THE BRITISH LIBRARY

Maps and views blog

26 posts categorized "Art"

07 May 2020

Antarctica: A brief history in maps, part 2

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Part 1 of this map tour ended with a late nineteenth-century depiction of the Antarctic that, whilst recognisable to us in the present day, was still substantially blank.

The updated chart below was made twelve years later by the same cartographer, J.G. Bartholomew. The most significant additions include the label ‘Antarctica’ on the continent itself, and the depiction of ‘schemes for Antarctic exploration’ proposed by Sir John Murray. Murray was a pioneering oceanographer, who was strongly engaged in the promotion of a new age of exploration in the far south. The map assists his cause: the route of a proposed British expedition leads across the landmass from one side to the other, and a wide ring around the continent is labelled, ‘Area for Bathymetric Research, to be surveyed by ships during winter’.

The wide extent of ‘Observed pack ice’, which is coloured green, is not credible for that time, and the choice of shade lends a more benign aspect to those regions than they deserved. This is a persuasive map that exaggerates the extent of current knowledge, and downplays the difficulties involved in completing the picture.

South Polar Chart, in The Scottish Geographical Magazine 1898

South Polar Chart, in The Scottish Geographical Magazine 1898 p 572. BL Maps 162.

It worked! The ‘Heroic Era of Antarctic Exploration’, a twenty-year period of extensive activity and research on the continent, began in 1901 with the departure of the British National Antarctic (‘Discovery’) Expedition, led by Robert Falcon Scott. The map below documents the work of the expedition from 1902-04, and shows the extent of surveys carried out in the course of ‘Sledge Journeys’. The small-scale inset in the upper right corner shows the track of Scott’s first attempt towards the pole itself, and his furthest point south.

Map showing the work of the National Antarctic Expedition, 1902-3-4

Map showing the work of the National Antarctic Expedition, 1902-3-4. BL Maps 88710.(8.)

George Mulock, the expedition geologist, carried out a detailed survey of the area around the winter quarters in McMurdo Sound, shown here in large scale. In common with most Antarctic mapping of the period, this sheet was published as an accompaniment to the official expedition account. Locations of camps and a handful of sightlines, used in the construction of the map, are included; regions are coloured to show geology, and contour lines capture relief. Features named on the map for the first time include ‘Mount Discovery’ and the ‘Royal Society Range’, and a 'Camel’s Hump’ outcrop lies beside ‘Cathedral Rocks’.

Map of the district near the ‘Discovery’ winter quarters, 1906

Map of the district near the ‘Discovery’ winter quarters, 1906. BL Maps X.11702.

The British Antarctic (‘Nimrod’) Expedition 1907-09, led by Ernest Shackleton, claimed a new furthest south, and became the first to reach the magnetic south pole. The treks of both parties are documented on the sheets below, Shackleton’s extended journey trailing down towards the geographic pole on the left, while the route of the South Magnetic Polar Party appears on the right. The arbitrary location of the wandering magnetic pole is given an appropriate spot in the extreme top left corner of the sheet.

Maps showing Southern Journey Party [left] and South Magnetic Polar Party [right], in the Geographical Journal 1909 Vol 34 no 5

Southern Journey Party [left] and South Magnetic Polar Party [right], in the Geographical Journal 1909 Vol 34 no 5. BL Maps 159.

Norwegian explorer Roald Amundsen’s South Pole Expedition was the first to reach the geographic south pole, arriving on 14 December 1911. In events that are now well-known, Scott’s British Antarctic (‘Terra Nova’) Expedition arrived at the pole just five weeks later to find that they had been defeated. The entire polar party perished on their return and were not found for another eight months. In this short period Amundsen published an account of his own expedition, which featured this expressive sketch map depicting his route to the polar summit at the top of the page. With the fate of Scott’s party unknown, only the ‘Base of Scott’s Expedition’ is marked at the foot of the route previously followed by Shackleton.

Approximate Bird's-Eye View, Drawn from the First Telegraphic Account, in The South Pole 1912

Approximate Bird's-Eye View, Drawn from the First Telegraphic Account, in The South Pole 1912, opp p 32. Image courtesy Wellesley College Library. Rare Books 2370.f.13.

The routes of both explorers are honoured on a map published by Stanfords before 1921. The larger shaded region of the continent is unexplained, but would appear to indicate areas observed or surveyed. However, this would greatly exaggerate the area known at the time, and requires another explanation.

