Medieval manuscripts blog

Bringing our medieval manuscripts to life

778 posts categorized "Manuscripts"

01 April 2024

Annual manuscripts weigh-in

It's that time of year when we carry out our annual manuscripts weigh-in.

The Bedford Hours on a weighing scale

The weighing of the Bedford Hours

In keeping with tradition, teams work overnight to weigh every manuscript in our collection. They then compare the results with the famous table compiled by Sir Horace Round (after whom the British Museum Round Reading Room was named). This enables scholars worldwide to embellish their papers with little-known facts that no-one could possibly verify, along the lines 'the Luttrell Psalter weighs as much as next door's dog'.

The Splendor Solis on the weighing scales

The weighing of the Splendor Solis

Here are some results from this year's survey. Note: manuscripts tend to gain an extra gram or two during Leap Years.

  • The Bedford Hours, a masterpiece of 15th-century Parisian illumination: 9.0114 kg, or the same as a baby Pygmy Hippo (unwashed);
  • Splendor Solis, an alchemical treatise made in Germany in the 1580s: 3.067 kg, or a flamingo standing on one leg;
  • A charter of Raymond of Toulouse, with a wax seal: 0.0925 kg, or half a dormouse.

A charter placed on the weighing scales

The weighing of the charter

All measurements have been scrutinised by the Guinness Book of Records, who have kindly asked us never to bother them again.

 

Follow us @BLMedieval

21 March 2024

Henry VIII’s pastry tent

One of the lesser known items at the British Library is a map of an army encampment of King Henry VIII (Cotton Roll XIII 41), probably dating to one of the invasions of northern France that he led in 1513 and again in 1544. It shows a camp with all the essentials for supporting an army on campaign: a kitchen, storage for weapons and ammunition, quarters for officers and men, and … a pastry tent?

A tent labelled ‘pastrie’ between tents labelled ‘skolerie’ and ‘kechin’

A tent labelled ‘pastrie’: Cotton Roll XIII 41

At the centre of this coloured map is the king’s own tent, by far the largest tent shown. It is made up of three pavilions joined together by corridors leading to an elaborate house with windows and a chimney. This timber house accompanied Henry on both of his invasions of France. It had a fireplace, two rooms, and windows made of horn instead of glass. When the house was dismantled, the pieces filled twelve cartloads.

Drawing of the king’s tent, beginning with a timber house on the left, connected by a long cross-shaped corridor to three different tents

Henry VIII’s tent at the centre of the map

Around the king’s tent are two horseshoe rings of tents. The inner ring is mostly labelled with simple one-word names: bathhouse, kitchen, scullery, pantry and ‘pastry’. What exactly a pastry tent was for is unclear. It is possible that it was used to store pastries but more likely it housed Henry’s baker, the Groom of the Pastry. The other tents here also match the titles of other household officials like the Grooms of the Kitchen, Scullery, Pantry and Ewery. There are also tents for the king’s doctors and the clerk of the kitchen.

Henry’s tent encircled by two horseshoes of tents, with three cannon defending the entrance to the horseshoes.

The tents of the king and important officers and officials at the centre of the camp

Henry’s tent encircled by two horseshoes of tents, with three cannon defending the entrance to the horseshoes.

The second ring of tents was for the king’s bodyguards and other senior officials, mostly labelled ‘cursers’, i.e. coursers, a horse, probably housing knights, as well as tents for the Captain of the Guard and the Knight Harbinger, whose role was to arrange accommodation for the king and his court while travelling. These two rings of tents exit onto an open square to the right with groups of soldiers marching back and forth. This was probably the parade or assembly ground, called a ‘market’ or ‘place’ in Harley MS 846, a mid-16th century English guide to setting up an army encampment. The soldiers carry halberds and have swords belted at their waists. A few of them are accompanied by child-sized figures carrying weapons, probably squires or pages.

An open area with groups of soldiers armed with halberds on parade

The parade ground

The rest of the map is taken up with ordered rows of tents with those of other military officials and important figures scattered across the map, including the Provost Marshal, who was in charge of military discipline, a surgeon’s tent, chaplains, a Master of the Horse and a tent for ‘strange’ (foreign) ambassadors.

Cooks chopping meat at a long table, with baskets of loaves nearby, two men turning meat on a spit, and a man carrying a basket

Cooks preparing food for the army

A scene on the far-right side of the map shows men at a table chopping and preparing meat. Nearby, two others turn a pig on a spit over a fire while one man carries a large basket of bread and another carries an animal carcass on his back.

There are no latrines depicted on the map. This probably wasn’t the cartographer being puritanical. The guide to encampments in Harley MS 846 says that soldiers shouldn’t ‘take their easement’ within 200ft of the camp. This rule did not apply to Henry, of course, who had a chamberpot enclosed in a stool in his tent. Only a few other individuals were so privileged, including the Captain of the Yeoman of the Guard, the Master of the Horse, and the Treasurer-at-War.

Cannon pointing northwards, with ammunition and other equipment piled nearby, rows of tents below

Cannon set to defend on the north-eastern edge of the camp

The camp is defended not by ditches or earthworks, which would only be dug when the army was meant to stop for more than one night, but by cannon and a river encircling it to the west and south. On each side, cannon and other guns have been set up facing outwards, often with piles of ammunition nearby. The man responsible for the army’s artillery was the Master of the Ordinance, whose tent is in the top right of the map. His subordinates and supplies are nearby: a tent for storing ordinance, another for storing bows, a powder tent, and four tents for the army’s four Master Gunners.

