15 July 2021
Well, from today, you can find an additional 32,000 images, comprising George III’s collection of atlases and albums of views, plans, diagrams, reports and surveys, produced between 1550 and 1820. These have been uploaded to Flickr with a Public Domain attribution for you to search, browse, download, reuse, study and enjoy.
What have we added?
So much! Here are some highlights:
Complete cover-to-cover digitisation of major 16th, 17th and 18th century atlases by Joan Blaeu (lots of Blaeu), Jan Janssonius (again, lots of Jansson), Abraham Ortelius (a few Ortelius atlases here), Jodocus and Henricus Hondius, John Speed, Moses Pitt, Thomas Jefferys, Mary Anne Rocque, Nicolas Sanson, Pierre du Val, Herman Moll and others. Most have never been released in their entirety anywhere online before.
Albums of 16th century prints and drawings of Roman architecture and antiquities assembled by Cassiano dal Pozzo.
How can you access them?
The first release of 17,000 images - the collection of individual maps and views, was released in one big bundle. It made sense to release this disparate group of items this way, but we appreciate that searching Flickr for specific images is not especially easy (see below, Explore, for a solution. Of course, it can be interesting to browse if you are not sure where you want to end up!).
Responding to your feedback, this second release has organised the bound atlases and volumes of prints into separate albums. The images within the albums retain the order in which they are encountered in the physical copy. The titles of the albums are made up of the constituent volume's author, title, date and shelfmark, so we hope this will make the searching experience a good one. Batching into 500 or fewer images will make downloading easier for you too.
Every image on Flickr is accompanied by metadata which includes a link to the corresponding British Library Explore catalogue record. The links are reciprocal, meaning that you can search for specific items via Explore (key tip: add ‘George III’ to your search term (free text) in order to bring up only maps and views in the K.Top). When you have found the record for the item you require (look for the record for the volume or album, rather than the record for an individual map of view within that volume, which will not contain the digital link), select ‘I Want this’ and then ‘View Digital Item’, which will take you to the relevant image(s) on Flickr.
We hope you will find everything to your liking. However, as with any large release of digital images, you may encounter the odd hiccup for which we apologise. Please get in touch with us and we’ll do our best to put it right.
Although Flickr Commons now includes pretty much everything from the Topographical Collection, there is a small handful of images which we have still to release. We're working on it!
In due course, all of this content will become available on the British Library’s own dedicated Universal Viewer, while a dataset of the entire collection will also be released on the British Library's research repository.
We are keen to hear how you are using it so please let us know and provide feedback via social media @BLMaps or by emailing us at firstname.lastname@example.org.
Finally, a word of thanks to our colleagues at British Library Labs for their tireless perfectionism and dedication in developing these Flickr pages.
Now off you go and explore.
01 July 2021
One-Fifth of the Earth’s Surface is a digital audio-visual, multimedia web experience by artists Hakeem Adam and Maxwell Mutanda. Commissioned by Abandon Normal Devices and York Mediale, the work is, as the title suggests, an exploration of the ‘power of water as a dynamic and fluid archive’ with the Atlantic Ocean its main subject.
The British Library has been involved in providing resources for the project, and a number of maps from the Topographical Collection of George III, digitised and released as Public Domain on Flickr have been included in the exhibit, along with sound recordings from the Library’s Sound Archive.
I was interested to see how maps would be deployed in the piece. There are a multitude of maps that show the Atlantic Ocean, its coasts, and the infinite network of rivers and arteries which feed it (a number of maps along these lines, created by Adam in Mapbox, are embedded in the artwork). Maps not only visualise the Atlantic Ocean, but influence how it is navigated, experienced and memorialised, and this role of maps is also explored in One-Fifth of the Earth’s Surface.
The online exhibition is split into sections, including: Memory, Analogue of Rivers, Ports, Navigation and Cartography, each constructed using various audio-visual elements that build, overlap and occasionally interrupt. Navigation is not straightforward, almost, at times, like fighting against the waves. Early maps appear in a number of places, particularly in the Archive section where they form part of the artists’ research materials. It is immersive, unpredictable digital art.
