In 2013, through the generous support of William and Judith Bollinger, the British Library embarked upon a five-year project, in collaboration with the National Library Board of Singapore, to digitise materials in the British Library of interest to Singapore. The project initially focussed on Malay manuscripts, early maps of Singapore, and archival papers of Sir Thomas Stamford Raffles, who had founded a British trading settlement in Singapore in 1819. The project later also encompassed Bugis manuscripts, reflecting the cultural heritage of a distinctive community within the broader Malay population in Singapore, and the small collection of Qur’an manuscripts from Southeast Asia in the British Library. The digitised materials are being made accessible through the websites of both the British Library's Digitised Manuscripts and the National Library of Singapore's BookSG.

Malay manuscripts
The complete collection of Malay manuscripts in the British Library, comprising about 120 volumes and about 150 letters and documents in Malay, has now been fully digitised. The manuscripts date from the 17th to the late 19th centuries, and originate from all over Southeast Asia where Malay was the common language of trade, diplomacy and religious education. Highlights include the oldest known copy of the earliest Malay historical chronicle, Hikayat Raja Pasai (Or 14350), copied in Semarang in north Java in 1797, and two copies of the history of the great sultanate of Melaka, Sulalat al-Salatin or Sejarah Melayu, one copied in Singapore around the 1830s (Or 16214) and one in Melaka in 1873 (Or 14734). The collection is rich in literary works, both in prose and in poetic (syair) form, and also has a few finely illuminated manuscripts, including an exquisite copy of a ‘mirror for princes’ containing advice on good governance, the Taj al-Salatin or ‘Crown of Kings’ (Or 13295), commissioned in Penang in 1824 by Ralph Rice for his 'bibliomanist' brother, Rev. Rice of Brighton. While technically admirable, of greater cultural significance is a nicely decorated copy of the story of the Prophet Joseph, Hikayat Nabi Yusuf (MSS Malay D.4), copied in Perlis in 1802, as this is the only illuminated Malay manuscript known to identify the artist by name: Cik Mat Tok Muda, or, in more formal terms, Datuk Muda Encik Muhammad.  The Malay manuscripts can be accessed here and through BookSG.

Hikayat Nabi Yusuf, the Malay story of the Prophet Joseph, copied in Perlis, 1802. British Library, MSS Malay D.4, ff. 3v-4r.

Many of the Malay letters in the British Library were written to Thomas Stamford Raffles, who spent nearly two decades in Southeast Asia in the service of the East India Company, initially in Penang and then as Lieutenant-Governor of Java (1811-1816) and of Bengkulu in Sumatra (1818-1824). The majority of the letters date from around 1811 when Raffles was based in Melaka making preparations for a British invasion of Java, as the Napoleonic wars in Europe spilled over into the Indian Ocean arena and Southeast Asia. Other letters were sent to Raffles at later dates, including a collection of formal farewell letters on his departure from Java in 1816.

Illuminated farewell letter in Malay from Sultan Cakra Adiningrat of Madura to T.S. Raffles on his departure from Java in 1816. British Library, MSS Eur E378/7.

Early maps of Singapore
Tom Harper, Lead Curator, Antiquarian Maps, describes this part of the project:
"Approximately 250 early maps and charts featuring Singapore have been digitised. Ranging in date from the late 15th to early 20th centuries, these were sourced from across the British Library’s collections including the India Office Map Collection and the Topographical Collection of George III. Of particular significance are the maps of Singapore Island and town drawn by the governor of Singapore William Farquhar a mere five years after the foundation of the British settlement in 1819. Other included maps illustrate the strong continuity and tradition of maritime charting of the Singapore strait from the chart drawn by the Frenchman Jean Rotz and presented to Henry VIII in 1542 (Royal MS 20 E IX), to British Admiralty charts of the straits surveyed and published three centuries later.  Finally, the hand-drawn atlas of 1700 by William Hack, formally owned by George III (Maps 7.TAB.125), containing 85 charts of the coasts between South Africa and Japan and prominently featuring the Singapore Strait and surrounding area, was digitised in its entirety for the first time." The map collection can be accessed here.

