THE BRITISH LIBRARY

Digital scholarship blog

13 posts categorized "Music"

25 January 2019

BL Labs 2018 Artistic Award Winner: 'Another Intelligence Sings'

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This guest blog is by the winners of the BL Labs Artistic Award for 2018, Robert Walker, Rose Leahy and Amanda Baum, for 'Another Intelligence Sings'.AI Sings 1

When the natural world is recorded, it is quantised for the human ear, to wavelengths within our perception and timeframes within our conception. Yet the machine learning algorithm sits outside the human sensorium, outside the human lifespan. An algorithm is agnostic to the source, the intention and the timescale of data. By feeding it audio samples of lava and larvae, geological tensions and fleeting courtship, the seismic and the somatic, the many voices of life are woven into a song no one lifespan or life form could sing.

Another Intelligence Sings ( AI Sings ) is an immersive audio-tactile installation inviting you to experience the sounds of our biological world as recounted through an AI. Through the application of neural networks to field recordings from the British Library sound archive a nonhuman reading of the data emerges. Presenting an alternative composition of Earth’s songs, AI Sings explores an expanded view of what might be perceived as intelligent.

The breadth of the British Library Wildlife and Environmental Sounds archive enabled us to take a cross section of the natural world from primordial physical phenomena to the great beasts of the savannas to the songbirds of the British countryside. The final soundscape is created from using two different neural networks, Wavenet and Nsynth. We trained Wavenet, Google’s most advanced human speech synthesis neural network, on many hours of field recordings, including those from the British Library archives.

Nsynth is an augmented version of Wavenet that was built and trained by Magenta, Google AI’s creative lab. Nsynth creates sounds that are not a simple crossfade or blend but something genuinely new based on the perceived formal musical qualities of the two source sounds. This was used to create mixtures between specific audio samples, for example, sea lion meets mosquito, leopard meets horse, and mealworm meets ocean.

Click here to play a 4 minute clip of the sound from the installation.

AI Sings 2
Through this use of the technology, AI Sings reorients the algorithm’s focus, away from the human expression of individual thought and towards an amalgam of geological and biological processes. The experience aims to enable humans to meditate on the myriad intelligences around and beyond us and expand our view of what might be perceived as intelligent. This feeds into our ongoing body of shared work, which raises questions about the use of artificial intelligence in society. Previously, we have used a neural network to find linguistic patterns not perceivable to human reading to mediate our collectively written piece Weaving Worlds (2016). In AI Sings we continue this thread of asking which perspectives an AI can bring that human perception cannot.

AI Sings 3

AI Sings takes digital archive content and makes it into a tactile, sensuous, and playful experience. By making the archive material an experiential encounter, we were able to encourage listeners to enter into a world where they could be immersed and engaged in the data. Soft, tactile materials such as hair and foam invited people to enter into and interact with the work. In particular, we found that the playful nature of the materials in the piece meant that children were keen to experience the work, and listen to the soundscape, thereby extending the audience of the archive material to one it may not usually reach.

By addressing the need for experiential, visceral and poetic encounters with AI, Another Intelligence Sings goes beyond the conceptual and engages people in the technology which is so rapidly transforming society. We hope this work shows how the creative application of AI opens up new possibilities in the field of archivology, from being a tool of categorisation to becoming a means of expanding the cultural role of the library in the future.

The piece premiered at the V&A Digital Design Weekend 2018 on 22nd of September as part of London Design Festival, where it was exhibited to over 22,000 visitors. Following the weekend we were invited by Open Cell, London’s newly opened bioart- and biodesign studio and exhibition space, to be showcased on their site.

More about the project can be found on our websites:

www.baumleahy.com + www.irr.co + www.amandabaum.com + www.roseleahy.com

Watch the AI Sings team receiving their award and talking about their project on our YouTube channel (clip runs from 8.18):

 

Find out more about Digital Scholarship and BL Labs. If you have a project which uses British Library digital content in innovative and interesting ways, consider applying for an award this year! The 2019 BL Labs Symposium will take place on Monday 11 November at the British Library.

17 January 2019

BL Labs 2018 Research Award Winner: 'The Delius Catalogue of Works'

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This guest blog is by the winners of the BL Labs Research Award for 2018: Joanna Bullivant and Daniel M. Grimley of the Faculty of Music, University of Oxford; and David Lewis and Kevin Page of the University of Oxford e-Research Centre.