Tents for the Master of the Ordinance and other officials, surrounded by rows of unlabelled tents

Tents for the Master of the Ordinance, other military officials, and storage

The presence of so many tents for important army officers and their supplies may make the tent for Henry’s personal baker seem out of place or eccentric. But a royal army camp would include many non-combatant members of the royal household, both to maintain the essential functions of government by issuing royal writs, proclamations, grants and other documents, and to maintain the ruler’s daily routine. A king would not be separated from his comforts just because he was on campaign.

The Groom of the Pastry is a role that still exists today. For the last two hundred years, it has been held by the head of the bakery at Fortnum & Masons, though the position probably no longer comes with its own tent.

This item has been catalogued as part of the British Library's Hidden Collections programme devoted to the Cotton charters and rolls

 

Rory MacLellan

Follow us @BLMedieval

09 March 2024

Curator of Ancient and Medieval Manuscripts

The British Library holds an internationally renowned collection of manuscripts relating to the ancient and medieval worlds. We are currently recruiting for a Curator of Ancient and Medieval Manuscripts to join our team, with a special responsibility for Classical, Biblical and Byzantine manuscripts.

A page of a manuscript of Virgil's Aeneid

The opening of Book XII of Virgil's Aeneid, from the 'King's Virgil': Kings MS 24, f. 227r 

Among other responsibilities, the post-holder will be required

  • to use innovative and traditional ways of interpreting and presenting our collections through online resources and engagement with academic and general users
  • to manage projects relating to ancient and medieval manuscripts
  • to use their specialist knowledge to support the development, management and promotion of our ancient and medieval collections

A page from the Theodore Psalter

Depiction of the Call of David from his flocks accompanying Psalm 151, from the 'Theodore Psalter': Add MS 19352, f. 189v

Applicants should have a post-graduate degree, or equivalent, in a relevant subject; experience of research in Classical, Biblical and/or Byzantine Studies; and a personal area of expertise relevant to the collection. Strong knowledge of Classical Latin and Ancient Greek, excellent written and oral communication skills in English, and the ability to promote the collections to a wide range of audiences are essential.

For more information and to apply for this position, please visit https://www.vercida.com/uk/jobs/curator-of-ancient-and-medieval-manuscripts-british-library-st-pancras

Closing date: 7 April 2024.

Interview date: 29 April 2024.

 

Follow us @BLMedieval

08 March 2024

Medieval Women exhibition

We have some exciting news — pass it on! In October 2024, our major exhibition Medieval Women: In Their Own Words opens at the British Library in London. The exhibition will explore the challenges, achievements and daily lives of women in Europe from 1100 to 1500. It will tell the history of medieval women through their own words and uncover their lives through manuscripts, documents and artefacts.

Women’s lives during the Middle Ages were rich and varied. The exhibition will reveal that women exerted great influence across private, public and spiritual realms. It will delve into the lived experiences of medieval women, including their beauty regimes and healthcare, their personal relationships and the running of their homes. It will shed light on their work in a wide variety of trades and professions, their role in medieval politics, the power and influence they wielded as spiritual visionaries or nuns, and the art, music and literature that they created.

Medieval illustration of a group of women in a richly decorated room. Christine de Pizan, dressed in blue, kneels on the ground and offers a large red book to Isabeau, dressed in pink and seated on a sofa
Christine de Pizan presents her book to Isabeau of Bavaria, in the Book of the Queen, France, c. 1410-1414: Harley MS 4431, f. 3r

Visitors will discover objects related to inspiring figures such as: Joan of Arc, the religious visionary and military leader; Christine de Pizan, the first professional woman author in Europe; and Shajar Al-Durr, the female ruler of Egypt who defeated Louis IX of France in the Seventh Crusade.

The exhibition will take visitors on a journey through the lives of medieval women across cultures, religions and class. Exploring both their struggles and successes, the exhibition prompts visitors to discover how medieval women’s voices still resonate across the centuries and speak powerfully to our world today.

Medieval illustration of a woman scattering food from a bowl, feeding a very large chicken and its chicks
A woman feeding chickens, in the Luttrell Psalter, England, 1325-1340: Add MS 42130, f.166v

Medieval Women: In Their Own Words is on show at the British Library from 25 October 2024 to 2 March 2025. Keep checking this blog for more information about the exhibition and our events programme, as well as details of when tickets will go on sale. 

This exhibition is made possible with support from Joanna and Graham Barker, Unwin Charitable Trust, and Cockayne – Grants for the Arts: a donor advised fund held at the London Community Foundation.

Follow us @BLMedieval

 

06 March 2024

Chaucer at the Bodleian

The British Library is delighted to be a lender to the exhibition Chaucer Here and Now at the Bodleian Library in Oxford. The exhibition runs until 28 April 2024 and is free to visit, so don't delay!

On display in the introductory section is our manuscript of the Prologue of the Wife of Bath's Tale, with marginal annotations by the scribe giving their own (misogynistic) commentary on the text. The accompanying label not surprisingly titles this 'Mansplaining', and it echoes the exhibition's overall theme, which examines how different generations have reinterpreted Geoffrey Chaucer's works.

