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Digital scholarship blog

5 posts categorized "Black & Asian Britain"

03 October 2019

BL Labs Symposium (2019): Book your place for Mon 11-Nov-2019

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Posted by Mahendra Mahey, Manager of BL Labs

The BL Labs team are pleased to announce that the seventh annual British Library Labs Symposium will be held on Monday 11 November 2019, from 9:30 - 17:00* (see note below) in the British Library Knowledge Centre, St Pancras. The event is FREE, and you must book a ticket in advance to reserve your place. Last year's event was the largest we have ever held, so please don't miss out and book early!

*Please note, that directly after the Symposium, we have teamed up with an interactive/immersive theatre company called 'Uninvited Guests' for a specially organised early evening event for Symposium attendees (the full cost is £13 with some concessions available). Read more at the bottom of this posting!

The Symposium showcases innovative and inspiring projects which have used the British Library’s digital content. Last year's Award winner's drew attention to artistic, research, teaching & learning, and commercial activities that used our digital collections.

The annual event provides a platform for the development of ideas and projects, facilitating collaboration, networking and debate in the Digital Scholarship field as well as being a focus on the creative reuse of the British Library's and other organisations' digital collections and data in many other sectors. Read what groups of Master's Library and Information Science students from City University London (#CityLIS) said about the Symposium last year.

We are very proud to announce that this year's keynote will be delivered by scientist Armand Leroi, Professor of Evolutionary Biology at Imperial College, London.

Armand Leroi
Professor Armand Leroi from Imperial College
will be giving the keynote at this year's BL Labs Symposium (2019)

Professor Armand Leroi is an author, broadcaster and evolutionary biologist.

He has written and presented several documentary series on Channel 4 and BBC Four. His latest documentary was The Secret Science of Pop for BBC Four (2017) presenting the results of the analysis of over 17,000 western pop music from 1960 to 2010 from the US Bill Board top 100 charts together with colleagues from Queen Mary University, with further work published by through the Royal Society. Armand has a special interest in how we can apply techniques from evolutionary biology to ask important questions about culture, humanities and what is unique about us as humans.

Previously, Armand presented Human Mutants, a three-part documentary series about human deformity for Channel 4 and as an award winning book, Mutants: On Genetic Variety and Human Body. He also wrote and presented a two part series What Makes Us Human also for Channel 4. On BBC Four Armand presented the documentaries What Darwin Didn't Know and Aristotle's Lagoon also releasing the book, The Lagoon: How Aristotle Invented Science looking at Aristotle's impact on Science as we know it today.

Armands' keynote will reflect on his interest and experience in applying techniques he has used over many years from evolutionary biology such as bioinformatics, data-mining and machine learning to ask meaningful 'big' questions about culture, humanities and what makes us human.

The title of his talk will be 'The New Science of Culture'. Armand will follow in the footsteps of previous prestigious BL Labs keynote speakers: Dan Pett (2018); Josie Fraser (2017); Melissa Terras (2016); David De Roure and George Oates (2015); Tim Hitchcock (2014); Bill Thompson and Andrew Prescott in 2013.

The symposium will be introduced by the British Library's new Chief Librarian Liz Jolly. The day will include an update and exciting news from Mahendra Mahey (BL Labs Manager at the British Library) about the work of BL Labs highlighting innovative collaborations BL Labs has been working on including how it is working with Labs around the world to share experiences and knowledge, lessons learned . There will be news from the Digital Scholarship team about the exciting projects they have been working on such as Living with Machines and other initiatives together with a special insight from the British Library’s Digital Preservation team into how they attempt to preserve our digital collections and data for future generations.

Throughout the day, there will be several announcements and presentations showcasing work from nominated projects for the BL Labs Awards 2019, which were recognised last year for work that used the British Library’s digital content in Artistic, Research, Educational and commercial activities.

There will also be a chance to find out who has been nominated and recognised for the British Library Staff Award 2019 which highlights the work of an outstanding individual (or team) at the British Library who has worked creatively and originally with the British Library's digital collections and data (nominations close midday 5 November 2019).

As is our tradition, the Symposium will have plenty of opportunities for networking throughout the day, culminating in a reception for delegates and British Library staff to mingle and chat over a drink and nibbles.