Shortly before this map was produced, Great Britain had asserted her claim over Antarctic territory lying in a sixty-degree arc between 20 and 80 degrees West (beneath South America), and by 1923 the Under-Secretary of State for the Colonies was stating his ambition that the whole of the continent should be incorporated into the British Empire. A look at some of the sub-regions incorporated in the shaded area – Victoria Land, King George V Land, King Edward VII Land – gives a clue that perhaps this sheet emphasises the ‘Britishness’ of these areas for an audience that was supportive of her territorial ambitions.

Map of the Antarctic Regions 1921

The Antarctic Regions, [1921]. BL Maps 88710.(13.)

On 1 December 1959 the Antarctic Treaty was signed into effect by twelve nations, who set aside all territorial claims on the continent in pursuit of peaceful scientific collaboration. The map below, made two years previously for the Daily Telegraph newspaper, still shows the continent sliced into national sectors, and yellow shading indicates ‘Areas explored or seen by man’.

A thick red line passing across the continent through the pole indicates the planned route of the Commonwealth Trans-Antarctic Expedition, which, over the summer season of 1957-8 became the first expedition to cross the continent from one side to the other.

The map also shows a network of proposed scientific bases, to be established during the International Geophysical Year 1957-8, a major scientific project featuring collaboration between East and West during the Cold War. At the pole itself the names of Amundsen and Scott are joined by that of American naval officer Richard E Byrd, who flew an aeroplane over the pole for the first time in 1929, and was one of the first to bring aerial survey techniques to the mapping of Antarctica.

The Daily Telegraph Map of Antarctica 1957

The Daily Telegraph Map of Antarctica, [1957]. BL Maps 88710.(57.)

From the 1960s onwards, satellites were employed in mapping the vast areas of the continent still unknown, and in 1972 the Soviet Union incorporated Antarctica into a series map of the world for the first time. This map of the pole is sheet number 234 of the Karta Mira series. Shades of purple indicate fluctuations in the height of the polar plateau.

Soviet map of the world Karta Mira 1:2,500,000 sheet 234

Karta Mira 1:2,500,000 sheet 234, 1972. BL Maps 920.(494.)

In the early 1990s the British Antarctic Survey was one of the founding partners involved in a collaboration between 11 nations to create a seamless digital map of the continent, by digitising existing maps and satellite images. The BAS sheet below takes its topographical detail from this Antarctic Digital Topographic Database, which is updated every six months. Since the 1960s, radio echo sounding techniques have been deployed to calculate the thickness of ice sheets, and the inset on the lower left shows the relief of the rock surface that lies beneath the ice.

British Antarctic Survey map of Antarctica, 2015

Antarctica, 2015. BL Maps X.13411.

The United States produces another data model of the continent. This sheet is a print-out of a digital image made by the US National Geospatial Intelligence Agency and other partners, who employed a Blue Waters supercomputer to process data derived from high-resolution satellite imagery. The underlying dataset is described as ‘a high-resolution, time-stamped digital elevation model for the Antarctic ice sheet’.

The Reference Elevation Model of Antarctica (cartographic), 2018

The Reference Elevation Model of Antarctica (cartographic), 2018. [Shelfmark yet to be allocated]

These last two maps reflect the switch made by cartography to digital data from the latter part of the twentieth century, and aptly conclude this brief history of the mapping of Antarctica.

Nick Dykes

05 May 2020

Crystal Palace Marvel

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The Eiffel Tower, Seattle’s Space Needle and the Atomium in Brussels – these instantly recognisable landmarks are must-see iconic attractions. Whilst original and daring in style, they also have something else in common - they are all architectural structures specifically designed for the Expo World Trade Fairs and maps relating to the first World’s Fair can be found within the British Library’s collections.

It all started nearly 170 years ago when The Great Exhibition of the Works of Industry of All Nations, was opened in London on 1 May 1851 by Queen Victoria. And what a spectacle it was! In the months following the grand opening ceremony over six million visitors marvelled over the spectacular show. The exhibition was housed in a gigantic glass and cast iron structure constructed to Sir Joseph Paxton’s design. The largest covered glass structure built at the time it was quickly dubbed the Crystal Palace and immediately became one of London’s major landmarks featuring in numerous maps and plans. 

Maps Crace Port. 7.263

Map of London with view of the Crystal Palace in Hyde Park inserted within the title panel as a central feature. Maps Crace Port. 7.263

The idea of organising an international event to celebrate the achievements of modern industrial technology received wide support from prominent patrons including Prince Albert (Queen Victoria’s husband) who was appointed as President of the Royal Commission for the Exhibition of 1851 specifically formed to manage the preparations. The Commission chose Hyde Park in central London as a suitable site for the exhibition.

