04 November 2020
The latest set of projects to go online are truly global, spanning Asia, Europe, Africa, and the Caribbean. Here's a brief summary:
- The Palace Archives of the Buddhist Himalayan Kingdom of Sikkim [EAP880]
- Government and Church Records from the Turks and Caicos Islands [EAP914]
- 19th Century Bulgarian Manuscripts [EAP989]
- The Ghana Railway Corporation Archive [EAP1144]
Located near the Himilayas, where India meets China, Sikkim is one of the newest Indian states, merging with India in 1975. This project digitised the hitherto neglected royal archives of the former Himalayan Buddhist kingdom of Sikkim. It contains a wealth of invaluable documents that date between 1807 and 1998. As such, this collection offers crucial insights into crucial historical events including the merger with India in 1975 and military border clashes between India and China.
This collection covers the entire spectrum of political activities, from domestic and religious issues to foreign affairs. This archive therefore offers unique and important insights into the history of this kingdom and its geopolitical significance.
While it is an archive that represents elite perspectives, the Sikkim Palace Archives is also the first collection of local origin to be made freely and universally accessible for international scholarship, presenting a perspective of events and characters as experienced from within looking out. This provides a valuable contrast to the earlier need to rely very largely on colonial sources for the history of Sikkim. The collection adds considerably to the available sources on the history and culture of Sikkim, with very little duplication of material with that available elsewhere, namely in the British Library's India Office collection, and to a lesser extent in the National Archives of India and the Sikkim State Archives.
This project digitised some of the most vulnerable and important collections located at the Turks and Caicos National Museum. It contains two sub-collections:
The government records include documents and correspondence involving the colonial secretary and despatches to the governor-in-chief. It also includes legislative and executive council records. This collection thus offers important insights into the colonial governance of the islands, which is still a British Overseas Territory.
Meanwhile, both the government and church collections contain registers of births, baptisms, marriages, burials, and wills. The church collection includes both Methodist and Anglican church records, spanning 1799-1922. These registers provide an invaluable resource for genealogists researching their family history.
EAP989 - 19th Century Bulgarian Manuscripts
This pilot project focused on three collections of 19th century and early 20th century manuscripts located at the Institute for Ethnology and Folklore Studies with Ethnographic Museum, within the Bulgarian Academy of Sciences. It produced a detailed survey of the collections and digitised a sample of manuscripts.
These manuscripts reflect the cultural and folklore heritage of Bulgarian and Balkan areas and include hand painted texts, images, and notated songs.
EAP1144 - The Ghana Railway Corporation Archive
The EAP1144 project team encountered an archive that was in a significant state of disrepair. One of their first tasks was to erect plastic sheets to provide immediate protection to the documents from rain water leaking through the roof.
19 June 2019
Over the past few months we have made six new projects available to view online through our website. These new collections demonstrate the diverse variety of archives the EAP digitises, and includes eighteenth-century Brazilian royal orders, artwork and photography by Lalit Mohan Sen, colonial archives, Coptic manuscripts and prayer scrolls, war photography, and historic newspapers.
EAP627 - Digitising endangered seventeenth to nineteenth century secular and ecclesiastical sources in São João do Carirí e João Pessoa, Paraíba, Brazil
The aim of EAP627 was to digitise the oldest historical documents in the state of Paraíba, Brazil (located in the semi-arid hinterlands and on the humid coastline). The project team successfully digitised 266 historical documents, ranging from 1660 to 1931 and their digitisation resulted in c. 83,000 TIFF images being created. It includes the entire collection of ecclesiastical documents at Paróquia de Nossa Senhora dos Milagres do São João do Cariri (comprised of 54 volumes produced between 1752 and 1931). During digitisation, the team uncovered the original, signed Constitution of Paraíba of 1891 – the first constitution of this state after Brazil was declared a republic in 1889. To the best of their knowledge and research, the project team believes this is the only existing copy of the document. The digital preservation of these documents have already contributed to shifting the historical narrative of the state’s back lands, and will ensure the ongoing possibility of study in the history of Paraíba’s Afro-Brazilian, indigenous, and mestiço populations.
EAP781 - Santipur and its neighbourhood: text and image production history from early modern Bengal through public and private collections
This was a continuation of EAP643, an earlier pilot project. The project team were able to digitise almost all the records discovered in the pilot. The collection includes 1265 manuscripts from Santipur Bangiya Puran Parishad, 78 bound volumes from Santipur Municipality, and 510 images of Lalit Mohan Sen’s artwork and photography. Some of Sen’s work can be seen in this previous EAP blog post.
