Medieval manuscripts blog

Bringing our medieval manuscripts to life

05 July 2022

Virtual private view of Gold on the British Library Player

Many thanks to all of our readers who have visited the Gold exhibition of illuminated manuscripts at the Library; we’ve had some great feedback from you.

A cutting from a Gradual, illuminated in gold

Cutting from a Gradual (Florence, 2nd half of the 14th century): Add MS 35254C

For those who aren’t in London and may not be able to make the trip to the Library to see the exhibition in person, you can now watch two videos about the exhibition: (1) a highlights video outlining the exhibition and featuring curators discussing seven manuscripts in detail as a virtual private view; and (2) a film of a live question and answer session with the curators, chaired by Professor Alixe Bovey, Dean and Deputy Director of the Courtauld Institute of Art. Both videos can be viewed on the British Library Player.

A page from a Book of Hours, showing the scribe or artist at work, sitting before a lectern with a pen in their right hand

Jean Bourdichon, Book of Hours (Tours, 1510–25): Add MS 18855, f. 13v

The virtual private view includes much more detailed information about the featured manuscripts than available on the labels, or in the exhibition book, so do have a look for a focus on the Tree of Jesse and the Holy Kinship in the Queen Mary Psalter, for a detailed description of the techniques of using gold leaf in a cutting from an Italian gradual and of shell gold in a Jean Bourdichon Book of Hours, of gold tooling on a French Art Deco book binding, and for the process of extracting gold as seen in an 18th-century Japanese scroll of gold mining. 

The Tree of Jesse in the Queen Mary Psalter

The Queen Mary Psalter (London, early 14th century): Royal MS 2 B VII, f. 67v

Gold in on display at the British Library in London until 2 October 2022. Tickets can be purchased on the day or in advance from the online ticket office.


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Supported by:

BullionVault logo

The exhibition is supported by the Goldhammer Foundation and the American Trust for the British Library, with thanks to The John S Cohen Foundation, The Finnis Scott Foundation, the Owen Family Trust and all supporters who wish to remain anonymous.