09 December 2021
The India Office map catalogue of 1878, now released online for the first time on the British Library Shared Research Repository, is a valuable finding aid to one of the world's most complex and mercurial map collections.
The catalogue of manuscript and printed reports, field books, memoirs, maps, etc., of the Indian Surveys, deposited in the map room of the India office, compiled by Sir Clements Markham (1830-1916), was the first published listing of the working map archive of British East India Company, and the administration of British India from London. As the title suggests, it contains a wide variety of geographical materials, from maps to written sources and much else. Its principal geographical focus – about 70% of it - is upon the area of modern India, Pakistan, Bangladesh and Burma, but it also takes in adjacent areas, and more generally British imperial activity across the world, with the bulk of the material dating from the 19th and early 20th centuries.
In 1947 the collection, along with the rest of the India Office Records, passed into the care of the Commonwealth Office (various iterations), and in 1982 was deposited with the British Library.
As late as the 1970s the catalogue was still being used to manage the map collection; the copy we have released is the one used by archivists to record the multiple changes to the map collection that had occurred between 1878 and 1947. These changes include annotations and inserted leaves listing maps that were added to the collection after 1878, and crossings-out of material that had been removed. These latter include material relating to the Great Trigonometrical Survey which was sent to the Survey of India in 1924, and large-scale maps and plans for infrastructure projects sent to Indian provincial public works departments.
The catalogue is an indispensable aid for researchers looking to identify historical geographical sources for India and South Asia, and to order material to view onsite in the Library’s reading rooms. The ‘X’ numbers – the modern pressmarks or 'call numbers' for each unit (the material accessioned up to 1878 has the number range IOR/X/1 to IOR/X/4999), can be entered into the ‘request other items’ page of Explore the British Library under the Asia, Pacific and African Collection subset. There is also an incredibly useful alphabetical index to facilitate searching.
The catalogue is also valuable evidence of the history of the role of maps and geographical materials in the government of British India, and of imperial map archives in general. The arrangement and contents inform us of the particular mindsets and priorities of the administration (inevitably, the focus and dates of maps in the archive broadly matches Company and administration activity) and how these shifted over time.
We hope you find this a useful resource, and would be very glad to receive feedback on the sorts of ways you are making use of it in your research. You can read more about the research repository, and explore other resources available there.
01 July 2021
One-Fifth of the Earth’s Surface is a digital audio-visual, multimedia web experience by artists Hakeem Adam and Maxwell Mutanda. Commissioned by Abandon Normal Devices and York Mediale, the work is, as the title suggests, an exploration of the ‘power of water as a dynamic and fluid archive’ with the Atlantic Ocean its main subject.
The British Library has been involved in providing resources for the project, and a number of maps from the Topographical Collection of George III, digitised and released as Public Domain on Flickr have been included in the exhibit, along with sound recordings from the Library’s Sound Archive.
I was interested to see how maps would be deployed in the piece. There are a multitude of maps that show the Atlantic Ocean, its coasts, and the infinite network of rivers and arteries which feed it (a number of maps along these lines, created by Adam in Mapbox, are embedded in the artwork). Maps not only visualise the Atlantic Ocean, but influence how it is navigated, experienced and memorialised, and this role of maps is also explored in One-Fifth of the Earth’s Surface.
The online exhibition is split into sections, including: Memory, Analogue of Rivers, Ports, Navigation and Cartography, each constructed using various audio-visual elements that build, overlap and occasionally interrupt. Navigation is not straightforward, almost, at times, like fighting against the waves. Early maps appear in a number of places, particularly in the Archive section where they form part of the artists’ research materials. It is immersive, unpredictable digital art.
The creative potential of maps and mapping is limitless, and there is no better time to use them when so many are available from opened-up archives, where traditional and digital techniques are within reach, and when there is so much they can be used to say.
13 October 2020
Today we release 18,000 digital images of historic maps, views and texts from the Topographical Collection of King George III into the public domain.
The collection has been digitised as part of a seven-year project to catalogue, conserve and digitise the collection which was presented to the Nation in 1823 by King George IV. This is the first of two planned image releases.
For the first time, anybody who wishes to can remotely view, search, research and enjoy one of the world’s richest and most varied public collections of the history of place.
The idea of remote or virtual travelling is a particularly common one today thanks to the seamless interfaces of online map viewer that simulate the idea of airborne travel and evoke the excitement of discovery. However, the idea of virtual travel has a long history, and is well illustrated by the travel-averse king who resided in his palaces and viewed the world through his collection of maps and views. This is the Google Earth of the late 18th century and the journeys it can take you on are no less informative, intriguing, and instructive of the many facets of past eras.
What is K.Top?