A chart of the coast of Asia, from Cochin China on the east, to Ormus on the west, with Sumatra, Java, and part of Borneo; drawn in 1578, by Joan Martines of Messina.  British Library, Harley MS 3450, f. 7r

Papers of Sir Thomas Stamford Raffles
Antonia Moon, Lead Curator, India Office Records (Post-1858), writes:
"27 volumes were digitised from the India Office Private Papers. These included 14 volumes of Raffles’s own correspondence, journals, notes and observations, which most interestingly reflect his administration of Java, his interest in the history and culture of the people, and his early explorations of Singapore. Also digitised was correspondence with Lord Minto, Governor General of Bengal, which contains Raffles’s narratives of the natural history and antiquities of South East Asia. Five items were digitised from the Raffles Family Papers, including the list of Raffles’s personal possessions lost on board the ship ‘Fame’. Copyright clearance was achieved on most of the material including, importantly, that created by Raffles."  The Raffles Papers can be accessed by searching for 'Mss Eur' on BookSG.

Statement of personal property of Sir Stamford Raffles lost on board the Fame, 1824. British Library, Mss Eur D742/4, f. 6.

Bugis manuscripts
Singapore is home to a substantial Malay community of Bugis/Makassar descent, who maintain a strong interest in the language, culture and traditions of their ancestral homeland in Sulawesi, Indonesia. The 32 Bugis and 2 Makasar manuscripts which have been digitised, listed here, were taken in 1814 during the British attack on the kingdom of Bone in south Sulawesi, and entered the possession of John Crawfurd, a senior East India Company official. The collection includes an important series of royal diaries kept by senior court officials, including some belonging to the former king of Bone himself, Sultan Ahmad al-Salih Syamsuddin (1775-1812).

Bugis diary of the Maqdanreng (most senior court official) of Bone, showing the entry for March 1729, with a detailed account of activities on 15th March written in a square spiral. British Library, Or 8154, f. 77r.

Southeast Asian Qur’an manuscripts
The Bollinger-Singapore project enabled the completion of the digitisation of the British Library’s small collection of eight Qur’an manuscripts from Southeast Asia, making publicly accessible a selection of Qur’ans representing three distinct regional traditions of the Malay world, from Aceh, Java and Patani on the East Coast of the Malay pensinsula.

Qur’an from Java, 18th-early 19th century, collected by John Crawfurd. British Library, Add 12312, ff. 1v-2r.

The Bollinger-Singapore Digitisation Project was initiated when William and Judith Bollinger moved from London to Singapore in 2012, and extended their already generous patronage of the British Library to a project which they envisaged would enhance collaboration between the British Library and the national library of their new home.

Liz Jolly, Chief Librarian of the British Library, describes the impact of the project: “We are so grateful for this visionary support from William and Judith Bollinger, which has allowed the British Library to make freely and fully accessible a highly significant part of its collections relating to Singapore and the Malay world, benefitting not only the scholarly community but also reaching new audiences, especially in Southeast Asia."

Tan Huism, Director of the National Library of Singapore, expresses appreciation of the project and outlines some of the beneficial outcomes: “It takes a special person, in this a case a special couple, to support digitisation work. While digitisation is largely unseen work done by libraries, it is crucial work in enabling access and the sharing of collections with people all over the world when put online. The National Library of Singapore is grateful to Bill and Judy for their generous support in this project which has not only enabled the Singapore public to engage with these wonderful treasures held by The British Library digitally but the digitisation had also facilitated the loans of some of these materials for exhibitions in Singapore.”

This digitisation project was one of the first to make widely accessible such a range of primary source material for the study not only of the history of the Malay world, but also for its literature, art, calligraphy, book culture and writing traditions.

Further interest:

A video of Judy Bollinger speaking in 2018 at the National Library of Singapore.

Tales of the Malay world, an exhibition of Malay manuscripts at the National Library of Singapore in 2018.

