THE BRITISH LIBRARY

Endangered archives blog

34 posts categorized "Photographs"

19 June 2019

New collections online - June 2019

Add comment

Over the past few months we have made six new projects available to view online through our website. These new collections demonstrate the diverse variety of archives the EAP digitises, and includes eighteenth-century Brazilian royal orders, artwork and photography by Lalit Mohan Sen, colonial archives, Coptic manuscripts and prayer scrolls, war photography, and historic newspapers.

EAP627 - Digitising endangered seventeenth to nineteenth century secular and ecclesiastical sources in São João do Carirí e João Pessoa, Paraíba, Brazil

EAP627_1_1_1EAP627/1/1/1 - Book 1: Baptisms, Marriages, and Deaths (1752-1808) / Livro 1 Batizados, casamengtos e óbitos anos de 1752 a 1808

The aim of EAP627 was to digitise the oldest historical documents in the state of Paraíba, Brazil (located in the semi-arid hinterlands and on the humid coastline). The project team successfully digitised 266 historical documents, ranging from 1660 to 1931 and their digitisation resulted in c. 83,000 TIFF images being created. It includes the entire collection of ecclesiastical documents at Paróquia de Nossa Senhora dos Milagres do São João do Cariri (comprised of 54 volumes produced between 1752 and 1931). During digitisation, the team uncovered the original, signed Constitution of Paraíba of 1891 – the first constitution of this state after Brazil was declared a republic in 1889. To the best of their knowledge and research, the project team believes this is the only existing copy of the document. The digital preservation of these documents have already contributed to shifting the historical narrative of the state’s back lands, and will ensure the ongoing possibility of study in the history of Paraíba’s Afro-Brazilian, indigenous, and mestiço populations.

EAP781 - Santipur and its neighbourhood: text and image production history from early modern Bengal through public and private collections

EAP781_1_1_7_1EAP781/1/7/1 - Photographs and artwork by Lalitmohan Sen

This was a continuation of EAP643, an earlier pilot project. The project team were able to digitise almost all the records discovered in the pilot. The collection includes 1265 manuscripts from Santipur Bangiya Puran Parishad, 78 bound volumes from Santipur Municipality, and 510 images of Lalit Mohan Sen’s artwork and photography.  Some of Sen’s work can be seen in this previous EAP blog post.

EAP820 - Documenting Slavery and Emancipation in Kita, Western Mali

EAP820_1_1_3_1EAP820/1/1/3/1 - Compte-rendu d’une tournée de recensement dans le Birgo 1899 (Report of a census tour)

Kita is an important site in the history of rural slave emancipation in Western Mali (occurring at the turn of the twentieth century). It hosted the highest number of ‘Liberty villages’ (17 in total) following the French conquest (Western Mali was the first region of today’s Mali to be colonised by the French from the 1890s). Liberty villages hosted the slaves of the defeated enemies of the French army. The project team captured this specific history of slavery and emancipation in Kita through digitised reports, correspondence and court registers held in the Cercle archives of Kita. The collection is extensive, ancient and rare in its content, and is of great scholarly significance.

EAP823 - Digitisation and preservation of the manuscript collection at the Monastery of St Saviour in Old Jerusalem

EAP823_1_2_25EAP823/1/2/25 - Risālat al-ḣajj min Al-Ḣasan al-Baṡrī - Trakt on the pilgrimage and its benefits by Ḣasan al-Baṡrī

EAP823_1_3_1EAP823/1/3/1 - Šarakan

The objective of this project was to digitise and make widely available the manuscripts at the Franciscan monastery of St Saviour in the Old City of Jerusalem. The collection dates from the 12th to the 20th century, and is written in seventeen languages: Amharic, Arabic, Armenian, Classical Ethiopic, Coptic (Bohairic & Sahidic), English, French, Old German, Greek, Hebrew, Italian, Latin, Samaritan, Spanish, Syriac and Turkish. The digitised material is remarkably diverse and is a valuable resource for scholars interested in Christian, Islamic and Jewish traditions, as well as to linguists and philologists, art historians, and musicologists. The texts contain theological and philosophical treatises, biblical and liturgical books, dictionaries, profane and religious poetry, collections of sermons, pilgrim accounts, and also cooking recipes and magic prayers. Among the books are also rare items, for instance texts written in Armenian and Arabic scripts but in Turkish language, and the fragments of Byzantine manuscripts used for the flyleaves in bindings. A special group is made up by large size liturgical books with musical notations, produced for monastic choirs, as well as precious volumes lavishly decorated and illuminated with miniatures, initials and aniconic ornamentation. Research material of particular value consists of a variety of book covers (leather, textile, metal, decorative cardboards etc.) representing diverse binding methods.

