The languages of history in the Middle Ages
Which languages were used to write history in medieval Europe? Who wrote history, for whom, and the history of what? Robert Bartlett will explore these questions in a lecture at the British Library in the Knowledge Centre on Friday 14 June, from 19:30 to 21:00. To find out more information and to book your tickets please visit this page.
Historical chronicles often recall and illustrate the account of the building of the Tower of Babel from the book of Genesis to explain the origins of multilingualism. According to chapter 11, the sons of Adam decided to â€˜make a city and a tower, the top whereof may reach to heavenâ€™ in order that they would become famous. But God decided to put a stop to their plans, and â€˜there confound their tongue, that they may not understand one another's speechâ€™. As a result, the place was called Babel (confusion), â€˜because there the language of the whole Earth was confounded: and from thence the Lord scattered them abroad upon the face of all countries.â€™
The Tower of Babel, in Histoire ancienne jusquâ€™Ã Cesar: Add MS 25884, f. 80v
The Histoire ancienne jusquâ€™Ã Cesar is the earliest compilation of universal history written in French, initially dating from the first decades of the 13th century. At this time French was used in many areas outside France, such as Flanders, England and Italy, and across the Mediterranean (for more on the Histoire ancienne, see our previous blog posts here and here). In a 14th-century Parisian copy of the Histoire ancienne (Add MS 25884), the Tower of Babel is presented as a complex technological achievement. In the image, the tower is almost complete. Its incredible height and elegant form could be seen to celebrate the collective achievement of the community of builders, before the confusion of languages caused them to abandon the construction.
Pyrrus's army with elephants, in Histoire ancienne jusquâ€™Ã Cesar: Add MS 15268, f. 266r
As Latin had long been the language of learning and textual authority, the choice of French prose for writing history suggests that lay aristocratic audiences were increasingly engaged in understanding the past. French language and culture reached all the way to the Holy Land, where it was imported by crusaders and merchants. One of our copies of the Histoire ancienne is from the city of Acre in the eastern Mediterranean (Add MS 15268), where French chronicles were read eagerly by the multicultural and multilingual communities brought together in this cosmopolitan port.
The Tower of Babel, above, and Zoroaster with two demons, below, in Il Tesoro: Yates Thompson MS 28, f. 51r
Influenced by the flourishing tradition of 13th-century French historical narratives, the Italian notary Brunetto Latini included an historical section in his encyclopedic Livre dou Tresor. His chapter on the Tower of Babel is derived from the version found in the Histoire ancienne. In 1260, Brunetto was exiled in France, where he composed the Tresor in French in order to reach a wider public. This vast encyclopedia is formed of three books, covering a variety of disciplines including theology, physics, astronomy and ethics.
Brunettoâ€™s Tresor was extremely successful, and copies circulated widely across the Mediterranean. By the 14th century, it was translated into other vernaculars, notably Catalan and Castilian. However, one of the earliest translations of the Tresor was made in Brunettoâ€™s home city, Florence, where he returned in 1267. The Italian Tesoro dates back to the 13th century, when the French version was available widely in Italy. This translation illustrates how French works fed into the multilingual literary culture of Italy, in the city of Brunettoâ€™s student Dante, where the language that will be eventually called â€˜Italianâ€™ was emerging. A 15th-century Florentine manuscript of the Tesoro (Yates Thompson 28) was copied in 1425 by the scribe Bartolomeo di Lorenzo of Fighine.
Opening page of Guido delle Colonne, Historia destructionis Troiae: Harley MS 176, f. 1r
Guido delle Colonneâ€™s Historia destructionis Troiae (â€˜History of the Destruction of Troyâ€™) offers a different example of the movement of historical texts between languages. In 1287, the Sicilian judge and poet composed his Latin prose account of the Trojan War, which is a translation of the 12th-century French Roman de Troie, by BenoÃ®t de Sainte-Maure. The Historia Destructionis Troiae was enormously popular across Europe and demonstrates how vernacular culture revitalised contemporary Latin historical writing.
Over 90 copies of Guidoâ€™s Historia survive. The success of Guidoâ€™s translation also suggests a preference in some circles for Latin as opposed to local languages, even as the local language (in this instance Italian) emerges as a literary language. The work was even popular beyond Italy, as demonstrated in an English copy made around 1400 (Harley MS 176).
Around this time, John Lydgate translated the Historia into English verse. He completed his version in 1420 and gave it the title â€˜Troy Bookâ€™. This 15th-century illuminated English manuscript contains a particularly fine copy of Lydgateâ€™s Troy Book, compiled with other works by the same author.
The Trojan Horse, in John Lydgate, Troy Book: Royal MS 18 D II, f. 75r
Professor Bartlettâ€™s talk is presented in conjunction with the â€˜Narrating History Across Languages in Medieval Europeâ€™ conference at Kings College London, 14-15 June, organised by The Values of French, a research project funded by the European Research Council at Kingâ€™s College London. The conference will cover a range of geographic and linguistic traditions, including Catalan, Castilian, French, German, Greek, Latin and Sicilian. To book tickets, please visit this site.
Robert Bartlett, 'The Languages of History in the Middle Ages', The British Library, Friday 14 June, 19:30â€“21:00.
Kathleen Doyle, Hannah Morcos and Maria Teresa Rachetta (King's College London)
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You can learn more about the use of French in the Middle Ages in The Polonsky Foundation England and France article on the subject, in partnership with