Annabel Teh Gallop, Lead Curator, Southeast Asia

On 20 November 1933, John Gilbert Laithwaite, a civil servant at the India Office, received a letter from Trenchard Craven William Fowle, the Political Resident in the Persian Gulf, in response to Laithwaite’s request for clarification on the spelling of a landmark in Dhofar known as ‘Ras Dharbat Ali’. In his letter, Fowle defers the matter to the Political Agent in Muscat, Major Claude Bremner, and encloses a note from him that is interesting for its moderate digressions.

Extract of a letter from Major Claude Bremner, Political Agent at Muscat, to Trenchard Craven William Fowle, Political Resident in the Persian Gulf, dated 18 October 1933 (IOR/L/PS/12/2962, f 61r)

Bremner’s note gives some background detail to the spelling, discussing the pronunciation and grammar of the Arabic name as well as different methods of transliteration. He continues by examining in detail the translation of the name, too, which he renders as ‘The Cape of the Blow of Ali’. Significantly, Bremner continues, going further than this and delving into the meaning behind the name. By doing so he allows us, by way of a rocky hill on the south Arabian coast, a view of the world that is strikingly unusual within the India Office Records:

In the early days of Islam the Imam ‘Ali, with a devoted band, was wandering in the vicinity of Ras Dharbat Ali, where he encountered a local chieftain whom he wished to proselytize. This individual refused to embrace Islam whereupon the Imam ‘Ali fell upon the chief and his tribe and, chasing the former up to the top of the headland, he hewed him in two with a blow of his sword. This mighty blow cleaved not only the victim but the hill also. From thence onward the headland was known as the “Cape of the Blow of Ali”

Imam ʻAli and his followers leading the army of Islam against Khavar and his army of sorcerers, from the Khavaran namah by Ibn Husam (d.ca.1470). North India, 17th century (IO Islamic 3443, f. 136r)

Laithwaite’s interest in Ras Dharbat Ali and its spelling did not derive from any linguistic curiosity on his part, at least not solely, but was tied up with matters of administrative and political boundaries. In 1930, the Air Ministry had been keen to establish a secure air route along the South Arabian coast from Aden as part of the flight to India, and this had given rise to questions of territorial sovereignty and administrative jurisdiction. Travelling eastwards, where did the Sultan of Qishn and Socotra’s authority end and that of the Sultan of Muscat begin? How did that match up with the boundary between the spheres of responsibility of the Aden Residency (which answered to the Colonial Office) on the one side, and the Persian Gulf Residency (under the India Office) on the other?

The matter spawned a great deal of consideration and correspondence between the Colonial Office, India Office, Air Ministry, Admiralty, and the Government of India, as well as the political offices in the region. Reference is frequently made to maps of the area and surveys carried out in recent decades. Even in July 1933, after the boundary between the jurisdiction of the two residencies had been officially changed and set at Ras Dharbat Ali, investigation into the exact line of the boundary continued into 1935 and beyond.

Extract of a map showing a proposed RAF air route between the UK and India, via Southern Arabia (IOR/L/PS/12/2054, f 134r)

While the question of sovereignty was too often trivialised by British officials as the inconvenience of ‘personal squabbles’ among ‘chiefs’, the two rulers whose sovereignty was in question in this case were not ignored. From the beginning their claims concerning where their authority lay were sought. Bertram Thomas, explorer and political officer, had warned that ‘dotted lines on maps [are of] little interest to Arab rulers’, arguing that it was the ports that mattered more to them, and divisions beyond these ports fluctuated with relations between tribal groups and centred around watering holes.

While sweeping and somewhat dismissive, Thomas’ theory held some truth. Both the Sultan of Muscat and that of Qishn and Socotra were reported to be ‘rather vague’ about the exact line of the boundary but were much more assured about the allegiances of the inhabitants of the area. The response of Ahmad ibn `Abd Allah Afrar al-Mahri, Sultan of Qishn and Socotra, to the Aden Resident’s probing on the subject are revealing, not only of this confidence but also of the sometimes limited understanding the British had about such matters. When asked about the Mehri people, historically loyal to the Sultan, who inhabited places to the east of the proposed boundary and outside of his territory, the Sultan observed wryly: ‘I understand that many English people live in the south of France, but that the British Government nevertheless does not claim that territory.’

