuzaʿa tribe, ʿAmr bin Luhayy al-Khuzaʿi, took over the guardianship from the Jurhum. During his trading expeditions, al-Khuzaʿi came across numerous idols (assnam); worshipped by the locals. He brought some of those with him to Mecca and placed them inside and around the Kaʿba. Al-Khuzaʻi was thus the first to introduce paganism to the region (Ibn al-Kalbi, Kitab al-Assnam, 8-9). Eventually, each of the region’s tribes began to install its own idol in the courtyard of the Kaʿba, which housed over three hundred of them (Hebbo, Tarikh al-ʿArab, 366). The most popular of these were Hubal, Manat, Allat, and al-ʿUzza.


Manat, Allat and al-ʿUzza, from the 5th temple at Hatra, Ninawa Governorate, Iraq. Parthian period, 1st to 3rd century CE. Iraq Museum, Baghdad
Wikimedia Commons

Another exterior addition to the Kaʿba under the Khuzaʿa was the tradition of hanging poems on its walls. These were chosen during literary ceremonies usually performed during the pilgrimage seasons. One of these poems was the muʿallaqa of Zuhair bin Abi Sulma, which has a reference to the Quraysh and the Jurhum tribes performing pilgrimage:

فأقسمتُ بالبيتِ الذي طافَ حولَهُ         رجالٌ بنوهُ من قريشٍ وجرهم
And I swore by the House, men of Quraysh and Jurhum built it and performed circumambulation around it

Later on, a new tradition was instituted, namely, the covering of the Kaʿba called Kiswa (also Kuswa). There are different accounts about the first person who put the Kiswa on the Kaʿba, the majority of which agree on the name of the King of Himyar, Tubbaʿ al-Himyari. During his pilgrimage, al-Himyari brought the first Kiswa made of the finest of cloths from Yemen as a gift to the Kaʿba. This influenced many tribes to follow his example up until the time of Qussay bin Kilab of the Quraysh tribe.


Kiswa fragment. Photographer: Christiaan Snouck Hurgronje, 1888 (British Library, 1781.b.6/32)

When Qussay bin Kilab, the Prophet Muhammad’s fourth grandfather, came to power he announced himself the new guardian of the Kaʿba, and established the Quraysh power in Mecca. Qussay rebuilt the Kaʿba with stronger walls and for the first time in its history, the Kaʿba was roofed. He allowed the Kiswa to be placed over the Kaʿba only by the head of a tribe, and each year by a different tribe. The covering of the Kaʿba with a Kiswa continues to be a significant custom today.

Drawing of a 19th century ceremonial mahmal carrying the Kiswa to Mecca, 1888  (British Library, 1781.b.6/5)

Qussay was also the holder of the key to the Kaʿba, which was transferred to his descendants until it reached its final destination in the hands of a Meccan family called, the Banu Shayba who are still the key holders today.


Sons of Banu Shayba. Photographer: Christiaan Snouck Hurgronje, 1888  (British Library, 1781.b.6/22)

A few years before the advent of Islam, between 600 and 607 CE, Quraysh decided to rebuild the Kaʿba, adding more facilities to the building. According to the Sira (Prophet’s biography), when the Quraysh tribes rebuilt the Kaʿba, there was a debate on who would replace the Black Stone back on its wall. Muhammad bin ʿAbd Allah (later Prophet Muhammad) was chosen to do so. He placed the stone in the middle of a robe and asked for one man of each tribe to hold onto the robe while he placed the stone to the wall. This way all the tribes participated in placing it into the wall (Mukhtassar Sirat Ibn Hisham, 33-35).


Muhammad helping in placing the Black Stone. From Jamiʻ al-tawarikh by Rashid al-Din.Iran, c.1314 (Edinburgh University Library Or.MS.20, f. 45r)
©The University of Edinburgh

During the ascent of Islam, Prophet Muhammad and his followers conquered Mecca and captured the Kaʿba in the eighth year of the Hijra (629-30 CE). The Prophet’s first mission was to revive the function Ibrahim built the Kaʿba for. He himself broke the idols inside and around it (Mukhtassar Sirat Ibn Hisham, 234-235 and Kitab al-Assnam, 31). As the Kaʿba was recently built, the Prophet decided to keep the old building, announcing the Kaʿba as the House of the One God, where Muslims are to perform their annual pilgrimage. One of the Prophet’s companions, Bilal bin Rabah, was the first to raise the adhan (the call for prayer) from the roof of the Kaʿba.

