11 May 2022
An early print from the British Library’s map collection is currently on display at the Stadtmuseum Münster in an exhibition entitled Münster 1570: History and stories from the capital of Westphalia.
It shows the Westphalia capital from the south west, with the main churches dominating the skyline and various domestic structures arranged behind the town walls. Outside these walls Hogenberg presents a range of human activity. To the left carts enter the town, whilst to the right in the foreground, figures swim in the River Aa. Some can be seen getting undressed, one needs help in doing so. A dog stands guard over a pile of clothes. This sort of foreground vignette is a typical feature of later 16th century town views, not only entertaining for the viewer but demonstrating that places are about more than their buildings.
As a snapshot of a place at a particular time, the panorama is understandably of great historical value to the town. It was produced only decades after the Anabaptist rebellion of 1534-5, in which a radical reformation sect took over, enforcing religious conformity, seizing possessions and religiously-motivated destruction. The rebellion was eventually put down and the leaders executed, their bodies placed into three iron cages hung on the tower of St. Lambert’s church. The cages, which are still in situ today, are shown in the print just above the lancet windows of the church tower.
Remigius Hogenberg, who produced the print while resident in Münster, presented a proof copy of it to the town council on 26 May 1570. However, this is lost and the British Library’s example, purchased in 1868 from the Berlin book dealer Adolphus Asher, is the only copy known to survive. As well as exhibiting the original, the Stadtmuseum exhibition has skilfully incorporated the image into their design and graphics.
Remigius was born in Mechelen in modern-day Belgium. He was in England by 1572, and alongside other continental artists such as Cornelis de Hooghe and Jodocus Hondius was responsible for producing various engravings there, including maps. For example, Remigius engraved nine of Christopher Saxton’s county maps (see his Lancashire, below), as well as the frontispiece for the 1579 atlas which included them.
Despite Remigius’s fame, he remains arguably less-well known than his engraver-brother Frans (c. 1540-1590). With Georg Braun, Frans produced the first town atlas, the Civitatis Orbis Terrarum, published in Cologne between 1572 and 1617. Among the contents is a smaller and more subdued version of the panorama of Münster, copied from his brother's.
Münster 1570: History and stories from the capital of Westphalia is at the Stadtmuseum Münster until 25 September 2022.
15 July 2021
Well, from today, you can find an additional 32,000 images, comprising George III’s collection of atlases and albums of views, plans, diagrams, reports and surveys, produced between 1550 and 1820. These have been uploaded to Flickr with a Public Domain attribution for you to search, browse, download, reuse, study and enjoy.
What have we added?
So much! Here are some highlights:
Complete cover-to-cover digitisation of major 16th, 17th and 18th century atlases by Joan Blaeu (lots of Blaeu), Jan Janssonius (again, lots of Jansson), Abraham Ortelius (a few Ortelius atlases here), Jodocus and Henricus Hondius, John Speed, Moses Pitt, Thomas Jefferys, Mary Anne Rocque, Nicolas Sanson, Pierre du Val, Herman Moll and others. Most have never been released in their entirety anywhere online before.
Albums of 16th century prints and drawings of Roman architecture and antiquities assembled by Cassiano dal Pozzo.
How can you access them?
The first release of 17,000 images - the collection of individual maps and views, was released in one big bundle. It made sense to release this disparate group of items this way, but we appreciate that searching Flickr for specific images is not especially easy (see below, Explore, for a solution. Of course, it can be interesting to browse if you are not sure where you want to end up!).
Responding to your feedback, this second release has organised the bound atlases and volumes of prints into separate albums. The images within the albums retain the order in which they are encountered in the physical copy. The titles of the albums are made up of the constituent volume's author, title, date and shelfmark, so we hope this will make the searching experience a good one. Batching into 500 or fewer images will make downloading easier for you too.