A tracing of a map of the western boundary of Dhofar, Oman, originally drawn by Bertram Thomas, circa 1930 (IOR/L/PS/12/3838, f 68r)

The Sultan’s concern was less to do with drawing a line through the landscape in order to define relationships between people and land, and more about the fluid, ever-changing network of such relationships that run through a landscape, defying such static notions as hard physical boundaries. As such, the hill at Ras Dharbat Ali was of no great significance to the Sultan in terms of administration or sovereignty, though when pushed by the British both he and the Sultan of Muscat were happy to accept it as the boundary between their territories.

Bremner’s note on the history behind the name of the hill offers an alternative significance, one of religion with a moral message embedded within. It also places the hill, and the land that surrounds it, within the larger story of Islam, making it part of the whole. Bremner goes on to write that ‘there are many spots in the countryside connected with [Imam ‘Ali’s] fabled presence at them.’ The hills ‘Qabb ‘Ali’ and ‘Musallah ‘Ali’ are both mentioned, translated by Bremner as ‘The Stick of ‘Ali’ and ‘The Praying Place of ‘Ali’, respectively. It becomes possible to imagine a map very different to those produced by the British.

Imam ʻAli attacking the dragon of the Kuh Billaur, from the Khavaran namah by Ibn Husam (d.ca.1470). North India, 17th century (IO Islamic 3443, f. 180r)

The British themselves were not done with defining terms within the landscape. The question of the exact line of the boundary was raised again in 1947, this time in light of oil exploration. Petroleum Concessions Limited (PCL), a subsidiary of the multinational Iraq Petroleum Company, were keen to explore southern Arabia in search of oil. Travel in remote areas required guarantees of a degree of security, and so the question of whose authority held sway where was an important one. The extractive nature of what the oil companies wanted to do also meant that mapping with precision was essential: who needs paying for the natural resources extracted?

A 1947 geological report on the Dhofar region by Cyril Sankey Fox, a consultant mining geologist employed by the Sultan of Muscat and Oman, Said bin Taimur, epitomises this perspective. When discussing the findings of the report in a letter to Rupert Hay, then the Political Resident in the Persian Gulf, he effuses about the potential of Dhofar, which he found ‘astonishingly attractive’, advising that ‘enterprising people’ were needed. Such people, he regrettably adds, ‘the Arabs are not’. This sort of racism was not a universal part of this way of understanding the land, but it was not uncommon, and it fitted nicely within the dominant colonial perspective that viewed the ‘West’ as technologically, intellectually, and, often, morally more advanced and thus superior.

The report on the geology and mineral resources of Dhofar, by Cyril Fox, published in March 1947 (IOR/L/PS/12/1422, f 6r)

Fox goes on to state his belief that, apart from oil, cement, chemicals, and sugar ‘are obviously possible industries’, and that the cultivation of ‘olives, etc.’ could also be worthwhile. He advises that ‘a detailed map is necessary’, noting that none are available on a scale larger than even four miles to an inch, which, he adds, ‘is a little on the small side for geological details’. The land is seen for its economic potential, and a specific way of representing the land is required to facilitate the extraction of that potential. The hill at Ras Dharbat Ali becomes a point at which the terms of that extraction can be defined.

By reading the archive from one place such as Ras Dharbat Ali, we are able to see and better understand the different interpretations, meanings, and stories that are connected to that place, and the land around it. The India Office Record reveals one particular way of viewing the world, one guided and reinforced by maps and the process of map-making, and concerned with matters of imperial strategy and administration or with economic exploitation. This view demands a certain kind of precision and a representation of the world that works to impose a set of relations on the land it represents, rather than working with those that are already implicated within it.

Every now and then, however, alternative ways of thinking about the land are glimpsed at, such as in the reported responses of the Sultans to the question of boundary definition. Rarer still do we find narratives like those of Bremner’s translation work, in which Ras Dharbat Ali speaks of a religious history, a moral matter, and ties itself and the people around it into the community of Islam. These narratives, dismissed by the British and swamped by the dominant colonial discourse, become quiet, significant notes of resistance.