The Delius Catalogue of Works is a new, freely accessible digital catalogue of the complete works of Frederick Delius (1862-1934).

Explore more here: https://delius.music.ox.ac.uk

The Delius Catalogue (DCW) was created as part of a project called ‘Delius, Modernism, and the Sound of Place’ (https://deliusmodernism.wordpress.com), a collaboration between the University of Oxford, the British Library, and the Royal Library, Denmark, which was funded by the Arts and Humanities Research Council. The project as a whole sought to better understand Delius and his music. Delius has been understood as an English portraitist, someone who wrote impressionistic works depicting natural scenes, whose music was strongly linked to the English landscape, and who had little interest in large-scale musical construction or in the details of performance.

However, Delius also lived and wrote music all over the world (in Scandinavia, Florida, Germany and France), and was the friend of many important modern artists, writers and musicians including Edvard Grieg, Edvard Munch, August Strindberg and Paul Gauguin. He also left behind very substantial sketches and other manuscripts that help us to understand his music, the vast majority of which are in the British Library.

Within the project, our aim in creating the DCW was to make a clear and up-to-date catalogue of Delius’s works which was both of a high scholarly standard and accessible to a variety of users (such as scholars, performers and students). We also wanted to integrate the catalogue as far as possible with the British Library’s own manuscript catalogue, to showcase the Library’s Delius collections and enable users of the catalogue to understand and have access to the physical manuscripts. This was a challenge both in terms of research (collecting and presenting information in a clear and concise manner) and web design (presenting it in the best possible manner).

Creating the catalogue was greatly helped by the decision to use MerMEId (Metadata Editor and Repository for MEI Data), specialist software created by Axel Teich Geertinger and his team at the Royal Library, Denmark, originally for creating a catalogue of the works of Carl Nielsen (http://www.kb.dk/dcm/cnw/navigation.xq). MerMEId is built on an eXist XML database with Lucene-based searching, and most of its functionality is implemented using xquery and xslt.

The core catalogue data is stored as MEI, an XML-based standard for the encoding and markup of musical data, inspired by TEI for text. MerMEId’s combination of open-source, standards-based technologies gave great flexibility to customise both the data model and the user interface to suit the application. In the DCW, we adapted genre categories, improved site accessibility, and adapted things like instrumental abbreviations and references to Delius reference works for our purposes. We also adapted the conceptual cataloguing model FRBR (https://www.ifla.org/files/assets/cataloguing/frbr/frbr_2008.pdf) in order to create records for each work that were narrative and hierarchical.

In the case of a work with a straightforward history like Brigg Fair, this meant adopting a standard presentational format in which the catalogue gave catalogue numbers, dedicatee, date of composition, a short introduction, duration, instrumentation, a musical incipit, and information in chronological order on manuscript sources, performance history and documents such as letters or bibliographic items:

Delius image 1

See: https://delius.music.ox.ac.uk/catalogue/document.html?doc=delius_briggfair.xml

In a work with a more complicated history like the Piano Concerto, however, the model may be adapted to show a long compositional process and multiple versions:

Delius image 2

See: https://delius.music.ox.ac.uk/catalogue/document.html?doc=delius_pianoconc.xml

By creating multiple “versions” of the work in MerMEId to reflect its journey through different stages of composition, and by noting extant manuscript and print sources and performances in each case, we can clearly and consistently both narrate the story of each work and show how existing sources and versions fit into it.

The data available in the British Library Archives and Manuscripts catalogue was essential for creating the Delius catalogue. At the ‘Sources’ level of each catalogue record, users can link directly to the manuscript and thus see how to access the physical manuscript, and how extant manuscripts relate to the history of each work, as in the Caprice and Elegy:

Delius image 3

See: https://delius.music.ox.ac.uk/catalogue/document.html?doc=delius_capriceelegy.xml

As well as fostering understanding of Delius’s works and their connection to the British Library’s outstanding manuscript collections, this project has led to exciting ongoing work. A subsequent project involving the same team involved digitising some of the British Library’s Delius manuscripts and other materials and creating a variety of articles, teaching resources and other metadata to showcase them. These are now part of the Library’s new online learning resource Discovering Music: https://www.bl.uk/20th-century-music.