Finally, we have teamed up with the interactive/immersive theatre company 'Uninvited Guests' who will give a specially organised performance for BL Labs Symposium attendees, directly after the symposium. This participatory performance will take the audience on a journey through a world that is on the cusp of a technological disaster. Our period of history could vanish forever from human memory because digital information will be wiped out for good. How can we leave a trace of our existence to those born later? Don't miss out on a chance to book on this unique event at 5pm specially organised to coincide with the end of the BL Labs Symposium. For more information, and for booking (spaces are limited), please visit here (the full cost is £13 with some concessions available). Please note, if you are unfortunate in not being able to join the 5pm show, there will be another performance at 1945 the same evening (book here for that one).

So don't forget to book your place for the Symposium today as we predict it will be another full house again and we don't want you to miss out.

We look forward to seeing new faces and meeting old friends again!

For any further information, please contact labs@bl.uk

14 September 2019

BL Labs Awards 2019: enter before 2100 on Sunday 29th September! (deadline extended)

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We have extended our deadline for our BL Labs Awards to 21:00 (BST) on Sunday 29th September, submit your entry here. If you have already entered, you don't have to resubmit, however, we are happy to receive updated entries too.

The BL Labs Awards formally recognises outstanding and innovative work that has been created using the British Library’s digital collections and data.

Submit your entry, and help us spread the word to all interested parties!

This year, BL Labs is commending work in four key areas:

  • Research - A project or activity that shows the development of new knowledge, research methods, or tools.
  • Commercial - An activity that delivers or develops commercial value in the context of new products, tools, or services that build on, incorporate, or enhance the Library's digital content.
  • Artistic - An artistic or creative endeavour that inspires, stimulates, amazes and provokes.
  • Teaching / Learning - Quality learning experiences created for learners of any age and ability that use the Library's digital content.

After the submission deadline of 21:00 (BST) on Sunday 29th September for entering the BL Labs Awards has passed, the entries will be shortlisted. Selected shortlisted entrants will be notified via email by midnight BST on Thursday 10th October 2019. 

A prize of £500 will be awarded to the winner and £100 to the runner up in each Awards category at the BL Labs Symposium on 11th November 2019 at the British Library, St Pancras, London.

The talent of the BL Labs Awards winners and runners up over the last four years has led to the production of a remarkable and varied collection of innovative projects. In 2018, the Awards commended work in four main categories – Research, Artistic, Commercial and Teaching & Learning:

Photo collage

  • Research category Award (2018) winner: The Delius Catalogue of Works: the production of a comprehensive catalogue of works by the composer Delius, based on research using (and integrated with) the BL’s Archives and Manuscripts Catalogue by Joanna Bullivant, Daniel Grimley, David Lewis and Kevin Page from Oxford University’s Music department.
  • Artistic Award (2018) winner: Another Intelligence Sings (AI Sings): an interactive, immersive sound-art installation, which uses AI to transform environmental sound recordings from the BL’s sound archive by Amanda Baum, Rose Leahy and Rob Walker independent artists and experience designers.
  • Commercial Award (2018) winner: Fashion presentation for London Fashion Week by Nabil Nayal: the Library collection - a fashion collection inspired by digitised Elizabethan-era manuscripts from the BL, culminating in several fashion shows/events/commissions including one at the BL in London.
  • Teaching and Learning (2018) winner: Pocket Miscellanies: ten online pocket-book ‘zines’ featuring images taken from the BL digitised medieval manuscripts collection by Jonah Coman, PhD student at Glasgow School of Art.

For further information about BL Labs or our Awards, please contact us at labs@bl.uk.

Posted by Mahendra Mahey, Manager of of British Library Labs.

19 February 2019

BL Labs 2018 Teaching & Learning Award Runner Up: 'Pocahontas and After'

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This guest blog is by Border Crossing, the 2018 BL Labs Teaching & Learning Award Runners Up, for their project, 'Pocahontas and After'.

Two images, each showing two young women, one from 1907, one 2018

Two images, each showing two young women dressed to show their culture, their pride, their sense of self. The first image dates from 1907, and shows The Misses Simeon, from the Stoney-Nakoda people of Western Canada, photographed by Byron Harmon. The second was taken in 2018 by John Cobb at Marlborough Primary School, West London, and shows a pupil of Iraqi heritage called Rose Al Saria, pictured with her sister. It was Rose who chose the particular archive image as the basis for her self-portrait, and who conceptualised the way it would be configured and posed.