From that day on, the Kaʿba continues to be Islam’s holiest place of worship. Today, over two million Muslim worshippers from all over the world, gather around the Kaʿba to perform their annual ritual of Hajj during the month of Dhul-Hijja of the Islamic Hijri calendar.

Pilgrims from Morocco, Malaysia, Java, Sumbawa, Baghdad, and Zanzibar. From ‘Bilder-Atlas zu Mekka.’ Photographer: Christiaan Snouck Hurgronje, 1888 (British Library, 1781.b.6)

To mark the conclusion of the ritual, pilgrims sacrifice animals in the name of God and start their celebration of ʿEid al-Adha (the Festival of Sacrifice), which this year falls on Saturday July 9th.

Day of ʿArafa followed by animal sacrific and ʿEid celebration (British Library, Photo 174/6)

Primary Sources
Album of 'Views of Mecca and Medina' by H. A. Mirza & Sons, Photographers ‎ (c. 1907). Photo 174
‘Bilder-Atlas zu Mekka’, by Christiaan Snouck Hurgronje ‎ (1888). 1781.b.6
‘Bilder aus Mekka’, by Christiaan Snouck Hurgronje (1889). X463
Ibn Hisham, Mukhtassar Sirat Ibn Hisham: al-Sira al-Nabawiyya. Ed. Muhammad ʿAfif al-Zuʻbi. Beirut: Dar al-Nafaʼis, 1987.
Ibn al-Kalbi. Kitab al-Assnam. Ed. Ahmad Zaki Pasha. Cairo: Dar al-Kutub al-Misriyya, 1995.
The Holy Quran translated by A. Yusuf Ali

Secondary Sources
Ahmed Hebbo. Tarikh al-ʿArab qabla al-Islam. Hims: Manshurat Jamiʿat al-Baʿth, 1991.

Ula Zeir, Content Specialist Arabic Language and Gulf History/ British Library Qatar Foundation Project

 

 

This is the second part of a series of blog posts about the provenances of all the Batak manuscripts now held in the British Library, which have just been digitised. The first part looked at  early acquisitions in the British Museum to 1900, while this second part considers manuscripts from the library of East India Company, later known as the India Office Library (IOL).

In 1972 the Library of the British Museum became the British Library.  Ten years later, in 1982, the India Office Library and Records joined the British Library, bringing a collection of ten Batak manuscripts, numbered MSS Batak 1-10.

The first six Batak manuscripts were inspected and described in 1848 by the pioneering Batak scholar Herman Neubronner van der Tuuk (1824-1894). Van der Tuuk was an exceptional linguist who had studied Arabic, Persian, Sanskrit and Malay, and had been selected by the Netherlands Bible Society to learn Batak in order to translate the Bible into Batak. His visit to London took place before he set sail for Java and Sumatra, and therefore his knowledge of Batak at the time was based on the few manuscripts then available in the Netherlands. Van der Tuuk’s three-page report ( Download BL MSS Eur B105-Van der Tuuk 1848) is of great importance for provenance research, firstly for confirming the presence in the IOL of MSS Batak 1-6 by 1848, and secondly for his records of various paper labels at the time attached to the manuscripts, which have since disappeared.

MSS Batak 1 is a piece of bamboo inscribed with Batak writing, which is accompanied by a small knife and four darts from a blowpipe.  The manuscript was written in 1823 by the Raja of Bunto Pane in Asahan for his visitor John Anderson (1795-1845), an East India Company official from Penang who was exploring trading possibilities along the east coast of Sumatra.  As described in an earlier blog post, the bamboo is engraved with the Batak words for the numbers one to ten, and a memorandum to Anderson to remind him to send the Raja two hunting dogs on his return to Penang. According to Van der Tuuk the bamboo had a small piece of paper attached saying ‘specimen of Batta writing, with a knife written and presented by J. Anderson Esqr.’; this label is no longer present. The manuscript was presumably presented to the East India Company by Anderson following his return to London in 1830.

