Knowledge Matters blog

Behind the scenes at the British Library

Introduction

Experts and directors at the British Library blog about strategy, key projects and future plans Read more

15 January 2025

Pursuing hippos through the stamp collections

Having retired from corporate finance, Martin Giles is using the Library to research his encyclopaedia of hippos.

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Martin Giles

A few years ago, I was on holiday in Burkina Faso. We were in a wooden dugout looking at hippos, and a lady started asking the guide questions about them. I found that I was answering, and she turned around to me and said, ‘Are you some kind of a hippo expert or something?’ And I thought, gosh, actually, do you know what? I’ve just realised – I am. 

My book will be an alphabetical hippo encyclopaedia, with cross-referencing. It will cover everything from religion to recipes to how hippos have appeared throughout history. I think they’re an animal that has dignity; that is underappreciated. Hippos have always given me joy. 

My book is about the connections between hippos and other topics

With the resources provided by the Library, I have the opportunity to pursue this interest. I love sitting in the Reading Room surrounded by people being studious, and going to the Members’ Room to have a break and a cup of tea. 

A colleague of mine once asked, ‘What’s the world market for an encyclopaedia of hippos?’ I said to him, ‘That’s not why I’m doing it. I just think there should be one.’ 

However, in an encyclopaedia about birds, for example, you’d have a few chapters on general topics and then a page on every kind of bird for a thousand pages thereafter. Whereas there are only two kinds of hippos – pygmy and regular. My book is about the connections between hippos and other topics. 

Tutankhamun may have been killed by a hippo

The first pharaoh of unified Egypt, Menes, was supposedly carried away and killed by a hippo. One of the theories about Tutankhamun is that he was killed by a hippo, too. People may know that the first American president, George Washington, had dentures made out of hippopotamus ivory, but they don’t tend to know that another president, Thomas Jefferson, had a bit of a fixation with hippos. He was determined to prove that they existed in North America. 

I’m going to look at hippos in art and literature, and hippos on stamps, banknotes and coins. I was interested in the designers and engravers who created stamps with hippos on them, so I contacted the Philatelic Curator at the Library, and that has turned out to be an interesting path to pursue.

The first stamps with hippos on them are from Liberia

There are Roman coins with hippos on them, and bank notes from the Belgian Congo. The Library holds an archive of original artwork by the Crown Agents, who created the stamps for Britain and the Commonwealth. For about a decade, they did Liberian stamps as well. 

The first ever stamps with hippos on them were from Liberia in 1892. Liberia is associated with pygmy hippos, so there is an assumption that the hippos on the stamps are pygmy hippos. The president of the Liberian Philatelic Society even wrote a great article about it. But that point didn’t sit well with me, because the image looks like a regular hippo. 

The Library holds wonderful 19th-century books of engravings. The hippo engraved on the stamp was from Jumbo’s Picture Book of Natural History, created by a very experienced pair of engravers, The Brothers Dalziel (the firm who did Sir John Tenniel's illustrations for Alice in Wonderland). The engraving is clearly meant to be a regular hippo and has clearly been copied on the stamp. I got in touch with the Liberian Philatelic Society to have my theory peer reviewed. I’ve now written 24 articles for their journal, and this year, they elected me a director of the society. 

There’s no end to where hippos get

One thing that’s really surprised me is that the Library has so much literature that’s not in English. If I want to include a novel in my encyclopaedia – such as El Ruido de las Cosas al Caer by Juan Gabriel Vásquez, a Colombian novel that features the hippos of Pablo Escobar – I can read it in translation, but I can also check the original. 

There’s an Angolan novel called A General Theory of Oblivion in which an old woman decides to wall herself up in her apartment because she isn’t sure how to cope with the outcome of independence. But, on the balcony below hers, somebody is keeping a hippo. There’s no end to where hippos get.

I can even look at original manuscripts at the Library. There are medieval romances about Alexander the Great, in which, when he crosses into India, he sends 200 of his finest knights across the Indus River and they are eaten by hippos. Now, of course, the story is nonsense, but, as I research it, I get to handle volumes printed in the 15th century. 