Kita is an important site in the history of rural slave emancipation in Western Mali (occurring at the turn of the twentieth century). It hosted the highest number of ‘Liberty villages’ (17 in total) following the French conquest (Western Mali was the first region of today’s Mali to be colonised by the French from the 1890s). Liberty villages hosted the slaves of the defeated enemies of the French army. The project team captured this specific history of slavery and emancipation in Kita through digitised reports, correspondence and court registers held in the Cercle archives of Kita. The collection is extensive, ancient and rare in its content, and is of great scholarly significance.
EAP823 - Digitisation and preservation of the manuscript collection at the Monastery of St Saviour in Old Jerusalem
The objective of this project was to digitise and make widely available the manuscripts at the Franciscan monastery of St Saviour in the Old City of Jerusalem. The collection dates from the 12th to the 20th century, and is written in seventeen languages: Amharic, Arabic, Armenian, Classical Ethiopic, Coptic (Bohairic & Sahidic), English, French, Old German, Greek, Hebrew, Italian, Latin, Samaritan, Spanish, Syriac and Turkish. The digitised material is remarkably diverse and is a valuable resource for scholars interested in Christian, Islamic and Jewish traditions, as well as to linguists and philologists, art historians, and musicologists. The texts contain theological and philosophical treatises, biblical and liturgical books, dictionaries, profane and religious poetry, collections of sermons, pilgrim accounts, and also cooking recipes and magic prayers. Among the books are also rare items, for instance texts written in Armenian and Arabic scripts but in Turkish language, and the fragments of Byzantine manuscripts used for the flyleaves in bindings. A special group is made up by large size liturgical books with musical notations, produced for monastic choirs, as well as precious volumes lavishly decorated and illuminated with miniatures, initials and aniconic ornamentation. Research material of particular value consists of a variety of book covers (leather, textile, metal, decorative cardboards etc.) representing diverse binding methods.
EAP894 - Endangered photographic collections about the participation of pre-industrial Bulgaria in three wars in the beginning of the 20th century
The EAP894 project team digitised two collections of photographs (and other records) from the pre-industrial development era of Bulgaria, covering the period 1880-1930. Colonel Petar Darvingov, the Chief of Staff of the Bulgarian Army and a commander of the occupation corps in Moravia (now the Czech Republic and Serbia) created the first collection. He captured moments of military action in the Balkans and Central Europe across three wars: the Balkan War, the Second Balkan War, and World War I. Within the collection are a large volume of photos from different fronts – positional photos of infantry and artillery units, fighting marches, frontline parades and prayers, aviation and motorized units, moments from tactical exercises, building of trenches, laying of roads and telephone wires, views of settlements, etc. Preserved are also the portraits, both group and individual, of the entire command staff of the Bulgarian army during the wars. The photographs record not only the military life at the front, but also at the rear – the camps and bivouacs, clothing, supplies, military equipment and everyday life of the Bulgarian soldier. Many of the backs of the photos have explanatory notes about specific events and characters. They include initiations, names and occasionally short biographical data on individual persons etc. The collection also includes military business cards with author´s notes, operational sketches of battlefields, sketches of the Bulgarian headquarters where the Serbian and Bulgarian troops were positioned during the Balkan Wars, stories of warfare during World War I, and sketches of military sites.
The second collection contains photos, cartoons and caricatures created by the renowned artist and photographer Aleksandar Bozhinov. He was one of the first significant cartoonists of the 20th century and a war correspondent. He documented military positions and the social life in the Balkan villages and towns in the time of war – daily life, work, calendar and festive rituals. The sketches and caricatures in the collection are both the originals and those published in albums and newspapers from the early 20th century. Copies of the Bulgarian comic newspaper (authored by Aleksandar Bozhinov) are also preserved in this collection.
This project digitised the Barbados Mercury and Bridgetown Gazette, a newspaper printed in Barbados from 1783 to 1839. The Gazette was printed biweekly and each issue was four pages long. It is the most complete set of the Gazette and the only copies known to exist. The newspaper is crucial for understanding Barbados’ 18th and 19th century history, particularly because these were formative years for the island. The newspaper sheds light on the everyday life of a slaveholding society; Bussa’s 1816 rebellion; and the events that led to the abolition of the slavery on the island (1834). Digitisation of the newspaper offers the opportunity to unearth an untold history of the enslaved people of the island and their resistance in the early nineteenth century. EAP1086 was a collaborative effort between a team of practitioners and scholars, based both in Barbados and abroad. At the end of the project around 2,331 issues were digitised with around 9,000 digital images in total.