The creative potential of maps and mapping is limitless, and there is no better time to use them when so many are available from opened-up archives, where traditional and digital techniques are within reach, and when there is so much they can be used to say.
25 November 2020
In October we released 18,000 digital images of early maps and views from the Topographical Collection of George III. View the collection on Flickr Commons, and access images via the maps and views' catalogue records on Explore. Here's my choice of five compelling maps from the collection.
1. Plan of Manila, 1739.
This is the only recorded example of this 1739 edition of the 1717 town plan of Manila in the Philippines. Manila was, and is, a key international centre of trade, and the map was actually produced in the town (in a tiny vignette we can see a copy being presented by the Spanish governor of the Philippines to King Philip V of Spain). There’s probably no better image of a bustling commercial site, proof that a town is not just about its architecture and layout, but its people and processes too. This map has additional resonance, because Manila was besieged and looted by the British in 1762, and annotations in the map’s bottom right refer to aspects of the battle. Could it be George himself annotating the map according to reports he had received of the battle?
D. Antonio Fernandez de Roxas, TOPOGRAPHIA DE LA CIUDAD DE MANILA : CAPITAL de las yslas Philipinas
Manila: Hipoloto Ximenez, [around 1739].
2. Map and survey of Plymouth Harbour, 1780
This is the map that reminds me most of the strong links between mathematics and art in maps. It’s a large and serious military drawing, officially commissioned and with an accompanying report, of a key strategic naval installation and site of British maritime strength and power. It was drawn up as part of the earliest mapping activities for what would become the Ordnance Survey a few years later, enacted in response to the threat of invasion from Napoleonic France. So why is it so stunningly and mesmerizingly beautiful? It’s a question that should infuriate everyone who sees maps purely as cold communicators of facts and 'data.'
Matthew Dixon, Colonel, surveyor.
‘A General Plan with a Project for the Defence of the Arsenals of Plymouth, / By Lieut: Colonel Dixon Chief Engineer of the Plymouth Division. Revised and corrected by Geo. Beck Jan. 1780.’
3. Aquatint view of Kingston-upon-Thames, 1813
Thomas Horner, Kingston upon Thames. 1813
Is it a map or is it a view? What is that ominous large shadow looming in, Holbein-like, from stage left? Who cares! This is an intriguing and brilliantly composed aquatint print showing a collection of views of picturesque Kingston-upon-Thames. From above, in profile, from a distance away, it’s a multi-faceted image that invites us to dissolve our perception of the differences between vistas and to see them as a combined and rounded description of a place. Cartographic cubism! As Horner himself wrote, ‘…the whole, blended into one design by a picturesque fore-ground, forms a faithful view of the parish.’ It’s a joyous visual experience, with a few intrigues and little jokes (note the bungling surveyor- stonemasons in the foreground) thrown in for good measure.
4. India, 1619
This is a portentous map - the earliest British printed map of part of India. It marks the beginning of British cartographic involvement in India that would reach new levels of science-led imperial control through mapping by 1900. The Roe-Baffin map was produced following the earliest English trade mission to the Mughal empire. It has a stellar cast: Sir Thomas Roe, the diplomat who headed up the embassy. William Baffin, the navigator who went on to attempt to locate the North West Passage (Baffin Island is named after him). Reynold Elstrack, one of the earliest native English engravers.
The map was one of very few English-produced maps to provide a model for later Dutch atlas maps by Blaeu, Janssonius and others. English mapmakers were more often the copycats. The engraving of a Mughal seal has been expertly assessed by the British Library’s Dr Annabel Gallop.
William Baffin, 1584-1622, cartographer. A Description of East India conteyninge th'Empire of the Great Mogoll. / William Baffin deliniauit, et excudebat. ; Renold Elstrack sculp.