Primary Sources

IOR/L/PS/12/2962, Coll 20/10 'Muscat: S. W. Boundary of (Muscat-Aden): Spheres of Responsibility of the Air Authorities in Iraq and Aden'
IOR/R/15/6/439, 'File 14/5 Mineral deposits in Dhufar'
IOR/L/PS/12/1422, Pol Ext 8303/49 'Geology and mineral resources of Dhofar: request for reports of A L von Krafft and R P Oldham 1900-01'
IOR/L/PS/12/3838, Coll 30/110(4) 'Trucial Coast Oil Concession: Muscat Oil Concession. Hinterland Exploration & Survey.'
IOR/L/PS/12/2054, Coll 5/87S ‘United States: Request for Military Air Transit Rights in India and Burma.’

Further Reading

Barbara Bender, ‘Subverting the Western Gaze: mapping alternative worlds’. In The Archaeology and Anthropology of Landscape: Shaping Your Landscape by Robert Layton and Peter Ucko (eds), London, 1999. 
Matthew Edney, Mapping an Empire: The Geographical Construction of British India, 1765-1843, London, 1990.

John Hayhurst, Content Specialist, BL/Qatar Foundation Partnership

Among the literary treasures of Thailand is the famous work Chindamani, "Jewels of Thought". The oldest version of this work is attributed to the seventeenth-century monk and court astrologer Horathibodi of Ayutthaya. It is thought that he compiled it around 1670 in Lopburi for King Narai, but he may have drawn inspiration and knowledge from older texts. Although the original work has not been preserved physically, copies of it are held in numerous archives and libraries in Thailand and abroad. Chindamani is a treatise about "writing", covering vocabulary, orthography, grammar, loan words from Pali, Sanskrit and Khmer, literary styles and poetry conventions.

Thai poetry is shaped by a combination of foreign influences and the 'poetic' character and tonality of the Thai language. Thai poets were inspired by foreign languages like Pali, Sanskrit and Khmer, but the nature of the Thai language governs, selects and adapts these imported influences. Poets in the past explored the possibilities of the language and indirectly established new conventions for the following generations. This can be seen in the techniques of word-play and punning as well as the many variations of Thai verse forms known as Konlabot.

The poem Suriyakanta nai chak (Lord Sun in the wheel) illustrated in a folding book containing Konlabot poetry, Thailand, 19th century. British Library, Or 16102, f.11

A small treasure in the Library's Thai, Lao and Cambodian collection is a nineteenth-century folding book (samut khoi) made from mulberry paper with examples of illustrated Konlabot poetry. The poems are written in black ink, in a very accurate hand, on eighteen folios. Twelve folios contain coloured illustrations, most of which have Konlabot verses written in a geometric pattern. The size of the book is 340 mm x 107 mm, rather small compared to the larger Thai folding books containing Buddhist texts. However, this is the usual folding-book size for literary, historical and other secular topics. The first part of the book contains nine poems without illustrations and two poems accompanied by illustrations, including one about the popular folktale Kraithong, a story of a brave man who rescued a young lady after she was abducted by a crocodile and held captive in a cave. The second part contains poems which are embedded in paintings of fine quality, like for example two striking symbolic illustrations of the sun (above) and moon (below) which contain verses in praise of Suriya, lord of the sun, and Chandra, lord of the moon. The moon with the white rabbit is shown together with the demi-god Rahu who is trying to swallow the moon – a traditional explanation of a lunar eclipse.

The poem Phra Chandra (Lord Moon) illustrated in a folding book containing Konlabot poetry, Thailand, 19th century. British Library, Or 16102, f. 12

Historically, Thai poets have cherished and explored the possibilities of language through the invention of various stylistic methods of Konlabot. In many major literary works in Thai language - like Lilit Phra Lo, Yuan Phai, Samuttakhot Khamchan, and Anirut Khamchan - there is an abundance of Konlabot poetry to break up the main text, or to poetically "illustrate" the main text. This serves the purpose of highlighting the mastery of an author and their ability to intensify the emotions in their work. Much dedication and effort are given to the novelty of imagery that can appeal to the feelings and the aesthetic senses of audiences. Therefore, the refinement of diction and embellishment through poetry is highly valued.