A piece of bamboo inscribed by the Raja of Bunto Pane, 1823, together with four blowpipe darts and a small knife, which may have been used to write the manuscript. British Library, MSS Batak 1 

Three decades before Van der Tuuk's visit, Prof. C. J. C. Reuvens of Leiden University visited East India House in 1819, and noted that there were four Batak manuscripts, said to have been sent from Sumatra by a ‘Governor some 8 years earlier’.  These are the folded treebark pustaha now numbered MSS Batak 2-5 (Ricklefs and Voorhoeve 1977: 13). All four manuscripts were described by Van der Tuuk, and the identity of the donor was revealed on a crucial piece of paper (which is now lost) said to have been attached to MSS Batak 5: ‘Presented by R. Parry Esqr. 3d Jan. 1817’. Richard Parry (1776-1817) was Resident of Bengkulu from 1808 to 1810, and on returning to England presented to the East India Company on 26 June 1812 a collection of 202 drawings of ‘Plants and Animals from Sumatra’ (Archer 1962: 19). The Batak manuscripts may have been presented just before Parry's death in 1817, or – in view of Reuvens’ information – Van der Tuuk may possibly have misread ‘1812’ for ‘1817’ on the paper label, and the Batak manuscripts may have been donated around the same time as the drawings. In any case, the four manuscripts MSS Batak 2-5 can all be securely dated to before 1811, when Parry left Sumatra.

Van der Tuuk’s 1848 description of MSS Batak 5, recording the paper label reading ‘presented by R. Parry Esqr. 3d Jan. 1817’. British Library, MSS Eur B105, p. 2

Three of the four manuscripts given by Richard Parry bear inscriptions in English describing the contents. Van der Tuuk noted that MSS Batak 2 bore a note on the outside: 'Surgery', but this label too seems to have disappeared in the interim. However, on the first page of the manuscript, above the text Poda ni taoar sati, on medicine, is clearly inscribed ‘Antidotes against poison’ (although Van der Tuuk recorded this as ‘Prescriptions against poison’). The first page of the reverse side, which contains a a text on protective magic for a pregnant woman (Poda ni pagarta, pagar ni na di bortiyan), is inscribed 'Midwifry'.

Batak text on medicine, described as 'Antidotes ag[ain]st Poison', before 1811. British Library, MSS Batak 2, f. 1r.

Batak text on protective magic for a pregnant woman, labelled 'Midwifry', before 1811. British Library, MSS Batak 2, f. 41v 

Voorhoeve noted that MSS Batak 4 was carelessly written with ink of inferior quality, and was probably made for a foreigner (probably Parry?), as the colophon explains the contents: "this is writing from Tapanuli, words of Batak lore from masters of olden times, O young student!". Van der Tuuk noted that the cover bore an English note, ‘lessons and invocations respecting a regular conduct so as to obtain the good will of the community’ (this note too is no longer found with the manuscript). A faint ink inscription can still be discerned on the bottom wooden cover, which has been greatly enhanced through ultraviolet lighting by BL photographer Elizabeth Hunter (see both images below).  Although parts of the inscription are still uncertain, it may be read: 'Old Stories of Battles / & Contests of former times[?] / between Datto Sangmay- / ma & Datto Dallooh of / Tohbah'.

Batak pustaha, with a faint English note on the back wooden cover, before 1811. British Library, MSS Batak 4, back cover  

Ultraviolet lighting has enhanced the legibility of the note on the back wooden cover of the pustaha, before 1811. British Library, MSS Batak 4, back cover

MSS Batak 5 is a beautiful manuscript copiously illustrated in red and black ink, with unusual red borders to all pages on the first side. Above the first texts – poda ni taoar, on medicine, and poda ni na hona rasun, antidotes against poison – is an accurate description of the contents in English: ‘Medical Prescriptions against Poisons & other …’. On the other side of manuscript, containing protective magic, the explanation at the top reads: ‘Charms Used by the Battas against the Machinations of Evil Spirits’.

Start of medical texts, described ‘Medical Prescrip/tions against Poi/sons & other ...’, before 1811. British Library, MSS Batak 5, f. 1r 

The texts on protective magic are described as ‘Charms Used by the Battas against the Machinations of Evil Spirits’, before 1811. MSS Batak 5, f. 33v

Thus the Batak manuscripts given by Richard Parry nearly all seem to bear evidence of a serious interest in their contents, with the English explanations fairly accurately describing the texts within; the selection perhaps even suggests an attempt to seek out manuscripts concerning medical matters. This would not be surprising in view of Parry’s known interest in natural history. Parry had arrived in India in 1793, and when he left Calcutta for Bengkulu in 1807, he commissioned the artist Manu Lal to accompany him.  In Sumatra, Manu Lal made the drawings of flowers, birds and animals which Parry later presented to East India House (Archer 1962: 19). (Artistry appears to have run on in the family: Richard's son Thomas Gambier Parry (1816-1888) was a noted fresco artist, while his grandson was the eminent composer Hubert Parry (1848-1918)).

