Medieval manuscripts blog

Bringing our medieval manuscripts to life

12 posts categorized "British Library Treasures"

17 July 2021

A library under lockdown

How would you cope if your library was under lockdown? That is the situation Sir Robert Cotton (1571–1631) found himself in late in his life. We can all probably sympathise — most of us would never have anticipated the events of the past year — but the treasures denied to Cotton, by order of King Charles I, were astonishing. They included the Lindisfarne Gospels, Beowulf and a copy of Magna Carta issued in 1215 with King John's seal intact; for Cotton had assembled one of the greatest private libraries ever known. At a time when the British Library's own Reading Rooms and galleries have now reopened, and remembering of course that we have always remained open online, we look back in this blogpost to the events of the 1620s–30s and consider what lessons can be learned from them. 

A portrait of Sir Robert Cotton, with his hand resting on the Cotton Genesis

A portrait of Sir Robert Cotton, commissioned in 1626 and attributed to Cornelius Johnson, reproduced from the collection of The Rt. Hon. Lord Clinton, D.L.

The temporary closure of Cotton's library is summarised by Colin Tite in The Manuscript Library of Sir Robert Cotton (The British Library, 1994). Cotton, a Member of Parliament for Huntingdonshire and advisor to King James I (reigned 1603–1625), as well as a prominent antiquary and manuscript collector, had aroused suspicion over a number of years. Cotton's London residence was at Westminster — Members of the House of Lords had to pass through his garden in order to enter their chamber — and his habit of amassing state papers for antiquarian and political purposes (what we would now call 'preserving them for posterity') had earned the mistrust of the new king, Charles I (reigned 1625–1649), and his favourite, the Duke of Buckingham.

As early as 1616 Cotton had been suspected of communicating 'secretts of state' to the Spanish ambassador, for which he was threatened with the confiscation of his papers. Cotton frequently loaned his manuscripts or allowed others to consult them, what we may consider a charitable act but which curried disfavour in certain quarters. One of those borrowers was Francis Bacon (1561–1626), the Lord Chancellor of England, until he was impeached, barred from office, fined £40,000 and imprisoned for three days. (Bacon's disgrace, ostensibly for taking bribes, was ultimately the result of a scandal relating to monopolies and patents, for which he was made the scapegoat.) In 1621, as part of his extended punishment, Bacon was forbidden access to Cotton's library, but we know that the two men remained close. Two years later, in 1623, Bacon presented to Robert Cotton the benefactors' book of St Albans Abbey (Cotton MS Nero D VII), as is evidenced by an inscription on its opening page.

A page from the Benefactors Book of St Albans, with a decorated initial P, and at the foot an inscription recording that Francis Bacon gave the book to Robert Cotton

The Benefactors Book of St Albans, presented to Robert Cotton by Francis Bacon in 1623: Cotton MS Nero D VII, f. 1r

The year 1626 witnessed another two incidents that suggested all was not well between Sir Robert Cotton and the new king. First, at Charles's coronation in 1626, Cotton attempted to present him with a gospel-book on which the early kings of England had reputedly sworn their oaths (Cotton MS Tiberius A II). Charles refused the gift and ordered that the royal barge be rowed past Cotton House, where Sir Robert was waiting, book in hand, as a result of which the king had to wade onshore, hardly a good omen for his own rule. Around the same time, the Duke of Buckingham urged that the famous Cotton library be closed, most probably because it contained the historical precedents on which his Parliamentary critics often relied. The library, in other words, had become a battleground for political debate.

A page of the Coronation Gospels with a decorated initial B followd by display script and the signature of Robert Cotton

A page of the so-called Coronation Gospels, with the signature Ro: Cotton Bruceus: Cotton MS Tiberius A II, f. 3r

Buckingham may have been assassinated by a discontented soldier at Portsmouth in 1628, but his untimely demise did not remove the heat from Sir Robert Cotton. After an allegedly seditious tract was found among Cotton's papers in 1629, Sir Robert and his associates were arrested and his library was ordered to be closed, with a guard placed on its door. The full impact of its closure may never be known, but the denial of his books to Cotton and his fellow antiquaries cannot be underestimated. The Privy Council appointed commissioners to search the library for state papers and other records that Cotton was suspected of having appropriated, and they drew up a catalogue of its contents (now Add MS 36789) to aid them in that process. The catalogue reveals that the manuscripts were arranged in presses named after the Roman emperors, and also that many of the papers were unbound. Tite also surmised that some items may have been confiscated from the library at this very time, since they are named in that catalogue but no longer form part of the Cotton collection. An example is the 'Survey of the Anne Royall 1626', a reference to the naval ship the Ark Royal, named after Queen Anne of Denmark, that sank in the 1630s.

