Collection Care blog

3 posts from May 2017

09 May 2017

Craft Week - Conservation at the British Library

Paper, book and textile conservators participated in London Craft Week on Thursday 4 and Saturday 6 May with demonstrations and talks at the British Library.

The event was very successful and was well attended by those interested in the craft of conservation and how we care for our collections.

Many conversations were had with visitors to the Library: some were on holiday, others had come to work or study, many were supporting London Craft Week and others had tickets for the Russian Revolution: Hope, Tragedy, Myths exhibition.

Visitors at the London Craft Week talk with Conservators on the other side of a long row of tables. The Conservators are in dialogue with the public, showing tools and techniques used in their work.
London Craft Week demonstrations at the British Library, Thursday 4 May 2017

Thanks to all who attended to make the day so memorable. If you missed the event but are interested in conservation at the British Library, don't forget there are tours on the first Thursday of each month. The tours begin at 14:00 and depart from the exhibition area in the Centre for Conservation. Book your place now as spaces are limited.

08 May 2017

Beauty is only Skin Deep – Installation of the 101st Soviet Rifle Regiment Banner for the Russian Revolution Exhibition

Iwona Jurkiewicz reports on the installation of an extraordinary and iconic banner on exhibition for the first time outside Poland at the British Library's latest exhibition: Russian Revolution: Hope, Tragedy, Myths. It can be seen until the exhibition closes on 29 August 2017.

It is a well-known truth that external attractiveness bears little relation to the essential internal qualities of a person. This time, the old saying: ‘beauty is only skin deep’ proved to be true for a banner.

The 101st Soviet Rifle Regiment banner captured in the 1919-20 Soviet–Polish War by the victorious Poles is very plain and unassuming in appearance. It is, however, of enormous value, being the only surviving banner from that conflict still held in the Polish collections.

A great number of other banners were captured during the Soviet-Polish War and kept in the Polish Army Museum in Warsaw. In the 1950’s all but this one were ordered to be returned to the Soviet Union (hence its unique status).

Soviet Rifle Regiment Banner, as displayed in a mounting behind a glass frame. The banner is a very off white (originally red) background, with a white star centred, bearing within that a crude representation of the hammer and sickle. Above and underneath (mostly underneath) the star there is (in Cyrillic) the writing and slogan of the regiment.
The banner of the 101st Soviet Rifle Regiment with the popular propaganda slogan of the time: ‘Peace to huts, war to palaces’.



The banner has been borrowed from Warsaw for the Russian Revolution: Hope, Tragedy and Myths Exhibition together with a much more visually appealing hat of a Red Army soldier, known as Budenovka.

A Red Army uniform hat mounted on a fabric display head, mounted in turn on a green backing board on the red-colored exhibition wall. The hat itself is a faded green with a large red star in the centre. There is a small cloth visor and ear flaps tied up at the side, with a fabric point on top.
Red Army uniform hat named after Red Army Commander, Semen Budennyi.



Yet, it was this plain looking banner, with its twists and turns of history that go beyond the Russian Revolution, rather than the cute red hat, that captured my attention.

The current monochrome appearance of the cotton ground is misleading since it was originally red, and the star stitched in the middle of the banner with the early emblem of the Soviet state of a hammer and sickle was - against all expectations - white.

We know this thanks to the detailed documentations of all captured banners made between 1930's-1950's published in a book on trophies seized during the Soviet–Polish War by Jarosław Pych1.

The banner as originally shown in the 1930's. The background colour is a faded red while the crude hammer and sickle motif superimposed on the central white star is much more clearer and concise. The writing beneath the star is also clearer and darker in black ink.
The banner as shown in the documentation in the Polish Army Museum after it was donated in the 1930’s



Unfortunately, this iconic item lost its original colours in the course of the long term display and due to the poor stability of the dye used. It now, indeed, seems very plain and unassuming. However, the post Second World War Soviet intervention gave it the status of the only surviving banner in the Polish Army Museum collection, and this added to its already great national significance. The banner has never been displayed abroad before, and it was conserved prior to the Russian Revolution exhibition by the Textile Conservation team based in the Polish Army Museum and led by Jadwiga Kozlowska, who also couriered the item for the British Library exhibition.