A drawing of a Scarlet-backed Flowerpecker, ‘Dicaeum cruentatum’, by Manu Lal for Richard Parry in Sumatra, ca. 1807-1811. The inscription in Urdu at the bottom reads: ‘The painter of this picture is Manu Lal, artist, an inhabitant of Azimabad (Patna City)’ (Archer 1962: 87). British Library, NHD 2/288.

There is no information on the origins of the remaining Batak manuscripts from the India Office Library collection, MSS Batak 6-10, or even dates of acquisition. MSS Batak 6, which has an exceptionally fine carved wooden cover, was seen and described by Van der Tuuk in 1848, who thought it was ‘of considerable antiquity’, but this view was not repeated by Voorhoeve in his description of the manuscript (Ricklefs and Voorhoeve 1977: 14).

MSS Batak 7, 8, 9 and 10 are probably more recent acquisitions from the 20th century. MSS Batak 8 and 9 were evidently acquired from the same source as they have similar price labels stuck to their outer leaves, in a style of handwriting dating from around 1900. MSS Batak 10 was not listed in Ricklefs and Voorhoeve (1977), and was either acquired shortly after that date, or may have been found subsequently within the older collections.

 
MSS Batak 8 (left) and MSS Batak 9 (right), each bearing a price tag of £1.10.0, probably written around 1900, when the sum of one pound and ten shillings would be equivalent to £175 today.

Further reading:
Mildred Archer, Natural history drawings in the India Office Library. London: HMSO, 1962.
M.C. Ricklefs, P. Voorhoeve and Annabel Teh Gallop, Indonesian manuscripts in Great Britain. New edition with Addenda et corrigenda. Jakarta: Ecole française d’Extrême-Orient, Perpustakaan Nasional Republik Indonesia, Yayasan Pustaka Obor Indonesia, 2014. [Includes a facsimile of the 1977 edition.]
Herman Neubronner van der Tuuk, 'A short account of the Batak manuscripts belonging to the Library of the East India Company', 1848. British Library, Download BL MSS Eur B105-VanderTuuk1848.

Annabel Teh Gallop, Lead Curator, Southeast Asia

On 19 November 1847, Gregor Grant, Senior Magistrate of Police at Bombay (Mumbai), sent depositions of forty-seven women and girls and twelve boys to the Government of Bombay. These individuals had been on board five baghlahs (sailing vessels) captured in the Persian Gulf in September 1847 by the East India Company’s Indian Navy and brought into Bombay Harbour. The five baghlahs (and six other vessels which were also seized), belonged to subjects of the Sultan of Muscat and Oman and Zanzibar, Sayyid Sa‘īd bin Sulṭān Āl Bū Sa‘īd. The vessels were seized for carrying enslaved people, in contravention of the 1845 treaty between the United Kingdom and the Sultan, which prohibited the export of enslaved people from his East African dominions and the import of enslaved African people into his Omani territory (but still allowed the transport of enslaved people in the area between Lamu and Kilwa, including Zanzibar). The treaty was effective from 1 January 1847, and this was the first instance of the terms of the treaty being carried out by British authorities.

Copy of the treaty of 2 October 1845 between Queen Victoria of the United Kingdom and the Sultan of Muscat and Oman and Zanzibar, Sayyid Sa‘īd bin Sulṭān Āl Bū Sa‘īd, IOR/L/PS/5/452, ff 318-19. Copyright status unknown.

The correspondence concerning the five baghlahs and the people on board can be found in the India Office Records file IOR/L/PS/5/452, which has been digitised and can be accessed through the Qatar Digital Library.

The depositions generally consist of brief statements on the same subjects, indicating that the individuals concerned were each asked the same or similar questions orally, the responses to which were translated into English and recorded in writing, or paraphrased, since the same or similar phrases tend to be used in different depositions. However, although they are in a mediated form and should therefore be treated with some caution, the depositions do provide access to the voices of enslaved women, girls and boys. This post will focus on their testimony, and what happened to them subsequently in Bombay.

The women, girls and boys were declared liberated by the British authorities in Bombay, but were placed under Grant’s charge and initially detained in a police hulk. Three of the women stated that they were actually the wives of three of the nakhudas (captains or masters) of the baghlahs, to whom they wanted to return. Grant informed the Government of Bombay that one of these women, ‘Absheree’, was ‘perfectly inconsolable under the separation’ and he was satisfied from the testimony of ‘the whole of her companions’ and of the women themselves that they were indeed the nakhudas’ wives, so he sent them back to their husbands.

