Introducing the Artists of Artists Books Now
by Jerry Jenkins, Curator of Contemporary British Publications and Emerging Media. ARTIST’S BOOKS NOW is curated by the book artists and researchers Egidija Čiricaitė and Sophie Loss and the librarians Jeremy Jenkins and Richard Price. Each event explores an aspect of the contemporary through a selection of books, presented in an accessible and enjoyable style by artists and commentators. For tickets click here. For more information please contact email@example.com.
The Artists Books Now event series is nothing without the artists and their works. This post offers brief introductions to those taking part in next Artists Books Now evening, on the 5th of November. We have programmed the event around the theme of ‘Place’, asking the artists and other contributors to interpret that as they wished.
First, the writer and UK Canal Laureate 2018 Nancy Campbell:
'Since 2010, a series of residencies at museums and galleries in the Arctic has resulted in artist’s books on language and landscape including How to Say ‘I Love You’ In Greenlandic, which received the Birgit Skiöld Award in 2013. Collaboration is an important part of her practice; her work with the New York based artist Roni Gross is demonstrated here by two books, The Night Hunter and Tikilluarit. Nancy’s other publications include Disko Bay (shortlisted for the Forward Prize for Best First Collection 2016 and the Michael Murphy Memorial Prize) and a cultural history of books and the environment, The Library of Ice, published this month by Simon & Schuster. Nancy is currently the UK’s Canal Laureate, a collaboration between The Poetry Society and the Canal & River Trust, part of the Arts on the Waterways programme.'
Véronique Chance, artist and Senior Lecturer at the Cambridge School of Art, explores:
‘[t]he representation of the body in contemporary art practice, and its relationship to performance, technology, documentation and the embodied dynamics of spectatorship. The cross-disciplinary, cultural and creative dynamics of running as a mode of artistic enquiry and expression. The impact of technology on contemporary art practice/s, especially developments in reproductive media and their role within the ‘expanded’ field of printmaking.’
The work of Artist Edmund Clark links issues of history, politics and representation through a range of references and forms including photography, video, documents, found images and installation:
‘A recurring theme is engaging with state censorship to represent unseen experiences, spaces and processes of control in contemporary conflict and other contexts’.
Recent MA graduate of Royal College of Art Leonie Lachlan 'is concerned with the ever-evolving relationship between two and three dimensions. She is interested in material and linguistic utterances of spatial concepts. These often find themselves embedded in and performed by the printed page [...] propositions hover on the border between spaces; actual, represented or analytical, ideas of that which is both everywhere and nowhere; they interact with the different modes she encounters with her practice. Her works traverse many materials but she always return to the book. An obsession with flatness and illusion is ever-present; in many cases planes might suppress or compel a sculptural urge.'
An insight in to the text of her 2017 Meeting Point with the opening stanzas of Municipal Kid (MK):
'Journey from the middle
of no consequence as
there is no beginning or end,
these do not matter anyway.
Departure is delayed
a couple of minutes
we pull away from Euston
into the blue April morning.
Train so new
seats so very green,
reflected around the carriage.
the man doesn’t finish his Innocent smoothie,
discards his sandwich packet
alights at Hemel Hempstead…'
The evening's host is Professor Chris Taylor from the Department of Fine Art at the University of Leeds. He is a practicing artist, curator and publisher working in the field of contemporary printmaking and artists’ books, with a particular interest in the role of the book as primary medium within contemporary art practice. He is co-editor of the Wild Pansy Press, a collective art practice and small publishing house based in the School of Fine Art, History of Art & Cultural Studies.In addition Taylor is co-director of PAGES, an ongoing initiative which provides the structure and impetus for wide ranging activities promoting the development of the medium of the artist’s book, and its dissemination and reception to a growing and diverse audience. PAGES’ annual programme includes the International Contemporary Artists’ Book Fair and a curated projects series, held in partnership with The Tetley centre for contemporary art in Leeds. The evening will have a discussion between Taylor and Clive Phillpot to explore the concept of ‘Place’ within the framework of an artists’ book.