Esperanto can be described as the language of hope, peace, and solidarity as Professor Renato Corsetti, General Secretary of the Academy of Esperanto has discussed in his previous posts for the European Studies blog. Hope remains the governing principle, as the name of the language attests (espero in Esperanto).
Driven by hope for enhancing linguistic diversity, dedicated Esperantists have been translating minority language literatures into Esperanto, ranging from local stories to epic poems.
Local stories of the Pyrenees are featured in Christian Lavarenneâs translations from Occitan: Kvar mirindaj rakontoj el la Pireneoj and Mirindaj rakontoj el la Pireneo (BalaguĂ©, 1998; YF.2019.a.18502 and YF.2019.a.18517).
Portrait of Federic Mistral from La poemo de Rodano (Laroque Timbaut, 1988) YF.2011.a.10850. Image courtesy of the Esperanto Museum at the Austrian National Library, Vienna. A digitised copy is also available.
The gem of classic ProvenĂ§al literature, MirĂšio by Federic Mistral was translated into Esperanto (Mirejo) by Paul Champion and EugĂšne NoĂ«l in 1909. At the time Mistral was still active and Esperanto was still a new language.
Mistralâs other masterpiece, the pensive Le PoeÌme du RhoÌne en XII. Chants (Paris 1897; 11498.b.64.), translated into Esperanto as La poemo de Rodano (Laroque Timbaut, 1988; YF.2011.a.10850) by Rajmundo Laval or Valo has a particular resonance for us now as it tells the story of the end of an era.
Cover of Le PoeÌme du RhoÌne en XII. Chants
Cover of La poemo de Rodano. Image courtesy of the Esperanto Museum at the Austrian National Library, Vienna. A digitised copy is also available.
While the title implies the poem is about the river RhoÌne, it is actually about the riverâs people, the bargemen, the CoundriĂ©ulen (ProvenĂ§al), Condrillots (French). Fitting to a monumental opus, the bargemen are portrayed in the opening stanza as giants who can only be described by the beauty and strength of their natural environment, the river, the sun and the trees:
From Lyons at the blush of early dawn
The bargemen, masters of the RhoÌne, depart,
A robust band and brave, the Condrillots.
Upright upon their crafts of planks of fir,
The tan of sun and glint from glassy wave
Their visages have bronzed as with gold.
And in that day colossuses they were,
Big, corpulent, and strong as living oaks,
And moving beams about as we would straws.
Translation: K. Katzner
First stanza of the Esperanto translation of Le PoeÌme du RhoÌne. Image courtesy of the Esperanto Museum at the Austrian National Library, Vienna. A digitised copy is also available.
The beginning, however, foreshadows the end: the strength of these natural giants succumbs to a new eraâs unnatural giants, the steamboats of industrialisation. It is a tragic story not only of the lovers on board but also for lovers of the past. Although the bargemen lose their barge, hauling horses and people on board, they keep their dignity. After an epic journey, literally and metaphorically, we can see them on the shore, saying not a word about their loss, but moving forward. A digitised copy of the original ProvenĂ§al and French text is available via Project Gutenberg.
Mistral was more than a storyteller. His ambition was to revitalise ProvenĂ§al, the language of southern France, particularly Provence. With his magnificent poetry Mistral connected the rough 19th-century bargemen and the better-known refined ProvenĂ§al singers, the troubadours of the 12th and 14th centuries, and expressed his hope that the language would thrive, whoever its speakers came to be.
The Troubadours of the 12th-14th centuries were the best-known ProvenĂ§al singers. Image from J.B.M. Challamel, La France et les FranĂ§ais Ă travers les siĂšcles (Paris, 1882.) 9226.m.1.
Today the surviving variants of Occitan and ProvenĂ§al are designated as âdefinitelyâ and âseverelyâ endangered languages according to UNESCOâs Interactive Atlas of the Worldâs Languages in Danger.
Maps of Occitan (above) and ProvencÌ§al (below) dialects speaking regions (yellow: definitely endangered; orange: severely endangered) UNESCO Atlas of the Worldâs Languages in Danger 2010 Â© UNESCO
Inter-generational transmission is the most prominent of the nine factors considered in the designation.
Definitely endangered means âchildren no longer learn the language as mother tongue in the homeâ.
Severely endangered refers to a language which is âspoken by grandparents and older generations; while the parent generation may understand it, they do not speak it to children or among themselvesâ.
Keeping a language alive can take many forms, even in translation. For example, Jomo (Jean-Marc Leclerq), a French Esperantist promotes Occitan in songs.
The British Libraryâs Esperanto collection contains works translated from over 50 languages, including some in anthologies. The most translated languages, not surprisingly, are the larger ones: English, Russian, French, German and Polish, followed by Chinese, Czech, Hungarian, Italian, Dutch and Spanish, Swedish, Japanese, Bulgarian, Portuguese, Croatian, Serbian, Danish, and Romanian. The list is indicative of the languages spoken by the most active Esperantists. However, within the collection a special corpus is dedicated to translations of minority language literatures including Occitan, Provencal, Basque, Walloon, and Welsh.
In addition to books, Esperanto journals, most importantly Literatura Mondo (1922-1949; ZF.9.b.266), La Nica Literatura Revuo (1955-1962; ZF.9.a.7040) and Beletra Almanako (2007- ; ZF.9.a.7847) have also regularly published translations, both poetry and prose, from various languages.
Etnismo, an international organisation with an online newsletter, connects Esperantists who are interested in minority issues including minority languages.
Translators of minority and endangered language literatures into Esperanto often publish dictionaries as well. These are either embedded in the translated book as addendum or constitute stand-alone titles, for example: Basque-Esperanto dictionary (Bilbao, 2015; YF.2016.a.2481), and Catalan-Esperanto dictionary (Barcelona, 2014; YF.2015.a.22072).
So, why is it important to translate endangered language literature into Esperanto? By raising awareness of endangered languages and making their literature accessible to a larger readership through translations, Esperantists promote linguistic diversity. As Professor Renato Corsetti explains: âEsperantists think that all languages, large and small, are equally valuable, and Esperanto wants to contribute to the revitalization of all languages.â
Andrea Deri, Cataloguer
With contributions from:
Olga Kerziouk, former Curator, British Library Esperanto Collections
Renato Corsetti, Professor Emeritus of Psycholinguistics, La Sapienza University Rome, Former president of the World Esperanto Association, General Secretary of the Academy of Esperanto
We would like to thank Professor Corsetti for his generous assistance in acquiring images from La poemo del Rodano from the Esperanto Museum at the Austrian National Library, and Candide Simard and Phil Hatfield for their helpful suggestions.
Moseley, Christopher (ed.), Atlas of the Worldâs Languages in Danger, 3rd edn. (Paris, 2010).
Reinhard Haupenthal, La unuaj libroj de Schleyer (1880) kaj de Zamenhof (1887): pri la lancÌo de du plan-lingvoj (Schliengen, 2000) YF.2008.a.12642