Deposition of ‘Absheree’, IOR/L/PS/5/452, f 380v. Crown copyright.

Grant reported that the remaining individuals appeared to be ‘Gallas or Abyssinians’ (Oromo or Habesha people), except three or four individuals who appeared to be natives of Zanzibar. The majority of the individuals stated in their depositions that they remembered where they were born or where their parents were from, with the most frequently named places including Gurage and Jimma in Ethiopia.

‘Sketch delineative of the ROUTES OF SLAVE-CARAVANS through Abyssinia to the shores of ARABIA.’, c 1842, IOR/L/PS/5/413, f 517. Crown copyright.

Most of the individuals stated that they did not know how old they were, although one woman, ‘Boutie’, said she was ‘under twenty years of age’. Grant reported that their ages ‘appear to vary generally from 8 or 10, to 18 or 20 – but there are one or two girls beyond the former age and one or two women who appear considerably older than 20 years of age’. There is plenty of evidence that purchasers of enslaved people in the western Indian Ocean region (including East Africa and Madagascar, North-Eastern Africa, the Arabian Peninsula, Iran, and the western coast of the Indian subcontinent) preferred children and young people, and it was rare for enslaved people over thirty years’ old to be sold. Children and young people were more easily captured and subdued than adults. Young people were also more able to assimilate with their owners through learning a new language and adopting unfamiliar manners and customs, and they were valued for their potential upon reaching physical maturity. The gender ratio of the enslaved people on board the baghlahs, most of them being female, supports the conventional view that the majority of enslaved people traded in the Indian Ocean World were female (although Hideaki Suzuki argues that a number of contemporary records from East Africa challenge this view). Gwyn Campbell states that girls and young women were valued particularly for sexual attractiveness and reproductive capability. Some female enslaved people in the Indian Ocean World were employed as water carriers and in agriculture, textile production, and mining, but most were absorbed into wealthy households, mainly to provide domestic and sexual services, as servants, secondary wives, concubines, wet nurses, or entertainers.

Nearly half of the individuals deposed that they had been taken captive when very young and sold into slavery, but others stated that they had been captured and enslaved as recently as a year ago. Whilst several individuals stated that they remembered their parents, nearly half stated that they could not remember them. Several of the women and girls said that they had been made captive during a war or by a ‘hostile tribe’.

Deposition of ‘Hulkakesh’, IOR/L/PS/5/452, f 377v. Crown copyright.

Some of the depositions refer to the individuals ‘passing through several hands’ after being sold into slavery. Many enslaved people in the western Indian Ocean region experienced short periods of possession and frequent resale by owners. The main reasons for this were that enslaved people were at risk of illness or death from the repeated serious epidemics of diseases the region experienced, and British naval attempts to suppress the trade in enslaved people meant that holding and trading in enslaved people was a dangerous activity. Thus there was less risk involved in short-term possession of enslaved people and owners were more likely to be able to sell them on for a profit.

Of the individuals who knew the name of or remembered the place where they were put on board the vessels captured by the Indian Navy, seventeen stated that this had been at Sur in Oman, five at Muscat, and three at Berbera. They deposed that the nakhudas were ordered to take them to Basra to be sold.

Deposition of ‘Futaleh’, IOR/L/PS/5/452, f 375. Crown copyright.

The depositions of the majority of the individuals state either that they wished to remain in Bombay or that they were willing to do so, with many stating that they had no desire to return to their country of birth. One woman, ‘Futaleh’, stated: ‘I wish to be made free and go to my own country – but if “Belilla” remain in this country I shall be very glad to stay also’. Several other women and girls stated that they wished to remain in Bombay if a particular woman or girl, or the other women they were with, also stayed there.

Deposition of ‘Uttegoollee’, IOR/L/PS/5/452, f 371v. Crown copyright.

Deposition of ‘Tomasha’, IOR/L/PS/5/413, f 372. Crown copyright.

Grant wrote to the Government of Bombay that the twelve boys ‘seem very fine intelligent lads’. He reported that two boys, ‘Amber’ and ‘Roba’: ‘positively deny that they are, or ever were slaves [enslaved people], and they are most anxious to be permitted to return to their master, who they state, is instructing them as seamen’ (although Roba’s deposition actually states that he was his master’s ‘household slave’). Therefore these two boys were allowed to return to their master, the nakhuda of one of the baghlahs. Grant subsequently reported that in accordance with the Government’s instructions, the remaining ten boys had been made over to the Superintendent of the Indian Navy, Commodore Sir Robert Oliver, for ‘care and naval education’.