Maps Crace Port. 10.15

Map showing the land in central London purchased for the Exhibition. Maps Crace Port. 10.15

The event was recognised as an opportunity to showcase Britain’s industrialisation and modern technological advancements to an international audience. The exhibition’s building was actually one of the most spectacular exhibits. Paxton’s ingenious design used prefabricated components of glass and cast iron which were assembled on site. It not only met the criteria for a temporary, simple and inexpensive building but by taking advantage of natural light it also cut down the cost of maintenance. It offered incredible flexibility and even incorporated parkland features within. Rather than cutting them down Paxton enclosed all the full grown trees from the allotted land and made them the main feature of the central exhibition hall highlighting the enormous dimensions of the building. The hall also featured a stunning eight meter tall crystal fountain. Total floor space covered an area of nearly 13 football pitches (ca. 990,000 ft2 or 92,000 m2) with exhibition spaces on the ground floor and galleries providing over ten miles of display capacity.

Maps Crace Port. 7.267

Souvenir illustrated guide map showing the Crystal Palace location in Hyde Park in relation to other London landmarks. Maps Crace Port. 7.267 

The exhibits included a wide variety of scientific and technological innovations as well as cultural objects. Over 100,000 items from every corner of the world were on display including Johnston’s Geological and Physical Globe, the first physical globe which won awards for the content and the stand (whose carved figures represented the four continents). Among the exhibits there were hydraulic presses, steam engines, microscopes, barometers, stuffed animals, French tapestries and furniture, even the priceless Koh-i-Noor diamond sent from India. 

Maps 28.bb.7

The Crystal Palace Game. By S. Evans. London, [1855?] Educational game published to commemorate the reopening of the Crystal Palace on its new site. Maps 28.bb.7 

The Great Exhibition was incredibly successful and made a profit way above expectations. This enabled the Commission to acquire land in South Kensington and aided the establishment of the world renowned London museums. 

After the closing of the Exhibition in October 1851 the structure was dismantled and rebuilt in an enlarged form on a site in south London. The reconstruction was documented by a photographer Philip Henry Delamotte, his work provides a glimpse to what the Crystal Palace looked like.

Tab.442.a.5

Photograph of the Crystal Palace by Philip Henry Delamotte. 1855. Tab.442.a.5 

The Crystal Palace soon became a hub for cultural events, exhibitions and concerts. The venue was seen as a place of culture and learning, it contained series of themed courts on the history of fine art, and the surrounding grounds even featured life-sized sculptures of dinosaurs and extinct animals by Benjamin Waterhouse Hawkins. The residential area surrounding the new site was renamed Crystal Palace and two railway stations serving the site were opened.

Maps 5380.(4.)  (3)

Detail showing layout on the new site in Sydenham with carefully designed grounds and the Crystal Palace railway station. Ordnance Plan of the Crystal Palace and its Environs, Southampton, 1864. Maps 5380.(4.) 

The Crystal Palace was destroyed by fire on 30 November 1936 and never rebuilt, nevertheless the Paxton’s design established an architectural style employed in later international fairs and exhibitions and started a long history of World Fairs. 

28 April 2020

Another big list of where to find British Library maps online

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In a previous blog I described the best free-to-access digitised British Library maps available on the Library’s own site. But there are more. Lots more!

Where we’ve worked with other institutions, organisations and individuals on digitisation, we’ve been pleased for those institutions to host the resulting content on their own sites. Often, the maps we’ve provided form a subset of a wider collection drawn from a range of other sources. So it isn’t just about the spirit of collaboration, but the enormous research benefits to be drawn from a broader and more integrated picture.

In the fullness of time you can expect to see this content also hosted on the BL's Universal Viewer. For now, here are some of the riches and where to find them.

