20 January 2014
Recording the Future of Theatre
In 2005 the British Library began videoing shows at Battersea Arts Centre as part of the Library’s live theatre recording programme. So far we have documented more than a hundred and fifty performances at the venue.
For those of you who don’t know, Battersea Arts Centre is a monumental Grade II listed Victorian building at the top of Lavender Hill SW11, which celebrated its 120th anniversary last November.
It opened as Battersea Town Hall in 1893, became a community arts centre in 1974, and was established as an independent theatre in 1980.
According to Artistic Director David Jubb, ‘the organisation’s mission is to invent the future of theatre’. It does so by:
- Producing and showcasing new work from scratch to final product.
- Providing rehearsal space and accommodation to non-London based companies.
- Inviting theatre-makers from across the UK and abroad.
The results currently manifest themselves in a diverse programme of all sorts of experimental shows and performances run simultaneously through a trinity of strands or seasons called ‘Cook-up’, ‘Tuck in’ and ‘Take out’.
The flexibility of the venue allows the staging of challenging projects often involving audience interaction with performers and other forms of participation.
For example in a 2012 show by Unfinished Business, Only Wolves and Lions, the company invited the audience to bring raw ingredients to the show, plan a menu, and cook and eat together.
Shows can take place at the Council Chamber, the Grand Hall, the Committee Room, the Assembly Room or any other chosen space in the 80-room building.
Besides the shows, BAC offers a unique architectural experience, full of atmospheric corners, often lighted with candles, with vintage armchairs, temporary installations in the common areas and a bohemian looking bar.
You can find out more about BAC’s 120th anniversary, the ongoing development of the building and all the community engagement that takes place in it here. In addition you can check their newly born digital archive online. And last, but not least, if you fancy something new, unpredictable, perhaps adventurous, and above all affordable, their new season of shows is about to start.
As I mentioned in a previous post the Library’s videos are shot with a single digital camera and are made available for viewing by appointment at the Library’s Reading Rooms. For details of the productions see the Library’s online Sound and Moving Image Catalogue. Type C1179 (which is the BAC collection number) into the search box.
To finish up I leave you with some images of the shows recorded. If you would like to see other collections featured in this blog please leave a comment or contact us on Twitter.
Alice Bell by Lone Twin Theatre, 2006
Once and For All We Are Going To Tell You Who We Are So Shut Up and Listen by Ontroerend Goed, 2008
Handbag by Geraldine Pilgrim, 2009
Dash, Dash, Dash: The Onmibus by David Gale, 2010
The Red Shoes by Kneehigh Theatre, 2011
23 July 2013
What's the longest play in the world anyway (anyone)?
In my recent blog post on Ken Campbell I mentioned his 24-hour long production of Neil Oram's The Warp at the ICA in 1979, once decreed the world's longest play by the Guinness Book of Records.
I say 'once decreed' because the current Guinness World Records web site lists a production by the 27 O'Clock Players (of Belmar, New Jersey) of Ionesco's absurdist 'anti-play' The Bald Soprano (aka The Bald Prima Donna) as the world's longest 'continuous dramatic performance', at 23 hours 33 minutes 54 seconds.
Maybe The Warp wasn't quite 24 hours long after all, or perhaps the word continuous is key here, with the The Warp's intervals removed from the equation in the interest of accurate durational performance measurement.
The Bald Soprano, incidentally, is actually a short one-act play but - thanks to the stage direction 'repeat of start of first scene' - it can be looped indefinitely.
In any case, it would seem that Forced Entertainment's 24-hour edition of their show Quizoola! at the Barbican, London, earlier this year, offers stiff competition in the durational stakes, running as it did from 11.59 pm 12 April to 11.59 pm 13 April, with no audience breaks.
Forced Entertainment's Tim Etchells gives a fascinating account of the thought behind the making of the company's durational pieces here.
The British Library has enjoyed a long association with Forced Entertainment - our collection includes more than 300 of the company's performance and rehearsal videos, together with many audio recordings of talks and discussions - so we were delighted when the company offered to donate to the collection Hugo Glendinning's digital video documentation of the complete 24-hour Quizoola!.
Previously accessible only as a live webcast, the Quizoola! documentation is now available to view free of charge at the Library. Please note: you will need to acquire a reader pass if you don't already have one, and book an appointment (or several appointments if you wish to view the complete thing).
For an appointment or further information, please contact the Listening and Viewing Service via +44 (0)20 7412 7418 or [email protected] quoting British Library item number C802/398.
Some screenshots from the Quizoola! video (copyright © Forced Entertainment 2013) are reproduced below.
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