26 April 2018
T S Eliot in Margate: Writing ‘The Waste Land’
In 1921, T S Eliot and his wife Vivienne came to Margate whilst convalescing from illness. Both were suffering from nervous disorders and it was a period of great strain on their marriage. During this period of both mental and physical fragility, Eliot worked on ‘The Waste Land’ while sitting in the Nayland Rock shelter on Margate Sands.
The Turner Contemporary Gallery in Margate is currently running an exhibition, titled ‘Journeys with The Waste Land’, in which they explore the significance of this work through visual arts, and tell the story of Eliot in Margate as he worked on the poem. Included in the exhibition are about 100 objects from over 60 artists, as well as a letter by T S Eliot on loan from the British Library (Add MS 52918).
Add MS 52918, f 31r - Letter from Thomas Stearns Eliot to Sydney Schiff, 4th November 1921. Reproduced with the kind permission © Estate of T. S. Eliot.
In this letter to his friend and fellow author Sydney Schiff (also known by his pen name Stephen Hudson), Eliot writes ‘I have done a rough draft of part of part III, but do not know whether it will do’, and how he has ‘done this while sitting in a shelter on the front’.
Add MS 52918, f 31v. Reproduced with the kind permission © Estate of T. S. Eliot.
Whilst in Margate, Eliot ‘read nothing , literally – I sketch the people, after a fashion, and practise scales on the mandoline.’ He also writes of his feelings of nervousness about returning to town, as ‘one becomes dependent, too, on sea or mountains, which give some sense of security in which one relaxes’.
Add MS 52918, f 32r. Reproduced with the kind permission © Estate of T. S. Eliot.
The exhibition has been developed by local residents, coming together as The Waste Land Research Group, who have chosen the exhibits, designed the layout of the show, and written the exhibition texts. Since opening in February the exhibition has been incredibly successful.
‘T.S. Eliot’ by Henry Ware Eliot: vintage gelatin silver print, 1926: NPG Ax142531: © National Portrait Gallery, London
The exhibition at the Turner Contemporary Gallery in Margate runs until 7 May 2018.
by Stephen Noble, Modern Archives and Manuscripts