Wikimedia Commons Collections

https://commons.wikimedia.org/wiki/Category:Collections_of_the_British_Library

There’s a ton of British Library content on Wikimedia Commons which is great because of the open access nature of the site and its clear usage terms. Maps are included in a range of categories, including the Off the Map videogame competition and Images Online (the British Library’s commercial imaging site). But the main category, labelled maps collections, contains 28,000 images. Three main ones are

Ordnance Surveyor drawings - https://commons.wikimedia.org/wiki/Category:Ordnance_Survey_Drawings

800px-Ordnance_Survey_Drawings_-_Reading_(OSD_126)
Robert Dawson, [Ordnance Surveyor Drawing of part of Berkshire], 1809. Maps OSD 106 

 

These 321 maps are some of the earliest works by the Ordnance Survey of Great Britain, which was formally established in 1791 to map southern England in response to the threat of invasion from France. The phrase ‘scope-creep’ is something of an understatement when applied to the OS, whose work continues to the present day. These large ‘fair drawings’ are the maps produced by the earliest Ordnance Surveyors of parts of England and Wales from the 1790s to the 1840s, and it’s from these that the one inch to the mile ‘Old Series’ printed maps were derived. The maps were received in 1958. For close, local work, there’s really nothing better than these for the period.

Goad fire insurance maps - https://commons.wikimedia.org/wiki/Category:Goad_fire_insurance_maps_from_the_British_Library

Lossy-page1-509px-Insurance_Plan_of_Sunderland;_sheet_7_(BL_148844).tiff
Charles C. Goad Ltd., Insurance plan of Sunderland, sheet 7, 1894. Maps 145.b.12.(8.).

Charles Goad’s maps are incredible windows into Britain’s urban past – stupidly detailed late-19th and early 20th century maps of various towns produced in order to assist the calculating of fire insurance risk. To do this, the maps included not only tell us the shapes and forms of buildings, but what they were made of, and who was using them and for what. Over 2,500 here for you to savour. Goad mapped other world cities including a large number of Canadian towns.  

War Office Archive - https://commons.wikimedia.org/wiki/Category:War_Office_Archive_%E2%80%93_East_Africa

Thanks to the Indigo Trust, over 1800 East Africa maps and materials from the wider WOA have been digitised and placed here for your study and enjoyment. They’re also georeferenced. Hurrah!

Maps of Qatar and the Middle East

https://www.qdl.qa/en/search/site/?f%255B0%255D=document_source%3Aarchive_source&f%5B0%5D=source_content_type%3AMap

Through the Library’s partnership with the Qatar National Library, over 1300 maps of the area, drawn mostly from the India Office Records, have been catalogued and uploaded onto their digital library portal.

American Revolutionary War Maps

https://collections.leventhalmap.org/collections/commonwealth:hx11xz34w

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Daniel Patterson, Cantonment of His Majesty's forces in North America... 1766. Add.MS 11288

In collaboration with the Norman Leventhal Map and Education Center at Boston Public Library, 377 maps of North America and the West Indies from the American Revolutionary War Era were digitised and placed on the Center’s educational site. Ten other partners including the Library of Congress also contributed material. The British Library's contribution includes maps from the King’s Topographical Collection and Royal United Services Institute, which itself contains maps from the collection of Jeffery Amherst (1717-1797), commander-in-chief of British forces during the Seven Years’ War.

Japanese produced historic maps

https://mapwarper.h-gis.jp/maps/tag?id=british+library

We digitised all of our pre-1900 maps of Japanese origin thanks to a wonderful collaboration with Ritsumeikan University, Kyoto. And what a collection – over 300 maps drawn from the Map Collection, the Western Manuscripts Collection, and Asian and African Studies Collection. Some of these maps arrived from earlier private libraries including the Engelbert Kaempfer and Philipp Franz von Siebold Collections. Some of them are very big indeed. You can access these maps through the Ritsumeikan University MapWarper portal.

Maps of Singapore and South East Asia

https://eresources.nlb.gov.sg/printheritage/browse/Charts_Maps_British_Library.aspx

The five-year project between the British Library and National Library of Singapore, generously funded by William and Judith Bollinger, enabled us to digitise and upload 300 maps onto the NLB Singapore’s web portal. These cover Singapore and its wider geographical context. 

Flickr maps

https://www.flickr.com/photos/britishlibrary/albums

In 2013 the British Library Labs’ Mechanical Curator project placed 1 million British Library images onto Flickr. They are images drawn from books digitised as part of the Microsoft Books project, and include an enormous wodge of maps (‘wodge’ in this sense meaning tens of thousands of maps). See this individual album containing over 25,000 maps https://www.flickr.com/photos/britishlibrary/albums/72157648036792880

These are the maps which are currently being Georeferenceed via the Library's Georeferencer tool http://britishlibrary.georeferencer.com/start

The Roy map of Scotland

https://maps.nls.uk/roy/

Roy composite
William Roy [A section of the military survey of Scotland], 1747-1755. Maps CC.5.a.441. 