Sir Robert Cotton was granted only limited access to his own library for the remainder of his life. He died on 6 May 1631, and it remained for his son and successor, Sir Thomas Cotton (1594–1662), to petition the king for the library to be re-opened. But the Cotton collection did not remain dormant in its final years. We know that Robert Cotton continued to receive new acquisitions even after 1629 — one wonders where he kept them — among which was the copy of Magna Carta we cited at the beginning of this blogpost, sent to him by Sir Edward Dering from Dover Castle on 10 May 1630. So the Cotton library may have been physically closed, but it remained an intellectual entity, cherished by Sir Robert Cotton, his family and the leading scholars of his day. It had been Cotton's ambition, essentially, to create a national collection, and his wish was fulfilled when his library was bequeathed to the British nation in 1702 'for Publick Use and Advantage', as confirmed by Act of Parliament (12 and 13 William III, c. 7). The Cotton manuscripts formed one of the foundation collections of the British Museum in 1753, and more recently, in 2018, they were inscribed on the UNESCO UK Memory of the World Register.

A letter addressed to Robert Cotton by Edward Dering, dated at Dover Castle, 10 May 1630

The letter of Edward Dering, informing Robert Cotton that he was sending him 'the charter of K. John dated att Running Meade', now Cotton Ch XIII 31 A: Cotton MS Julius C III, f. 143r

So what can we learn from this sorry episode? First of all, you should never give up, even if you lose access to your books due to circumstances beyond your control. We know that the last sixteen months and counting have been very difficult for so many of our readers, as well as the staff and supporters of the British Library, but we hope sincerely that with time we'll be able to recommence our studies with the benefit of the Library's collections and those of our sister-institutions around the world. Secondly, knowledge is precious. The attempts by the government of King Charles I to suppress the Cotton library were founded on jealousy, mistrust and abuse of process, but ultimately they proved unsuccessful. Finally, Sir Robert Cotton did not have the benefit of having digital surrogates made of his precious books, but today you can view some 312 of his manuscripts, 51 of his charters and 2 of his rolls on our Digitised Manuscripts site, with more items being added on a regular basis. Once again, we hope that Robert Cotton would have approved.

 

Julian Harrison

Follow us on Twitter @BLMedieval

10 July 2021

Euro 2020: the medieval manuscript version

One thousand years. That's how long Euro 20 seems to have been running. It's the summer when football officially came home — provided, that is, you live in Baku, St Petersburg or Budapest.

In time-honoured fashion, we have selected our European XI of the best medieval manuscripts at the British Library. We've gone for a traditional 3-2-3-1-1 formation because, quite frankly, we haven't got a clue, either. We think you'll agree that our line-up is more happy than Mbappé, less immobile than Immobile, and as apocalyptic as a Spanish defender's back pass.

When they're not representing their nation, all of these manuscripts can be viewed online on Digitised Manuscripts.

(1) The Cnut Gospels (DEN)

The decorated opening of St John's Gospel, with the words 'In principio erat verbum' written in gold ink

Canterbury, early 11th century: Royal MS 1 D IX, f. 111r

 

(2) The Portuguese Genealogy (POR)

A decorated genealogy of the rulers of Portugal, with the city of Lisbon depicted in the lower border

Lisbon and Bruges, 1530–34: Add MS 12531, f. 7r

 

(3) The Carmina Regia (ITA)

A crowned Robert of Anjou sitting on his throne, with gold fler-de-lys on a blue background

Tuscany, c. 1335: Royal MS 6 E IX, f. 10v

 

(4) The Harley Golden Gospels (GER)

A manuscript portrait of St Matthew the Evangelist

?Aachen, early 9th century: Harley MS 2788, f. 13v

 

(5) The Silos Apocalypse (ESP)

Noah's Ark in the Silos Apocalypse

Silos, 1091-1109: Add MS 11695, f. 79v

 

(6) Christine de Pizan's 'The Book of the Queen' (FRA)

Christine de Pizan presenting her book to queen Isabeau of Bavaria

Paris, c. 1410: Harley MS 4431, f. 3r

 

(7) The Middle Dutch Historie van Jason (NED)