The British Library's manuscript of Chaucer's Canterbury Tales, on display at the Bodleian Library

The annotated Prologue to the Wife of Bath's Tale, part of Geoffrey Chaucer's Canterbury Tales, on loan from the British Library

We very much admire the exhibition's fetching design and the wonderful array of objects on show, including manuscripts loaned by the National Library of Wales, Corpus Christi College, Cambridge, and our friends in Oxford. The curator, Professor Marion Wallace, has unearthed some incredible items and stories. We particularly like the cases devoted to modern translations of Chaucer, as well as to film and stage adaptations of his works. The graphics at the entrance to the exhibition invite visitors to consider whether this famous Middle English poet was 'multicultural, conservative, irreverent, comic, rude, respectful, imperial', and a host of similar terms.

International translations of Chaucer's works

The display of translations of the works of Geoffrey Chaucer

Display of film and theatrical adaptations of Chaucer's works

The colourful display of cinematic and theatrical productions of Chaucer's works

 

This loan is one of many organised by the British Library's curators, conservators and Registry, as part of our ongoing commitment towards national and international cultural partnerships. In the next few months we are lending other manuscripts to exhibitions in France, Germany, Scotland and England, so keep an eye on this Blog for more details about how you may be able to view them in person.

Follow us @BLMedieval

 

21 December 2023

Interim information sources for British Library manuscripts

We are extremely grateful to everyone for their kind words since the recent cyber-attack. We've now expanded our temporary website where you can find more information about our available services. On 15 January we released a searchable online version of our main catalogue, which contains the majority of our printed collections as well as some freely available online resources — please note that not everything is included.

We are now able to provide our Readers with access to the majority of the Library's special collections, including most of our manuscripts and archives. For the time being you’ll need to come on-site to consult offline versions of the specialist catalogues, and our reference teams will be on hand to help you with searching for and requesting items. Our blogpost Restoring our services an update (10 January) provides more information on what is available and how to access our collections.

We understand your frustration about the impact of this incident on your study and research, and we're continuing to work hard to develop hybrid services and workarounds that can restore some level of access to more of our collections. You can read more about our work in this blogpost by our Chief Executive.

In the meantime, we would like to share with you a list of freely available printed and online resources that provide information about our ancient, medieval and early modern manuscripts. We recognise that this list is not definitive, and that many of our catalogue records will have been updated in recent years. But we will endeavour to update the list whenever possible, and we offer it to you as a means of continuing your research while the Library's physical and online collections remain temporarily unavailable.

The list comprises references to some of the published catalogues for our principal collections of manuscripts, including Cotton, Harley, Sloane, Royal, and those designated as Additionals and Egertons.

We have also provided references for other categories of material, such as our Irish, Welsh and Greek manuscripts, our maps and drawings, and our seals. In many cases, hard copies of these catalogues may be available in other institutional libraries, and we have supplied links to the online versions. 

We recommend that you also consult JISC’s Library Hub Discover (https://discover.libraryhub.jisc.ac.uk/) to find United Kingdom holdings of these resources. 

We thank you again for your patience and we hope that you find this information useful.

 