Every image on Flickr is accompanied by metadata which includes a link to the corresponding British Library Explore catalogue record. The links are reciprocal, meaning that you can search for specific items via Explore (key tip: add ‘George III’ to your search term (free text) in order to bring up only maps and views in the K.Top). When you have found the record for the item you require (look for the record for the volume or album, rather than the record for an individual map of view within that volume, which will not contain the digital link), select ‘I Want this’ and then ‘View Digital Item’, which will take you to the relevant image(s) on Flickr.
We hope you will find everything to your liking. However, as with any large release of digital images, you may encounter the odd hiccup for which we apologise. Please get in touch with us and we’ll do our best to put it right.
Although Flickr Commons now includes pretty much everything from the Topographical Collection, there is a small handful of images which we have still to release. We're working on it!
In due course, all of this content will become available on the British Library’s own dedicated Universal Viewer, while a dataset of the entire collection will also be released on the British Library's research repository.
We are keen to hear how you are using it so please let us know and provide feedback via social media @BLMaps or by emailing us at email@example.com.
Finally, a word of thanks to our colleagues at British Library Labs for their tireless perfectionism and dedication in developing these Flickr pages.
Now off you go and explore.
25 November 2020
In October we released 18,000 digital images of early maps and views from the Topographical Collection of George III. View the collection on Flickr Commons, and access images via the maps and views' catalogue records on Explore. Here's my choice of five compelling maps from the collection.
1. Plan of Manila, 1739.
This is the only recorded example of this 1739 edition of the 1717 town plan of Manila in the Philippines. Manila was, and is, a key international centre of trade, and the map was actually produced in the town (in a tiny vignette we can see a copy being presented by the Spanish governor of the Philippines to King Philip V of Spain). There’s probably no better image of a bustling commercial site, proof that a town is not just about its architecture and layout, but its people and processes too. This map has additional resonance, because Manila was besieged and looted by the British in 1762, and annotations in the map’s bottom right refer to aspects of the battle. Could it be George himself annotating the map according to reports he had received of the battle?
D. Antonio Fernandez de Roxas, TOPOGRAPHIA DE LA CIUDAD DE MANILA : CAPITAL de las yslas Philipinas
Manila: Hipoloto Ximenez, [around 1739].
2. Map and survey of Plymouth Harbour, 1780
This is the map that reminds me most of the strong links between mathematics and art in maps. It’s a large and serious military drawing, officially commissioned and with an accompanying report, of a key strategic naval installation and site of British maritime strength and power. It was drawn up as part of the earliest mapping activities for what would become the Ordnance Survey a few years later, enacted in response to the threat of invasion from Napoleonic France. So why is it so stunningly and mesmerizingly beautiful? It’s a question that should infuriate everyone who sees maps purely as cold communicators of facts and 'data.'
Matthew Dixon, Colonel, surveyor.
‘A General Plan with a Project for the Defence of the Arsenals of Plymouth, / By Lieut: Colonel Dixon Chief Engineer of the Plymouth Division. Revised and corrected by Geo. Beck Jan. 1780.’
3. Aquatint view of Kingston-upon-Thames, 1813
Thomas Horner, Kingston upon Thames. 1813
Is it a map or is it a view? What is that ominous large shadow looming in, Holbein-like, from stage left? Who cares! This is an intriguing and brilliantly composed aquatint print showing a collection of views of picturesque Kingston-upon-Thames. From above, in profile, from a distance away, it’s a multi-faceted image that invites us to dissolve our perception of the differences between vistas and to see them as a combined and rounded description of a place. Cartographic cubism! As Horner himself wrote, ‘…the whole, blended into one design by a picturesque fore-ground, forms a faithful view of the parish.’ It’s a joyous visual experience, with a few intrigues and little jokes (note the bungling surveyor- stonemasons in the foreground) thrown in for good measure.
4. India, 1619
This is a portentous map - the earliest British printed map of part of India. It marks the beginning of British cartographic involvement in India that would reach new levels of science-led imperial control through mapping by 1900. The Roe-Baffin map was produced following the earliest English trade mission to the Mughal empire. It has a stellar cast: Sir Thomas Roe, the diplomat who headed up the embassy. William Baffin, the navigator who went on to attempt to locate the North West Passage (Baffin Island is named after him). Reynold Elstrack, one of the earliest native English engravers.