There is no topic you can’t bring round to hippos

Hippos have a cuddly side to them, but they are said to be the world’s most dangerous animal. There are no good figures about that. One element of the project that I’ve found very interesting has been chasing down facts. You know, nobody keeps good records of how many people have been killed by hippos. 

I have a long-suffering wife. She has an acronym that we joke about: SHAWIG. It stands for ‘Spreading Hippopotamus Awareness Wherever I Go’. There is no topic you can’t bring round to hippos. For a relatively introverted person, it’s a great way of side-stepping conversational angst. Nobody writes an encyclopaedia because they’re an extrovert. This time last year we went to Colombia together, because I was chasing down the Pablo Escobar hippos. He imported four hippos, and now there are almost 200 living there. 

I’m currently ready to share a few letters of the alphabet with a publisher. I’m on E for Egypt, Pablo Escobar, earthquakes, eclipses – how do hippos respond to a solar eclipse? I don’t know if this is going to be the world’s leading encyclopaedia of hippos. But, in the meantime, it’s fun.

As told to Lucy Peters

05 December 2024

Celebrating a year of The Last Word community hub

As The Last Word celebrates its first anniversary as a community hub, we’re looking back at a year that has redefined what it means to be a space for the community.

The Community Engagement team

What is The Last Word?

Last December we transformed The Last Word from a café into a community hub. When we opened our doors we had a vision: to create more than just a gathering space. We wanted to build a bridge between our vast collection and the rich, diverse stories of our local community in Camden and Somers Town. Yes, visitors still occasionally mistake us for a café – but these days, they're more likely to stay for shared stories than a flat white!

A bookshelf in the community hub

Connecting through stories

Throughout the year, The Last Word has become a space for community creativity and connection. Every Thursday morning, it transforms into a magical realm as Kindle Corner fills it with butterfly costumes, bubbles and storytelling for our youngest visitors. Tuesday evenings see neighbours becoming friends over shared meals at Think & Do's Sharing Spaces, while C4WS's monthly Sunday Film Club has turned strangers into cinema buddies.

Collaborating with partners

But our work goes beyond hosting events – we're creating a living archive of community stories that complement the Library's collection. Age UK Camden made themselves at home for their monthly book club, engaging in lively conversation over unique and exciting titles. And our collaboration with Hopscotch Women’s Centre led to Our Unheard Journey, a display created in partnership with migrant women from Afghanistan, as part of Refugee Week. We've become a space where local organisations can showcase their work, where neighbours can launch their own projects, and where everyone's story is heard.

Looking to the future

What makes The Last Word special isn't just the activities we host or the resources we share – it's the way our community has embraced this space as their own. Whether you're exploring our archives, participating in a workshop, or simply stopping by for a chat, you're adding your chapter to our collective story.

As we blow out our first birthday candle, we're reminded that The Last Word is more than a community hub – it's a testament to the power of creating spaces where stories can be shared, connections can be forged, and community can thrive. Here's to many more years of weaving stories together!

If you’re local pop in to The Last Word and see how you can get involved. Or contact us at [email protected] – we’d love to hear from you.

Stories from Young Creators Lab 2024

Man watching a video display

Young Creators Lab is a pioneering digital content programme for 18 – 24 year olds at the British Library, generously supported by the Helen Hamlyn Trust. It gives young people a platform to create new content for our social media channels, sparking conversations inspired by our collection while also providing expert skills and training. And through this programme, we hope to empower other young people around the world to help them confront the global challenges we face today and in the future.

Discover some of the stories our young creators have uncovered so far

Kicking off in June 2024, Young Creators Lab welcomed our first cohort of talented young creators behind the scenes at the Library to make content inspired by our collection and summer exhibition, Beyond the Bassline: 500 Years of Black British Music.

From exploring the hidden significance of everyday objects such as stamps and the humble cardboard box, to tracing the evolution of music sampling and exploring the cross section of music and fashion, the group have showcased fascinating stories across a broad range of subjects, both for short films on TikTok and documentary style films for YouTube, which have been viewed over 450,000 times by audiences all over the world.

Highlights on TikTok

Young Creators Sanya and Elsie explore the story of Caribbean postal stamps, designed to celebrate the decriminalisation of carnival in the Islands.