EAP823_1_1_11EAP823/1/1/11 - Prayer scroll

EAP894 - Endangered photographic collections about the participation of pre-industrial Bulgaria in three wars in the beginning of the 20th century

EAP894_1_24EAP894/1/24 - Single and group photographs of Rada Bozhinova (Box 24)

EAP894_1_15EAP894/1/15 - Scenes from urban and rural life (Box 15)

The EAP894 project team digitised two collections of photographs (and other records) from the pre-industrial development era of Bulgaria, covering the period 1880-1930. Colonel Petar Darvingov, the Chief of Staff of the Bulgarian Army and a commander of the occupation corps in Moravia (now the Czech Republic and Serbia) created the first collection. He captured moments of military action in the Balkans and Central Europe across three wars: the Balkan War, the Second Balkan War, and World War I. Within the collection are a large volume of photos from different fronts – positional photos of infantry and artillery units, fighting marches, frontline parades and prayers, aviation and motorized units, moments from tactical exercises, building of trenches, laying of roads and telephone wires, views of settlements, etc. Preserved are also the portraits, both group and individual, of the entire command staff of the Bulgarian army during the wars. The photographs record not only the military life at the front, but also at the rear – the camps and bivouacs, clothing, supplies, military equipment and everyday life of the Bulgarian soldier. Many of the backs of the photos have explanatory notes about specific events and characters. They include initiations, names and occasionally short biographical data on individual persons etc. The collection also includes military business cards with author´s notes, operational sketches of battlefields, sketches of the Bulgarian headquarters where the Serbian and Bulgarian troops were positioned during the Balkan Wars, stories of warfare during World War I, and sketches of military sites.

The second collection contains photos, cartoons and caricatures created by the renowned artist and photographer Aleksandar Bozhinov. He was one of the first significant cartoonists of the 20th century and a war correspondent. He documented military positions and the social life in the Balkan villages and towns in the time of war – daily life, work, calendar and festive rituals. The sketches and caricatures in the collection are both the originals and those published in albums and newspapers from the early 20th century. Copies of the Bulgarian comic newspaper (authored by Aleksandar Bozhinov) are also preserved in this collection.

EAP1086 - Preserving and digitising the historic newspaper, The Barbados Mercury Gazette

EAP1086_1_1_1_1EAP1086/1/1/1/1 - The Barbados Mercury. 5 April 1783

This project digitised the Barbados Mercury and Bridgetown Gazette, a newspaper printed in Barbados from 1783 to 1839. The Gazette was printed biweekly and each issue was four pages long. It is the most complete set of the Gazette and the only copies known to exist. The newspaper is crucial for understanding Barbados’ 18th and 19th century history, particularly because these were formative years for the island. The newspaper sheds light on the everyday life of a slaveholding society; Bussa’s 1816 rebellion; and the events that led to the abolition of the slavery on the island (1834). Digitisation of the newspaper offers the opportunity to unearth an untold history of the enslaved people of the island and their resistance in the early nineteenth century. EAP1086 was a collaborative effort between a team of practitioners and scholars, based both in Barbados and abroad. At the end of the project around 2,331 issues were digitised with around 9,000 digital images in total.

 

Written by Alyssa Ali, EAP Apprentice

17 June 2019

Marking Refugee Week with the EAP collections

Add comment

17 June is the start of Refugee Week, which takes place every year across the world. The U.K. has a programme of cultural and educational events to celebrate the contribution refugees have made.  This year’s theme  ‘You, me and those who came before' is ‘an invitation to explore the lives of refugees – and those who have welcomed them – throughout the generations’.

Looking through the Endangered Archives’ collection, I came across a file of photographs taken by Madanmani Dixit, the first photojournalist in Nepal.

The photographs were taken at a refugee camp in Bangai village in 1971, and depict refugees who have escaped the atrocities of  the Bangladesh Liberation War. It seemed appropriate at the start of this week to share some of these powerful images on the EAP blog.