Collection/Subject Publication Reference Online Link
Additional/Egerton Catalogue of Additions to the Manuscripts in the Years 1836-1840 (London: British Museum, 1843) https://archive.org/details/catalogueofadd1836brituoft
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1841-1845 (London: British Museum, 1850) https://archive.org/details/CatalogueOfAdditionsToTheMSS184145
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1846-1847 (London: British Museum, 1864) https://archive.org/details/CatalogueOfAdditionsToTheMSS184647
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1848-1853 (London: British Museum, 1868) https://archive.org/details/CatalogueOfAdditionsToTheMSS184853
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1854-1860 (London: British Museum, 1875) https://archive.org/details/CatalogueOfAdditionsToTheMSS185460
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1861-1875 (London: British Museum, 1877)  
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1876-1881 (London: British Museum, 1882) https://archive.org/details/CatalogueOfAdditionsToTheMSS187681
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1882-1887 (London: British Museum, 1889) https://archive.org/details/CatalogueOfAdditionsToTheMSS188287
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1888-1893 (London: British Museum, 1894) https://archive.org/details/CatalogueOfAdditionsToTheMSS188893
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1894-1899 (London: British Museum, 1894) https://archive.org/details/CatalogueOfAdditionsToTheMSS18949
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1900-1905 (London: British Museum, 1907) https://archive.org/details/CatalogueOfAdditionsToTheMSS19005
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1906-1910 (London: British Museum, 1912) https://archive.org/details/CatalogueOfAdditionsToTheMSS190610
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1911-1915 (London: British Museum, 1925) https://archive.org/details/catalogueadditions1915
Additional/Egerton Catalogue of Additions to the Manuscripts in the British Museum in the Years 1916-1920 (London: British Museum, 1933)  
Additional/Egerton British Museum Catalogue of Additions to the Manuscripts 1921-1925 (London: British Museum, 1950) https://archive.org/details/catalogueofadditionstothemss192125
Additional/Egerton British Museum Catalogue of Additions to the Manuscripts 1926-1930 (London: British Museum, 1959)  
Additional/Egerton The British Museum Catalogue of Additions to the Manuscripts 1931-1935 (London: British Museum, 1967)  
Additional/Egerton     The British Museum Catalogue of Additions to the Manuscripts 1936-1945, 2 parts (London: British Museum, 1970)  
Additional/Egerton     The British Library Catalogue of Additions to the Manuscripts 1946-1950, 3 parts (London: British Library, 1979)  
Additional/Egerton The British Library Catalogue of Additions to the Manuscripts 1951-1955, 2 parts (London: British Library, 1982)  
Additional/Egerton The British Library Catalogue of Additions to the Manuscripts 1956-1965, 3 parts (London: British Library, 2000)  
Additional/Egerton The British Library Catalogue of Additions to the Manuscripts 1966-1970, 2 parts (London: British Library, 1998)  
Additional/Egerton     The British Library Catalogue of Additions to the Manuscripts 1971-1975, 3 parts (London: British Library, 2001)  
Additional/Egerton The British Library Catalogue of Additions to the Manuscripts 1976-1980, 2 parts (London: British Library, 1995)  
Additional/Egerton     The British Library Catalogue of Additions to the Manuscripts 1981-1985, 2 parts (London: British Library, 1994)  
Additional/Egerton The British Library Catalogue of Additions to the Manuscripts 1986-1990, 3 parts in 4 (London: British Library, 1993)  
Arundel Catalogue of Manuscripts in the British Museum, New Series, vol. I, part 1, The Arundel Manuscripts (London, 1834) https://archive.org/details/b30455881_0001
Burney Catalogue of Manuscripts in the British Museum, New Series, vol. I, part 2, The Burney Manuscripts (London, 1840) https://archive.org/details/b30455881_0001
Cotton Smith, Thomas, Catalogus librorum manuscriptorum bibliothecæ Cottonianæ (Oxford: Sheldonian Theatre, 1696) https://archive.org/details/bub_gb_uUAv2HzUGxgC
Cotton Planta, Joseph, ed., A Catalogue of the Manuscripts in the Cottonian Library Deposited in the British Museum (London: Hansard, 1802) https://archive.org/details/ACatalogueOfTheManuscripts1802
Greek MSS Richard, Marcel, Inventaire des manuscrits grecs du British Museum, I: Fonds Sloane, Additional, Egerton, Cottonian et Stowe (Paris, 1952) https://www.persee.fr/doc/dirht_1636-869x_1952_cat_3_1
Greek MSS The British Library Summary Catalogue of Greek Manuscripts, I (London, 1999) https://archive.org/details/summarycatalogue0000brit
Harley A Catalogue of the Harleian Manuscripts in the British Museum, 4 vols (London: Eyre and Strahan, 1808-12), Vol I https://archive.org/details/gri_33125008529493
Harley A Catalogue of the Harleian Manuscripts in the British Museum, 4 vols (London: Eyre and Strahan, 1808-12), Vol II https://archive.org/details/gri_33125008529436
Harley A Catalogue of the Harleian Manuscripts in the British Museum, 4 vols (London: Eyre and Strahan, 1808-12), Vol III https://archive.org/details/gri_33125008529311
Harley A Catalogue of the Harleian Manuscripts in the British Museum, 4 vols (London: Eyre and Strahan, 1808-12), Vol IV https://archive.org/details/gri_33125008529378
Irish MSS O'Grady, Standish Hayes, & Robin Flower, Catalogue of Irish Manuscripts in the British Museum, 3 vols (London: Printed for the Trustees, 1926) https://archive.org/details/catalogueofirish0000brit
Lansdowne Ellis, Henry, and Francis Douce, eds., A Catalogue of the Lansdowne Manuscripts in the British Museum (London: Taylor, 1820), Vol I https://archive.org/details/gri_33125012275638
Lansdowne Ellis, Henry, and Francis Douce, eds., A Catalogue of the Lansdowne Manuscripts in the British Museum (London: Taylor, 1820), Vol II https://archive.org/details/gri_33125012275521
Maps and Drawings Catalogue of the Manuscript Maps, Charts, and Plans, and of the Topographical Drawings in the British Museum, 3 vols (London: British Museum, 1844-1861), Vol I https://archive.org/details/cataloguemanusc01musegoog
Maps and Drawings Catalogue of the Manuscript Maps, Charts, and Plans, and of the Topographical Drawings in the British Museum, 3 vols (London: British Museum, 1844-1861), Vol II https://archive.org/details/cataloguemanusc02musegoog
Maps and Drawings Catalogue of the Manuscript Maps, Charts, and Plans, and of the Topographical Drawings in the British Museum, 3 vols (London: British Museum, 1844-1861), Vol III https://archive.org/details/bub_gb_OQEVAAAAQAAJ
Music Hughes-Hughes, Augustus, Catalogue of Manuscript Music in the British Museum, 3 vols (London: British Museum, 1906-1909), Vol I https://archive.org/details/catalogueofmanus01brit
Music Hughes-Hughes, Augustus, Catalogue of Manuscript Music in the British Museum, 3 vols (London: British Museum, 1906-1909), Vol II https://archive.org/details/catalogueofmanus02brit