[London] : Are to be Sold in Pauls Church yarde. by Thomas Sterne Globemaker., 
5. The United States of America, 1782
This is a map with a story and a reminder of the power – and paranoia – that can be associated with maps. John Mitchell’s map of ‘the dominions of North America’ is a tremendous cartographic achievement in its level of description of this vast area. Yes, standing on the shoulders of earlier maps, but adding a vast quantity of descriptive notes and even including naming Native American nations (who were nevertheless ignored in what followed).
On another level, this late edition of the map is a piece of history, being the copy used by the British delegation at the 1782 Treaty of Paris where the terms of the peace following Britain’s defeat at the hands of the United States were established. The map has been marked up in red to show the lines of the new border the British would be happy with. But at the conference they realised that they didn’t have to cede quite as much as they had drawn. The map suggests that Upper Canada (much of modern-day Ontario) was also available to the USA. So later the British government ordered the British Museum to lock the map away so that nobody, particularly no inquisitive Americans, might see it and demand any more.
It was hidden from view until the early 20th century.
John Mitchell, 1711-1768, cartograph.er. A MAP of the BRITISH COLONIES in North America…
[London] : Publish'd by the Author Feb.ry 13.th 1755 according to Act of Parliament : Printed for Jefferys & Faden Geographers to the KING at the corner of S.t Martins Lane Charing Cross London, [about 1775, with annotations to 1782].
26 October 2020
A guest post by Chantelle Richardson, Librarian of the National Library of Jamaica and former Chevening British Library Fellow
Throughout my year at the British Library, I was privy to seeing some amazing resources. One of my projects focused on Non-book Bibliographic materials from Latin America and the Caribbean before 1950. Compiling the list of materials for this project allowed me to view various items related to the Caribbean region. However, my interest piqued when I would see items related to Jamaica, especially maps.
My fascination with maps began when I started working in the Special collections branch at the National Library of Jamaica. Historical maps provide a vivid depiction of what the past looked like. They can be useful for a multiplicity of information needs. Land allocation is one aspect that is of particular interest. Maps can be used to see how communities were structured then and how they are now.
I found that one of the best ways to browse the cartographic holdings at the BL was by using the printed catalogues available in the Maps Reading Room. Though most items can be found on Explore the BL (the online catalogue) I found the printed catalogues useful in helping me to navigate the vast collections. It is therefore good to know that a complete set of metadata relating to one of the Library’s treasure collections, the King’s Topographical Collection (K.Top.) will soon be made available on the BL Shared Research Repository – an ideal tool for browsing which is similar to how you would navigate the printed catalogues.
Interestingly, I found that the BL has maps and other special collection items such as prints like those present in the NLJ collections. The K.Top. Collection is one of the best examples of this.
James Robertson, MAP of the County Of Cornwall, In The Island Of Jamaica. London, 1804. Maps K.Top.123.52.b.11.
The K.Top. Collection features many maps from the Caribbean in general. There are several maps related to Jamaica directly and indirectly. The names of cartographers like James Robertson, Edward Slaney and Nicolaes Visscher popped out as all have holdings in the NLJ collections.
Nicolaes Visscher. Insulae Americanae in Oceano Septentrionali ac Regiones Adiacentes. Amsterdam, 1775. Maps K. Top.123.5.
The coloured Jamaica maps in the K.Top. Collection are particularly interesting. Aside from being appealing to the eye, they give information on the parishes, towns, and counties. Researchers wanting to analyze the division of land in Jamaica from when there were 22 parishes to its 14 now can use the coloured maps as reference.
Another interesting thing about the K.Top. Collection is that it not only has maps related to Jamaica but prints as well. Prints such as The Maroons in Ambush on the Dromilly Estate in the Parish of Trelawney, Jamaica are a good source for researchers who are interested in indigenous groups and resistance.
J. Mérigot, The MAROONS in AMBUSH on the DROMILLY ESTATE in the PARISH of TRELAWNEY, JAMAICA. London, Robert Cribb, 1801. Maps K.Top.123.59.