EAP166_1_1_30-EAP166_MMANI_1971_007_resize

 

EAP166_1_1_30-EAP166_MMANI_1971_021_resize

EAP166_1_1_30-EAP166_MMANI_1971_014_resize

EAP166_1_1_30-EAP166_MMANI_1971_026_resize

To view more images from the file EAP166/1/1/30, please visit the EAP Website.

24 September 2018

Call for applications now open

Add comment

Do you know of any collections that are currently at risk and need preserving? The Endangered Archives Programme is now accepting preliminary applications for the next annual funding round – the deadline for submission of preliminary applications is 12 noon 19 November 2018 and full details of the application procedures and documentation are available on the EAP website.

DCL 0003Digitising in Cuba

The Endangered Archives Programme (EAP) has been running at the British Library since 2004 through funding by Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin, with the aim of preserving rare vulnerable archival material around the world. The Programme awards grants to relocate the material to a safe local archival home where possible, to digitise it, and to deposit copies with local archival partners and with the British Library. These digital collections are then available for researchers to access freely through the British Library website or by visiting the local archives. The Programme has funded over 350 projects in 90 countries world-wide and has helped to preserve manuscripts, rare printed books, newspapers and periodicals, audio and audio-visual materials, photographs and temple murals.

There three main types of grant:

  • Pilot projects investigate the potential for and/or feasibility of a major grant. A pilot can also be a small digitisation project. They should last for no more than 12 months and have a budget limit of £15,000.
  • Major projects gather and copy material. This type of grant may also relocate the material to a more secure location/institution within the country. These projects usually last 12 months, or up to 24 months and have a budget limit of £60,000.
  • Area grants will be awarded for larger scale projects. They are similar to a major grant, but larger in scale and ambition. Applicants must demonstrate an outstanding track record of archival preservation work and be associated with an institution that has the capacity to facilitate a large-scale project. The EAP will only award a maximum of two area grants in each funding round. They can last for up to 24 months and have a budget limit of £150,000.

A further type of grant will be introduced in 2019:

  • Rapid-response grants can be used to safeguard an archive which is in immediate and severe danger. These grants are intended for the most urgent situations where a delay in the decision process could result in extensive damage to the material. These grants are not subject to the time restrictions of the yearly EAP funding cycle and can be applied for at any time. They must last for less than 12 months and have a budget limit of £15,000.

If you know of an archive in a region of the world were resources are limited, we really hope you will apply. If you have any questions regarding the conditions of award or the application process, do email us at endangeredarchives@bl.uk

13 August 2018

Football in the Endangered Archives

Add comment

As the English football season has just begun, I thought I would have a look to see what we have in the collections that was football related. When you have a collection of over 6.5 million images it's hard to keep track of what's actually in the archive. With the old EAP online platform, it would have been quite a frustrating experience. You would have had to search the Library’s Archives and Manuscripts catalogue first and then try to find the relevant image on our website, sometimes having to scroll through hundreds of other images first before finding the desired one. With the ability to now search directly from our website, you can easily find related images, however it does highlight the need for good quality metadata. These images are only discoverable if someone has been able to describe them properly, adding keywords and other relevant information that researchers may look for.

With this in mind, I searched for football, soccer, futbol etc., and was pleasantly surprised to find many great photographs I thought were worth sharing. Most of the images come from the Haynes Publishing Company Archive in Argentina, with others from Bulgaria, Cameroon, Guatemala, India, and Mali, truly showing the global appeal of the sport. The Argentinian ones in particular are quite spectacular and give an idea of the popularity of the game in the country! There are images of spectators crammed into stadiums, and others show fans being dangerously hoisted up the outer wall of the stadium in a desperate attempt to watch the game. As always, follow the links to see the full size versions and discover what else is in the archive.

CrowdsEAP375 - Crowds watching games in Argentina

  Crowds2

  EAP375_1_1_110-375_F00007_0110_0124_L

EAP375 - Supporters trying to get a better view

Sneaking inEAP375/1/1/110 - Sneaking in to watch Argentina play Uruguay. Argentina won 3-0. 15 August 1935

  EAP054_1_89-dvd132_069_LEAP054/1/89 - Mid-action shot. Jacques Touselle photographs. Cameroon

EAP054_1_138-dvd109_074_LEAP054/1/138. Jacques Touselle photographs. Cameroon

EAP165_1_9-165_YASNORIE_P09_027_LEAP165/1/9. Guatemala

  EAP165_1_9-165_YASNORIE_P09_002_LEAP165/1/9. Guatemala

EAP166_2_1_11-EAP166_MPP_1921-22_346_LEAP166/2/1/11 - HMS Renown football team, 1921-1922. Visit to India, Nepal and the far east of HRH the Prince of Wales

EAP449_2_22_Pt_1-EAP449_Jan-60_16129_LEAP449/2/22 - Photographic Archives of Abdourahmane Sakaly. Mali.

