13 October 2020
Today we release 18,000 digital images of historic maps, views and texts from the Topographical Collection of King George III into the public domain.
The collection has been digitised as part of a seven-year project to catalogue, conserve and digitise the collection which was presented to the Nation in 1823 by King George IV. This is the first of two planned image releases.
For the first time, anybody who wishes to can remotely view, search, research and enjoy one of the world’s richest and most varied public collections of the history of place.
The idea of remote or virtual travelling is a particularly common one today thanks to the seamless interfaces of online map viewer that simulate the idea of airborne travel and evoke the excitement of discovery. However, the idea of virtual travel has a long history, and is well illustrated by the travel-averse king who resided in his palaces and viewed the world through his collection of maps and views. This is the Google Earth of the late 18th century and the journeys it can take you on are no less informative, intriguing, and instructive of the many facets of past eras.
What is K.Top?
The King’s Topographical Collection (K.Top) is one part of the Geographical Collection of King George III (the other parts are the Maritime and Military collections). The nucleus of the collection was assembled from 1660, but added to considerably after 1760 by the king’s librarians and agents. The collection was presented to the British Museum (from 1973 British Library) as a distinct part of the King's Library in 1823,. For more on the history of the collection see this post by Felicity Myrone.
What is in it?
It’s probably easier to list what isn’t in this collection. It totals around 40,000 printed and manuscript maps, views, charts, texts, architectural plans, prints, atlases and ephemera. The collection is arranged geographically, with around 40% dedicated to the British Isles, one third covering the Europe of the Grand Tour, and 10% for British areas of influence such as North America, the West Indies and India.
What themes does it include?
Too many to mention, but here’s a sample: landscape, tourism, antiquarianism, architecture, rural life, fine art, agriculture, medieval and church studies, urban planning and development, industrialisation – canals and transport, military history, the history of collecting, the history of cartography, the Grand Tour, royal palaces and stately homes, science and invention, the history of exploration, American Independence.
As a product of the 16th-19th centuries, the collection is also associated with imperialism, and the role of maps in facilitating imperialist activities both practically and ideologically. We hope that the release of this material will facilitate research and greater understanding of these aspects of the past.
How can I access it?
18,000 images are available via the file-sharing site Flickr, which you can find here https://www.flickr.com/photos/britishlibrary/albums/72157716220271206
Images from the collection are also tagged George III Topographical Collection https://www.flickr.com/photos/tags/georgeiiitopographicalcollection
There are links to full Marc cataloguing records on Explore the British Library. To view a digital image from the catalogue record on Explore, select 'I Want This' and then 'View Online Digital Item.'
How about georeferencing?
Glad you asked. For those of you who like a challenge, we have made all of the maps from this release available on our Georeferencer Tool. See how you get on with geolocating the maps. Some will be easier than others.
What can I do with the images?
You are free to study, enjoy, download and remix these images as you see fit. When doing so, please bear in mind any potential cultural or other sensitivities associated with them. Importantly, we’d really like to know what you are doing with the images so please let us know @BLMaps or by emailing email@example.com, we’d love to hear from you.
Who do we have to thank?
So very many people. Here goes:
Generous trusts and individuals including the American Trust for the British Library, Art Scholars Charitable Trust, Blue Rubicon, Viscountess Boyd Charitable Trust, Christies Education, Coles Medlock Charitable Foundation, Cornwall Heritage Trust, Cumberland and Westmorland Antiquarian and Archaeological Society, Daniel Crouch Rare Books, Dunard Fund, The Eccles Centre for American Studies, Englefield Charitable Trust, Edward and Dorothy Cadbury Trust, Hadfield Trust, John R Murray Charitable Trust, Ken Biggs Charitable Trust, Samuel H Kress Foundation, Langtree Trust, London Historians Ltd, London Topographical Society, Maunby Investment Management Ltd , PH Charitable Trust, Peck Stacpoole Foundation, Pitt Rivers Charitable Trust, Reed Foundation, Sylvia Ioannou Foundation, Swire Charitable Trust, Swinton Charitable Trust, Trefoil Trust, Turtleton Charitable Trust, Cyrus Alai, Caroline and Peter Batchelor, Michael Buehler, Tom Boyd, Richard H Brown, Claire Gapper, William B Ginsberg, Jaime Gonzalez, Martin Halusa, Jerome S Handler, Peter Holland, Tina Holland, Arthur Holzheimer, J Michael Horgan, John Leighfield, Norman Leventhal, Sri Prakash Lohia, Tom and Hilary Lynch, Lynda Partridge, Robert E Pierce, Carolyn Ritchie, David Rumsey, J T Touchton, Tony and Maureen Wheeler, Peter A Woodsford and others who wish to remain anonymous.