We intend to expand our work to other composers, continuing to explore ways to make their music and manuscripts more accessible to a wide variety of people.

Watch Joanna Bullivant and David Lewis receiving their award on behalf of their team, and talking about their project on our YouTube channel (clip runs from 10.36):

Find out more about Digital Scholarship and BL Labs. If you have a project which uses British Library digital content in innovative and interesting ways, consider applying for an award this year! The 2019 BL Labs Symposium will take place on Monday 11 November at the British Library.

15 January 2019

The BL Labs Symposium, 2018

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On Monday 12th November, 2018, the British Library hosted the sixth annual BL Labs Symposium, celebrating all things digital at the BL. This was our biggest ever symposium with the conference centre at full capacity - proof, if any were needed, of the importance of using British Library digital collections and technologies for innovative projects in the heritage sector.

The delegates were welcomed by our Chief Executive, Roly Keating, and there followed a brilliant keynote by Daniel Pett, Head of Digital and IT at the Fitzwilliam Museum, Cambridge. In his talk, Dan reflected on his 3D modelling projects at the British Museum and the Fitzwilliam, and talked about the importance of experimenting with, re-imagining, and re-mixing cultural heritage digital collections in Galleries, Libraries, Archives and Museums (GLAMs).

This year’s symposium had quite a focus on 3D, with a series of fascinating talks and demonstrations throughout the day by visual artists, digital curators, and pioneers of 3D photogrammetry and data visualisation technologies. The full programme is still viewable on the Eventbrite page, and videos and slides of the presentations will be uploaded in due course.

Composite bl labs 2018 awardees

Each year, BL Labs recognises excellent work that has used the Library's digital content in five categories. The 2018 winners, runners up and honourable mentions were announced at the symposium and presented with their awards throughout the day. This year’s Award recipients were:

Research Award:

Winner: The Delius Catalogue of Works by Joanna Bullivant, Daniel Grimley, David Lewis and Kevin Page at the University of Oxford

Honourable Mention: Doctoral theses as alternative forms of knowledge: Surfacing ‘Southern’ perspectives on student engagement with internationalisation by Catherine Montgomery and a team of researchers at the University of Bath

Honourable Mention: HerStories: Sites of Suffragette Protest and Sabotage by Krista Cowman at the University of Lincoln and Rachel Williams, Tamsin Silvey, Ben Ellwood and Rosie Ryder of Historic England

Artistic Award:

Winner: Another Intelligence Sings by Amanda Baum, Rose Leahy and Rob Walker

Runner Up: Nomad by independent researcher Abira Hussein, and Sophie Dixon and Edward Silverton of Mnemoscene

Teaching & Learning Award:

Winner: Pocket Miscellanies by Jonah Coman

Runner Up: Pocahontas and After by Michael Walling, Lucy Dunkerley and John Cobb of Border Crossings

Commercial Award:

Winner: The Library Collection: Fashion Presentation at London Fashion Week, SS19 by Nabil Nayal in association with Colette Taylor of Vega Associates

Runner Up: The Seder Oneg Shabbos Bentsher by David Zvi Kalman, Print-O-Craft Press

Staff Award:

Winner: The Polonsky Foundation England and France Project: Manuscripts from the British Library and the Bibliothèque nationale de France, 700-1200 by Tuija Ainonen, Clarck Drieshen, Cristian Ispir, Alison Ray and Kate Thomas

Runner Up: The Digital Documents Harvesting and Processing Tool by Andrew Jackson, Sally Halper, Jennie Grimshaw and Nicola Bingham

The judging process is always a difficult one as there is such diversity in the kinds of projects that are up for consideration! So we wanted to also thank all the other entrants for their high quality submissions, and to encourage anyone out there who might be considering applying for a 2019 award!

We will be posting guest blogs by the award recipients over the coming months, so tune in to read more about their projects.

And finally, save the date for this year's symposium, which will be held at the British Library on Monday 11th November, 2019.

21 April 2018

On the Road (Again)

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Flickr image: Wanderer
Image from the British Library’s Million Images on Flickr, found on p 198 of 'The Cruise of the Land Yacht “Wanderer”; or, thirteen hundred miles in my caravan, etc' by William Gordon Stables, 1886.