@britishlibrary From royalty to rebellion – ever wondered about the history behind the humble postage stamp? ✉️ In the next of their series, our Young Creators Sanya and Elsie dive into Caribbean postal stamps, originally made to celebrate the decriminalisation of carnival in the Islands. Stay tuned as they uncover more hidden stories behind everyday objects! Young Creators Lab is a digital project for 18-24 year olds, supported by the Helen Hamlyn Trust. #britishlibrary #library #stamps #postagestamps #youngcreators #youngcreatorslab #carnival #caribbean ♬ Cat's life - kunee

Abraham, Christine and Joshua take us on a journey of music sampling, exploring how The Blackbyrds’ Mysterious Vibes has been sampled and interpolated by artists from the 1970s to today (part 1 of 3).

@britishlibrary Does this song sound familiar? 🎶 Explore the journey of the song ‘Mysterious Vibes’ by The Blackbyrds, from its funky 1977 origins to how it’s been sampled, remixed, and transformed today, with Young Creators Abraham, Christine and Joshua… Young Creators Lab is a digital project for 18-24 year olds, supported by the Helen Hamlyn Trust. #britishlibrary #library #youngcreators #youngcreatorslab #music #sampling #musictok ♬ original sound - British Library

See more on our TikTok channel @britishlibrary

"Young people have so much knowledge in what’s current, so using those skills coupled with the huge wealth of knowledge available to discover at the Library enabled us to bring these stories to light and help them reach new audiences." Sanya, Young Creator (2024)

Developing filmmakers Image

Man being filmed.

Next, our young creators dived deeper into our collection as we tasked them with creating documentary style films for YouTube, using archive items from our collection as a jumping off point. One group explored the life and legacy of African American dancer and activist Kathryn Dunham, who pioneered a new style fusing ballet with traditional Afro-Caribbean dances. Meanwhile, our second group examined original music scores by Beethoven, Schubert and Ethel Smyth, looking at how each piece of music had a profound impact on contemporary society and became anthems in their day.

Each group met with expert curators from our archives, before setting about storyboarding and scripting their documentaries. Our young creators then went to a professional film studio in London, courtesy of Chocolate Films, to record their documentaries. They also used our image database and stock footage to bring the films to life.

Lara, one of the creators on the programme, said initially her group found it challenging to approach the subject matter for a young, contemporary audience: “How can you make music written in the 19th century relevant to people 200 years later? The clue was in the stories told by the composers and the reception of it in its historical context… We realised that for audiences at the time, these pieces were not ‘classical’ – they were contemporary. The past is always influencing and connecting with the present in some way.” Lara, Young Creator (2024).

Celebrating creativity and connection

People on stage talking.
Keith Afadi, Muinat Abdul, Charlotte Horobin and Young Creators Christine and Natalie at the Young Creators Lab: Social Network event, October 2024. Photo by Chocolate Films.

To celebrate the end of the first programme in October, we hosted a free event at the Library in St Pancras for young people to come and network and share ideas. The event featured film screenings of our Young Creators’ films, pop up creative stations and an insightful panel talk on the future of social media for emerging creatives, featuring content creators Keith Afadi and Muinat Abdul and our own Social Media Manager, Charlotte Horobin. Audiences tuned in from around the world on TikTok too!

"Engaging with heritage is crucial for young people because it helps us uncover our roots, understand the origin of things and learn why certain traditions and practices exist." DeMarkay, Young Creator (2024)

What’s next?

For many of the young people on the programme, Young Creators Lab has given them the inspiration, skills and confidence to start their own content series, find long-term collaborators and even perform on stage! We’ll be keeping a close eye on what they do next, and welcoming them back to the Library in the future.

Young Creators Lab will run again from January – April 2025, inspiring another group of 18 – 24 year olds to start new conversations online through the lens of our collection. If you’re interested in taking part then find out more. Applications are open from 9 December 2024 – 6 January 2025.

You can also email the team on [email protected] for more information.

Young Creators Lab is generously supported by the Helen Hamlyn Trust

Helen Hamlyn Trust