Dedicated project staff Felicity Myrone, Hugh Brown, Alex Ault, Mercedes Ceron, Kate Marshall, Magdalena Kowalczuk, Oliver Flory, Grant Lewis, Rebecca Whiteley, Marianne Yule, Sileas Wood, Tom Drysdale, Tamara Tubb, Fred Smith, Jeremy Brown and Emily Roy.
Also very dedicated British Library colleagues Louise Ashton, Filipe Bento, Kate Birch, Michele Burton, April Carlucci, Alan Danskin, Silvia Dobrovich, Adrian Edwards, Roger Gavin, Tony Grant, Karl Harris, Mahendra Mahey, Scot McKendrick, Victoria Morris, Magdalena Peszko, Gethin Rees, Sandra Tuppen, Mia Ridge and Joanna Wells.
And finally, none of this would have been possible without the efforts of Peter Barber, Head of British Library Map Collections until his retirement in 2015, in promoting the research value, relevance and importance of the King’s Topographical Collection to existing and new audiences.
08 July 2020
We have come to the fourth and final qualifying group of our British Library world map world cup, and in it we have four extraordinary and breathtaking examples of cartography from between the 11th and 20th centuries. I hope the following descriptions, links and images will provide you with what you need to make your difficult choice.
Vote for your favourite over on Twitter (@BLMaps). The top two maps will go through to the quarter finals tomorrow, Friday July 10th.
1.Beatus of Liébana world map. Drawn in Burgos, Spain, between 1091 and 1109 (Add.MS 11695)
The 15 surviving 'Beatus' maps are included in textual commentaries on the Apocalypse of St John (from the New Testament Book of Revelation) written by the Spanish theologian Beatus of Liébana (fl.776–86). The British Library’s example, arguably more powerful and brooding than the others, is a diagrammatic image with powerful pictorial elements. These include fishes swimming in the sea encircling the world, the‘molehill’ mountains and the unforgettable image of the Garden of Eden at the top of the map, in the east. It was produced in northern Spain (in the monastery of San Domingo de Silos) in around 1109, and as a result reflects Islamic pictorial influences that had spread from northern Africa.
Link to digitised example: https://www.bl.uk/collection-items/beatus-world-map
Further reading: Peter Barber, 'Medieval world maps; in Paul Harvey, The Hereford World Map: medieval world maps and their contexts (London: British LIbrary, 2006).
2. The Contarini-Rosselli world map. Engraving, published in Florence in 1506 (Maps C.2.cc.4).
This is the earliest surviving printed map to show any part of the Americas. It was published in Florence in 1506, only a decade or so after Christopher Columbus's first voyage in 1492. The map, which is by the Venetian Giovanni Matteo Contarini and Florentine Francesco Rosselli, has been celebrated for its American content ever since this only known copy was purchased by the British Museum in 1922. But it is an extremely early and partial glimpse of eastern America: Newfoundland and Labrador are shown cemented on to Kamchatka, Cuba and Hispaniola are floating next to Japan, and South America is joined to the vast Southern Continent.
Link to digital copy: https://www.bl.uk/collection-items/first-known-printed-world-map-showing-america
3. Aḍhāīdvīpa. Painted in Rajasthan in 1830 (Add.Or. 1814).
This is a map showing the structure of the world of Jainism, a religious system founded in northern India in the sixth or seventh century BCE. The map, which is in Sanskrit, was painted onto cloth in Rajasthan in 1830, and like many of the European medieval mappamundi, it illustrates a fusion of human and sacred geography. At the centre is the recognisable, terrestrial world of people (Mount Meru is at the centre, as it is in the Korean Ch’ ōnhado maps). Surrounding it is the spiritual world: green concentric-ringed continents illustrated by lunar symbols and separated by fish-filled oceans, beyond which is the outer land of the jinas or prophets.