Now that British Summer Time has officially arrived, and with it some warmer weather, British Library Labs are hitting the road again with a series of events in Universities around the UK. The aim of these half-day roadshows is to inspire people to think about using the library's digitised collections and datasets in their research, art works, sound installations, apps, businesses... you name it!

A digitised copy of a manuscript is a very convenient medium to work on, especially if you are unable to visit the library in person and order an original item up to a reading room. But there are so many other uses for digitised items! Come along to one of the BL Labs Roadshows at a University department near you and find out more about the methods used by researchers in Digital Scholarship, from data-mining and crowd sourcing to optical character recognition for transcribing the words from an imaged page into searchable text. 

At each of the roadshow events, there will be speakers from the host institution describing some of the research projects they have already completed using digitised materials, as well as members of the British Library who will be able to talk with you about proposed research plans involving digitised resources. 

The locations of this year's roadshows are: 

Mon 9th April - BL Labs Roadshow 2018 (Open University) - internal event

Mon 26th March - BL Labs Roadshow 2018 (CityLIS) - internal event

Thu 12th April - BL Labs Roadshow 2018 (University of Bristol & Cardiff Digital Cultures Network)

Tue 24th April - BL Labs Roadshow 2018 (UCL)

Wed 25th April - BL Labs Roadshow 2018 (University of Kent)

Wed 2nd May - BL Labs Roadshow 2018 (University of Edinburgh)

Tue 15th May - BL Labs Roadshow 2018 (University of Wolverhampton)

Wed 16th May - BL Labs Roadshow 2018 (University of Lincoln)

Tue 5th June - BL Labs Roadshow 2018 (University of Leeds)

  BL Labs Roadshows 2018
See a full programme and book your place using the Eventbrite page for each event.

If you want to discover more about the Digital Collections, and Digital Scholarship at the British Library, follow us on Twitter @BL_Labs, read our Blog Posts, and get in touch with BL Labs if you have some burning research questions!

12 April 2018

The 2018 BL Labs Awards: enter before midnight Thursday 11th October!

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With six months to go before the submission deadline, we would like to announce the 2018 British Library Labs Awards!

The BL Labs Awards are a way of formally recognising outstanding and innovative work that has been created using the British Library’s digital collections and data.

Have you been working on a project that uses digitised material from the British Library's collections? If so, we'd like to encourage you to enter that project for an award in one of our categories.

This year, BL Labs is awarding prizes for a winner and a runner up in four key areas:

  • Research - A project or activity which shows the development of new knowledge, research methods, or tools.
  • Commercial - An activity that delivers or develops commercial value in the context of new products, tools, or services that build on, incorporate, or enhance the Library's digital content.
  • Artistic - An artistic or creative endeavour which inspires, stimulates, amazes and provokes.
  • Teaching / Learning - Quality learning experiences created for learners of any age and ability that use the Library's digital content.

BLAwards2018
BL Labs Awards 2018 Winners (Top-Left- Research Award Winner – A large-scale comparison of world music corpora with computational tools , Top-Right (Commercial Award Winner – Movable Type: The Card Game), Bottom-Left(Artistic Award Winner – Imaginary Cities) and Bottom-Right (Teaching / Learning Award Winner – Vittoria’s World of Stories)

There is also a Staff award which recognises a project completed by a staff member or team, with the winner and runner up being announced at the Symposium along with the other award winners.

The closing date for entering your work for the 2018 round of BL Labs Awards is midnight BST on Thursday 11th October (2018). Please submit your entry and/or help us spread the word to all interested and relevant parties over the next few months. This will ensure we have another year of fantastic digital-based projects highlighted by the Awards!

Read more about the Awards (FAQs, Terms & Conditions etc), practice your application with this text version, and then submit your entry online!

The entries will be shortlisted after the submission deadline (11/10/2018) has passed, and selected shortlisted entrants will be notified via email by midnight BST on Friday 26th October 2018. 

A prize of £500 will be awarded to the winner and £100 to the runner up in each of the Awards categories at the BL Labs Symposium on 12th November 2018 at the British Library, St Pancras, London.

The talent of the BL Labs Awards winners and runners up from the last three years has resulted in a remarkable and varied collection of innovative projects. You can read about some of last year's Awards winners and runners up in our other blogs, links below:

BLAwards2018-Staff
British Library Labs Staff Award Winner – Two Centuries of Indian Print

To act as a source of inspiration for future awards entrants, all entries submitted for awards in previous years can be browsed in our online Awards archive.