Written by Alyssa Ali, EAP Apprentice
13 August 2018
As the English football season has just begun, I thought I would have a look to see what we have in the collections that was football related. When you have a collection of over 6.5 million images it's hard to keep track of what's actually in the archive. With the old EAP online platform, it would have been quite a frustrating experience. You would have had to search the Library’s Archives and Manuscripts catalogue first and then try to find the relevant image on our website, sometimes having to scroll through hundreds of other images first before finding the desired one. With the ability to now search directly from our website, you can easily find related images, however it does highlight the need for good quality metadata. These images are only discoverable if someone has been able to describe them properly, adding keywords and other relevant information that researchers may look for.
With this in mind, I searched for football, soccer, futbol etc., and was pleasantly surprised to find many great photographs I thought were worth sharing. Most of the images come from the Haynes Publishing Company Archive in Argentina, with others from Bulgaria, Cameroon, Guatemala, India, and Mali, truly showing the global appeal of the sport. The Argentinian ones in particular are quite spectacular and give an idea of the popularity of the game in the country! There are images of spectators crammed into stadiums, and others show fans being dangerously hoisted up the outer wall of the stadium in a desperate attempt to watch the game. As always, follow the links to see the full size versions and discover what else is in the archive.
Posted by Rob Miles
19 December 2017
Our last blog of the year has been written by Rossitza Atanassova, Digital Curator at the British Library. I can’t think of a lovelier way to finish the year than have a colleague and friend reminisce about her childhood using images from EAP103 held at The Ethnographic Institute and Museum, Bulgarian Academy of Science, Sofia.
Christmas Eve (Badni vecher) is central to the Bulgarian Christmas celebrations and is associated with many customs and rituals. On Christmas Eve families prepare a traditional festive dinner of vegan dishes, including the ritual bread (pita or pogacha), cabbage leaves stuffed with rice (sarmi), white butter bean stew, dried fruit compote (oshav), pickled vegetable salad and pumpkin pastries. Other produce – onion, garlic, honey, wheat, fruit and walnuts – are also laid on the table, to ensure rich crops in the New Year. Historically rural households would sprinkle dung, sand, wheat grains, hay and coins on or around the dinner table. This was due to their symbolism for the well-being of the household, fertility and abundance of crops, orchards, vineyards, livestock and domestic fowl. (Slaveykov p.13)
Gathering the whole family at Christmas Eve to share this simple symbolic meal is one of the most intimate and honoured Bulgarian traditions. At the start of the meal the eldest member of the family would light incense and pass it round the room and over the meal as a sign of protection from misfortune for the household. It falls on the eldest man in the family to bless and break the ritual bread, saving the first piece for the Virgin Mary and distributing a piece each to all members of the family. The early 20th century photograph (below) of a family from the village of Petrich near Sofia captures the moment of kissing the ritual bread as it is held out by the elder in the family. The symbolism of the bread in this ceremony is captured so well by the photographer, as it occupies a central place in the image with all three generations of the family showing such reverence and hopefulness as they huddle around it. There is so much intimacy and spontaneity in the photograph, with the grandfather staring solemnly at the camera, his son or son-in-law enjoying a glass of home-produced rakija and the younger children looking furtively around.
I have such fond childhood memories of the Christmas Eve preparations at home when I helped my mother and grandmother to knead the ritual bread and decorate it with the Nativity scene and the sign of the Cross. It is a tradition I have passed on to my children and year on year they are excited about making together the ritual Christmas bread. There is a great regional variety in the shapes and decorations, many of which reference agricultural activities such as ploughing, shepherding and winemaking, as well as Christian symbolism. Some examples of ritual breads can be seen in the EAP103 archive, and the Ethnographic Museum has an important collection of stamps used for decorating ritual breads, such as this Nativity Scene stamp. It is traditional to hide a coin in the Christmas bread and whoever finds it is said to have all the happiness and success in the New Year.
On Christmas Eve, groups of boys and young men (koledari) visit the houses in their neighbourhoods and villages, singing auspicious verses about prosperity and well-being. These welcome guests exchange traditional greetings with the families and give their blessings to every member of the household. In return the Koledari receive gifts of food and ritual ring-shaped breads, often made by the young women in the family, which they string on the wooden sticks they carry.
On New Year’s Day it is customary for children in Bulgaria to carry tree branches (survachka), traditionally decorated with dried fruit, popcorn, breads and wool, and to recite blessings for family and friends in exchange for a coin or other gifts. As a child I loved the festive atmosphere in Sofia with stalls selling survachki decorated in red and white paper. This custom continues the joyful and hopeful Bulgarian Christmas celebrations and tradition which the photographic archive gives us such wonderful glimpses of.