There are also prints by lithographers like George Robertson and Louis Belanger. These prints are an added benefit of the K.Top. Collection as they help to contextualize what was happening in some of the places identified on the maps. For example, a MAP of the COUNTY of Middlesex, IN THE ISLAND of JAMAICA has an explanation section which I found somewhat depicted in one of Robertson prints A VIEW IN THE ISLAND OF JAMAICA.
James Simpson, MAP of the COUNTY of Middlessex, IN THE ISLAND of JAMAICA. London, 1763. Maps K.Top.123.51.c.2.tab.
Researchers wanting to find a visual representation of rivers, harbours, estates, and aspects of plantation life during the 18th century may find these items useful.
J.B. Harley stated that he saw cartographical mapping of the British Empire as a language of power and not protest. The same could be said of some of the Jamaican maps. To ignore the imperial association of how the maps became a part of the K.Top. Collection would not be an objective stance. Like many of the other Caribbean maps featured in the collection, most of the Jamaican maps were acquired throughout the 16th and 19th century when Britain ruled much of the Caribbean. These maps can be used in research that explores themes like the role of early maps in Britain’s imperialist past, area studies, postcolonial studies, land ownership and geomapping.
With the COVID-19 global pandemic remote access is becoming a major focus for libraries worldwide. Researchers who use both BL and NLJ resources have increased in the demand for digital materials. It was good to see that all the maps relating to Jamaica and the Caribbean from the K.Top. Collection have been digitized and are now openly available worldwide through the BL Explore and Flickr platform.
In the coming months, I plan to input links from the K.Top. maps collection into the NLJ maps catalogue so users will have access to the digitized copies of these resources from our holdings. Having used these resources, I recommend it to all users for academic as well as personal research.
08 July 2020
We have come to the fourth and final qualifying group of our British Library world map world cup, and in it we have four extraordinary and breathtaking examples of cartography from between the 11th and 20th centuries. I hope the following descriptions, links and images will provide you with what you need to make your difficult choice.
Vote for your favourite over on Twitter (@BLMaps). The top two maps will go through to the quarter finals tomorrow, Friday July 10th.
1.Beatus of Liébana world map. Drawn in Burgos, Spain, between 1091 and 1109 (Add.MS 11695)
The 15 surviving 'Beatus' maps are included in textual commentaries on the Apocalypse of St John (from the New Testament Book of Revelation) written by the Spanish theologian Beatus of Liébana (fl.776–86). The British Library’s example, arguably more powerful and brooding than the others, is a diagrammatic image with powerful pictorial elements. These include fishes swimming in the sea encircling the world, the‘molehill’ mountains and the unforgettable image of the Garden of Eden at the top of the map, in the east. It was produced in northern Spain (in the monastery of San Domingo de Silos) in around 1109, and as a result reflects Islamic pictorial influences that had spread from northern Africa.
Link to digitised example: https://www.bl.uk/collection-items/beatus-world-map
Further reading: Peter Barber, 'Medieval world maps; in Paul Harvey, The Hereford World Map: medieval world maps and their contexts (London: British LIbrary, 2006).
2. The Contarini-Rosselli world map. Engraving, published in Florence in 1506 (Maps C.2.cc.4).
This is the earliest surviving printed map to show any part of the Americas. It was published in Florence in 1506, only a decade or so after Christopher Columbus's first voyage in 1492. The map, which is by the Venetian Giovanni Matteo Contarini and Florentine Francesco Rosselli, has been celebrated for its American content ever since this only known copy was purchased by the British Museum in 1922. But it is an extremely early and partial glimpse of eastern America: Newfoundland and Labrador are shown cemented on to Kamchatka, Cuba and Hispaniola are floating next to Japan, and South America is joined to the vast Southern Continent.