For any further information about BL Labs or our Awards, please contact us at labs@bl.uk.

01 February 2018

BL Labs 2017 Symposium: A large-scale comparison of world music corpora with computational tools, Research Award Winner

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A large-scale comparison of world music corpora with computational tools.

By Maria Panteli, Emmanouil Benetos, and Simon Dixon from the Centre for Digital Music, Queen Mary University of London

The comparative analysis of world music cultures has been the focus of several ethnomusicological studies in the last century. With the advances of Music Information Retrieval and the increased accessibility of sound archives, large-scale analysis of world music with computational tools is today feasible. We combine music recordings from two archives, the Smithsonian Folkways Recordings and British Library Sound Archive, to create one of the largest world music corpora studied so far (8200 geographically balanced recordings sampled from a total of 70000 recordings). This work was winner for the 2017 British Library Labs Awards - Research category.

Our aim is to explore relationships of music similarity between different parts of the world. The history of cultural exchange goes back many years and music, an essential cultural identifier, has travelled beyond country borders. But is this true for all countries? What if a country is geographically isolated or its society resisted external musical influence? Can we find such music examples whose characteristics stand out from other musics in the world? By comparing folk and traditional music from 137 countries we aim to identify geographical areas that have developed a unique musical character.

Maria Panteli fig 1

Methodology: Signal processing and machine learning methods are combined to extract meaningful music representations from the sound recordings. Data mining methods are applied to explore music similarity and identify outlier recordings.

We use digital signal processing tools to extract music descriptors from the sound recordings capturing aspects of rhythm, timbre, melody, and harmony. Machine learning methods are applied to learn high-level representations of the music and the outcome is a projection of world music recordings to a space respecting music similarity relations. We use data mining methods to explore this space and identify music recordings that are most distinct compared to the rest of our corpus. We refer to these recordings as ‘outliers’ and study their geographical patterns. More details on the methodology are provided here.

 

  Maria Panteli fig 2

 

Distribution of outliers per country: The colour scale corresponds to the normalised number of outliers per country, where 0% indicates that none of the recordings of the country were identified as outliers and 100% indicates that all of the recordings of the country are outliers.

We observed that out of 137 countries, Botswana had the most outlier recordings compared to the rest of the corpus. Music from China, characterised by bright timbres, was also found to be relatively distinct compared to music from its neighbouring countries. Analysis with respect to different features revealed that African countries such as Benin and Botswana, indicated the largest amount of rhythmic outliers with recordings often featuring the use of polyrhythms. Harmonic outliers originated mostly from Southeast Asian countries such as Pakistan and Indonesia, and African countries such as Benin and Gambia, with recordings often featuring inharmonic instruments such as the gong and bell. You can explore and listen to music outliers in this interactive visualisation. The datasets and code used in this project are included in this link.

Maria Panteli fig 3

Interactive visualisation to explore and listen to music outliers.

This line of research makes a large-scale comparison of recorded music possible, a significant contribution for ethnomusicology, and one we believe will help us understand better the music cultures of the world.

Posted by British Library Labs.

 

21 July 2017

Through the British Library Looking Glass - A Continuation of Nadya Miryanova's Work Experience

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Posted by Nadya Miryanova BL Labs School Work Placement Student, currently studying at Lady Eleanor Holles, working with Mahendra Mahey, Manager of BL Labs.

Day 6

Despite the fact that a week of my work experience here has already elapsed, I still can’t quite believe that I am lucky enough to find myself in this magnificent institution, let alone have access to ‘staff-only’ areas and actually be able to work here. One thing I particularly love is that I can enter the library in the early morning, before official opening hours, and see it evolve from a certain peaceful stillness to its usual excited buzz of activity as the day progresses and watch as the library is brought to life once more by the people that visit it.

Photo of me at the book tower
A photograph of me by the book tower in the British Library

Previously, in a very serious and sophisticated catch-up session (including, of course, only work-related matters), Mahendra had discovered that I was a huge fan of the Harry Potter series. Although this subject may seem quite unexpected and completely out of context in this blog, it is actually very relevant, since on the next day, Mahendra had informed me that I would be able to meet the Harry Potter curator. This was something that caught me completely by surprise, but it also shamelessly sparked a child-like excitement within me, having loved the franchise ever since I was seven. A meeting was set for Monday morning, and I waited, with some impatience, to meet Julian Harrison, the curator of medieval manuscripts and also the man who was involved in the organisation of the Harry Potter exhibition.