Link to digital copy: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_Or_1814
Further reading: Joseph E. Schwartzburg, 'Cosmological mapping' in The history of cartography volume two, book one: cartography in the traditional Islamic and South Asian societies (Chicago: Chicago University Press, 1994).
4. Self determination world map, by F. Klimesch. Published in Berlin in around 1919 (Maps CC.5.b.29).
The only 20th century world map to make it into our World Map World Cup competition (not that there aren't many great 20th century world maps, just a mere 16 places to fill), is a German map produced in the wake of the peace treaties following the defeat of Germany and the end of the Great War, 1914-1918. It shows the victorious allies Britain, France, Russia and the USA as soldier figures, holding leashes attached to their respective national beasts. These beasts have been placed over the colonies they controlled.
The title explains why: 'What would be left of the entente if it made serious the right of self-determination of their own people and let go of the reins!' The map calls out the Allies' decision to confiscate German colonies under the principle of 'self determination,' but to retain theirs regardless. Given the century-long process of decolonisation that ensued, and ensues, the map is profoundly and powerfully prescient.
Link to digitised copy: https://www.bl.uk/collection-items/was-von-der-entente
06 July 2020
Hello and welcome to Group two of our British Library world map world cup.
In every world cup there tends to be a group of death. This group is the football equivalent of Brazil, Germany, Argentina and Spain all together. So I hope the following descriptions, links and images will provide you with what you need to choose between them.
Vote for your favourite over on Twitter (@BLMaps). The top two maps will go through to the quarter finals on Friday.
1. Vesconte-Sanudo Mappamundi.
Drawn in Venice or Genoa in around 1325 (Add. MS 27376*).
This map is an extraordinary hybrid between a traditional 'mappamundi' and a portolan or sea chart. It was drawn by the Genoses chartmaker Pietro Vesconte to illustrate Marino Sanudo's mysteriously-titled book 'Secret book of the Faith of the Cross.' The book was presented to Pope John XX in order to persuade him to give his blessing to a Christian Crusade to invade the Holy Land. Other maps in the book illustrated the route to the Holy Land and the goal of the proposed mission: Acre and Jerusalem.
The world map is particularly clever because, most unusually, it consciously played down Christian iconography in order to present the Pope with an image of Christianity in crisis.
Link to digitised copy: https://www.bl.uk/collection-items/liber-secretorum-fidelium-crucis-by-marino-sanudo
2. World map by Pierre Desceliers, 1550.
Drawn in Dieppe, 1550 (Add.MS 24065).
Descelier's map is perhaps the crowning achievement of the Dieppe School of French chartmakers; a large planisphere focused upon navigational information (it has dual orientation indicating that it was to be viewed upon a table) but also corresponding to the idea of a visual encyclopedia of everything occurring in the world. The map contains the arms of Henri II of France and the Duc de Montmorency and could have been owned by either. Of particular interest is its depiction of areas of North America then only recently encountered by Jacques Cartier and the unusual arrangement of South East Asia and Australasia entitled Java La Grande that would flummox Europeans up to and beyond the journeys of James Cook two centuries later,
Further reading: Sarah Toulouse, 'Marine cartography and navigation in Renaissance France' in The history of cartography volume three, part two: cartogrpahy in the European Renaissance (Chicago: Chicago University Press, 2007).
3. Joan Blaeu world map, 1648.
Engraving on 21 sheets, printed in Amsterdam, 1648 (Maps KAR.(1-2.).).
Blaeu's gargantuan map is regarded as the high water mark of Dutch cartography, and that's saying something given the quality of 17th century Netherlands cartography. There are two main reasons for this high regard. Firstly, the technical skill and artistry involved in creating such a high-quality printed map over 3 metres wide. The second is the range and quantity of first-hand geographical information it shows. Blaeu was chief cartographer of the Verenig Oostindische Compagnie (VOC), charged with compiling charts from the latest information gathered from company ships. Instead of secreting this commercially sensitive information like the Portuguese and Spanish did, Blaeu stuck it on a publicly available map. For the Dutch, nothing was more important than business.