Music     Hughes-Hughes, Augustus, Catalogue of Manuscript Music in the British Museum, 3 vols (London: British Museum, 1906-1909), Vol III https://archive.org/details/catalogueofmanus03brit
Papyri and Ostraca Trismegistos Papyri Database (requires subscription) https://www.trismegistos.org/collection/192
Ostraca Wilcken, Ulrich, Griechische Ostraka aus Aegypten und Nubien, 2 vols (Leipzig and Berlin, 1899), Vol I https://archive.org/details/griechischeostra01wilc
Ostraca Wilcken, Ulrich, Griechische Ostraka aus Aegypten und Nubien, 2 vols (Leipzig and Berlin, 1899), Vol II https://archive.org/details/griechischeostra02wilc
Romances Ward, H. L. D., & J. A. Herbert, Catalogue of Romances in the Department of Manuscripts in the British Museum, 3 vols (London, 1883-1910), Vol I https://archive.org/details/catalogueofroman01brituoft
Romances Ward, H. L. D., & J. A. Herbert, Catalogue of Romances in the Department of Manuscripts in the British Museum, 3 vols (London, 1883-1910), Vol II https://archive.org/details/b29001079_0002
Romances Ward, H. L. D., & J. A. Herbert, Catalogue of Romances in the Department of Manuscripts in the British Museum, 3 vols (London, 1883-1910), Vol III https://archive.org/details/catalogueofroman03brit
Royal & Kings Warner, G. F., & J. P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King's Collections, 4 vols (London, 1921), Vol I https://archive.org/details/BMCatalogueOfWesternMssRoyal1
Royal & Kings Warner, G. F., & J. P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King's Collections, 4 vols (London, 1921), Vol II https://archive.org/details/BMCatalogueOfWesternMssRoyal2
Seals Birch, Walter de Gray, Catalogue of seals in the Department of Manuscripts in the British Museum, 6 vols (1887-1900), Vol I https://archive.org/details/catalogueofseals01brit
Seals Birch, Walter de Gray, Catalogue of seals in the Department of Manuscripts in the British Museum, 6 vols (1887-1900), Vol II https://archive.org/details/catalogueofseals02brit
Seals Birch, Walter de Gray, Catalogue of seals in the Department of Manuscripts in the British Museum, 6 vols (1887-1900), Vol I https://archive.org/details/catalogueofseals03brit
Seals Birch, Walter de Gray, Catalogue of seals in the Department of Manuscripts in the British Museum, 6 vols (1887-1900), Vol III https://archive.org/details/catalogueofseals04brit
Seals Birch, Walter de Gray, Catalogue of seals in the Department of Manuscripts in the British Museum, 6 vols (1887-1900), Vol IV https://archive.org/details/catalogueofseals05brit
Seals Birch, Walter de Gray, Catalogue of seals in the Department of Manuscripts in the British Museum, 6 vols (1887-1900), Vol V https://archive.org/details/catalogueofseals06brit
Sloane Ayscough, S., A Catalogue of the Manuscripts Preserved in the British Museum, 2 vols (London: John Rivington, 1782), Vol VI https://archive.org/details/catalogueofmanus01aysc
Sloane Ayscough, S., A Catalogue of the Manuscripts Preserved in the British Museum, 2 vols (London: John Rivington, 1782), Vol II https://archive.org/details/catalogueofmanus02aysc
Sloane Scott, E. J. L., Index to the Sloane manuscripts in the British Museum (London: British Museum, 1904) https://archive.org/details/indextosloanema00ayscgoog
Spanish De Gayangos, Don Pascual, Catalogue of the Manuscripts in the Spanish Language in the British Museum, 4 vols (London: Printed by order of the Trustees, 1875-1893), Vol I https://archive.org/details/b29001468_0001
Spanish De Gayangos, Don Pascual, Catalogue of the Manuscripts in the Spanish Language in the British Museum, 4 vols (London: Printed by order of the Trustees, 1875-1893), Vol II https://archive.org/details/catalogueofmanu02brit
Spanish De Gayangos, Don Pascual, Catalogue of the Manuscripts in the Spanish Language in the British Museum, 4 vols (London: Printed by order of the Trustees, 1875-1893), Vol III https://archive.org/details/gri_33125013201435
Spanish De Gayangos, Don Pascual, Catalogue of the Manuscripts in the Spanish Language in the British Museum, 4 vols (London: Printed by order of the Trustees, 1875-1893), Vol IV https://archive.org/details/manuscriptsinspa04brit
Stowe O'Conor, Charles, Bibliotheca Ms. Stowensis: A Descriptive Catalogue of the Manuscripts in the Stowe Library, 2 vols (Buckingham: Seeley, 1818-1819), Vol I https://archive.org/details/bibliothecamsst00ashbgoog
Stowe O'Conor, Charles, Bibliotheca Ms. Stowensis: A Descriptive Catalogue of the Manuscripts in the Stowe Library, 2 vols (Buckingham: Seeley, 1818-1819), Vol II https://archive.org/details/bibliothecamsst01ashbgoog
Stowe Scott, Edward J.L., ed., Catalogue of the Stowe Manuscripts in the British Museum, 2 vols (London: British Museum, 1895), Vol 1 https://archive.org/details/b29002618_0001
Stowe Scott, Edward J.L., ed., Catalogue of the Stowe Manuscripts in the British Museum, 2 vols (London: British Museum, 1895), Vol 2 https://archive.org/details/b29002618_0002
Welsh Owen, Edward, A Catalogue of the Manuscripts Relating to Wales in the British Museum, 4 parts, Cymmrodorion Record Series, 4 (London: The Honourable Society of Cymmrodorion, 1900-1903), Parts 1-2 https://archive.org/details/p1catalogueofman04brituoft
Welsh     Owen, Edward, A Catalogue of the Manuscripts Relating to Wales in the British Museum, 4 parts, Cymmrodorion Record Series, 4 (London: The Honourable Society of Cymmrodorion, 1908-1922), Parts 3-4 https://archive.org/details/p3catalogueofman04brituoft
Welsh Huws, Daniel, A Repertory of Welsh Manuscripts and Scribes c. 800-c. 1800, 3 vols (The National Library of Wales and University of Wales Centre for Advanced Welsh and Celtic Studies, 2022)  
Yates Thompson James, M. R., A Descriptive Catalogue of Fifty Manuscripts from the Collection of Henry Yates Thompson (Cambridge, 1898) https://archive.org/details/descriptivecatal00jame_1
Yates Thompson A Descriptive Catalogue of Twenty Illuminated Manuscripts, Nos. LXXV to XVIV (Replacing Twenty Discarded from the Original Hundred) in the Collection of Henry Yates Thompson (3rd series, Cambridge, 1907) https://archive.org/details/adescriptivecatalogueoftwe
Yates Thompson A Descriptive Catalogue of Fourteen Illuminated Manuscripts (Nos.XCV to CVII and 79A) Completing the Hundred in the Library of Henry Yates Thompson (Cambridge, 1912) https://archive.org/details/adescriptivecatalogueoffou
Yates Thompson Illustrations from one hundred manuscripts in the library of Henry Yates Thompson (London, 1916) https://babel.hathitrust.org/cgi/pt?id=coo.31924008668554
Yates Thompson Wormald, Francis, 'The Yates Thompson Manuscripts', British Museum Quarterly, 16 (1951), pp.4-5 https://doi.org/10.2307/4422290
Yelverton The British Library Catalogue of Additions to the Manuscripts: The Yelverton Manuscripts, 2 vols (London: British Library, 1994), Vol 1 https://archive.org/details/britishlibraryca0001brit
Yelverton     The British Library Catalogue of Additions to the Manuscripts: The Yelverton Manuscripts, 2 vols (London: British Library, 1994), Vol 2 https://archive.org/details/britishlibraryca0002brit