The EAP team would like to wish everyone a Merry Christmas and the very best for 2018.
Slaveykov, Racho, Bulgarian Folk Traditions and Beliefs, Sofia, Asenevtsi Trade Ltd, 2014
Vasileva, Margarita, Koleda i Surva: Bulgarski praznitzi I obichai, Sofia, Darzhavno Izdatelstvo Septemvri, 1988
13 November 2017
I am sure that I am not the only one who, every-so-often, talks about work over the dinner table. The reason for my excitement was because of the new EAP website that, for the first time, allows for keyword searches and also offers the ability to zoom into the images to really capture the finer details that were lost before. To illustrate what the new platform can offer, I chose the word ‘bagpipe’, to see what could be unearthed. My husband, who plays several types, suddenly lost all interest in his meal, which became colder and colder as he scrolled through the 1940s photographs of Bulgarian bagpipes (gaida) that had appeared on the computer screen.
What I hadn’t expected was my own newly found interest in Bulgarian pipes and desire to learn more.
The gaida is made from goatskin that is placed in salt for several days and then reversed so that the fur is on the inside, which apparently helps prevent the build-up of moisture as the musician blows into the instrument. The hindquarters are removed and sewn up, the two front leg holes are used for the blow pipe (duhalo) - to inflate the bag, and for the drone (ruchilo), which is the longest pipe made of three sections providing a continuous and harmonious note to accompany the melody, played on the chanter (gaidanitsa). This has seven holes and is connected to the neck opening. Both drone and chanter contain single cane reeds.
EAP103/1/3/9/28 Parts of a bagpipe (l-r) chanter with bead decoration, drone pipe, blow pipe
Perhaps unsurprisingly, the bagpipes were traditionally played by men to while away the time in the rural countryside taking care of their herds. Boys were expected to learn by ear and then go off and practise during the long working day. However, Maria Stoyanova, who fell in love with the gaida, was the first professional female player and has become one of the country’s most gifted instrumentalists. She started by sneakily playing her father’s pipes while no one was around to hear.
To be a good player you need to have gaidarski prŭsti or ‘bagpiper’s fingers’. This refers to the ornamentation that flourishes the melody and provides individuality to a folk tune.
Although the bagpipe has its roots in rural life, the website word search also brought up studio photographs of people in traditional dress and holding a bagpipe. I am not convinced that either of these two sitters can actually play the instrument. In the first example the sitter does not know where to place his hands and the second sitter, may have just been nervous of the camera but, to me, he seems to be holding the instrument with quite a bit of trepidation.
EAP103/1/2/1/55 A studio photograph
EAP103/1/3/2/137 A studio photograph
It is the sequence of photographs in a maker’s workshop that I fell in love with. You see the interior of the room, with piles of wood blanks waiting to be made into dones, finished bagpipes waiting to be sold, and the maker at his bench. A row of notched wooden sticks seem to indicate where the seven finger holes should be placed. But it is the last photograph in the series, which is just so wonderful – the maker just having played his newly finished instrument. The face is somewhat blurred and I would like to believe this is because the photographer has a slightly shaky hand after hearing the beautiful sound, but what hasn’t been lost is the pride on the maker’s face.
EAP103/1/3/5/92 Inside a maker's workshop
EAP103/1/3/5/90 Working at his hand-driven lathe
EAP103/1/3/5/96 (detail) Finger hole marking templates
EAP103/1/3/5/95 The finished instrument
There are two types of gaida. The smaller, slightly higher pitched instrument (djura) performs a slow melancholic song, without an obvious beat, known as bavna pesen, often played at a wedding, when the bride’s family hands over their daughter to the groom. In complete contrast it can also play upbeat dance tunes called horo for weddings and other festivals. The second type of instrument is larger (known as a kaba) and originates from the Rhodope mountains. There is even an orchestra made up of 100 kaba gaida, and when I listened to them on the internet, it made the hairs on the back of my neck stand up. I have a feeling that I know where we will be spending our next summer holiday...
But do have a play on the new website for yourself and see what the keyword search will uncover for you.