The map was one of very few English-produced maps to provide a model for later Dutch atlas maps by Blaeu, Janssonius and others. English mapmakers were more often the copycats. The engraving of a Mughal seal has been expertly assessed by the British Library’s Dr Annabel Gallop.
William Baffin, 1584-1622, cartographer. A Description of East India conteyninge th'Empire of the Great Mogoll. / William Baffin deliniauit, et excudebat. ; Renold Elstrack sculp.
[London] : Are to be Sold in Pauls Church yarde. by Thomas Sterne Globemaker., 
5. The United States of America, 1782
This is a map with a story and a reminder of the power – and paranoia – that can be associated with maps. John Mitchell’s map of ‘the dominions of North America’ is a tremendous cartographic achievement in its level of description of this vast area. Yes, standing on the shoulders of earlier maps, but adding a vast quantity of descriptive notes and even including naming Native American nations (who were nevertheless ignored in what followed).
On another level, this late edition of the map is a piece of history, being the copy used by the British delegation at the 1782 Treaty of Paris where the terms of the peace following Britain’s defeat at the hands of the United States were established. The map has been marked up in red to show the lines of the new border the British would be happy with. But at the conference they realised that they didn’t have to cede quite as much as they had drawn. The map suggests that Upper Canada (much of modern-day Ontario) was also available to the USA. So later the British government ordered the British Museum to lock the map away so that nobody, particularly no inquisitive Americans, might see it and demand any more.
It was hidden from view until the early 20th century.
John Mitchell, 1711-1768, cartograph.er. A MAP of the BRITISH COLONIES in North America…
[London] : Publish'd by the Author Feb.ry 13.th 1755 according to Act of Parliament : Printed for Jefferys & Faden Geographers to the KING at the corner of S.t Martins Lane Charing Cross London, [about 1775, with annotations to 1782].
13 November 2020
You may already be aware with all the recent publicity surrounding the release of the first batch of images from the King’s Topographical Collection that this is indeed an incredible resource with countless unique maps and views. I thought I would share with you some of my favourite items which I think are wonderful examples you may encounter while browsing the collection. Fascinating not only because of the unusual format of some of the items or unexpected subject matter but also the fact that they provide a glimpse of what was interesting and worth collecting back in the 18th and 19th centuries. With 18,000 images available on Flickr there is plenty to discover!
This 17th century intricate architectural drawing shows the structure of the Cordouan lighthouse (Phare de Cordouan). What is unusual about this drawing is the use of flaps which are pasted over a round base representing the building. These flaps can be lifted to reveal a detailed layout of the various levels of the lighthouse.
Phare de Cordouan is situated at sea near the mouth of the Gironde Estuary 4.3 miles off the French coast and was constructed in 1611 to Louis de Foix, the royal engineer’s design. The original structure comprised of five storeys and included the grand entrance hall, King’s chambers, a chapel, apartments for the keepers and, of course, the lantern itself. The entire building was richly ornamented with particular attention paid to grand décor and its unique design became a symbol of power. Phare de Cordouan is one of the oldest lighthouses in France and is still in use today.
Maps K.Top.36.24.2.b. Plan of the most remarkable effects of the earthquake, which happened ye 27th of May, 1773; at the Birches, in the Parish of Buildwas and near Coalbrookdale in the County of Salop… 1773.
This unusual map represents an aftermath of a geological event which occurred in 1773 near the village of Buildwas in Shropshire. The eye-catching title resembles a sensationalist headline style although soon after the event it was established that the cause was a landslip rather than an earthquake - in the mapmaker’s defence the term earthquake was used occasionally to describe a landslip in the late 18th century. Whatever the cause, the map is a contemporary record of an event that significantly changed the local landscape and impacted the community.