And finally, just one map, but a very large and important one. This is the fair copy of General William Roy’s (1726-1790) map of Scotland produced between 1747 and 1755. The map is a landmark in British mapping for applying military surveying methods to a very large area, and is regarded as the precursor to the Ordnance Survey. It’s also highly regarded artistically, since it includes the hand of celebrated watercolour artist Paul Sandby (1731-1809). The map is part of the Kings Topographical Collection, having formed part of the collection of the Duke of Cumberland.

We’re delighted for the National Library of Scotland to host this map on their website, given its signal national importance. And they do a very good job of it too, with a superb interface and numerous layers, including a 3D one.

****************

I hope you find something here to interest and inspire you – and I’d be very glad to learn of any comments or questions you have, either by commenting here or on Twitter at @BLMaps.

Tom Harper

21 April 2020

A View of the Open Road

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During the current pandemic, the next best thing to heading outdoors is (of course) to lose yourself in the printed landscapes of maps instead. In our London flat last weekend, I couldn’t help reaching for my Ordnance Survey Explorer sheets of the English Lakes and tracing the routes of Easter walks in years gone by.

Although busy depicting roundabouts and service stations, road maps and atlases also give us armchair explorers a flavour of the landscapes, the countries and the times we move through in our mind’s eye.

This example from the United States comes from a time when the American highway map was at its peak, when the automobile was an icon of progress, and state departments and commercial oil companies handed out road maps in their millions, free of charge.

A road map from 1967 entitled Official North Carolina Highway Map

The back of a road map from 1967 entitled Official North Carolina Highway Map

Front and back of North Carolina Official Highway Map, 1967. Held at State Archives of North Carolina

While useful to many, these maps were also the vehicles for carefully chosen images and text promoting industry, nature, social progress and Christian values. A Motorist’s Prayer on this sheet begins, ‘Our heavenly Father, we ask this day a particular blessing as we take the wheel of our car...’

A detail of the back of road map from 1967 entitled Official North Carolina Highway Map, showing a man working in an industrial control room to illustrate the labor force

Detail of North Carolina Official Highway Map, 1967

A similar agenda is found on the other side of the Iron Curtain, where a Soviet regional map from the same year focussed on places and monuments of revolutionary history, industrial mines (asbestos, brown coal, gypsum...), pine forests and swan nesting sites.

A detail from a Soviet map of Orenburg Oblast published in 1967

A detail of the list of symbols from a Soviet map of Orenburg Oblast published in 1967

Details from map of Orenburg Oblast, GUGK, 1967. BL Maps 35885.(63.)

Industrial prowess is emphasised again in the strong design on the cover of this regional atlas.

The cover of an Atlas of Orenburg Oblast published in 1969

Atlas of Orenburg Oblast, 1969. BL Maps 54.e.48.

But unlike in Britain or America, the Soviet general public had no large scale Ordnance Survey or US Geological Survey maps to turn to for raw topographical detail. These were restricted to the military. Even generalised maps were deliberately distorted during the 1970s to make them harder to use for navigational and targeting purposes, should they fall into the wrong hands.

After the break-up of the Soviet Union, restrictions on sophisticated military mapping were relaxed, and elements of larger scale maps made their way into practical road atlases, amongst other products, for the general public. The evolution of these maps from military specification to a hybrid form more closely resembling the typical road map can be traced over the following years.

Details of two Soviet/Russian topographic maps of Orenburg published in 1987 and 2003

Left: Detail from Topographic map of the world at scale 1:200 000 produced by the Soviet Army General Staff, Sheet NM 40-2, 1987. BL Maps Y.1575.

Right: Equivalent detail from Orenburg Oblast, one of the Road Atlases of Russia series published by Roskartografia, 2003

In the road atlas on the right new colouring distinguishes road types and routes, and makes them more prominent while rivers fade away, and symbols are added to indicate petrol stations, medical facilities, museums and places of interest.

Detail of a topographic map of Orenburg published in 1987 by the Soviet Army General Staff

Detail of Sheet NM 40-2, Soviet Army General Staff, 1987

Detail of a Russian road atlas map of Orenburg published in 2003

Equivalent detail from Orenburg Oblast Road Atlas, 2003

Precise bridge dimensions and maximum loads have been removed, though contours and direction of river flow remain, and the close mesh of the military grid has been replaced by a broad system of squares that correlates with the place name index at the back.