Rice, T. (2004) Music in Bulgaria: Experiencing music, expressing culture Oxford; New York, Oxford University Press
Rice T. (2011) "Evaluating Artistry on the Bulgarian Bagpipe" in Ethnomusicological encounters with music and musicians: essays in honor of Robert Garfias Surrey, England: Burlington VT Ashgate Publishing
Video of a televised concert of 333 bagpipe players - old and young, boys and girls
03 July 2017
We have three new collections available to view on the Endangered Archives Programme website: a collection of Newārī medieval manuscripts from the Kathmandu Valley, Nepal; an archaeological photographic archive from Romania; and finally the archive of the Dominican Monastery of Santa Rosa, Santiago, Chile.
The main focus of this project was to digitise rare medieval Sanskrit manuscripts as well as rescue those threatened by the earthquake of 2015. Nepal is home to significant collections of Sanskrit as well as Hindu manuscripts, with the Newār people having contributed enormously to the development of literary culture in the country. In vernacular Newārī the manuscripts are called ‘Thyasaphu’ and are not merely handwritten texts, but an object of veneration and part of their religious lives. The Buddhist Vajracharyas and Shakyas, and Hindu Karmacharyas from the Newār communities, were directly concerned with manuscript writing, recitation and performing rituals. In spite of the manuscripts’ importance, few are aware of their literary heritage and little attention has been paid to preserve and disseminate the manuscripts despite their religious and historical significance. Newar families still own manuscripts but unfortunately, most of the precious manuscripts are left to decay and are often now in poor condition. An inability to read the scripts and/or language, or little knowledge of the subject matter, has restricted people from reading these medieval manuscripts.
The project team were able to digitise 21 separate collections consisting of 687 manuscripts. In total over 28,000 images were produced. These included religious manuscripts related to Buddhism and Hinduism, literary works, medical texts, records of events, and other secular texts. These are important records for Buddhist and Hindu Newārs to perform religious duties and also for scholars of Newār Buddhism, Vajrayana rituals, Hinduism, the Vajracharya priests and practitioners and others. Throughout the project, workshops and programmes were organised to train staff and local stakeholders, including those from the Newār community, to search, catalogue and digitise the manuscripts.
The ‘Vasile Parvan’ Institute of Archaeology’s photography archive provides a unique source of information for archaeological research and monument recording and restoration between 1880 and 1925 in Romania. Large numbers of archaeological sites and monuments, then surviving across Romania, are represented in a vast array of excavation, exploration and restoration photographs, covering all periods from the earliest farming communities to the pre-industrial centuries of the last millennium. Many of the archaeological sites and landscapes represented in the photographs, along with a host of medieval churches and many villages, were totally destroyed during and after the two World Wars. The majority of the earliest material focuses on the Romanian Black Sea area, a region called Dobrogea, the richest region of Romania in terms of its archaeological heritage. It also used to be the most ethnically diverse region of Romania and until the end of World War I was one of the most rural and arid. Many of the photographs shed light on the ethnic diversity of the region, nowadays hugely different, and on the unaltered landscape of the area, much changed due to the huge communist agricultural programmes of the sixties and seventies, which included erasing to the ground entire villages along with their churches and traditional field systems. Archaeological artefacts – pottery, sculptures, metal objects – are also represented, along with other items of major historical importance: objects of religious art, paintings, sculptures and fabrics, many of them subsequently destroyed or lost, sometimes plundered by German, Russian or other troops during the wars that have affected Romania in the past 150 years. The on-site images include extremely beautiful local ethnographic photographs and rural landscape images depicting a world long gone, especially in the Black Sea area, populated by a wide mix of differing nationalities in the period before WWII.
This project catalogued and digitised the archive of the Dominican Monastery of Santa Rosa, one of the four oldest and most important archives of female writing of Chile. Founded in 1680 as a Beguine convent, it later became a monastery in 1754. The Dominican sisters of the monastery were characterised by their cultural and intellectual life which is reflected in the documents digitised as part of the archive. This is a unique set of documents as the testimonies of women from this period have been preserved in few other places in Chile. Among the files are valuable diaries and autobiographies such as that of Dolores Peña y Lillo, which highlights the features of regional and local female idiosyncrasies. These documents are a great resource for scholars and contribute to research, study and dissemination of the model of female education at that time, based on the intellectual culture, crafts and arts. The project team digitised 107 volumes in total consisting of over 27,000 images.
02 February 2017
Four new collections are now available to view on the EAP website. The teams involved have helped to preserve a wide variety of records including Peruvian parish registers, Romani archives, Russian Old Believers’ textual heritage, and Nyasaland African Congress records.