It delineates the extent of the damage including the pre- and post- earthquake configuration of the area such as the road location, the old and the new course of the River Severn, as well as the chasms and areas where the ground was raised. The force of water damaged the existing bridge which was eventually replaced in 1796 by a cast iron bridge built to the design of the Scottish civil engineer Thomas Telford (it was actually his first iron bridge). The map was published just four months after the event in the context of an inquiry into the reconstruction of the turnpike road and the river channel.
Maps K.Top.27.41.7. Fox's new floating bath, now lying opposite Surry Stairs, near Somerset Place, on the Middlesex Side of the Thames, for the Reception & Use of Bathers. About 1810.
This rare ephemera from the beginning of the 19th century advertises an innovative and rather bizarre concept: a boat specifically constructed to serve as public baths. Conveniently moored on the River Thames in central London this floating facility would be ‘the compleatest and best adapted of its kind for bathing in England’.
The adventurous entrepreneur worked out all the logistics explained in the accompanying text. The floating baths would be made available on a subscription or a single-entry basis and serviced by watermen transporting the bathers to and from the boat. There was a promise of a pleasant experience in the stylish décor and even health benefits claiming that the facility was recommended by doctors. These were rather doubtful claims as bathing in the Thames surely could not be beneficial considering how polluted the River was in the 19th century. There is no record that such a boat was ever constructed but the idea was realised on a much larger scale later in the century when in the 1870s floating baths opened on the Westminster embankment with water filtering systems in place.
Maps K.Top.119.17. [A coloured chart of the upper part of Lake Erie at Fort Erie and a detailed plan of Fort Erie, together with three cross sectional drawings]. 1764.
This manuscript plan of Fort Erie (Ontario, Canada) is a prime example of fine draughtsmanship. It has an artistic element to it with lot of attention paid to aesthetics. The plan incorporates the fortification elements drawn to different scales to fit the sheet without making it look overcrowded. Produced by Franz Pfister an engineer and an accomplished surveyor with a military purpose in mind, it provides an insight into 18th century fortification design techniques and shows in detail individual structures including cross sections and views of buildings.
Fort Erie was constructed on the north-western shore of Lake Erie in 1764 after the Seven Years’ War when Great Britain gained the territories in New France. It was the first British fort built in order to establish a communication network between the Niagara River and the Upper Great Lakes and played a significant role as a supply depot for the British troops during the American Revolution.
Maps K.Top.117.24.1.a. Sketch of the Northern Part of Africa Exhibiting the Geographical Information Collected by the African Association. Compiled by J. Rennell. 1790. & 1792.
This printed map is a great example that demonstrates the process by which maps were brought up to date. It was prepared for the Association for Promoting the Discovery of the Interior of Africa and contains manuscript annotations displaying the new geographical detail acquired by Major Daniel Houghton during his expedition of 1790-1791. The updates include amendments to spelling of place names, corrections of positioning of settlements, the courses of rivers, as well as extent of lakes and mountain ranges.
The map along with the accompanying handwritten Memoir and a letter from Henry Beaufoy a secretary of the Association, to Sir Frederic Barnard, George III’s librarian, constitute a primary resource on Houghton’s expedition. The documents reveal that the expedition was not strictly a geographical enquiry. Major Houghton also investigated the feasibility of establishing a trade route, commercial prospects and potential demand for commodities which could be supplied by the British including military equipment and supply of ammunition.
26 October 2020
A guest post by Chantelle Richardson, Librarian of the National Library of Jamaica and former Chevening British Library Fellow
Throughout my year at the British Library, I was privy to seeing some amazing resources. One of my projects focused on Non-book Bibliographic materials from Latin America and the Caribbean before 1950. Compiling the list of materials for this project allowed me to view various items related to the Caribbean region. However, my interest piqued when I would see items related to Jamaica, especially maps.
My fascination with maps began when I started working in the Special collections branch at the National Library of Jamaica. Historical maps provide a vivid depiction of what the past looked like. They can be useful for a multiplicity of information needs. Land allocation is one aspect that is of particular interest. Maps can be used to see how communities were structured then and how they are now.
