Todayâs blog post is somewhat delayed âŚ by a little over six months. One thing and another prevented me from posting this in the spring but Iâve been spurred into writing it for a couple of reasons: firstly because Iâve recently been taking a closer look at some of the British Libraryâs unique Shakespeare material; and, secondly, because 2012 has clearly been the year of literary bicentenaries and I have to get in before it ends.
Dickens, Lear and Browning have perhaps sapped everyoneâs enthusiasm for 200 year anniversaries, but I was a little surprised when 25 May passed and no one had mentioned Edmond Malone. Maybe I wasnât looking in the right places but the least I expected was a nod in his direction on Twitter.
Malone, that eminent man of letters, died on 25 May 1812. He was the last of the great 18th-century Shakespeare editors; in fact, his entry in the Dictionary of National Biography records him as the greatest of them all, leaving Messrs. Steevens, Johnson, Theobald, Pope, Rowe and Capell in his dust.
The British Library holds a good number of Malone-related books and manuscripts but the item that caught my eye is a copy of the Edward Capell-edited Mr William Shakespeare his comedies, histories, and tragedies (London, 1768 â shelfmark C.60.g.10). Itâs a fairly common edition but what sets this copy apart is the fact that it was once owned by Malone. In fact, it may well be the copy that he refers to in his Second appendix of 1783, when he writes that âI had lately to look into his [Capellâs] volumes'.
Annotated throughout, but particularly in the introduction, itâs a great example of the one-upmanship, jealousy and general bickering that wasnât uncommon among the big Shakespeare guns of the 18th century (in William Shakespeare: the critical heritage (vol. 6, 1995), Brian Vickers describes it as âfull of virulent abuseâ). Malone wasnât shy in criticising his fellow Shakespeareans â he publicly derided Capellâs work â but as can be seen from the following examples he reserved his most biting comments for his private jottings.
I wonder if the four exclamation marks indicate the pleasure Malone took in making this correction, for he and Capell had history with this play. In 1779 Malone purchased a 1607 edition of The Taming of a Shrew (now in the Beinecke, Malone 152), a purchase that Capell begged Malone to give to him, even offering three earlier Shakespeare quartos in exchange. Malone refused, writing on the back of the title-page, âMr Capel for 30 years searched for one in vain'.
In this instance hindsight hasnât really worked out in Maloneâs favour.
So, when were these uncomplimentary musings jotted down? At a point when both men were at the top of their games? In jealous response to a scholarly triumph by Capell? Amazingly, just a few months after Capellâs death in 1781. Maloneâs introductory notes, dated 20 June 1781, mention his rivalâs death, together with another set of four exclamation marks which seemingly ridicule the pace of the recently-deceased man's work:
Actually, perhaps it was a good idea for me to delay this post. It's not exactly the most celebratory portrayal of Malone!!!!