Over the past few years, researchers from the "Roma Ethnology" working group, in the Ethnic Minorities Department of the Institute of Cultural Heritage, undertook a series of field trips to Roma communities. They located 11 ethnographic Romani groups in Moldova, each with its specific pre-modern culture. The best known of these are: Layesh (ex-nomads Roma group), Lautari (Roma musicians), Lingurari (Roma spoon makers), Chokanary (Roma blacksmiths), Churary (Roma sieve makers), Curteni (Roma servants to local noble courts). During these field research trips among the Roma community the researchers became aware of the existence of valuable archival materials kept in a state of neglect. Most of these sources (photographs, documents, and manuscripts) are kept in family archives. They are endangered for a variety of reasons. For example, when the owners of personal archives die, their descendants are not interested in preserving them, and there is little funding within the country for collecting and archiving them. These archives are gradually disappearing.
This project aimed to discover these collections of Romani archive material to preserve, digitise and make them publicly available for research. The project team were able to discover and digitise material from the families of some well-known Roma personalities from the past, as well as material from ordinary Roma families. The digitised material is now publicly available in the Moldovan National Archive, as well as the British Library, and is an important source of information for Romani studies. The project digitised 2557 images from 36 individual collections dating from between 1925-2013.
EAP699/16/2 - Preida Iacov Collection - Roma Family-Military Album [1955-2010]
EAP699/7/2 - Muzeu Ciocilteni Collection - Papers [1942-1986]
The aim of this project was to preserve the hand-written book collections of the taiga community of Pilgrims, one of the most radical denominations among Old Believers: confident in the coming of the Antichrist and who regard the authorities as his servants, and also believe that a skit (a small-secluded monastery or convent) is a perfect place where the Orthodox faith can be observed. They prefer to live a reclusive life with other believers as they think this protects the Christian faith and the soul. The Russian monarchy and Soviet power regarded them as irreconcilable enemies and repeatedly destroyed Taiga religious settlements.
The manuscripts of the 15th, 17th and 18th centuries represent the Russian Orthodox and Early Old Believers’ traditions, and their digitisation will help researchers to reconstruct the reading habits of the Siberian peasants-skitniks and the ways of ‘book migrations’. The manuscripts of the 19th and 20th centuries reflect late Old Believers’ traditions and they are interesting as examples of the Russian peasant religious literature. It is believed that approximately 66% of the books were written or rewritten by the skitniks.
The preserved texts contain unique historical and linguistic information and reflect the process and results of assimilation of the culture of Cyrillic writing and reading by Siberian peasants in the 19th and 20th centuries. The manuscripts were stored in poor conditions, exposed to moisture and temperature changes, and were being damaged by mould and migration of ink. In addition, the Skit monks were often forced to write using home-made ink or pencil on paper of poor quality.
The project digitised 144 manuscripts with over 22,000 pages copied. The manuscripts selected for digitisation are those that most adequately reflect the confessional strategy, preferences and history of the taiga community since its formation in the 1830s. These include 1. Liturgy and religious rites: Prayer texts, church calendars and descriptions of rituals and festivals; 2. Canon law and monastic rules; 3. Writings on Christian/Old Believers’ ethics and morals; 4. Religious polemics; 5. Religious poetry; 6. Community history.
You can read more about this project on the project homepage, as well as project holder Professor Elena Dutchak’s Libri journal article: Breathing Life into Rare Book Collections: The Digitization of the Taiga Skit Old Believers Library (Libri. Volume 66, Issue 4, Pages 313–326). We have also funded a similar project - EAP556: Book heritage of Ural Old Believers, which also has its own blog post with more information. EAP834/1/1/56 - Theoktistos the Stoudite. The service for Jesus Christ [1950s-1960s]
EAP834/1/1/41 - The Dominical letter // Вруцелето // Vrutseleto 
This project digitised parish registers detailing baptisms, marriages and deaths in the Diocese of Huacho, Peru. Six parish collections were digitised: Parish of San Miguel Arcangel of Acos; Parish of Nuestra Señora of the Asunción of Ámbar; Parish of Santa María Magdalena of Cajatambo; Parish of Inmaculada Concepción of Canta; Parish of San Juan Bautista of Churín; Parish of San Juan Bautista of Huaral.
These documents are of great value as in the majority of cases they are the only records of birth, death and marriage that exist for citizens of Peru. In 1852 the Civil status records were created but this function was first entrusted to Governors, and then to the municipalities under the supervision of the Supreme Court of Justice of the Republic. Consequently, the records of the Civil State in Peru lacked a hierarchical organisation as their offices and files were dispersed in more than 2,500 locations, with no national or regional registers of births, deaths or marriages. For this reason the majority of citizens born before 1940 have great difficulty locating their records.