People looking at exhibition
People looking at an exhibition in the British Library

During the meeting, I was able to gain an insight into the working life of a curator. Julian explained the sorts of things involved in this role, and also talked more about the exhibitions themselves, where inspiration comes from, as well as previous exhibitions and their structure. 

In addition to this, I was able to find out lots of details about the Harry Potter exhibition (it’s fascinating and definitely worth a visit, trust me!). Furthermore, we had an in-depth discussion about the Harry Potter series itself, and we talked about some of the key themes as well as key characters in the books. You’ll soon be able to find out more about the exhibition too, be sure to book your tickets early and visit the British Library to be part of what will truly be a magical experience!

Phoenix
A preview of the "Harry Potter- A History of Magic" Exhibition, coming soon on 27th October 2017

In the afternoon, I went to a classical music concert at the British Museum. As I stepped into the light interior of the museum, I felt a hundred memories instantly come to mind, dating back to various visits with my family and numerous school projects over the years. The British Library and British Museum singers presented a concert performance of ‘Trial by Jury’, an opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. ‘Trial by Jury’ is set at a Court of Justice in 1876. The defendant, Edwin, has recently promised to marry a beautiful woman, Angelina, but has since changed his mind, for which reason Angelina is now suing him for Breach of Promise. After a multitude of entertaining events, involving the Jury, the public, the Usher, and many comic disagreements over the issue, a decision is finally reached. The Judge decides the only real logical solution to the problem is to marry Angelina himself, resulting in happiness for all parties. The choir then performed Te Deum, op 103, by Dvorak, a true choral masterpiece, and the performance itself was very moving.

Although the choir was relatively small in number, their bright and beautiful voices resonated across the room, creating a light-hearted and friendly atmosphere, upheld by the choir’s energy and enthusiasm. I always love seeing how music can unite people to interpret a piece together, and each member was fully involved in this collaborative effort to create stunning music, making the performance an unquestionable success.  

Choir
The British Museum and British Library Singers

When I returned to the office, I checked my e-mails and saw that Laurence Roger, Project Support Officer in the Collections Division, had very kindly offered to help me examine a book about Catullus’ poetry. The book that I eventually saw was dating back to the 18th century, and I spent the last section of my day looking at this book with Laurence, who is very nice, and I felt extremely lucky to be able to have access to it.

Book pic
One of the books that Laurence herself had lent me to look at.

Day 7

My seventh day of work experience arrived, and almost as soon as I got into the office, I set up my desk and eagerly launched straight into my working day. My morning consisted of independent work, where I further developed my research project and carried on with the interview storyboard for Hannah-Rose Murray, a finalist of the BL Labs competition in 2016. Her project was centred on black American activists in the 19th century, particularly their speeches and lectures from the 1830s to the 1890s. This was a period of history that I previously knew little about, and so I enjoyed learning about the influence that black Americans had on British society and seeing the way Hannah went around creating her project, bringing history to life. Read more about her project here. 

Locations of Frederick Douglass
Map displaying the locations of Frederick Douglass’ lectures in the United Kingdom and Ireland, a small section of Hannah-Rose Murray's project

At 12:30, I attended a Welcome Day at the British Library, and this presented me with an excellent opportunity to not only find out more about the different departments of the library, but also to tell some new members of staff about some of the work the Digital Scholarship Department does (I was also provided with a free lunch, always a bonus!). I talked to a variety of departments, ranging from Human Resources to Publishing and Retail, and everyone was extremely friendly, helpful and accommodating.

In the afternoon, I worked independently once again, more specifically on a YouTube transcription of an interview with Melodee Beals, a 2016 research award winner, who created an amazing project entitled ‘Scissors and Paste’. This project utilises the 1800-1900 British Library Newspapers collection to explore the possibilities of mining large-scale newspaper databases for reprinted and re purposed news content.

Melodee presenting her project
Melodee Beals presenting her project, 'Scissors and Paste'

After finishing my working day, I decided to wonder around and explore the British Library. The amazing thing about this place is that it really does resemble a maze, I constantly find myself discovering new places and rooms, with each day presenting something new and different to the previous one.