This pair of photos is just one example in Border Crossings' exhibition Pocahontas and After, which was recently honoured in the British Library’s Labs Teaching and Learning category. The exhibition - which was seen by more than 20,000 people at Syon House last summer, and goes to St Andrews in February - represents the culmination of a sustained period of education and community work, beginning with the 2017 ORIGINS Festival. During the Festival, we not only held a ceremony for three indigenous women to commemorate Pocahontas at Syon, where she had stayed in the summer of 1616: we also brought indigenous artists into direct contact with the diverse communities around the House, in the two Primary Schools where they led workshops and study sessions, in the wonderful CARAS refugee group, and through our network of committed and energetic festival volunteers. In the following months, a distilled group from each of these partners worked closely with heritage experts from the archives (including the British Library’s own Dr. Philip Hatfield), Native American cultural consultants, and our own artistic staff to explore the ways in which Native American people have been presented in the past.

Their journeys into the archives were rich and challenging. What we think of as "realistic" photographs of indigenous people often turned out to be nothing of the kind. Edward Curtis, for example, apparently carried a chest of "authentic" costumes and props with him, which he used in his photographs to recreate the life of "the vanishing race" as he imagined it may have been in some pre-contact Romantic idyll. In other words, the archive photos are often about the photographer and the viewer, far more than they are about the subject.

Old photograph showing group of Native American men wearing traditional clothing driving in a car

Young boy in African dress in front of London Underground sign holding a toy bus

As our volunteers came to realise this, they became more and more assertive of the need for agency in contemporary portraiture. Complex and fascinating decisions started to be made, placing the generation of meaning in the bodies of the people photographed. For example, Sebastian Oliver Wallace-Odi, who has Ghanaian heritage, saw how Ronald Mumford’s archive photo had been contrived to show “British patriotism” from First Nations chiefs, riding a car bedecked in a Union Jack, during the First World War. Philip showed him how other photos demonstrated the presence of Mounties at the shoot, emphasising the lack of agency from the subjects. Sebastian countered it with an image in which the red white and blue flag is the symbol of the London Underground where his father works, and the car, like his shirt, is distinctly African.

What I love about this exhibition is that the meaning generated does not reside in one image or the other within the pair - but is rather in the energising of the space between, the dialogue between past and present, between different cultures, between human beings portrayed in different ways. It seems to me to be at once of way of honouring the indigenous subjects portrayed in the archive photographs, and of reinventing the form that was often too reductive in its attempts to categorise them.

Thanks to the Heritage Lottery Fund for supporting this project. Photos from the British Library digital collections.

Michael Walling - Artistic Director, Border Crossings. www.bordercrossings.org.uk

Watch the Border Crossing team receiving their Runner Up award and talking about their project on our YouTube channel (clip runs from 3.46 to 10.09):

Find out more about Digital Scholarship and BL Labs. If you have a project which uses British Library digital content in innovative and interesting ways, consider applying for an award this year! The 2019 BL Labs Symposium will take place on Monday 11 November at the British Library.

05 February 2019

BL Labs 2018 Research Award Honourable Mention: 'Doctoral theses as alternative forms of knowledge: Surfacing "Southern" perspectives on student engagement with internationalisation'

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This guest blog is by Professor Catherine Montgomery, recipient of one of two Honourable Mentions in the 2018 BL Labs Awards Research category for her work with the British Library's EThOS collection.British Library slide 1

 ‘Contemporary universities are powerful institutions, interlinked on a global scale; but they embed a narrow knowledge system that reflects and reproduces social inequalities on a global scale’ (Connell, 2017).

Having worked with doctoral students for many years and learned much in this process my curiosity was sparked by the EThOS collection at the British Library. EThOS houses a large proportion of UK doctoral theses completed in British Universities and comprises a digital repository of around 500,000 theses. Doctoral students use this repository regularly but mostly as a means of exploring examples of doctorates in their chosen area of research. In my experience, doctoral students are often looking at formats or methodologies when they consult EThOS rather than exploring the knowledge provided in the theses.

So when I began to think about the EThOS collection as a whole, I came to the conclusion that it is a vastly under-used but incredibly powerful resource. Doctoral knowledge is not often thought of as a coherent body of knowledge, although individual doctoral theses are sometimes quoted and consulted by academics and other doctoral students. It is also important to remember that of 84,630 Postgraduate Research students studying full time in the UK in 2016/17, half of them, 42,325, were non-UK students, with 29,875 students being from beyond the EU. So in this sense, the knowledge represented in the EThOS collection is an important international body of knowledge.