I found that one of the best ways to browse the cartographic holdings at the BL was by using the printed catalogues available in the Maps Reading Room. Though most items can be found on Explore the BL (the online catalogue) I found the printed catalogues useful in helping me to navigate the vast collections. It is therefore good to know that a complete set of metadata relating to one of the Library’s treasure collections, the King’s Topographical Collection (K.Top.) will soon be made available on the BL Shared Research Repository – an ideal tool for browsing which is similar to how you would navigate the printed catalogues.
Interestingly, I found that the BL has maps and other special collection items such as prints like those present in the NLJ collections. The K.Top. Collection is one of the best examples of this.
James Robertson, MAP of the County Of Cornwall, In The Island Of Jamaica. London, 1804. Maps K.Top.123.52.b.11.
The K.Top. Collection features many maps from the Caribbean in general. There are several maps related to Jamaica directly and indirectly. The names of cartographers like James Robertson, Edward Slaney and Nicolaes Visscher popped out as all have holdings in the NLJ collections.
Nicolaes Visscher. Insulae Americanae in Oceano Septentrionali ac Regiones Adiacentes. Amsterdam, 1775. Maps K. Top.123.5.
The coloured Jamaica maps in the K.Top. Collection are particularly interesting. Aside from being appealing to the eye, they give information on the parishes, towns, and counties. Researchers wanting to analyze the division of land in Jamaica from when there were 22 parishes to its 14 now can use the coloured maps as reference.
Another interesting thing about the K.Top. Collection is that it not only has maps related to Jamaica but prints as well. Prints such as The Maroons in Ambush on the Dromilly Estate in the Parish of Trelawney, Jamaica are a good source for researchers who are interested in indigenous groups and resistance.
J. Mérigot, The MAROONS in AMBUSH on the DROMILLY ESTATE in the PARISH of TRELAWNEY, JAMAICA. London, Robert Cribb, 1801. Maps K.Top.123.59.
There are also prints by lithographers like George Robertson and Louis Belanger. These prints are an added benefit of the K.Top. Collection as they help to contextualize what was happening in some of the places identified on the maps. For example, a MAP of the COUNTY of Middlesex, IN THE ISLAND of JAMAICA has an explanation section which I found somewhat depicted in one of Robertson prints A VIEW IN THE ISLAND OF JAMAICA.
James Simpson, MAP of the COUNTY of Middlessex, IN THE ISLAND of JAMAICA. London, 1763. Maps K.Top.123.51.c.2.tab.
Researchers wanting to find a visual representation of rivers, harbours, estates, and aspects of plantation life during the 18th century may find these items useful.
J.B. Harley stated that he saw cartographical mapping of the British Empire as a language of power and not protest. The same could be said of some of the Jamaican maps. To ignore the imperial association of how the maps became a part of the K.Top. Collection would not be an objective stance. Like many of the other Caribbean maps featured in the collection, most of the Jamaican maps were acquired throughout the 16th and 19th century when Britain ruled much of the Caribbean. These maps can be used in research that explores themes like the role of early maps in Britain’s imperialist past, area studies, postcolonial studies, land ownership and geomapping.
With the COVID-19 global pandemic remote access is becoming a major focus for libraries worldwide. Researchers who use both BL and NLJ resources have increased in the demand for digital materials. It was good to see that all the maps relating to Jamaica and the Caribbean from the K.Top. Collection have been digitized and are now openly available worldwide through the BL Explore and Flickr platform.
In the coming months, I plan to input links from the K.Top. maps collection into the NLJ maps catalogue so users will have access to the digitized copies of these resources from our holdings. Having used these resources, I recommend it to all users for academic as well as personal research.
13 October 2020
Today we release 18,000 digital images of historic maps, views and texts from the Topographical Collection of King George III into the public domain.
The collection has been digitised as part of a seven-year project to catalogue, conserve and digitise the collection which was presented to the Nation in 1823 by King George IV. This is the first of two planned image releases.
For the first time, anybody who wishes to can remotely view, search, research and enjoy one of the world’s richest and most varied public collections of the history of place.