 

27 October 2023

Garendon cartulary acquired by the British Library

We are pleased to announce that the British Library has acquired a 15th-century cartulary from Garendon Abbey in Leicestershire. 

The cartulary of Garendon Abbey

The cartulary of Garendon Abbey, made around 1450, and purchased by the British Library in September 2023

Garendon was founded for Cistercian monks in 1133, and was dissolved by the commissioners of King Henry VIII in 1536. The cartulary was described first by J.G. Nichols, in The History of the County and Antiquities of Leicester (1804), when it was in the hands of the antiquary Craven Ord (d. 1832). It passed eventually into the collection of the bookseller W.A. Foyle (d. 1963), and was sold at the recent auction of the library of his grandson, Christopher Foyle (d. 2022), held at Dominic Winter Auctioneers on 27 September.

The opening page of the Garendon cartulary

The opening page of the Garendon cartulary

The next step is for this cartulary to be assessed and treated by our conservation team, since it has been exposed to damp over the years. As you will see from these photos, many of its pages are creased, and there is some loss of leaves at the very end of the volume. The cartulary will then be digitised before it can be made available in the Library's Manuscripts Reading Room at St Pancras. We will make a separate announcement when it can be consulted by readers in person.

The Garendon cartulary

The cartulary of Garendon Abbey

The British Library already holds an earlier cartulary from Garendon Abbey (Lansdowne MS 415), compiled at various stages from the late 1100s onwards. The Garendon cartulary also complements other monastic records acquired by the Library in recent years, including the cartulary of Otterton Priory (Add MS 81278), the rental of Worcester Cathedral Priory (Add MS 89137), the Burton cartulary (Add MS 89169), and two cartularies from Lacock Abbey (Add MS 88973. Add MS 88974).

 

Follow us @BLMedieval

25 October 2023

Chaucer’s works go online

Geoffrey Chaucer (b. c. 1340s, d. 1400): poet, courtier, diplomat, Member of Parliament and royal administrator, and often called the ‘father of English poetry’. Chaucer’s Canterbury Tales is one of the greatest works of medieval literature. This Middle English poem has transfixed generations of readers, who have delighted in its poetic beauty, its larger-than-life characters, and its combination of poignant tragedy and tongue-in-cheek humour. But Chaucer was a prolific writer who composed many other works, which continue to be read long after his death. Among them are his Trojan epic Troilus and Criseyde, the dream vision The Legend of Good Women, his translations of the Roman de la Rose and The Consolation of Philosophy, his instructional manual on the astrolabe, and a whole host of minor poems.

The British Library holds the world’s largest surviving collection of Chaucer manuscripts, and this year we have reached a major milestone. Thanks to generous funding provided by The Gladys Krieble Delmas Foundation, the Peck Stacpoole Foundation, and the American Trust for the British Library, we have completed the digitisation of all of our pre-1600 manuscripts containing Chaucer’s works, over 60 collection items in total. We have digitised not only complete copies of Chaucer’s poems, but also unique survivals, including fragmentary texts found in Middle English anthologies or inscribed in printed editions and incunabula.