So I began to explore the EThOS collection with some help from a group of PhD students (Gihan Ismail, Luyao Li and Yanru Xu, all doctoral candidates at the Department of Education at the University of Bath) and the EThOS library team. I wanted to interrogate the collection for a particular field of knowledge and because my research field is internationalisation of higher education, I carried out a search in EThOS for theses written in the decade 2008 to 2018 focusing on student engagement with internationalisation. This generated an initial data set of 380 doctoral theses which we downloaded into the software package NVivo. We then worked on refining the data set, excluding theses irrelevant to the topic (I was focusing on higher education so, for example, internationalisation at school-level topics were excluded) coming up with a final data set of 94 theses around the chosen topic. The EThOS team at the British Library helped at this point and carried out a separate search, coming up with a set of 78 theses using a specific adjacent word search and they downloaded these into a spreadsheet for us. The two data sets were consistent with each other which was really useful triangulation in our exploration of the use of the EThOS repository.

This description makes it sound very straightforward but there were all sorts of challenges, many of them technology related, including the fact that we were working with very large amounts of text as each of the 380 theses was around 100,000 words long or more and this slowed down the NVivo software and sometimes made it crash. There were also challenges in the search process as some earlier theses in the collection were in different formats; some were scanned and therefore not searchable.

The outcomes of the work with the EThOS collection were fascinating. Various patterns emerged from the analysis of the doctoral theses and the most prominent of these were insights into the geographies of student engagement with internationalisation; issues of methodologies and theory; and different constructions of internationalisation in higher education.

The theses were written by students from 38 different countries of the globe and examined internationalisation of higher education in African countries, the Americas and Australia, across the Asian continent and Europe. Despite this diversity amongst the students, most of the theses investigated internationalisation in the UK or international students in the UK. The international students also often carried out research on their own countries’ higher education systems and there was some limited comparative research but all of these compared their own higher education systems with one or (rarely) two others. There was only a minority of students who researched the higher education systems of international contexts different from their own national context.

A similar picture emerged when I considered the sorts of theories and ideas students were using to frame their research. There was a predominance of Western theory used by the international students to cast light on their non-western educational contexts, with many theses relying on concepts commonly associated with Western theory such as social capital, global citizenship or communities of practice. The ways in which the doctoral theses constructed ideas of internationalisation also appeared in many cases to be following a well-worn track and explored familiar concepts of internationalisation including challenges of pedagogy, intercultural interaction and the student experience. Having said this, there were also some innovative, creative and critical insights into students engaging with internationalisation, showing that alternative perspectives and different ways of thinking were generated by the theses of the EThOS collection.

Raewyn Connell, an educationalist I used in the analysis of this project tells us that in an unequal society we need ‘the view-from-below’ to challenge dominant ways of thought. I would argue that we should think about doctoral knowledge as ‘the-view-from-below’, and doctoral theses can offer us alternative perspectives and challenges to the previous narratives of issues such as internationalisation. However, it may be that the academy will need to make space for these alternative or ‘Southern’ perspectives to come in and this will rely on the capacity of the participants, both supervisors and students, to be open to negotiation in theories and ideas, something which another great scholar, Boaventura De Sousa Santos, describes as intercultural translation of knowledge.

I am very grateful indeed to the British Library and the EThOS team for developing this incredible source of digital scholarship and for their support in this project. I was delighted to be given an honourable mention in the British Library Research Lab awards and I am intending to take this work forward and explore the EThOS repository further. I was fascinated and excited to find that a growing number of countries are also developing and improving access to their doctoral research repositories (Australia, Canada, China, South Africa and USA to name but a few). This represents a huge comparative and open access data set which could be used to explore alternative perspectives on ‘taken-for-granted’ knowledge. Where better to start than with doctoral theses?

More information on the project can be found in this published article:

Montgomery, C. (2018). Surfacing ‘Southern’ perspectives on student engagement with internationalisation: doctoral theses as alternative forms of knowledge. Journal of Studies in International Education. (23) 1 123-138. https://doi.org/10.1177/1028315318803743

British Library slide 2

Watch Professor Montgomery receiving her award and talking about her project on our YouTube channel (clip runs from 6.57 to 10.39):

Find out more about Digital Scholarship and BL Labs. If you have a project which uses British Library digital content in innovative and interesting ways, consider applying for an award this year! The 2019 BL Labs Symposium will take place on Monday 11 November at the British Library.