Link to digital copy: https://www.bl.uk/collection-items/first-known-printed-world-map-showing-america
3. Aḍhāīdvīpa. Painted in Rajasthan in 1830 (Add.Or. 1814).
This is a map showing the structure of the world of Jainism, a religious system founded in northern India in the sixth or seventh century BCE. The map, which is in Sanskrit, was painted onto cloth in Rajasthan in 1830, and like many of the European medieval mappamundi, it illustrates a fusion of human and sacred geography. At the centre is the recognisable, terrestrial world of people (Mount Meru is at the centre, as it is in the Korean Ch’ ōnhado maps). Surrounding it is the spiritual world: green concentric-ringed continents illustrated by lunar symbols and separated by fish-filled oceans, beyond which is the outer land of the jinas or prophets.
Link to digital copy: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_Or_1814
Further reading: Joseph E. Schwartzburg, 'Cosmological mapping' in The history of cartography volume two, book one: cartography in the traditional Islamic and South Asian societies (Chicago: Chicago University Press, 1994).
4. Self determination world map, by F. Klimesch. Published in Berlin in around 1919 (Maps CC.5.b.29).
The only 20th century world map to make it into our World Map World Cup competition (not that there aren't many great 20th century world maps, just a mere 16 places to fill), is a German map produced in the wake of the peace treaties following the defeat of Germany and the end of the Great War, 1914-1918. It shows the victorious allies Britain, France, Russia and the USA as soldier figures, holding leashes attached to their respective national beasts. These beasts have been placed over the colonies they controlled.
The title explains why: 'What would be left of the entente if it made serious the right of self-determination of their own people and let go of the reins!' The map calls out the Allies' decision to confiscate German colonies under the principle of 'self determination,' but to retain theirs regardless. Given the century-long process of decolonisation that ensued, and ensues, the map is profoundly and powerfully prescient.
Link to digitised copy: https://www.bl.uk/collection-items/was-von-der-entente
30 June 2020
Have you ever heard of Potosí? Or perhaps wondered what is so special about this Bolivian city that it appeared on the early maps of South America alongside the views of well-known places like Havana, Rio de Janeiro and Mexico City? Most atlases produced from the mid-16th to 19th century included a map or an image with a description of this place, but why?
The reason that Potosí was put on the maps is rather extraordinary – in 1545 the Spanish conquistadors discovered the world’s richest silver deposits there. Within three decades a small mining settlement at the foot of the Andean Potosí Mountain in the Viceroyalty of Peru (present day Bolivia) was to become one of the world’s wealthiest cities with a population of over 160,000 surpassing that of Rome, Madrid or London at the time.
Americæ nova tabula by Willem Blaeu, features views of famous cities along the top. Amsterdam, 1631. Maps 9.Tab.15,16. Image: Wikimedia Commons
Potosí was the city with truly global impact. The vast deposits extracted from the Potosí Mountain also known as Cerro Rico (Rich Hill) provided over half of the world’s silver supply. Coins struck in the Potosí Royal Mint were in circulation worldwide reaching Asia and the Far East where they were readily accepted in exchange for oriental commodities such as silk, spices and porcelain. This sudden influx of silver revolutionized the world’s economy and many historians trace the beginning of the global economy back to Potosí’s silver boom. The city was so famous for its extraordinary wealth that its name became synonymous to richness and enormous value, so much so that even the expression valor de Potosí (meaning ‘worth of Potosí’) made its way into everyday language and is still used in modern Spanish.
As with most other influential wealthy cities it was portrayed on countless maps. Topographical views of Potosí provide a glimpse of the industrial infrastructure in the area with a network of hydraulic ore-grinding mills shown in the background. The views are often accompanied by a short description of the mines which marvel over the seemingly limitless silver deposits and astonishing quantities of produced ore.
The Silver Mine of Potozi London, Phillip Lea, around 1700. Maps C.24.aa.21.