Depositions of ‘Amber’ and ‘Roba’, IOR/L/PS/5/452, f 381. Crown copyright.

Deposition of ‘Songoee’, IOR/L/PS/5/452, f 373. Crown copyright.

Grant had also been instructed to invite applications from ‘respectable persons’ to take the women and girls on as servants, with preference to be given to Christian families. He informed the Government of Bombay on 30 December 1847 that there had been many applicants, mostly ‘Mahomedans’ [Muslims], and also ‘a few respectable Portuguese Gentlemen’. He met the applicants at the house where the women and girls were being accommodated and ‘did all in [his] power to induce some of them’ to accompany the Portuguese applicants to their homes. Grant had previously reported that the women and girls ‘have been taught nothing whatever of Religion beyond the fact that there is a God – and on this score consequently no difficulties present themselves as regards their disposal’. However, he now reported that:

‘on the very mention of their taking service with Christian families, they became most violent, declaring that they would rather lose their lives than enter the families of the “Frank” and the “Kafir” [non-believers]. – as they designated all who had not on the Mahomedan garb’.

Only one woman, ‘Zaide’, agreed to take service with one of the Portuguese applicants. Grant wrote that he ultimately persuaded ‘the greater number of the girls’ to accompany ‘some respectable Mahomedan Gentlemen’ to their houses, but they:

‘divided themselves into parties of four or five each, and absolutely refused to be separated. They were, therefore, made over according to their own selection to the most respectable of the applicants, who promised to take care of them in their families till they should have acquired such knowledge of the language and the people among whom they have been brought to live as to enable them to act for themselves. They were most capricious in fixing on the individuals to accompany; those whose dress approximated to that worn by Arabs seemed to be preferred; and there was no alternative but to let them have their choice’.

Grant went on to state that he would communicate the manner in which the remaining girls ‘may be disposed of’, but this is the last reference to them in this file.

The Government of Bombay instructed Oliver to direct the naval officers in the Persian Gulf to make the seizures of the baghlahs widely known, so that ‘all may see the firm purpose of Government to suppress slavery’. The Abolition of the Slave Trade Act of 1807 had transformed Britain from a nation prolific in the trade in enslaved people (including involvement in the Indian Ocean trade between the 1620s and the late eighteenth century), to the world’s leading campaigner against the trade. The British naval campaign against the trade in enslaved people in the western Indian Ocean was active from the 1840s, following a series a legal agreements to suppress the trade with Sayyid Sa‘īd bin Sulṭān Āl Bū Sa‘īd and rulers on the Arabian coast of the Gulf. Naval suppression measures up to 1860 were insufficient though, and by the 1850s only a relatively small number of enslaved people had been liberated. In 1873, the Sultan of Zanzibar, Sayyid Barghash bin Sa‘īd Āl Bū Sa‘īd, signed a treaty banning the trade in enslaved people in his territory. This treaty did not actually end the trade in the western Indian Ocean, but it meant it was illegal and clandestine, and the treaty was followed by conventions between the United Kingdom and the Ottoman Empire in 1880 and Persia (Iran) in 1882 which aided suppression efforts in the Red Sea and the Gulf.

Susannah Gillard, Content Specialist, Archivist, British Library/Qatar Foundation Partnership

Further reading

IOR/L/PS/5/452, ‘ENCLOSURES TO SECRET LETTERS FROM BOMBAY’, Vol 90

Richard B. Allen, ‘Satisfying the "Want for Labouring People": European Slave Trading in the Indian Ocean, 1500-1850’ Journal of World History, 21 (2010), 45-73.

Gwyn Campbell (ed.), Abolition and its Aftermath in Indian Ocean Africa and Asia, London: Routledge, 2005. (YC.2007.a.1041)

Gwyn Campbell (ed.), The Structure of Slavery in Indian Ocean Africa and Asia, London: Frank Cass, 2003. (YC.2005.a.4903)

Robert Harms, Bernard K. Freamon, and David W. Blight (eds.), Indian Ocean Slavery in the Age of Abolition, New Haven: Yale University Press, 2013. (YC.2014.a.11288)

Hideaki Suzuki, Slave Trade Profiteers in the Western Indian Ocean: Suppression and Resistance in the Nineteenth Century , Basingstoke, Hampshire: Palgrave Macmillan, 2017. (DRT ELD.DS.342900)