23 August 2018

BL Labs Symposium (2018): Book your place for Mon 12-Nov-2018

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The BL Labs team are pleased to announce that the sixth annual British Library Labs Symposium will be held on Monday 12 November 2018, from 9:30 - 17:30 in the British Library Knowledge Centre, St Pancras. The event is free, and you must book a ticket in advance. Last year's event was a sell out, so don't miss out!

The Symposium showcases innovative and inspiring projects which use the British Library’s digital content, providing a platform for development, networking and debate in the Digital Scholarship field as well as being a focus on the creative reuse of digital collections and data in the cultural heritage sector.

We are very proud to announce that this year's keynote will be delivered by Daniel Pett, Head of Digital and IT at the Fitzwilliam Museum, University of Cambridge.

Daniel Pett
Daniel Pett will be giving the keynote at this year's BL Labs Symposium. Photograph Copyright Chiara Bonacchi (University of Stirling).

  Dan read archaeology at UCL and Cambridge (but played too much rugby) and then worked in IT on the trading floor of Dresdner Kleinwort Benson. Until February this year, he was Digital Humanities lead at the British Museum, where he designed and implemented digital practises connecting humanities research, museum practice, and the creative industries. He is an advocate of open access, open source and reproducible research. He designed and built the award-winning Portable Antiquities Scheme database (which holds records of over 1.3 million objects) and enabled collaboration through projects working on linked and open data (LOD) with the Institute for the Study of the Ancient World (New York University) (ISAWNYU) and the American Numismatic Society. He has worked with crowdsourcing and crowdfunding (MicroPasts), and developed the British Museum's 3D capture reputation. He holds Honorary posts at UCL Institute of Archaeology and the Centre for Digital Humanities and publishes regularly in the fields of museum studies, archaeology and digital humanities.

Dan's keynote will reflect on his years of experience in assessing the value, impact and importance of experimenting with, re-imagining and re-mixing cultural heritage digital collections in Galleries, Libraries, Archives and Museums. Dan will follow in the footsteps of previous prestigious BL Labs keynote speakers: Josie Fraser (2017); Melissa Terras (2016); David De Roure and George Oates (2015); Tim Hitchcock (2014); and Bill Thompson and Andrew Prescott in 2013.

Stella Wisdom (Digital Curator for Contemporary British Collections at the British Library) will give an update on some exciting and innovative projects she and other colleagues have been working on within Digital Scholarship. Mia Ridge (Digital Curator for Western Heritage Collections at the British Library) will talk about a major and ambitious data science/digital humanities project 'Living with Machines' the British Library is about to embark upon, in collaboration with the Alan Turing Institute for data science and artificial intelligence.Throughout the day, there will be several announcements and presentations from nominated and winning projects for the BL Labs Awards 2018, which recognise work that have used the British Library’s digital content in four areas: Research, Artistic, Commercial, and Educational. The closing date for the BL Labs Awards is 11 October, 2018, so it's not too late to nominate someone/a team, or enter your own project! There will also be a chance to find out who has been nominated and recognised for the British Library Staff Award 2018 which showcases the work of an outstanding individual (or team) at the British Library who has worked creatively and originally with the British Library's digital collections and data (nominations close 12 October 2018).

Adam Farquhar (Head of Digital Scholarship at the British Library) will give an update about the future of BL Labs and report on a special event held in September 2018 for invited attendees from National, State, University and Public Libraries and Institutions around the world, where they were able to share best practices in building 'labs style environmentsfor their institutions' digital collections and data.

There will be a 'sneak peek' of an art exhibition in development entitled 'Imaginary Cities' by the visual artist and researcher Michael Takeo Magruder. His practice  draws upon working with information systems such as live and algorithmically generated data, 3D printing and virtual reality and combining modern / traditional techniques such as gold / silver gilding and etching. Michael's exhibition will build on the work he has been doing with BL Labs over the last few years using digitised 18th and 19th century urban maps bringing analog and digital outputs together. The exhibition will be staged in the British Library's entrance hall in April and May 2019 and will be free to visit.

Finally, we have an inspiring talk lined up to round the day off (more information about this will be announced soon), and - as is our tradition - the symposium will conclude with a reception at which delegates and staff can mingle and network over a drink and nibbles.

So book your place for the Symposium today and we look forward to seeing new faces and meeting old friends again!

For any further information, please contact labs@bl.uk

Posted by Mahendra Mahey and Eleanor Cooper (BL Labs Team)