EAP737_4_3_1-EAP_737_Coll4_E_GP_B01_281_LEAP737/4/3/1 - Alagappa College of Physical Education football team, 1958. Karaikudi

EAP675-4-1-108EAP675/4/1 - Football team from Vlach (Romanian speaking) community in the town of Belene, North Bulgaria

UltraEAP375/1/1/110 - No description provided. Possibly an Argentinian ultra leader rallying the crowds

Posted by Rob Miles

19 January 2018

Endangered Penguins in the Endangered Archives

Add comment

20 January is ‘Penguin Awareness Day’. Although it does not seem to be an official observance carried out by any particular environmental organisation, the date is becoming popular. It isn’t surprising as many people around the world find these peculiar birds truly lovable.

For some light diversion on a Friday, I thought I would try and find out if there were any photographs of penguins within our collections and low and behold there were! It is not surprising that they all came from EAP755, the Heinrich Sanguinetti Archive and were taken by Annemarie Heinrich, a German who settled in Argentina after the First World War. Many of the pictures were taken in 1958 during a visit to the Isla de los Pingüinos (Penguin Island), located 21km southeast of the city of Puerto Deseado.

2092

The breed of penguin found on this island is the Magellanic, which is a South American variety and named after the Portuguese explorer Ferdinand Magellan who first set eyes on them in the 16th century. Very sadly, these birds are classified as a ‘Near-threatened species’ by the International Union for Conservation of Nature. 

2108

EAP755 contains images of both adults and fluffy chicks. Many seem to be hiding from the photographer's lens.

Chick

Not all of the photographs were taken on the island, there is also one taken in Buenos Aires zoo of two penguins being fed by their keeper.

968

 

19 December 2017

Bulgarian Christmas and kissing of the ritual bread

Add comment

Our last blog of the year has been written by Rossitza Atanassova, Digital Curator at the British Library. I can’t think of a lovelier way to finish the year than have a colleague and friend reminisce about her childhood using images from EAP103 held at The Ethnographic Institute and Museum, Bulgarian Academy of Science, Sofia.

Christmas Eve (Badni vecher) is central to the Bulgarian Christmas celebrations and is associated with many customs and rituals. On Christmas Eve families prepare a traditional festive dinner of vegan dishes, including the ritual bread (pita or pogacha), cabbage leaves stuffed with rice (sarmi), white butter bean stew, dried fruit compote (oshav), pickled vegetable salad and pumpkin pastries. Other produce – onion, garlic, honey, wheat, fruit and walnuts – are also laid on the table, to ensure rich crops in the New Year. Historically rural households would sprinkle dung, sand, wheat grains, hay and coins on or around the dinner table. This was due to their symbolism for the well-being of the household, fertility and abundance of crops, orchards, vineyards, livestock and domestic fowl. (Slaveykov p.13)

Gathering the whole family at Christmas Eve to share this simple symbolic meal is one of the most intimate and honoured Bulgarian traditions. At the start of the meal the eldest member of the family would light incense and pass it round the room and over the meal as a sign of protection from misfortune for the household. It falls on the eldest man in the family to bless and break the ritual bread, saving the first piece for the Virgin Mary and distributing a piece each to all members of the family. The early 20th century photograph (below) of a family from the village of Petrich near Sofia captures the moment of kissing the ritual bread as it is held out by the elder in the family. The symbolism of the bread in this ceremony is captured so well by the photographer, as it occupies a central place in the image with all three generations of the family showing such reverence and hopefulness as they huddle around it. There is so much intimacy and spontaneity in the photograph, with the grandfather staring solemnly at the camera, his son or son-in-law enjoying a glass of home-produced rakija and the younger children looking furtively around.

