16 October 2018
Václav Hübschmann’s satirical illustrations in the magazine Kopřivy.
Humour and satire played an important role during the First World War and in recent research have been called “the art of survival” (as in Libby Murphy’s 2016 study). Jaroslav Hašek’s comic masterpiece The Adventures of The Good Soldier Švejk, which was published in 1923, remains the most read and best known example of the Czech humour. Hašek definitely experienced many influences of the European tradition of satirical magazines, which were thriving from as early as the mid-19th century, such as the Italian L'Asino, the French Le Charivari, the German Simplicissimus, or the British Punch, to name just a few. However, here I would like to give a glimpse of the Czechs’ own tradition of satire and humour, which might not feature so prominently outside Czech and Slovak culture.
The three satirical magazines established before the first Czechoslovak republic (1918- 1938) were the conservative Humoristické listy (‘Humourist Pages’), the Social-Democratic Kopřivy - list satirický (‘The Nettle: satirical pages’) – both produced in Prague, and Rašplí (‘Rasps’) published in Brno. Several other, probably less established magazines, like Malé humory (Little Humour), Košťátko (Broom) and Mládeneček (Baby), were published in Austria.
Of these titles, the British Library, unfortunately, holds only an incomplete set of Kopřivy (PP.8006.cu). The magazine was launched in Prague in 1909 and ran through the inter-war years until 1937. While flicking through the 1913 issues, I noticed that illustrations by one artist appeared in almost every one. This artist was Václav Hübschmann, who was born in Prague in 1886 and died in Prčice in 1917. The surname Hübschmann is better known even to art historians in relation to Václav’s elder brother, the architect Bohumil Hübschmann (Hypšman after 1945,). Václav Hübschmann also worked as a theatre designer, and therefore his short biography is recorded in a volume on the Czech theatre. Some of his works are held in galleries and museums (e.g. the Moravian Gallery in Brno), but I could not find much about this artist who died at the age of 31.
Here are some of his illustrations from Kopřivy, which I hope our readers will like and enjoy as much as I did.
Poor prospects. “Daddy, will we be fasting for the whole year, so that we see the golden piggy-bank that the caretaker didn’t allow in last year?”
In the Hotel “Bulgaria”: Would you like your breakfast or travel first, Sir?
State care for emigrants: “Why should I not go to America, where I’m not going to be a soldier? – It hurts, lad, as you want to avoid a war tax”.
Talk to the deaf person. Taxpayer: “So, what would you say? Who stole the money? I’m calling the police…” – Dr Groš: Nothing happened” (Karel Groš (1865-1938) – a Czech politician and statesman, mayor of Prague (1906-1918).
Elections in Prague. “The devil owes us these elections. So that one would keep thinking for fourteen days what new promises should I make”.
Dr Groš to the honourable members of the racing club. “See, how I raced to glory… It’s all for a couple of thousand, which contributors paid with just one hand…”
Intercession of the Tsar-peacemaker. “Brothers, stop shedding Slavic blood… Don’t create dirty competition”
A contemporary politician is depicted leading a troop of legendary warriors prophesied to come to the aid the Czechs in their hour of need
Confiscation of confiscated. “What about this title, Sir? There is nothing…”
“I’m really sorry for you, Mrs Brázdová, that your husband is a socialist. And yet, you are a good Catholic.” – “You know, Father, he wanted to teach me socialism as well, but I told him: you cannot teach an old dog new tricks”.
Katya Rogatchevskaia, Lead Curator East European Collections
References/further reading
Libby Murphy, The Art of Survival: France and the Great War picaresque (New Haven, CT, 2016) YC.2017.a.12777
Oldřich Toman, Politická karikatura Mikoláše Alše v brněnské Rašpli roku 1890 (Brno, 1983) X.809/64015.
Jiří Valenta (ed.), Malované opony divadel českých zemí. (Prague, 2010) YF.2011.b.1490