The cover of the Orenburg Road Atlas published in 2003

Cover of Orenburg Oblast Road Atlas, 2003

At last the landscape was revealed, and civilians could take to the open road better equipped.

And who knows, perhaps even now fingers are tracing imaginary routes from armchairs throughout Russia...

 

Nick Dykes

Further reading:

Denis Wood and John Fels, Designs on Signs/Myth and Meaning in Maps, in Cartographica vol 23 no 3, 1986, pp 54–103.

Zsolt G. Török, Russia and the Soviet Union, Fragmentation of, in The History of Cartography, vol 6, University of Chicago Press, 2015, pp 1376-1379.

Alexey V. Postnikov, Soviet Cartography, 1917-1991, in Cartography and Geographic Information Science vol 29(3), 2002, pp 243-260.

14 April 2020

Old maps on TV: Charles I, Alec Guinness and Christopher Saxton

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A lesser-known trait of being a map curator is a tendency to notice maps on TV and in films. I’m not the only one. There are more maps on TV than you might think. For example, I guarantee you that every single classroom scene that has ever been filmed, from Tom Brown’s School Days to Hollyoaks, has a map somewhere in the background. I'm particularly interested in old maps - in contemporary settings, such as My Big Fat Greek Wedding II and I'm Alan Partridge (check out the scene with the mustard magnate), and historic settings, like Gladiator and Master and Commander (both starring map loving Russell Crowe).

When I spot them, it's my duty to check that they are historically accurate and appropriate for the setting they’re being used in. Because obviously people really care about this sort of thing: an inappropriately deployed map can stand out like... like a bottle of mineral water on a mantelpiece of an early 20th century stately home.

Actually, the only real downside to my obsession with maps in film is hundreds of terrible photographs of TV screens on my phone. I'm fascinated by how old maps continue to be relevant and live beyond their original purposes, and I'm almost always impressed by how often film researchers choose the right maps for the right settings. 

Saxton Cromwell 1970
Still from the motion picture 'Cromwell' (Columbia Pictures), 1970: Alec Guinness considers the map. 

Although the map I recently saw in a film didn’t quite get it right, it was even better for it. It was the 1970 historical drama  ‘Cromwell‘, directed by Ken Hughes, and with a show-stealing turn from Alec Guinness as Charles I.  About three quarters of the way through the film, when the Civil War had taken a decisive turn in favour of the Parliamentarians at Naseby (fought on 14 June 1645), attention switched to the King’s war room and a massive map of England and Wales laid out on a table with markers and flags laid over it.

Cromwell still
Still from 'Cromwell' showing the enlarged facsimile map of England and Wales.

The map is a significantly enlarged copy of the England and Wales map included in Christopher Saxton’s set of English and Welsh county maps, published in atlas form in 1579. The original map measures around 50 x 40 cm, so although the era of the map was correct (it was still being printed in the 1640s) this vast copy was clearly not. The film should have used Saxton's wall map in 1583 which was certainly large enough, and was in use (through copies) during the Civil War.

But this doesn’t really matter, because the choice of map was a masterstroke. You see, I didn’t just recognise the map, I recognised the map. It's an enlarged facsimile copy of a map contained in an atlas held in the British Library at Maps C.3.bb.5. (formally Maps C.7.c.1.).

Maps c3bb5 anglia
Christopher Saxton, Angliae..., from 'An atlas of counties of England and Wales', (London, 1579). Maps C.3.bb.5.

I know this map very well, I also know it through copies that were printed from the 1960s by the Maidenhead-based lithographic printer Taylowe Ltd. Taylowe had a contract with the British Museum (and from 1973 British Library) to publish same-sized facsimile poster copies of maps for sale in the Museum shop and elsewhere. You can see examples today on Ebay. I see my fair share of them too. A facsimile of the England and Wales map was first printed in 1966, with the blue of the sea rather turned up, as you can see below.

Taylowe Ltd Saxton facsimile
Facsimile of Christopher Saxton's Angliae...., 1579, published by Taylowe Ltd., Maidenhead, 1981 (first published c. 1965).

This is the image that Taylowe would have been asked to expand and print to monumental size for Alec Guinness to ponder pensively upon it in the film. (Tim Bryars has spotted the normal-sized facsimile in at least two Bond films, suggesting a rather stellar filmography for the map).

But the best thing about the map in 'Cromwell' is that the earliest known owner of the original map was James I of England (reigned 1603-1625) and it would have passed, as part of the Royal Library (now the Old Royal Library held by the British Library), to Charles I.