Day 8

As I entered the lift, I looked at the hard copy of my schedule, and I noticed that a meeting with a fashion company and members of the British Fashion Council was fixed that very morning. Feeling suddenly a little more self-conscious than usual about my appearance, I glanced cautiously in the mirror that was in the lift and my reflection stared back, wondering if anything could be done to cover the consequences that a malfunctioning alarm clock and getting ready in five minutes that morning could bring. After a few fruitless attempts of trying to somehow tame my hair, I finally accepted defeat and entered the meeting room.

The meeting at 9 o’clock was with a luxury womenswear brand. During the meeting, Mahendra introduced BL Labs, showing a presentation that informed the company about Digital Scholarship and detailed previous projects that the department had worked on, including ‘Burning Man’. A project with the fashion company was then initiated, which would involve the Library's collections, and some possible ideas for the project were also brainstormed. The fashion company talked more about their collections and how ideas for projects generally come about. It is inspiring to think how each individual collection, whether an assortment of garments or a literary exhibition of novels, tells its own unique story, and I found out that in many ways the research for the project is itself a sensational journey.

After this meeting, I returned back to my desk and had a quick catch-up with Mahendra, where we evaluated the YouTube transcription work, and the general progress made over the first half of this week. To finish off, I was whisked off to another meeting, this time with Wayne Boucher, a photographer who has a very big interest in beautiful stain-glass windows, and will be keeping in contact with the British Library to promote this stunning artwork.

Tiffany stain glass window
A Tiffany stain-glass window

Day 9

In the morning, I hurriedly entered the British Library through the staff entrance, as usual, but instead of walking over to the doors of the lift, I took a sharp right turn, and walked over to the Post Room. Mahendra had previously organised for me to visit the Post Room with Peter Clarke, Service Delivery Manager, Messenger/Post Service, and today I would be having a tour of certain sections of the building that are off bounds to not only the general public, but also to many members of staff. I was able to see the process of delivery take place, and even help with this crucial procedure, without which many of the library books that researchers and readers need would not be available. I was shown the delivery room by Keiran Duncan-Johnson, Late Team Leader LMS, Messenger/Post Service, Finance Division, and this was a huge, open space, which once more reminded me of the sheer scale of the place. 

I was also kindly shown round other areas of the library  I was previously unfamiliar with by Keiran, such as the modern languages sector and the Alan Turing Institute, both of which are incredible departments that work tirelessly to make great leaps in their corresponding fields of study to change the world for the better.

Alan Turing institute
The Alan Turing Institute

The afternoon commenced with a meeting with the music curator, Chris Scobie. For the second time that day, I was lucky enough to visit a new area of the library that is of limited access, and Chris showed me the music reading room, and most notably, the basement. The basement is where all the music scores and manuscripts lie, and needless to say, I was incredibly excited. As we browsed through the shelves of the collections, I saw multiple familiar names of composers, such as Bach, Beethoven and Brahms, and I even got to read and touch some of Elgar’s letters to Vaughan Williams and look at his original manuscript for his Enigma Variations!  

Elgar Manuscript
A digitised version of the original Elgar manuscript for the theme of the Enigma Variations

Day 10

As I walked down the second floor corridor, I soon came to face the wooden door of the office for what it seemed was the last time. I sighed and a miserable thought came into my head, as I began to contemplate what on earth I was going to do with myself on Monday, when I was no longer going to work here. However, I soon brushed it off, and decided to make the most of my final day at the British Library.

Door to office
The door to the office of the Digital Scholarship Department

My final day consisted of making concluding touches to my numerous projects, including refining and making last minute edits to some of the transcriptions I had done. I then met Christin Hoene from the University of Kent, who was working on a project that was based on the concept of sound within novels. I was able to show her some of the work that I did on Excel with my independent research project, which can be accessed here.

At lunchtime, rather than eating in the staff canteen as usual, I decided to eat my lunch in a free reading space in the centre of the library, whilst reading my book, ‘Mother Tongue’ by Bill Bryson. What I love most about libraries is that there are so many untold stories hiding in the shelves, and I feel like I could sit comfortably in here for hours. In fact, in the space of an hour, you could travel to as many as 10 countries, should you only have the will to open a few different books and immerse yourself in their stories. As Lloyd Alexander once said “Books can truly change our lives: the lives of those who read them, the lives of those who write them. Readers and writers alike discover things they never knew about the world and about themselves”.

