09 February 2015
Judging the Folio Prize
With this morning’s announcement at the British Library of the 2015 Folio Prize short-list, the pile of books on my bed-side table just got taller. Eight inches taller, to be precise, the combined height of this year’s shortlisted books. My task over the next month: to read my way through the short-listed books before we welcome their authors for readings and discussion at the British Library as part of the Folio Prize Fiction Festival on the weekend of 20-22 March.
The shortlisted titles for the 2015 Folio Prize.
This year’s Festival will open with the inaugural Folio Society lecture by Chimamanda Ngozi Adichie on the Friday night, followed by a weekend of events looking at some of the great themes of story-telling (from Betrayal to Desire) featuring the Folio short-listed authors, as well as members of the Folio academy including Val McDermid, Neel Mukherjee, Eimear McBride and Jeanette Winterson. On the Sunday, we will open our famous Library Reading Rooms for readings by some of the short-listed authors: a rare chance to see inside some of the Library’s most iconic spaces, and hear the best of contemporary fiction.
It’s the second year of the Prize, established to reward the best English language fiction published in the UK and, crucially, open to writers from all around the world. Last year’s short-list was a wonderfully unexpected mix of established and new—or even, in one case, self-published—authors. In the end, the Prize was awarded to George Saunders for his wry, disturbing, yet ultimately big-hearted collection of stories, Tenth of December.
2014 Folio Prize winner George Saunders reads from Tenth of December as part of the British Library reading room sessions.
For the British Library, working with the Folio Prize to host the Festival is a reminder of the crucial role that the Library plays in supporting new writing in the UK. We are not only a unique archive of literature from Beowulf to Ballard, but a space of inspiration for writers creating and researching new work. Our recently launched vision, Living Knowledge, promises to ‘engage everyone with memorable cultural experiences’, and this year’s short-listed writers are certain to deliver just that.
The eight names on that short-list are certain to be picked over and analysed during the next few weeks. At first glance, we notice more women than men (5:3, same ratio as last year); North American writers amply represented, though fewer than in 2014; and this year two writers born outside North America or Europe. (Yvonne Adhiambo Owuor and Akhil Sharma). But most apparent, and most important, is the strength and diversity of the writing represented. Books that reflect, more or less explicitly, on the nature of storytelling, and that touch, more or less urgently, on the big questions of life; books, in the words of jury chair William Fiennes, that are simply ‘happy to be themselves’.
Jamie Andrews
Head of Cultural Engagement