A 16th-century portrait of Geoffrey Chaucer, holding a stylus and rosary.

A 16th-century portrait of Geoffrey Chaucer, holding a rosary and stylus: Add MS 5141, f. 1r

You can download the full list of pre-1600 manuscripts containing Chaucer’s works here, together with accompanying links to the digitised versions on our Universal Viewer. There you can view the manuscripts in full, study them in detail, and download the images for your own use. Thanks to the IIIF-compatible viewer, you can also view these manuscripts side-by-side in digital form, allowing close comparison between the volumes, their texts, and scribal hands:

PDF: Download Chaucer_digitised_vols_Oct_2023

Excel: Download Chaucer_digitised_vols_Oct_2023 (this format cannot be downloaded on all browsers).

Here are some of the works you can find in our digitised collection of Chaucer manuscripts:

The Canterbury Tales

The Canterbury Tales comprises a collection of stories presented in the form of a storytelling contest by a group of memorable characters on a pilgrimage from London to Canterbury, among their number the Knight, the Miller, the Reeve, the Wife of Bath and the Prioress.

We hold 23 manuscripts of Chaucer’s most famous poem at the British Library, the earliest of which (Lansdowne MS 851) was written only a few years after the author’s death. This particular copy opens with his portrait, showing Chaucer writing with an open book in hand, framed within the initial ‘W’ at the start of the General Prologue.

The opening of Chaucer's Canterbury Tales, showing a portrait of Chaucer.

The opening of Chaucer’s Canterbury Tales, with a portrait of the author: Lansdowne MS 851, f. 2r

In addition to the surviving manuscripts of The Canterbury Tales, the British Library also houses some of the earliest printed versions of Chaucer’s poem. These include rare copies of the 1476 and 1483 editions of the text made by William Caxton (d. c. 1491), the 1491/1492 edition by Richard Pynson (d. c. 1529), and the 1498 edition printed by Wynkyn de Worde (d. c. 1534).

A page from Caxton's 1483 printed edition of the Canterbury Tales, showing a woodcut of the pilgrims around a table.

A woodcut of the pilgrims from William Caxton’s 1483 edition of Chaucer’s Canterbury Tales: G.11586, f. 20 c4

Almost a century after these editions of The Canterbury Tales were published, the English schoolmaster and editor Thomas Speght (d. 1621) produced his own collection of all of Chaucer’s works (1598), together with a glossary and biography of the author. One surviving copy of Speght’s printed edition (Add MS 42518) notably features handwritten notes by the scholar and writer Gabriel Harvey (d. 1631), infamous for his feud with the Elizabethan playwright Thomas Nashe (b. c. 1601). Harvey’s notes in the manuscript include one of the earliest known references to Shakespeare’s tragedy Hamlet (on f. 422v).

A page from Thomas Speght's Collected Works of Chaucer, showing a woodcut of the Knight.

 The opening of ‘The Knight’s Tale’, from Thomas Speght’s 1598 edition of the collected works of Geoffrey Chaucer: Add MS 42518, f. 29r

A page from Speght's Collected Works of Chaucer, showing autograph notes by Gabriel Harvey.

Gabriel Harvey’s autograph notes, including one of the earliest references to Shakespeare’s Hamlet, added to Speght’s collected works of Chaucer: Add MS 42518, f. 422v

Troilus and Criseyde

Alongside The Canterbury Tales, Chaucer wrote another significant Middle English epic called Troilus and Criseyde. Set during the Trojan War, it tells the tragic love story of Troilus, a Trojan prince, and Criseyde, the daughter of the seer Calchas, who is separated from her love when her father defects to the Greek army. Like Chaucer’s other major works, Troilus continued to be read after the poet’s lifetime and would go on to influence other English authors, most notably the poet Thomas Hoccleve (d. 1426) for his Testament of Cresseid and William Shakespeare (d. 1616) for his play Troilus and Cressida.

The opening of Chaucer's Troilus and Criseyde, showing a decorated foliate initial.

The opening of Chaucer’s Troilus and Criseyde: Harley MS 1239, f. 1r

The Legend of Good Women

The Legend of Good Women is one of Chaucer’s four poetic dream visions (the others are The House of Fame, The Parlement of Foules and The Book of the Duchess). In the prologue to this poem, the dreaming narrator is scolded by Queen Alceste, the goddess of love, for the depiction of women in his writing and is commanded by her to author a poem about the virtues and good deeds of women instead.

Chaucer then recounts the often-tragic stories of ten female figures, derived from Classical history, legend and mythology. They include the Egyptian queen Cleopatra; the Babylonian lover Thisbe of Ovid’s Metamorphoses; the sorceress Medea; Queen Phyllis, abandoned by her lover Demophon; Hypsipyle, Queen of Lemnos; Ariadne, saviour of the Greek hero Theseus in Minos’ Labyrinth; the Roman noblewoman Lucretia; Philomela, who suffers terribly at the hands of Tereus; Hypermenestra, daughter of Egiste; and Dido, Queen of Carthage. The British Library is home to three manuscripts of the poem, including one copy that is interspersed with printed leaves of the same text (Add MS 9832).