EAP783/1/6/1 - Books of Deaths-Parish Nuestra Señora of the Asunción of Ámbar [1901-1940]
The pilot project surveyed Nyasaland African Congress (NAC) records in selected districts in Malawi in order to assess the state of records, their storage conditions, and determine the extent as well as the preservation needs. The project created an inventory of the records and digitised a small selection of the identified records including minutes of meetings of the NAC; the NAC constitution; editorial comments of Malawi News pertaining to the Malawi Congress Party (MCP - successor organisation to NAC); photographs of the late Hon. Aleke Banda, a prominent nationalist and politician.
EAP942/1/3 - Photos of Aleke Banda
EAP942/1/1 - Nyasaland African Congress Constitution of Organisation 
13 October 2016
Over the past month we have made four new projects available to view through our website. We have also added two new projects to BL Sounds. There are now eight EAP funded projects on Sounds in total, with over 25,000 tracks to listen to. This includes a wide variety of genres of music from Micronesia (EAP115) and Guinea ( EAP187, EAP327, EAP608); folk and traditional songs and talks from the Uralic speaking regions of Russia (EAP347); Indian classical music (EAP190; EAP468); and musical pieces and poetry from Iran (EAP088).
The EAP347 project was funded to help preserve sound recordings from the Uralic speaking world that were collected at the Udmurt Institute for History, Language and Literature, Izhevsk, Russia. Most of the recordings are from the Udmurt Republic and the surrounding regions of the Russian Federation, including the Republic of Tatarstan, Kirov Oblast, Republic of Bashkortostan, and Perm Krai. These recordings can be browsed through their region, language, subject, title and recording date. They include many recordings of traditional songs and oral history, featuring subjects such as ‘army recruitment’, ‘drinking songs’, ‘guest songs’, ‘fairy tales’, and ‘wedding’. There are 6118 recordings in total available to listen to here
EAP704/1/1: Mäshafä salot - Book of Prayer [1495-1505]
This project aimed to secure and digitise two collections of Ethiopian manuscripts kept in remote monasteries located in the Shire region of the Province of Tigray: Marawe Krestos and Däbrä Abbay. These manuscripts are crucial for the study of Ethiopian and Eastern Christian monasticism and the history of Ethiopia, particularly for the northern regions which are now a part of Eritrea and difficult for researchers to access. They also document the history of the Ethiopian Tewahedo Church and bring to light the new and little known works of Christian and Ethiopian Church literature. The digitised material is a great resource for researchers studying the history of manuscript and Ethiopian art history in the context of Christian, Oriental and Byzantine artistic traditions. The project was able to fully digitise the two collections. 61 manuscripts were digitised from Marawe Krestos and a further 45 belonging to Däbrä Abbay. A total of 14,602 folios, covers and edges were digitised. The material dates from the 14th century to the 20th century.
EAP704/1/5: "Mäshafä kufale, Isayeyas - Book of Jubilees, Book of Isaiah [1360-1399]
The EAP115 project aimed to collect and digitise music and recorded chants from around the Micronesia region. It achieved this by gathering music from government radio stations in Majuro, Marshall Islands; Kosrae, Pohnpei, Chuuk and Yap, Federated States of Micronesia; and Koror, Palau, as well as from private collections and church sources in Chuuk, including the Liebenzell Mission and the Catholic Church media studio. The collection features a wide variety of musical styles and charts the evolution of music in the region, with recordings ranging from religious chants and choirs, to more modern rock and reggae songs. All 7069 recordings are available to listen to freely from around the world on BL Sounds. So far the most shared track is the aptly named ‘A happy celebration song’, performed by girls from Woleai, Yap State. You can listen to the track here and explore from there.
EAP636/5/43: Historia da Misericordia de Goa 
Portuguese rule in Goa bequeathed a vibrant Catholic community and a rich legacy of texts in Portuguese and Indian vernacular languages. These texts are held in a number of different State, Church, private institutional and family collections and have often been forgotten or lost in collections with no catalogues, remaining invisible to scholars and those interested in the history of Christianity in the area. Many of these texts, dating back to the sixteenth century, were in danger of being lost altogether due to uncertain archival conditions and poor preservation. The aim of this project therefore was to locate, identify and digitise many of these Christian manuscripts located in the region of Konkan. By creating a centralised digital archive of these texts the project has been able to provide a significant resource for scholars and community members interested in the history of Goa, particularly its Catholic communities.