The poem Dragon flicking his tail illustrated in a folding book containing Konlabot poetry, Thailand, 19th century. British Library, Or 16102, f. 13

Although over time many different types of Konlabot have emerged, Chindamani is the only theoretical work to cover Konlabot poetry as a subject, giving examples of different types of Konlabot with their proper names. Ten of the most popular and best-known types of Konlabot are the following:

- Alternating letters
- Kinnara picking lotus
- Cows circling a stake
- Elephants joining tusks
- A serpent's composition
- The mountain covered
- Stems joining on to flowers
- Lions swishing tails
- Charioteers driving
- Flowers in designs

These ten types of Konlabot are also mentioned in an inscription from the treatise of Khlong Konlabot found at Wat Phra Chetuphon (Wat Pho) in Bangkok, the temple considered as the first university in Thailand founded by King Rama III.

The poem Thousand lotuses illustrated in a folding book containing Konlabot poetry, Thailand, 19th century. British Library, Or 16102, f. 14

From the different types of Konlabot mentioned above it is obvious that the name of each type of Konlabot implies certain characteristics corresponding to the name. For example, words or verses can be arranged in a certain geometric pattern, which is then embedded in an illustration. The reader needs to know the "code" to decipher the poem that is represented in the geometric shape. This geometric structure subsequently affects the sound pattern and the rhythm of the poem. Usually the poet includes certain key-words together with a suggestive title which enable the reader to decode a poem. Thus, Konlabot poetry can also be used to cover taboo topics, or to send secret messages to lovers, like for example the erotic poem about the Bird in the cave below. The title is a symbolic expression for love-making, and the poem elaborates on the poet’s desire for his lover, a gorgeous lady with a playful, chatty voice and a face bright and sparkling like a diamond.

The poem Bird in the cave illustrated in a folding book containing Konlabot poetry, Thailand, 19th century. British Library, Or 16102, f. 17

The idea of poetry as a critical exploration of language is highlighted in the famous eighteenth-century work Klon Konlabot Siriwibunkiti, which contains eighty-four variations of versification. While this text is seen as evidence of the established importance and recognition of Thai written poetry since the Ayutthaya era (1350-1767), it also shows that the Konlabot genre is proof of the Khmer influence in Thai poetry. Like the Kaap, another popular form of versification in Thailand, Konlabot has exact counterparts in Khmer language. Generally, Thai classical literature embraces Khmer and Sanskrit loanwords, especially older compositions from before the nineteenth century.

Further reading:
Braginsky, Vladimir: The comparative study of traditional Asian literatures: from reflective traditionalism to neo-traditionalism. London, 2015
Cholthira Satyavadhana: วิจารณ์รื้อวิจารณ์ ตำนานวรรณคดีวิจารณ์แนวรื้อสร้างและสืบสาน = Wichan ru wichan tamnan wannakhadi wichan naeo ru sang lae suepsan. Mahasarakham, 2550 (i.e. 2007)
Herbert, Patricia and Anthony Milner (ed.): South-East Asia: languages and literatures: a select guide. Whiting Bay, 1990
Peera Panarut: Cindamani. The Odd Content Version. A Critical Edition. Segnitz, 2018
Peera Panarut: On a quest for the jewel: a review of the Fine Arts Department’s edition of Phra Horathibodi’s Chindamani. Manusya Journal of Humanities, vol. 18/1 (2015), pp. 23-57
Suchitra Chongstitvatana: The nature of modern Thai poetry considered with reference to the works of Angkhan Kalayanaphong, Naowarat Phongphaibun and Suchit Wongthet. PhD thesis, SOAS, London, 1984

Jana Igunma, Henry Ginsburg Curator for Thai, Lao and Cambodian Collections

I would like to thank Prof. emeritus Cholthira Satyawadhana, former Dean of School of Liberal Arts, Walailak University, for her advice and help in decoding poems in the Konlabot manuscript that is subject of this article.