A naval scene from the Dutch History of Jason and the Argonauts

Haarlem, c. 1470-80: Add MS 10290, f. 118r

 

(8) The Theodore Psalter (GRE/TUR)

The decorated opening page of the Theodore Psalter, illuminated in gold, red, blue and other colours

Constantinople, 1066: Add MS 19352, f. 1r

 

(9) The Luttrell Psalter (ENG)

Sir Geoffrey Luttrell mounted on his charger, in a decorated page of the Luttrell Psalter

Lincolnshire, c. 1325-40: Add MS 42130, f. 202v

 

(10) The Harley Froissart (BEL)

A decorated page with a jousting scene

Bruges, c. 1470–72: Harley MS 4379, f. 23v

 

(11) The Gospels of Máel Brigte

A text page with a decorated initial 'X' for 'Christi'

Armagh, 1138: Harley MS 1802, f. 10r

 

Julian Harrison

Follow us on Twitter @BLMedieval

04 February 2021

Loan of the Lindisfarne Gospels to the North East of England

The British Library and Tyne and Wear Archives and Museums are delighted to announce the loan of the Lindisfarne Gospels to the Laing Art Gallery in Newcastle for an exhibition scheduled to open in 2022. This exhibition will explore the contemporary resonance of this spectacular and justly celebrated manuscript in a range of personal, regional and national contexts, focusing on themes such as identity, creativity, learning and a sense of place.

At the same time next year, Newcastle City Library will stage a complementary exhibition. This will be accompanied by a range of public, community and school events across the North East, and a newly commissioned artwork to reimagine the Gospels for the 21st century.

A decorated carpet page in the Lindisfarne Gospels

The carpet page at the beginning of the Gospel of John in the Lindisfarne Gospels: Cotton MS Nero D IV, f. 210v

The exhibition in Newcastle will see the fifth loan of the Gospels to the North East. The manuscript was loaned to Durham Cathedral in 1987, the 1300th anniversary of the death of St Cuthbert. This was followed by two loans to the Laing Art Gallery in 1996 and 2000, and the most recent loan in 2013 to the ‘Lindisfarne Gospels Durham’ exhibition at Durham University, which generated great excitement in the region and attracted nearly 100,000 visitors.

A photograph of the Lindisfarne Gospels in a glass display case at Durham in 2013

The Lindisfarne Gospels on display at Palace Green Library, Durham University, in 2013

The Lindisfarne Gospels has also featured in two recent temporary exhibitions at the British Library that focused on different aspects of the manuscript. In 2018–19, the ‘Anglo-Saxon Kingdoms’ exhibition included a spectacular display of illuminated manuscripts from the Golden Age of Northumbria.

Photograph of the Lindisfarne Gospels being removed from its box for display in the Anglo-Saxon Kingdoms exhibition

The Lindisfarne Gospels being installed in the ‘Anglo-Saxon Kingdoms’ exhibition

The Lindisfarne Gospels was displayed with the Book of Durrow on loan from Trinity College Dublin, the Echternach Gospels on loan from the Bibliothèque nationale de France, the Durham Gospels on loan from Durham Cathedral, the St Cuthbert Gospel, and Codex Amiatinus, returning to Britain from Italy for the first time in 1300 years. In contrast, in the 2019 exhibition, ‘Writing: Making Your Mark’, the beautiful Insular Half-Uncial script of the Gospels was the focus. It was displayed with other manuscripts dating from the 6th to the 15th centuries to illustrate the many different scripts used during the Middle Ages for the Roman alphabet.

A text page from the Lindisfarne Gospels

The Lindisfarne Gospels displayed in the ‘Writing: Making Your Mark’ exhibition, showing the Insular Half-Uncial script: Cotton MS Nero D IV, f. 208r

Although the British Library's physical sites are currently closed to the public, when we are able to reopen our exhibitions the Lindisfarne Gospels will be on display again in the Sir John Ritblat Treasures Gallery alongside other highlights from the national collection. So we look forward both to sharing the Gospels in the Treasures Gallery later this year, and to the loan of Gospels to Newcastle next year. In the meantime, you can find out more about the Lindisfarne Gospels on our website and explore all the pages of the manuscript in detail on Digitised Manuscripts.

A decorated page from the Lindisfarne Gospels

The Chi-rho page in the Lindisfarne Gospels: Cotton MS Nero D IV, f. 29r

 

Claire Breay

Follow us on Twitter @BLMedieval

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