The map was used as the model for the giant floor mural of Amsterdam Town Hall. There are a small number of copies still in existence, this one was owned by Charles II.
Link to digitised copy: https://www.bl.uk/collection-items/klencke-atlas
Further reading: Commercial Cartography and Map Production in the Low Countries, 1500–ca. 1672 in The history of cartography volume three: cartograpy in the European Renaissance (part two).
4. Ch’ ōnhado (Map of All Under Heaven), c. 1800.
Woodcut, printed in Seoul (Maps C.27.f.14.)
This incredible map, which is part of a set of maps showing the world and regions of Korea, is one of select group of Korean world maps produced during the late 18th and 19th centuries. They show the world oriented to the east and centred upon East Asia. Look carefully and you can make out the eastern coast of China, Beiing a large red symbol, with the yellow river and Great Wall nearby. The rest of the world are scattered islands on the periphery. These maps were far more basic than earlier Korean-produced maps, and it has been suggested that one of their intended audiences was tourists.
Link to digitised copy: https://www.bl.uk/collection-items/cheonhado-world-map
Further reading: Gari Ledyard, 'Cartography in Korea' in The history of cartography volume two book two: cartography in the traditional east and East Asian societies (Chicago: Chicago University Press, 1994).
04 July 2020
World maps are amazing things for their ability to conceptualise the earth and capture it in miniature. Of course, this comes at a price. World maps, perhaps more than any other 'image,' are powerful and subjective. Each one contains a particular world view, and throughout history they, or rather their makers, have tended use them to impose their views upon others. Who is at the world's centre? Who is relegated to the margins? Who is shrunken in size, and who is removed from the map all together?
So it's a strange quirk of history that during the 20th century, that most antagonistic of eras, the world map came to be seen as a symbol of co-operation, togetherness, shared heritage and environmental awareness (thanks in no small part to NASA's famous 1968 Earthrise photograph of our vulnerable planet hanging in the void). As a result, a world map is now capable of saying “we’re all in it together”. It’s World Population Day on Saturday 11 July, so let's attempt to reclaim some of that spirit.
I'd like to invite you to help us choose the British Library’s favourite world map. Over the next week I’m going to introduce sixteen of the most extraordinary and groundbreaking world maps from between the 11th and 20th centuries, carefully selected from the British Library’s collection of over 4 million maps.
The maps will be arranged into 4 groups, with one Twitter poll per day (Monday to Thursday) deciding which two maps from each group will go through to the quarter finals on Friday. The semi finals and final poll will happen on Saturday, and we’ll think up something special for the winner. Follow us @BLMaps, hashtag #BLWorldMapWorldCup.
What selection criteria might you use? Well, did the map capture some signal shift in civilisation? Is it unique, beautiful, technically accomplished or cleverly made? Or do you just like it because you like it? That’s valid too.
Hopefully through this just-for-fun competition it will be possible to appreciate the history of a world of multiple viewpoints; and, though it won't be easy, to begin to rediscover ones which have been erased.
21 April 2020
During the current pandemic, the next best thing to heading outdoors is (of course) to lose yourself in the printed landscapes of maps instead. In our London flat last weekend, I couldn’t help reaching for my Ordnance Survey Explorer sheets of the English Lakes and tracing the routes of Easter walks in years gone by.
Although busy depicting roundabouts and service stations, road maps and atlases also give us armchair explorers a flavour of the landscapes, the countries and the times we move through in our mind’s eye.
This example from the United States comes from a time when the American highway map was at its peak, when the automobile was an icon of progress, and state departments and commercial oil companies handed out road maps in their millions, free of charge.
Front and back of North Carolina Official Highway Map, 1967. Held at State Archives of North Carolina
While useful to many, these maps were also the vehicles for carefully chosen images and text promoting industry, nature, social progress and Christian values. A Motorist’s Prayer on this sheet begins, ‘Our heavenly Father, we ask this day a particular blessing as we take the wheel of our car...’
Detail of North Carolina Official Highway Map, 1967
A similar agenda is found on the other side of the Iron Curtain, where a Soviet regional map from the same year focussed on places and monuments of revolutionary history, industrial mines (asbestos, brown coal, gypsum...), pine forests and swan nesting sites.