EAP103_1_3_18-aeimP4783_LEAP103/1/3/18/209

I have such fond childhood memories of the Christmas Eve preparations at home when I helped my mother and grandmother to knead the ritual bread and decorate it with the Nativity scene and the sign of the Cross. It is a tradition I have passed on to my children and year on year they are excited about making together the ritual Christmas bread. There is a great regional variety in the shapes and decorations, many of which reference agricultural activities such as ploughing, shepherding and winemaking, as well as Christian symbolism. Some examples of ritual breads can be seen in the EAP103 archive, and the Ethnographic Museum has an important collection of stamps used for decorating ritual breads, such as this Nativity Scene stamp. It is traditional to hide a coin in the Christmas bread and whoever finds it is said to have all the happiness and success in the New Year.

EAP103_1_3_18-aeimP4769_LEAP103/1/3/18/195

On Christmas Eve, groups of boys and young men (koledari) visit the houses in their neighbourhoods and villages, singing auspicious verses about prosperity and well-being. These welcome guests exchange traditional greetings with the families and give their blessings to every member of the household. In return the Koledari receive gifts of food and ritual ring-shaped breads, often made by the young women in the family, which they string on the wooden sticks they carry.

EAP103_1_3_18-aeimP4776_LEAP103/1/3/18/202

On New Year’s Day it is customary for children in Bulgaria to carry tree branches (survachka), traditionally decorated with dried fruit, popcorn, breads and wool, and to recite blessings for family and friends in exchange for a coin or other gifts. As a child I loved the festive atmosphere in Sofia with stalls selling survachki decorated in red and white paper. This custom continues the joyful and hopeful Bulgarian Christmas celebrations and tradition which the photographic archive gives us such wonderful glimpses of.

EAP103_1_3_18-aeimP4772_LEAP103/1/3/18/198 and EAP103/1/3/18/200 (market for survachki, decorated sticks for Christmas or New Year’s Day, Sofia, early 20th century)

EAP103_1_3_18-aeimP4774_L

 The EAP team would like to wish everyone a Merry Christmas and the very best for 2018.

 

Bibliography:

Slaveykov, Racho, Bulgarian Folk Traditions and Beliefs, Sofia, Asenevtsi Trade Ltd, 2014

Vasileva, Margarita, Koleda i Surva: Bulgarski praznitzi I obichai, Sofia, Darzhavno Izdatelstvo Septemvri, 1988

14 December 2017

A project from Bhutan

Add comment

On 17 December 1907, Ugyen Wangchuk, the first Druk Gyalpo (Dragon King), was crowned and the Kingdom of Bhutan has marked this day ever since as its National Day.

The British Library has some photographs of Ugyen Wangchuk when he was crown prince dating from 1905, which were taken by John Claude White, the Political Officer of neighbouring Sikkim. The image of him wearing the traditional Raven Crown and the order of Knight Commander of the Indian Empire is perhaps the most reproduced photograph of the ruler, but it is the one in more relaxed dress and surrounded by his family, that has, for me, more appeal.

019PHO000000020U00001000[SVC2] 

Photo 20/(1)

019PHO000000020U00025000[SVC2]Photo 20/(25)

To mark this anniversary, I thought I would highlight EAP039. This project was awarded in 2005, the very first round of grants  and took place at Gangtey Gonpa. The monastery was founded in 1613 by Gyalse Pema Thinley, the grandson of the saint Pema Lingpa (1450-1521) who was the most important Buddhist born in Bhutan and who discovered the hidden texts concealed by the 8th century Indian monk Padmasambhava.

The monastery underwent major renovation, beginning in 2000 and lasting for eight years. The Endangered Archives Programme project was independent to the refurbishment of the building but ensured the safety of the important Nyingma tradition manuscripts housed at the monastery. Below are some photographs of the village, the manuscripts beautifully wrapped and stored and the monks concentrating on the digitisation project. As the location lacked a reliable electricity supply, the team worked outside when photographing these precious texts, which were a funerary tribute to the founder of Gangtey.

We wish everyone in Bhutan a very happy National Day.

EAP039_Pub001On the road to Gantey.

EAP039_Pub011An example of one of the manuscripts.

EAP039_Pub006Monks at work.

GangteystudioBundles of manuscripts waiting to be digitised.