The idea of remote or virtual travelling is a particularly common one today thanks to the seamless interfaces of online map viewer that simulate the idea of airborne travel and evoke the excitement of discovery. However, the idea of virtual travel has a long history, and is well illustrated by the travel-averse king who resided in his palaces and viewed the world through his collection of maps and views. This is the Google Earth of the late 18th century and the journeys it can take you on are no less informative, intriguing, and instructive of the many facets of past eras.
What is K.Top?
The King’s Topographical Collection (K.Top) is one part of the Geographical Collection of King George III (the other parts are the Maritime and Military collections). The nucleus of the collection was assembled from 1660, but added to considerably after 1760 by the king’s librarians and agents. The collection was presented to the British Museum (from 1973 British Library) as a distinct part of the King's Library in 1823,. For more on the history of the collection see this post by Felicity Myrone.
What is in it?
It’s probably easier to list what isn’t in this collection. It totals around 40,000 printed and manuscript maps, views, charts, texts, architectural plans, prints, atlases and ephemera. The collection is arranged geographically, with around 40% dedicated to the British Isles, one third covering the Europe of the Grand Tour, and 10% for British areas of influence such as North America, the West Indies and India.
What themes does it include?
Too many to mention, but here’s a sample: landscape, tourism, antiquarianism, architecture, rural life, fine art, agriculture, medieval and church studies, urban planning and development, industrialisation – canals and transport, military history, the history of collecting, the history of cartography, the Grand Tour, royal palaces and stately homes, science and invention, the history of exploration, American Independence.
As a product of the 16th-19th centuries, the collection is also associated with imperialism, and the role of maps in facilitating imperialist activities both practically and ideologically. We hope that the release of this material will facilitate research and greater understanding of these aspects of the past.
How can I access it?
18,000 images are available via the file-sharing site Flickr, which you can find here https://www.flickr.com/photos/britishlibrary/albums/72157716220271206
Images from the collection are also tagged George III Topographical Collection https://www.flickr.com/photos/tags/georgeiiitopographicalcollection
There are links to full Marc cataloguing records on Explore the British Library. To view a digital image from the catalogue record on Explore, select 'I Want This' and then 'View Online Digital Item.'
How about georeferencing?
Glad you asked. For those of you who like a challenge, we have made all of the maps from this release available on our Georeferencer Tool. See how you get on with geolocating the maps. Some will be easier than others.
What can I do with the images?
You are free to study, enjoy, download and remix these images as you see fit. When doing so, please bear in mind any potential cultural or other sensitivities associated with them. Importantly, we’d really like to know what you are doing with the images so please let us know @BLMaps or by emailing firstname.lastname@example.org, we’d love to hear from you.
Who do we have to thank?
So very many people. Here goes:
Generous trusts and individuals including the American Trust for the British Library, Art Scholars Charitable Trust, Blue Rubicon, Viscountess Boyd Charitable Trust, Christies Education, Coles Medlock Charitable Foundation, Cornwall Heritage Trust, Cumberland and Westmorland Antiquarian and Archaeological Society, Daniel Crouch Rare Books, Dunard Fund, The Eccles Centre for American Studies, Englefield Charitable Trust, Edward and Dorothy Cadbury Trust, Hadfield Trust, John R Murray Charitable Trust, Ken Biggs Charitable Trust, Samuel H Kress Foundation, Langtree Trust, London Historians Ltd, London Topographical Society, Maunby Investment Management Ltd , PH Charitable Trust, Peck Stacpoole Foundation, Pitt Rivers Charitable Trust, Reed Foundation, Sylvia Ioannou Foundation, Swire Charitable Trust, Swinton Charitable Trust, Trefoil Trust, Turtleton Charitable Trust, Cyrus Alai, Caroline and Peter Batchelor, Michael Buehler, Tom Boyd, Richard H Brown, Claire Gapper, William B Ginsberg, Jaime Gonzalez, Martin Halusa, Jerome S Handler, Peter Holland, Tina Holland, Arthur Holzheimer, J Michael Horgan, John Leighfield, Norman Leventhal, Sri Prakash Lohia, Tom and Hilary Lynch, Lynda Partridge, Robert E Pierce, Carolyn Ritchie, David Rumsey, J T Touchton, Tony and Maureen Wheeler, Peter A Woodsford and others who wish to remain anonymous.