Details from map of Orenburg Oblast, GUGK, 1967. BL Maps 35885.(63.)
Industrial prowess is emphasised again in the strong design on the cover of this regional atlas.
Atlas of Orenburg Oblast, 1969. BL Maps 54.e.48.
But unlike in Britain or America, the Soviet general public had no large scale Ordnance Survey or US Geological Survey maps to turn to for raw topographical detail. These were restricted to the military. Even generalised maps were deliberately distorted during the 1970s to make them harder to use for navigational and targeting purposes, should they fall into the wrong hands.
After the break-up of the Soviet Union, restrictions on sophisticated military mapping were relaxed, and elements of larger scale maps made their way into practical road atlases, amongst other products, for the general public. The evolution of these maps from military specification to a hybrid form more closely resembling the typical road map can be traced over the following years.
Left: Detail from Topographic map of the world at scale 1:200 000 produced by the Soviet Army General Staff, Sheet NM 40-2, 1987. BL Maps Y.1575.
Right: Equivalent detail from Orenburg Oblast, one of the Road Atlases of Russia series published by Roskartografia, 2003
In the road atlas on the right new colouring distinguishes road types and routes, and makes them more prominent while rivers fade away, and symbols are added to indicate petrol stations, medical facilities, museums and places of interest.
Detail of Sheet NM 40-2, Soviet Army General Staff, 1987
Equivalent detail from Orenburg Oblast Road Atlas, 2003
Precise bridge dimensions and maximum loads have been removed, though contours and direction of river flow remain, and the close mesh of the military grid has been replaced by a broad system of squares that correlates with the place name index at the back.
Cover of Orenburg Oblast Road Atlas, 2003
At last the landscape was revealed, and civilians could take to the open road better equipped.
And who knows, perhaps even now fingers are tracing imaginary routes from armchairs throughout Russia...
Denis Wood and John Fels, Designs on Signs/Myth and Meaning in Maps, in Cartographica vol 23 no 3, 1986, pp 54–103.
Zsolt G. Török, Russia and the Soviet Union, Fragmentation of, in The History of Cartography, vol 6, University of Chicago Press, 2015, pp 1376-1379.
Alexey V. Postnikov, Soviet Cartography, 1917-1991, in Cartography and Geographic Information Science vol 29(3), 2002, pp 243-260.
10 January 2017
One of the first users of the new telegraph office in Lhasa was Brigadier-General George Pereira, who despatched this short message on 17th October 1922, in the course of an heroic journey undertaken in poor health at the age of 57.
As British Military Attaché in China from 1905 to 1910, George Pereira travelled widely throughout the country collecting geographical intelligence (much of which survives as maps in the War Office Archive at the British Library). Following his subsequent posting to Europe, he resigned his commission and returned to China as a civilian, journeying from Peking (Beijing) to north-west China, also to the region bordering on Burma, returning across southern China to Foochow (Fuzhou).
The First World War saw him back into the army as Lieutenant-Colonel. He saw active service on the Western Front, and retired with the rank of Brigadier-General at the end of the war.
In 1920 Pereira returned to China to pursue his lifelong ambition to journey to Lhasa. At the age of 55, and in failing health, he undertook his final, remarkable journey from Peking to India via Tibet, then back into China from Burma. Although he reached Lhasa he did not complete the return journey: having become seriously ill he died in October 1923 in western Szechwan (Sichuan) where he was buried in the Roman Catholic cemetery at Tatsienlu (Kangding).
He was not the first Englishman in Lhasa, as his telegram might imply, but he was the first to arrive after travelling through China, rather than the shorter route from India. The only other Europeans who had achieved this feat were Vincentian Fathers Huc and Gabet in 1846.
The map shown here is one of a contemporary set of 24 finely executed sheets covering this last journey, traced by M.I.4 (Geographical Section, General Staff) from sketches received from Brigadier-General Pereira. The maps show the wealth of local information systematically recorded by Pereira along the route.
From the War Office Archive, received from the War Office/Ministry of Defence in 1964 and 1989. The archive, covering the period 1890-1940, comprises manuscript material used for the compilation of strategic and tactical cartographic intelligence product. There are 1,428 archival files made up of 7,253 map sheets and 5,015 pages of text.
Anselm Crispin Jewitt