Yes, the map was owned by Charles himself. So although the map wouldn’t have been laid out on a table for the King to strategise over in his war room, we can imagine that at some point in his life he might have looked upon it, and maybe even pondered, ruminated or traced a royal finger over it.  

And for this pedantic TV map spotter, that will do pretty nicely.

10 December 2018

Accuracy? Do me a favour!

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'Atlas: a world of maps in the British Library' is a different sort of atlas to, say, the Times world atlas or the AA motoring atlas, because you would never use it to find your way from A to B or peruse potential venues for your next holiday.

This is largely because the maps in it are mostly pretty old and do not all conform to our modern idea of accuracy.

The most common question people ask me about an old map is “is it accurate?” On such occasions I would like to be able to sound one of those alarms like in the BBC quiz show QI. But to be polite I tend to answer that “it is as accurate as it was possible to be” or “it is accurate for its time.”

Additional_MS_25691
Detail of the Eastern Mediterranean Sea from a sea chart of 1339.

Angelino Dulcert (atrib.), [A portolan chart of the Mediterranean Sea (detail)], c. 1339. Add.MS 25691. 

Accuracy is relative and incredibly subjective. For example, 14th century 'portolan' sea charts look freakishly accurate because although they are really old we can recognise familiar coastlines in them. Yet if we look more closely, we see that each cape, bay and inlet is exaggerated and distorted in size because – guess what? – the map had to be legible for its user.

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The Trossachs, from William Roy's map of Scotland of between 1747 and 1755,

William Roy, [A map showing the Trossachs, part of the fair copy of the military survey of Scotland], 1747-55. Maps CC.5.a.441., sheet 15 (part).

William Roy’s map of Scotland of 1747-55 looks very accurate, and indeed is regarded by some as one of the first modern maps and a precursor to the Ordnance Survey, but it hasn’t been geodetically measured, and the sweeping hill forms sit more in the realms of landscape art.

CatawbaDeerskin_c12510-09
A map showing the position of the Indian tribes to the north-west of South Carolina from around 1719.

Anon. [Map showing the position of the Indian tribes to the north-west of South Carolina, copied from a painting on deer-skin by an Indian chief, and presented to Sir Francis Nicholson], c. 1719.  Add. MS 4723.

The 1719 Native American map of Carolina is woefully inaccurate by these standards, but more accurate than anything else in its description of the complex interrelations between tribes (shown as circles) and European colonial powers (squares).

Few maps produced before the 19th century will pass muster if judged by contemporary standards of mathematical accuracy. But if we judge old maps by contemporary standards we can miss the genuinely insightful perspectives they provide on the periods and people they concerned.

They can also help to shine a light back onto ourselves. For who would have thought that a modern and ‘accurate’ map such as a motoring atlas would exaggerate and distort features such as roads in order for users to read them more clearly?

'Atlas: a world of maps from the British Library' is out now.

Tom Harper

04 April 2018

Shipwrecks and Piracy: John Rocque’s 1750 Map of Rome, part two

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In my last blog I noted how John Rocque’s 1750 map of Rome could be considered both a personal memento for the grand tourist who likely commissioned it – Sir Bourchier Wrey – as well as a useful map for travellers.

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John Rocque, A Plan of Rome, (London, 1750), British Library Maps K.Top.81.22.

My post today will look at events surrounding the production of Rocque’s map of Rome. The ensuing story reveals this London mapmaker to be a rather ruthless opportunist…

 

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Giambattista Nolli, detail of Nuova Pianta di Roma , (Rome, 1748), British Library Maps K.Top.81.21.8.TAB.

In 1748 the Italian cartographer Giambattista Nolli produced a landmark map of Rome. It came in two sizes: a monumental twelve-sheet map entitled Nuova Pianta di Roma, and a reduced single-sheet version called La Topografia di Roma. Scholars sometimes refer to them respectively as the Pianta grande and the Pianta piccola for short, and copies of both can be found in King George III’s Topographical Collection.

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Giambattista Nolli, La Topografia di Roma , (Rome, 1748), British Library Maps K.Top.81.21.a.

The incredible detail of Nolli’s Pianta grande ensured that it was still being used in some form for over 200 hundred years.[1] The story abroad, however, was another matter entirely: in terms of sales, it was a bit of a flop. Among the reasons for this disappointing turnover, at least in Britain, was the quick-witted John Rocque.[2]

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Giambattista Nolli, detail of Nuova Pianta di Roma , (Rome, 1748), British Library Maps K.Top.81.21.8.TAB.