The project was able to digitise the collections of several local families as well as those of institutions in the region. This included digitisation of the manuscript collection, as well as significant books, from the Seminary of the Missionaries of St. Francis Xavier in Pilar, relating to the order and to the Church in Goa. The Jesuit-run Thomas Stephens Konknni Kendr (TSKK) research, educational and cultural centre also agreed to let its collection of manuscripts be digitised. This included its collection of microfilms of early Marāṭhi and Kōṅkaṇī manuscripts.
EAP636/4/39: Historia dos Animais e Arvores do Maranhao 
EAP675/23/1: "Turks in Kardzhali region, South Bulgaria. Akhmed Yusmenov collection [1950s-1980s]"
This project was focused on the discovery, analysis and digitisation of 20th century photographs depicting elements of Bulgarian minorities’ culture. The project was targeted at different ethnic and religious communities, such as Old Believers, Turks, Armenians, Karakachans, and Vlachs. This major project continued the work carried out in the earlier EAP500 pilot project, which focused mainly on a few small collections of Pomaks, Turkish, Karakchan and Tatar images.
EAP675/10/1: Armenians from different Balkan regions - Haskovo city. Philip Derandonyan's collection [1910s-1960s]
Documentary material from minority groups in Bulgaria is scantily represented or missing from Bulgarian archives. The reason for this is rooted mostly in the mono-centred state policy, focused for a long period solely on the Bulgarian ethnic tradition and culture, as well as in the policy of the Bulgarian state before 1989 aimed at forced assimilation of minorities. This is the reason for the gradual disappearance or even purposeful destruction of pictures and photographic collections of the different minorities in the country, particularly of the Muslim minority during the so called “Revival process” in Bulgaria in the 1960s-1980s. The policy of the Bulgarian state for a forced assimilation of the Muslims was accompanied with the destruction of all documents – official, personal and family – that were testament to their minority identity. Through the research carried out both in this project and EAP500, it has been found that such documents had often been hidden and saved, although often in inappropriate conditions. The project succeeded in discovering and safeguarding these images, and helped create an understanding amongst these groups as to the importance of the project and the need for preservation of these endangered archival documents. Since completion of the project the team has continued to be notified of newly discovered material with families opening up their own collections for study and digitisation.
EAP675/22/1: Karakachans in Sliven region [1930s-1980s]
This project set out to create an inventory of 6000 primarily Sanskrit, Prakrit and Bengali manuscripts held in the Rāmamālā Trust compound in Comilla, Bangladesh, and to digitise a sample of them. Established in 1935 by Maheśacandra Bhaṭṭācārya and currently run by the Mahesh Charitable Trust, the collection was meant to promote education and preserve Bengali culture. It was also intended as a resource for preserving and promoting Hinduism within a dominant Muslim environment on the eve of British colonialism. Much of the library is thus dedicated to Sanskrit scientific and legal literature. Yet it also contains unique texts in a variety of other Sanskrit genres and includes many regional works in Bengali (eg, a rare version of the Mahābhārata), together with some works in Prakrit. Consequently, it preserves a snapshot of the literary and religious culture of the region in pre-colonial and colonial times, encompassing not just Hindu works but also works related to a distinctive, regional variety of Islam (Satyapīr). The collection has been physically displaced twice. First during the upheavals in 1947 when India and Pakistan were partitioned, and then again in 1971 when Bangladesh broke away from Pakistan. Early attempts to itemise, catalogue, and identify manuscripts have been largely lost; all that remains by means of a catalogue is a general overview of the collection and archives of a few handwritten notes. The manuscripts themselves suffer from physical neglect and dilapidation. They are housed in rooms with glassless windows and leaky roofs, exposed to the elements, and open to vermin and potential theft. Since Bangladeshi independence, there have been limited efforts to ameliorate the disarray of manuscripts, including some microfilming in the 1980s, and classification of the manuscripts’ general categories. Despite the promise of these preliminary efforts, the full scope of the collection remained unknown.
EAP683/1/1/81: Mahābhārata - Sana 1197, Phālguna 15, [February 27, 1791] (f. 617v)
The project found that there were far more manuscripts in the collection than initially thought, with an estimated 9000 in total. This discovery added a significant strain on resources for creating the inventory and managing their assessment, however, the team were able to complete their work, converting handwritten lists into spreadsheets, and make the inventory readily available to scholars worldwide. The project was also able to digitise a sample of 85 manuscripts ranging from 1 folio up to 620 folios in length dating from the mid-17th century up until the early 20th century. The project also carried out preservation work on many of the endangered manuscripts and moved them to less exposed locations away from vermin and water leaks.