A chart of South America from the River Real to Cape Horn showing the Potosí Mountain within otherwise empty interior. Published in Atlas Maritimus Novus or the New Sea Atlas. London, R. Mount and T. Page, 1708. Maps C.27.g.1. Image courtesy of the John Carter Brown Library
In order to extract and process the silver an enormous work force was required. The descriptive texts often quote that over 20,000 workers were ‘employed’ in the mines with no mention of the slavery, exploitation and the enormous human cost this lucrative enterprise involved. The contemporary authors of the time remain silent about the brutal conditions, the forced labour inflicted upon the indigenous population and the huge numbers of slaves brought from Africa and transported overland from Buenos Aires which was one of trading stations of the South Sea Company (a British enterprise trading slaves to the Spanish colonies in the Caribbean and South America). Hundreds of thousands of people perished in the Potosí mines during the colonial era due to exhaustion, accidents, gas and mercury poisoning. The celebrated mountain was dubbed the Mountain That Eats Men.
Map of South America by Herman Moll with an inset view of Potosi,. The map also indicates location of ‘The Great Mines of Potosi’. London, after 1714. Maps C.46.f.12.
By the end of the 18th century the quantity of silver extracted from the mines of Potosí had diminished with most of the good ore exhausted. According to A Gazetteer of the World by the 1850s the city was a shadow of its former self with the population reduced to 14,000. The Potosí Mountain didn’t even make it to the List of the Principal Mountains on the Augustus Petermann's Peru-Bolivian Tablelands map issued with the Gazetteer. Potosí, once an influential city and the backbone of the Spanish Empire’s economy fell into decay and lost its prominent place on maps almost as quickly as it appeared in the 16th century.
Peru-Bolivian Tablelands map … by Augustus Petermann published in A Gazetteer of the World, or, Dictionary of geographical knowledge ... Edited by a member of the Royal Geographical Society. Edinburgh & London, A. Fullarton, 1850-57. 10003.w.6.
04 June 2020
The University of Chicago Press’s History of Cartography project reached another milestone in its 40-year history a few weeks ago, with the publication of volume four: cartography in the European Enlightenment. Congratulations to its editors and contributors.
Devised in the late 1970s by the historians JB Harley (1932-1991) and David Woodward (1942-2004), the project envisaged a six-volume history of maps and mapping. Volume one (European prehistory, Classical and medieval mapping) came in 1987, followed by Volume two, the cartography of non-European societies (1992), volume three, the European Renaissance (2007), and volume six, the twentieth century (2015). The final volume, covering the nineteenth century, is in production.
What was so ground-breaking about the project was its aim to understand maps in their contexts, treating them as social objects created by, and in turn influencing, the people and societies who made and used them. This was a ‘between the lines,’ critical history of maps. Shining a light on them. Calling them to account.
With the exception of volume four, the History of Cartography is available as free online PDFs. So if you have the time and space to educate yourself, particularly with reference to the current protests following the killing of George Floyd by Minneapolis police officers, it’s a good place to start.
For example, you might like to look in colonial maps of the 17th centuries and beyond at the issue of what Harley termed ‘silences’ in maps. Often what is absent from a map can be as insightful as what is actually shown. This is nowhere clearer than in maps of British India and North America, the latter including little or no indication of the slavery upon which colonial institutions were built (I recently referenced this in a discussion of Farrer's map of Virginia, below).
You might also wish to look at the Cartography in the Twentieth Century to see how the use of maps by the powerful and privileged often led to greater levels of injustice and inequality.
For example, Jeremy Crampton’s essay on maps and the social construction of race (pages 1232-1237), and particularly Amy Hillier’s summary of the insidious 20th century practice of redlining (pages 1254-1260). Redlining was US location-based housing discrimination which figuratively and literally drew red lines around urban districts that were deemed undesirable to provide housing insurance or mortgages to due to the racial composition of their borrowers and owners. The effect was to drive these areas and the people living in them into the ground.
The practice was outlawed in 1977. But the impact of it, and the racist attitudes at the heart of it, remain prevalent in 2020.