 

Further Reading:

Aris, M (1994) The Raven Crown Chicago: Serindia Publications

13 November 2017

An Abundance of Bulgarian Bagpipes

Add comment

I am sure that I am not the only one who, every-so-often, talks about work over the dinner table. The reason for my excitement was because of the new EAP website that, for the first time, allows for keyword searches and also offers the ability to zoom into the images to really capture the finer details that were lost before. To illustrate what the new platform can offer, I chose the word ‘bagpipe’, to see what could be unearthed. My husband, who plays several types, suddenly lost all interest in his meal, which became colder and colder as he scrolled through the 1940s photographs of Bulgarian bagpipes (gaida) that had appeared on the computer screen.

EAP103_1_3_10_56EAP103/1/3/10/56

What I hadn’t expected was my own newly found interest in Bulgarian pipes and desire to learn more.

The gaida is made from goatskin that is placed in salt for several days and then reversed so that the fur is on the inside, which apparently helps prevent the build-up of moisture as the musician blows into the instrument. The hindquarters are removed and sewn up, the two front leg holes are used for the blow pipe (duhalo) - to inflate the bag, and for the drone (ruchilo), which is the longest pipe made of three sections providing a continuous and harmonious note to accompany the melody, played on the chanter (gaidanitsa). This has seven holes and is connected to the neck opening. Both drone and chanter contain single cane reeds.

EAP103_1_2_5_28                                

EAP103/1/3/9/28 Parts of a bagpipe (l-r) chanter with bead decoration, drone pipe, blow pipe

Perhaps unsurprisingly, the bagpipes were traditionally played by men to while away the time in the rural countryside taking care of their herds. Boys were expected to learn by ear and then go off and practise during the long working day. However, Maria Stoyanova, who fell in love with the gaida, was the first professional female player and has become one of the country’s most gifted instrumentalists. She started by sneakily playing her father’s pipes while no one was around to hear.

To be a good player you need to have gaidarski prŭsti or ‘bagpiper’s fingers’. This refers to the ornamentation that flourishes the melody and provides individuality to a folk tune.

Although the bagpipe has its roots in rural life, the website word search also brought up studio photographs of people in traditional dress and holding a bagpipe. I am not convinced that either of these two sitters can actually play the instrument. In the first example the sitter does not know where to place his hands and the second sitter, may have just been nervous of the camera but, to me, he seems to be holding the instrument with quite a bit of trepidation.

EAP103_1_2_1_55 

EAP103/1/2/1/55 A studio photograph

EAP103_1_3_2_137 

EAP103/1/3/2/137 A studio photograph

It is the sequence of photographs in a maker’s workshop that I fell in love with. You see the interior of the room, with piles of wood blanks waiting to be made into dones, finished bagpipes waiting to be sold, and the maker at his bench. A row of notched wooden sticks seem to indicate where the seven finger holes should be placed. But it is the last photograph in the series, which is just so wonderful – the maker just having played his newly finished instrument. The face is somewhat blurred and I would like to believe this is because the photographer has a slightly shaky hand after hearing the beautiful sound, but what hasn’t been lost is the pride on the maker’s face.

EAP103_1_3_5_92 

EAP103/1/3/5/92 Inside a maker's workshop

EAP103_1_3_5_90 

EAP103/1/3/5/90 Working at his hand-driven lathe

EAP103_1_3_5_96 

EAP103/1/3/5/96 (detail) Finger hole marking templates

EAP103_1_3_5_95 

EAP103/1/3/5/95 The finished instrument

There are two types of gaida. The smaller, slightly higher pitched instrument (djura) performs a slow melancholic song, without an obvious beat, known as bavna pesen, often played at a wedding, when the bride’s family hands over their daughter to the groom. In complete contrast it can also play upbeat dance tunes called horo for weddings and other festivals. The second type of instrument is larger (known as a kaba) and originates from the Rhodope mountains. There is even an orchestra made up of 100 kaba gaida, and when I listened to them on the internet, it made the hairs on the back of my neck stand up. I have a feeling that I know where we will be spending our next summer holiday...

But do have a play on the new website for yourself and see what the keyword search will uncover for you.

 

Further reading:

Rice, T. (2004) Music in Bulgaria: Experiencing music, expressing culture Oxford; New York, Oxford University Press

Rice T. (2011) "Evaluating Artistry on the Bulgarian Bagpipe" in Ethnomusicological encounters with music and musicians: essays in honor of Robert Garfias Surrey, England: Burlington VT Ashgate Publishing

Video of a televised concert of 333 bagpipe players - old and young, boys and girls