As was common in the eighteenth century, Nolli and his associate Girolamo Belloni attempted to raise funds for the project by seeking advance subscribers.[3] Nolli handled the domestic sales (i.e. the Papal States), while Belloni was responsible for international sales. To this end Belloni travelled across Europe from 1747 to 1756.

Before publication Belloni procured a meagre 59 subscribers abroad. Though we don’t know exactly how many of those came from London, the figure for Paris, by comparison, was 6. By the end of 1756 Belloni recorded that he had sold a grand total of 459 copies abroad. This was a rather disappointing return for a project so long and so dear in the making.

Despite this, the popularity of the map in London was high, relative to other European cities, perhaps reflecting Rome’s status in Britain as the Grand Tour capital. It might have sold even better still, were it not for John Rocque.

Among the first shipments sent out around May 1748 was a batch of 48 maps (or 56, according to a second note) en route to London that were lost in a shipwreck.

Belloni, it seems, did not react quickly enough to this setback, but Rocque did. For in 1750, after a fairly brisk turnaround, Rocque published his own map of Rome, a compilation of the Pianta grande and the Pianta piccola.[4] Even though Rocque did credit Nolli in his title, this was bare-faced plagiarism designed to capitalise on Belloni’s slowness in supplying the London map market.

Seeing an example of Nolli’s map in 1750, the artist Canaletto, in London at that time, remarked: “many gentlemen have already been provided with it by another hand”.[5] Though it is far from explicit, Canaletto was surely referring to Rocque, since he was the only mapmaker who had made a copy by this date.

Thus with a keen eye for an opportunity, John Rocque stole a march on his rivals: what was Nolli and Belloni’s loss was his gain. The eighteenth-century map market could be a ruthless place.

 

[1] In fact, it formed the base of plans of the city by the Italian government until the 1970s, see Ceen, Allan, ‘Nuova Pianta di Roma Data in Luce da Giambattista Nolli l’Anno MDCCXLVIII’, http://nolli.uoregon.edu/nuovaPianta.html.

[2] The details of the history of Nolli’s map come from Bevilacqua, Mario, Roma nel Secolo dei Lumi: Architettura, erudizione, scienza nella Pianta di G.B. Nolli «celebre geometra», (Naples: Electa Napoli, 1998), especially pp. 49-52.

[3] For more information about the subscription model, see Pedley, Mary Sponberg, The commerce of cartography: making and marketing maps in eighteenth-century France and England, (Chicago: University of Chicago Press, 2005), pp. 84-90.

[4] There is some uncertainty among map historians concerning how long it took to prepare copperplates for printing, with estimates ranging from a few days to many months. Contrast, for example, Pedley (2005), pp. 53-56, and Carhart, George, ‘How Long Did It Take to Engrave an Early Modern Map? A Consideration of Craft Practices’, in Imago Mundi, Vol. 56, No. 2 (2004), pp. 194-197.

[5] “essendo già stati provisti molti Signori Personaggi da altro mano”. My translation; see Bevilacqua (2005), p. 52.

26 February 2017

20th Century Maps: Everything Changes, Nothing Changes

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Maps improved in their technological power during the 20th century, and as a result became better able to meet the requirements of their time. Some of them even came to symbolise key themes of the age such as dynamism and modernity.

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Harry Beck, 'Sketch for the London Underground map], 1931. Victoria and Albert Museum, E.814-1979.

Probably the best map to capture this sense of speed, efficiency, new-ness, was the new London Underground map of 1933 by Harry Beck. Here was a map which broke dramatically with the conventions of the old, dispensing scale and representational accuracy in order to be useful to its users quickly in the new rapid bustling urban environment (there’s also more than a passing similarity between the underground map and Mondrian’s noisy, bustling ‘Broadway Boogie Woogie’ of 1943).

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Grazioso Benincasa, [Portolan chart of the North-West coast of Europe], 1473. Egerton MS 2855.

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Beck’s Underground map may the pin-up map for the brave new 20th century world, but in one crucial respect it drew on a trait of mapping which is as old as maps themselves: simplification. In straightening and regularising and de-cluttering the underground lines, the map is no different to early ‘portolan’ sea charts, sailing maps which possibly originated during the 13th century, and which use the same technique of simplifying, straightening and de-cluttering coastline features in order to be easier for their users to use.

And that’s one of the lessons we can take from maps: that history is a sequence of changes and continuities.