20 May 2020
The 20th of May marks the anniversary of Christopher Columbus’ death, a man whose name is immediately associated with early transatlantic voyages of exploration and discovery. When Columbus set off on his quest to establish the western sea passage to the East Indies he encountered entirely new lands. During his four expeditions he explored parts of the Caribbean including the Bahamas, Cuba, and Jamaica as well as the Central America coastal areas, claiming all of the encountered lands for the Spanish crown.
Map of the Americas featuring full length portraits of Columbus and other explorers, published in Americæ pars sexta. Siue Historiæ ab Hieronymo Bēzono... Frankfurt, 1596. G.6634.(1.).
The age of exploration coincided with the invention of movable type printing in Europe and the last quarter of the 15th century saw the development of map printing which prompted an explosion in map production. The two commonly used techniques of printing maps in the 16th century were woodcut and copper engraving. This allowed for maps to be produced on a much larger scale reaching a broader audience like never before. Thanks to the wider circulation of printed maps and atlases the knowledge was no longer restricted to elite circles and news about the newly discovered lands quickly spread across Europe.
A unique example of what is believed to be the first printed world map showing any part of America is held within the British Library’s map collections. Designed by Giovanni Matteo Contarini and engraved by Francesco di Lorenzo Rosselli this extraordinary map incorporates Columbus’ discoveries made during his voyages to the New World. North America is depicted as a part of Asia extending across the North Atlantic, with the northern coast of South America delineated in detail and the West Indies identified as the Spanish discoveries of Columbus.
Mundu [sic] spericum ... by Rosselli and Contarini, the first known printed world map showing America. Florence or Venice, 1506. Maps C.2.cc.4.
The printed cartographic depictions of the New World were soon incorporated into atlases and produced in large numbers. Martin Waldseemüller's Tabula Terre Nove issued in the Strasbourg Ptolemy edition of 1513 is one such example. The map shows a land mass with a defined eastern coastline and the unexplored interior of the New World left blank. The Caribbean islands including Isabella (Cuba), Spagnolla (Hispaniola) and Jamaiqua (Jamaica) are depicted in detail although exaggerated in size.
Map of the New World by Waldseemüller published in Claudii Ptolemei viri Alexandrini... geographie opus novissima traductione e Grecorum. Strasbourg, 1513. Maps C.1.d.9.
The process initiated by Columbus started a sequence of ‘voyages of discovery’ and not surprisingly was followed by the extensive exploration of the western hemisphere by other European nations venturing out in hope of establishing their colonies resulting in further mapping of the New World.
Sketchy maps displaying basic information were quickly surpassed by more detailed ones (although not necessarily accurate in modern terms) as the exploration and conquest of the newly discovered land progressed. A wealth of information gathered during these early expeditions provided mapmakers with enough detail to allow them to draw new maps and update the already existing ones.
Occidentalis Americæ partis, vel, earum Regionum quas Christophorus Columbus primu[s] detexit Tabula Chorographica published in de Bry's Americæ pars quarta. Frankfurt, 1594. G.6628.(1.).
The European audiences were eager to learn as much as possible about the New World and there was a huge demand for written works on the subject. A very popular and influential series on voyages published by Theodor de Bry was richly illustrated with engravings based on the original watercolours by John White (which he drew during the 1585 expedition to Roanoke Island). Maps often incorporated images of indigenous people and their customs, flora and fauna in parts where geographical detail was lacking. This shaped the view the general public had on these distant exotic lands.
Nowadays Columbus is considered a controversial figure but his achievements transformed the world.
Maps and views blog recent posts
- George III's maps and views: 32,000 images released on Flickr Commons
- One-Fifth of the World's Surface
- King's Topographical Collection: curator's pick
- Maps of Jamaica in the K.Top. Collection
- World Map World Cup: Group 4
- Potosí, the celebrated city
- The history of cartography: shining a light
- Columbus - Mapping the New World
- A list of where to find free-to-access digitised British Library maps
- A View of the Open Road