The opening of Chaucer's Legend of Good Women, showing a printed leaf and the handwritten text.

The opening of Chaucer’s Legend of Good Women, showing printed and handwritten versions of the text side-by-side: Add MS 9832, ff. 3v-4r

Boece

In addition to writing his own original compositions, Chaucer was also a translator. His Boece is a Middle English prose translation of The Consolation of Philosophy by the Roman philosopher Boethius (d. 524). Boethius’ text, itself an example of a dream vision, was hugely popular during the medieval period and had a great influence on Chaucer’s own writing. The British Library holds one of the earliest copies of Chaucer’s translation of the work (Add MS 10340), written in the 1st quarter of the 15th century, only a decade or so after Chaucer’s death.

The opening of Chaucer's Boece, showing a decorative puzzle initial.

The opening of Chaucer’s Boece, a translation of Boethius’ Consolation of Philosophy: Add MS 10340, f. 3v

Anelida and Arcite

Anelida and Arcite is one of Chaucer’s shorter and lesser-known poetic works, telling the story of Anelida, Queen of Armenia, and her courtship by Arcite, a man from the city of Thebes in Greece. One of the British Library’s copies of the poem is found in an anthology of Middle English poetry written by Chaucer and his contemporary John Lydgate (d. c. 1451). The volume is one of the earliest compilations of John Shirley (d. 1439), a prolific scribe and translator who served as a secretary to Richard Beauchamp (d. 1439), 13th Earl of Warwick, and who was responsible for writing many surviving manuscripts of Chaucer and Lydgate’s works.

The text of Chaucer's Anelida and Arcite, from a Middle English anthology.

A copy of Chaucer’s Anelida and Arcite, in a volume written by the scribe John Shirley: Add MS 16165, f. 243r

Minor Works

Like Shirley’s poetic compilation, other surviving anthologies at the British Library also feature copies of Chaucer’s shorter poems. One such collection (Add MS 34360) was written by a professional London-based scribe, named the ‘Hammond Scribe’ after the Chaucerian scholar Eleanor Hammond (d. 1933), who first identified his hand. Chaucer’s ‘Complaynt to his Empty Purse’ is a notable example of one of these minor works, a witty plea for money from his employer, disguised as a love poem:

To yow, my purse, and to noon other wight
Complaine I, for ye be my lady dere.
I am so sory now that ye be light,
For certes but if ye make me hevy chere,
Me were as leef be leyd upon my bere,
For which unto your mercy thus I crye
Beth hevy ageyn or ells mot I dye.

The text of Chaucer's Complaynt to his Empty Purse, from a Middle English anthology.

Chaucer’s ‘Complaynt to his Empty Purse’ from an anthology of Middle English poetry: Add MS 34360, f. 19r

Other minor works by Chaucer also now digitised include his ‘Gentilesse’, ‘Lak of Steadfastnesse’, ‘Truth’, ‘The Complaynt unto Pity’ and the ‘Balade of Good Fortune’.

The Treatise on the Astrolabe

While Chaucer is now known principally as a poet, he was also responsible for an important medieval instructional manual, called ‘A Treatise on the Astrolabe’, which like his poetry, was written in Middle English rather than Latin. Astrolabes had been in use for hundreds of years by Chaucer’s lifetime and had a wide variety of functions, but their principal purpose was as astronomical and navigational instruments, helping to determine different latitudes by day and night.

An astronomical instrument in brass called an astrolabe.

An example of one of the earliest known European astrolabes, made in 1326: British Museum, 1909,0617.1

In one of the British Library’s medieval copies of the text (Egerton MS 2622), preserved in its original binding, Chaucer’s work appears as part of a collection of treatises on arithmetic, geometry, horticulture and astronomy. 

A collection of scientific treatises with a medieval clasped leather binding.

A copy of Chaucer’s ‘Treatise on the Astrolabe’ in a collection of scientific treatises with its own original medieval clasped binding: Egerton MS 2622

Chaucer’s treatise continued to be read during the Early Modern period. A notable 16th-century manuscript contains a revised edition of the ‘Astrolabe’, undertaken by an otherwise unknown editor called Walter Stevins. Stevins made his own corrections throughout Chaucer’s text, and prefaced it with his own address to the reader and a dedication to Edward Courtenay (d. 1556), 1st Earl of Devon. His manuscript features numerous detailed drawings that accompany the text, illustrating the workings and uses of the astrolabe itself.

The title page of an edited version of Chaucer's 'Astrolabe', with a diagram of the instrument.

The opening of Walter Stevins’ revised edition of Chaucer’s ‘Treatise on the Astrolabe’: Sloane MS 261, f. 1*r

Whether you are experienced scholars of Chaucer’s life and poetry, who know his words off by heart, or only just learning of his collected works for the first time, we hope you enjoy exploring the pages of these digitised manuscripts and engaging with the writing of one of the foundational figures in the history of English literature. We are grateful to The Gladys Krieble Delmas Foundation, the Peck Stacpoole Foundation, and the American Trust for the British Library for their support of the project.

 

Calum Cockburn

Follow us @BLMedieval

Medieval manuscripts blog recent posts

Archives

Tags

Other British Library blogs