The King’s Topographical Collection (K.Top) is one part of the Geographical Collection of King George III (the other parts are the Maritime and Military collections). The nucleus of the collection was assembled from 1660, but added to considerably after 1760 by the king’s librarians and agents. The collection was presented to the British Museum (from 1973 British Library) as a distinct part of the King's Library in 1823,. For more on the history of the collection see this post by Felicity Myrone.
What is in it?
It’s probably easier to list what isn’t in this collection. It totals around 40,000 printed and manuscript maps, views, charts, texts, architectural plans, prints, atlases and ephemera. The collection is arranged geographically, with around 40% dedicated to the British Isles, one third covering the Europe of the Grand Tour, and 10% for British areas of influence such as North America, the West Indies and India.
What themes does it include?
Too many to mention, but here’s a sample: landscape, tourism, antiquarianism, architecture, rural life, fine art, agriculture, medieval and church studies, urban planning and development, industrialisation – canals and transport, military history, the history of collecting, the history of cartography, the Grand Tour, royal palaces and stately homes, science and invention, the history of exploration, American Independence.
As a product of the 16th-19th centuries, the collection is also associated with imperialism, and the role of maps in facilitating imperialist activities both practically and ideologically. We hope that the release of this material will facilitate research and greater understanding of these aspects of the past.
How can I access it?
18,000 images are available via the file-sharing site Flickr, which you can find here https://www.flickr.com/photos/britishlibrary/albums/72157716220271206
Images from the collection are also tagged George III Topographical Collection https://www.flickr.com/photos/tags/georgeiiitopographicalcollection
There are links to full Marc cataloguing records on Explore the British Library. To view a digital image from the catalogue record on Explore, select 'I Want This' and then 'View Online Digital Item.'
How about georeferencing?
Glad you asked. For those of you who like a challenge, we have made all of the maps from this release available on our Georeferencer Tool. See how you get on with geolocating the maps. Some will be easier than others.
What can I do with the images?
You are free to study, enjoy, download and remix these images as you see fit. When doing so, please bear in mind any potential cultural or other sensitivities associated with them. Importantly, we’d really like to know what you are doing with the images so please let us know @BLMaps or by emailing [email protected], we’d love to hear from you.
Who do we have to thank?
So very many people. Here goes:
Generous trusts and individuals including the American Trust for the British Library, Art Scholars Charitable Trust, Blue Rubicon, Viscountess Boyd Charitable Trust, Christies Education, Coles Medlock Charitable Foundation, Cornwall Heritage Trust, Cumberland and Westmorland Antiquarian and Archaeological Society, Daniel Crouch Rare Books, Dunard Fund, The Eccles Centre for American Studies, Englefield Charitable Trust, Edward and Dorothy Cadbury Trust, Hadfield Trust, John R Murray Charitable Trust, Ken Biggs Charitable Trust, Samuel H Kress Foundation, Langtree Trust, London Historians Ltd, London Topographical Society, Maunby Investment Management Ltd , PH Charitable Trust, Peck Stacpoole Foundation, Pitt Rivers Charitable Trust, Reed Foundation, Sylvia Ioannou Foundation, Swire Charitable Trust, Swinton Charitable Trust, Trefoil Trust, Turtleton Charitable Trust, Cyrus Alai, Caroline and Peter Batchelor, Michael Buehler, Tom Boyd, Richard H Brown, Claire Gapper, William B Ginsberg, Jaime Gonzalez, Martin Halusa, Jerome S Handler, Peter Holland, Tina Holland, Arthur Holzheimer, J Michael Horgan, John Leighfield, Norman Leventhal, Sri Prakash Lohia, Tom and Hilary Lynch, Lynda Partridge, Robert E Pierce, Carolyn Ritchie, David Rumsey, J T Touchton, Tony and Maureen Wheeler, Peter A Woodsford and others who wish to remain anonymous.
Dedicated project staff Felicity Myrone, Hugh Brown, Alex Ault, Mercedes Ceron, Kate Marshall, Magdalena Kowalczuk, Oliver Flory, Grant Lewis, Rebecca Whiteley, Marianne Yule, Sileas Wood, Tom Drysdale, Tamara Tubb, Fred Smith, Jeremy Brown and Emily Roy.
Also very dedicated British Library colleagues Louise Ashton, Filipe Bento, Kate Birch, Michele Burton, April Carlucci, Alan Danskin, Silvia Dobrovich, Adrian Edwards, Roger Gavin, Tony Grant, Karl Harris, Mahendra Mahey, Scot McKendrick, Victoria Morris, Magdalena Peszko, Gethin Rees, Sandra Tuppen, Mia Ridge and Joanna Wells.
And finally, none of this would have been possible without the efforts of Peter Barber, Head of British Library Map Collections until his retirement in 2015, in promoting the research value, relevance and importance of the King’s Topographical Collection to existing and new audiences.