Dedicated project staff Felicity Myrone, Hugh Brown, Alex Ault, Mercedes Ceron, Kate Marshall, Magdalena Kowalczuk, Oliver Flory, Grant Lewis, Rebecca Whiteley, Marianne Yule, Sileas Wood, Tom Drysdale, Tamara Tubb, Fred Smith, Jeremy Brown and Emily Roy.
Also very dedicated British Library colleagues Louise Ashton, Filipe Bento, Kate Birch, Michele Burton, April Carlucci, Alan Danskin, Silvia Dobrovich, Adrian Edwards, Roger Gavin, Tony Grant, Karl Harris, Mahendra Mahey, Scot McKendrick, Victoria Morris, Magdalena Peszko, Gethin Rees, Sandra Tuppen, Mia Ridge and Joanna Wells.
And finally, none of this would have been possible without the efforts of Peter Barber, Head of British Library Map Collections until his retirement in 2015, in promoting the research value, relevance and importance of the King’s Topographical Collection to existing and new audiences.
21 July 2020
We held our just-for-fun World Map World Cup during the week of 6 July. 16 carefully selected world maps (drawn from a considerably longer long list) produced from between the 11th and 20th centuries, taken from the British Library map collection, voted for by you in a series of Twitter polls. You can look back on the selection in previous blog posts here.
A montage of the sixteen historical maps involved the the British Library's world map world cup competition
For those of you not on Twitter, here’s how the voting panned out.
Group stages (top two maps from each group qualified)
The British Library’s ‘favourite’ world map is the mid-11th century ‘Anglo-Saxon or Cottonian World map. The British Library shop will be creating a ‘Print-on-demand’ edition of the map to celebrate (using brilliant new photography of the map taken as part of the Library’s ‘Anglo-Saxon Kingdoms’ exhibition (thank you to Alison Hudson for mentioning this to me).
What did our mini map tournament tell us? Well, apart from “don’t even attempt to do an online Twitter tournament unless you are really organised and ever so slightly unhinged,” here are five key points that stood out:
1. You know what you like….. some of the time.
The voting was remarkably even, with all maps receiving at least 17% of every vote. This is really interesting for what it says about your broad appreciation for a wide range of historical mapping - even the comparatively abstract Ptolemaic maps.
2. You’re particularly interested in non-European maps
I was keen to bring in as many non-western maps as possible to the table. Whilst this did tilt the balance (there are overwhelmingly more European than non-European maps in the British Library collection, and Islamic cartography is very poorly represented), where these went head-to-head with non-European maps, the Japanese, Chinese and Korean maps won almost every time. The Korean Cheon’hado's victory over Blaeu’s great Dutch 'Golden Age' map stood out particularly strongly.
3. Medievalists continue to rule HistoryTwitter
Not only did a medieval map win, but it was an all-medieval final. And, with the exception of the 1506 Contarini map, an all-medieval semi final draw. For two medieval maps not to make it through the group stages was something of a world cup upset (think France, football World Cup 2010). Perhaps medieval maps were comparatively over-represented, but it’s difficult to argue against this given their astonishing rarity and capacity for insight. Do not mess with Medieval Twitter!
4. You value historical significance over beauty
In the final head-to-head you had the choice of the delicate beauty of the Psalter map over the rugged historical weight of the Anglo-Saxon map, The latter won through.
5. And finally…. accuracy nowhere in sight
The map you voted the British Library’s favourite is one of our least ‘accurate’ maps in the modern conventional western sense. Despite the seeming obsession with mathematical accuracy in maps (and its particular value to the digital humanities), it isn’t the be-all-and-end-all. You said it.