Lloyd Alexander quotation
Another great Lloyd Alexander quotation

Lastly, and most importantly, I would like to say a huge thank you to everyone who has made this experience a possibility for me, especially Mahendra, who has not only been very kind and patient, but has also provided me with so many wonderful opportunities and has helped me hugely with a multitude of different things. I have always loved books since a young age, and to be surrounded by so many was in itself very special, but to be able to work in the library and help the Digital Scholarship Department was just incredible. My experience here has taught me multiple valuable things, which is something I am eternally grateful for.

The same way I would never judge a book by its front cover, I will not judge a building by its name, for the British Library is infinitely more than just a residence for books. It is a museum in which there are many exhibitions, it is a research centre, and most importantly, it is an institution that stores the world’s knowledge behind its brick walls.

The-British-Library
The British Library

Inspiration can really come from absolutely anywhere, and from something small you can make something incredibly vast. It makes you think what you could do and what a difference it could make, if only you just choose to try. Inevitably, in life, you have to take risks, but more often than not, lots of these are worth taking in an attempt to brighten and bring artistic colour as well as creativity to the world. In the words of Stephen King, “books are a uniquely portable magic”, something which certainly rings true within the walls of this institution, where so many items are kept and so many new ones are constantly being acquired and discovered.

So, I send a big thank you to the British Library and all who work here, for making what was essentially a childhood dream into a reality and this will truly be a chapter of my life that I will always remember.

Nadya Miryanova

28 January 2016

Book Now! Nottingham @BL_Labs Roadshow event - Wed 3 Feb (12.30pm-4pm)

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Do you live in or near Nottingham and are you available on Wednesday 3 Feb between 1230 - 1600? Come along to the FREE UK @BL_Labs Roadshow event at GameCity and The National Video Game Arcade, Nottingham (we have some places left and booking is essential for anyone interested).

 

BL Labs Roadshow in Nottingham - Wed 3 Feb (1200 - 1600)
BL Labs Roadshow at GameCity and The National Video Game Arcade, Nottingham, hosted by the Digital Humanities and Arts (DHA) Praxis project based at the University of Nottingham, Wed 3 Feb (1230 - 1600)
  • Discover the digital collections the British Library has, understand some of the challenges of using them and even take some away with you.
  • Learn how researchers found and revived forgotten Victorian jokes and Political meetings from our digital archives.
  • Understand how special games and computer code have been developed to help tag un-described images and make new art.
  • Find out about a tool that links digitised handwritten manuscripts to transcribed texts and one that creates statistically representative samples from the British Library’s book collections.
  • Consider how the intuitions of a DJ could be used to mix and perform the Library's digital collections.
  • Talk to Library staff about how you might use some of the Library's digital content innovatively.
  • Get advice, pick up tips and feedback on your ideas and projects for the 2016 BL Labs Competition (deadline 11 April) and Awards (deadline 5 September). 

Our hosts are the Digital Humanities and Arts (DHA) Praxis project at the University of Nottingham who are kindly providing food and refreshments and will be talking about two amazing projects they have been involved in:

ArtMaps: putting the Tate Collection on the map project
ArtMaps: Putting the Tate Collection on the map

Dr Laura Carletti will be talking about the ArtMaps project which is getting the public to accurately tag the locations of the Tate's 70,000 artworks.

The 'Wander Anywhere' free mobile app developed by Dr Benjamin Bedwell.
The 'Wander Anywhere' free mobile app developed by Dr Benjamin Bedwell.

Dr Benjamin Bedwell, Research Fellow at the University of Nottingham will talk about the free mobile app he developed called 'Wander Anywhere'.  The mobile software offers users new ways to experience art, culture and history by guiding them to locations where it downloads stories intersecting art, local history, architecture and anecdotes on their mobile device relevant to where they are.

For more information, a detailed programme and to book your place, visit the Labs and Digital Humanities and Arts Praxis Workshop event page.

Posted by Mahendra Mahey, Manager of BL Labs.

The BL Labs project is funded by the Andrew W. Mellon Foundation.