Jadwiga Kozlowska, glasses in hand, is standing facing camera next to the banner which is lying flat on mountboard, on a table in front of her. to the right of the table are some papers, glasses and some tools, being used to ready the item for exhibition. The background is of the exhibition space itself, with bright red walls, and some prints already mounted.
Jadwiga Kozlowska with the banner.



Her presence during the installation proved vital. The banner, usually displayed in portrait orientation in Warsaw had firm attachment – a Perspex rod - on the short side, but not the long one as was necessary for the landscape orientation of the case in the Russian Revolution exhibition.

A close-up of the left hand corner of the banner in a portrait orientation, focused on a clear perspex rectangular rod which is running horizontal through the banners hoist. the flag is resting on mountboard.
The Perspex rod attachment of the banner.



The display case ready to receive the banner. The case is square in landscape orientation, in a dull red colour. The backboard is manufactured to lean back on an angle to accomodate the flag at the right viewing angle. Next to the display case can be seen another print, of a man on a rock, already mounted.
Landscape orientation of the display case.



This situation was promptly remedied by Jadwiga Kozłowska who was able to stitch the crêpeline facing the banner alongside the top edge using an invisible polyester thread.

Jadwiga Kozłowska attaching the banner to the underlying supporting mountboard. The banner and mountboard are resting on a grey table, with tools and papers to the right of the banner.
Jadwiga Kozłowska attaching the banner to the supporting board.



This enabled a secure display of the item in landscape rather than portrait direction. The banner is displayed on a slope within the case, and the supporting board is secured using acrylic clips.

The Banner being carefully installed into its display case by three conservators. Behind the display case can be seen a brighter red curtain providing a backdrop to the banner and its case.
The final installation of the banner.



The installation of the banner with such a chequered history couldn’t have been straightforward, but nothing proves impossible with teams of dedicated exhibition, conservation and loans registry staff!

The Russian Revolution: Hope, Tragedy, Myths Exhibition opened on 28 April and will run until 29 August 2017. You can also read articles from our experts exploring some of the themes of our exhibition on our Russian Revolution website.

 

Iwona Jurkiewicz

 

I would like to thank Jadwiga Kozłowska for not only helping with the installation, but also providing the information about the banner.

Further reading:

1. Jarosław Pych "Trofea wojny polsko-bolszewickiej 1920 roku", Warszawa, 2000

Workshop on Understanding Asian Papers and their Applications in Paper Conservation

Nine Consevators are gathered around two tables in a studio, with various tools on the tables. Most conservators are wearing aprons, and some people are brushing down items on the desks with large soft Japanese brushes.

Instructor: Minah Song, independent paper conservator
www.minahsong.com
Date: July 11th - 13th (Tue - Thu), 2017 - 3 days
Place: The British Library, 96 Euston Road, London NW1 2DB
Enrollment limit : 12
Registration fee: 470 GBP or 560 EUR (materials included)

This three-day intensive workshop is designed to provide both emerging and established conservation professionals with the theoretical and practical foundation for understanding Asian papers and their applications in paper conservation. The workshop consists primarily of hands-on activities with a lecture, group discussions and examinations of various Asian papers.

Participants will familiarize themselves with history and characteristics of Chinese, Korean and Japanese papermaking, including an overview of contemporary Asian paper production. Each participant will be presented with a set of different paper samples and will study the papers first hand and examine the fibres, sheet formation, alkali content and the results of different manufacturing processes and drying methods. Different Asian paper fibres will be compared with the help of microscopic images.

In a practical session, participants will make small-sized paper samples using simple tools with paper mulberry fibres and formation aid. They will also use cotton fibres as a comparison. Participants will make modern equivalent of drying board (karibari) using a honeycomb board and mulberry paper.

Participants will study and share details of various methods of repair and lining techniques using different Asian papers, depending on their opaqueness, texture, and strength, appropriate for specific objects. For example, participants will try double-sided lining with thin mulberry tissue, drying a lined object on a drying board, and making re-moistenable tissue with different adhesives. Useful tips in toning techniques with acrylic paints for mulberry paper will be discussed.

For further details and online registration see:
www.minahsong.com/workshop
Contact the instructor: [email protected]