Thank you again for participating, as always it couldn't have happened without you.
08 July 2020
We have come to the fourth and final qualifying group of our British Library world map world cup, and in it we have four extraordinary and breathtaking examples of cartography from between the 11th and 20th centuries. I hope the following descriptions, links and images will provide you with what you need to make your difficult choice.
Vote for your favourite over on Twitter (@BLMaps). The top two maps will go through to the quarter finals tomorrow, Friday July 10th.
1.Beatus of Liébana world map. Drawn in Burgos, Spain, between 1091 and 1109 (Add.MS 11695)
The 15 surviving 'Beatus' maps are included in textual commentaries on the Apocalypse of St John (from the New Testament Book of Revelation) written by the Spanish theologian Beatus of Liébana (fl.776–86). The British Library’s example, arguably more powerful and brooding than the others, is a diagrammatic image with powerful pictorial elements. These include fishes swimming in the sea encircling the world, the‘molehill’ mountains and the unforgettable image of the Garden of Eden at the top of the map, in the east. It was produced in northern Spain (in the monastery of San Domingo de Silos) in around 1109, and as a result reflects Islamic pictorial influences that had spread from northern Africa.
Link to digitised example: https://www.bl.uk/collection-items/beatus-world-map
Further reading: Peter Barber, 'Medieval world maps; in Paul Harvey, The Hereford World Map: medieval world maps and their contexts (London: British LIbrary, 2006).
2. The Contarini-Rosselli world map. Engraving, published in Florence in 1506 (Maps C.2.cc.4).
This is the earliest surviving printed map to show any part of the Americas. It was published in Florence in 1506, only a decade or so after Christopher Columbus's first voyage in 1492. The map, which is by the Venetian Giovanni Matteo Contarini and Florentine Francesco Rosselli, has been celebrated for its American content ever since this only known copy was purchased by the British Museum in 1922. But it is an extremely early and partial glimpse of eastern America: Newfoundland and Labrador are shown cemented on to Kamchatka, Cuba and Hispaniola are floating next to Japan, and South America is joined to the vast Southern Continent.
Link to digital copy: https://www.bl.uk/collection-items/first-known-printed-world-map-showing-america
3. Aḍhāīdvīpa. Painted in Rajasthan in 1830 (Add.Or. 1814).
This is a map showing the structure of the world of Jainism, a religious system founded in northern India in the sixth or seventh century BCE. The map, which is in Sanskrit, was painted onto cloth in Rajasthan in 1830, and like many of the European medieval mappamundi, it illustrates a fusion of human and sacred geography. At the centre is the recognisable, terrestrial world of people (Mount Meru is at the centre, as it is in the Korean Ch’ ōnhado maps). Surrounding it is the spiritual world: green concentric-ringed continents illustrated by lunar symbols and separated by fish-filled oceans, beyond which is the outer land of the jinas or prophets.
Link to digital copy: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_Or_1814
Further reading: Joseph E. Schwartzburg, 'Cosmological mapping' in The history of cartography volume two, book one: cartography in the traditional Islamic and South Asian societies (Chicago: Chicago University Press, 1994).
4. Self determination world map, by F. Klimesch. Published in Berlin in around 1919 (Maps CC.5.b.29).
The only 20th century world map to make it into our World Map World Cup competition (not that there aren't many great 20th century world maps, just a mere 16 places to fill), is a German map produced in the wake of the peace treaties following the defeat of Germany and the end of the Great War, 1914-1918. It shows the victorious allies Britain, France, Russia and the USA as soldier figures, holding leashes attached to their respective national beasts. These beasts have been placed over the colonies they controlled.
The title explains why: 'What would be left of the entente if it made serious the right of self-determination of their own people and let go of the reins!' The map calls out the Allies' decision to confiscate German colonies under the principle of 'self determination,' but to retain theirs regardless. Given the century-long process of decolonisation that ensued, and ensues, the map is profoundly and powerfully prescient.
Link to digitised copy: https://www.bl.uk/collection-items/was-von-der-entente
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