11 February 2022
I recently participated in a discussion panel with the LivingMaps network as part of the launch of their ‘'New Directions in Radical Cartography: why the map is never the territory’. Edited by Prof Phil Cohen and Dr Mike Duggan, this edited collection brings together 20 examples of contemporary research, artwork and theory from across the world under the label counter-mapping or radical cartography.
The definition of counter-mapping and radical cartography was a question that formed much of the discussion. Counter-mapping, described in depth in the book, is a process which really began in the 1970s following a realisation that regular or normative maps were perhaps not as democratic or utilitarian as assumed, and appeared to favour certain groups over others. Maps such as those by William Bunge and the Pluto Press aimed to readdress the balance.
Radical mapping, according to Phil Cohen’s introduction to the book, moves things along. Firstly, many of the examples in the book are not ‘maps’ in the way that many of us appreciate them (though they are perfectly consistent with other cultures’ mapping). The maps are community workshops, walking tours, audio-led immersive guides, poetry and reading, contemporary archaeology GiS, multi-media, memory palaces and more. Yet all of them can be understood as mapping in some way, if you believe that mapping doesn’t necessarily always lead towards the creation of a map.
That seems pretty radical to me. There’s also a sense of radical-ness in what the mappings are doing. For example, they are user-led and generated as opposed to being created by professional map companies or agencies. They are also open-ended and unfinished – incredibly radical if you are used to thinking of a map as a tangible object. They also, often in very quiet ways, articulate the voices of groups who do not usually shout very loudly on traditional maps - children, the elderly, and migrants. Quietly radical, if there is such a thing.
Critical cartography is a developing area of the academic discipline of cultural studies. As ‘post-representational’ mappings, this work is not collected by the British Library (in the same way that GiS is not collected). However, early maps are used creatively by artists and academics affiliated to critical cartography. For example, digitised British Library maps were included in Hakeem Adam and Maxwell Mutanda’s One Fifth of the Earth’s Surface project which was featured in last years York AND festival. And whilst not from the Library’s collection, map based artworks included in Claire Reddelman’s Postcards from the Bagne demonstrate just how successful the use of early maps in artistic and cultural practice can be.
Integrating early maps, digitally or physically, into a multi-layered multi-sensory perception of places in time known as deep mapping (as, for example, described by Dr Stuart Dunn in A History of Space in the Digital Age), is another of the key ways in which maps contribute to cutting-edge research and continue to be, in every sense, living maps.
15 July 2021
Well, from today, you can find an additional 32,000 images, comprising George III’s collection of atlases and albums of views, plans, diagrams, reports and surveys, produced between 1550 and 1820. These have been uploaded to Flickr with a Public Domain attribution for you to search, browse, download, reuse, study and enjoy.
What have we added?
So much! Here are some highlights:
Complete cover-to-cover digitisation of major 16th, 17th and 18th century atlases by Joan Blaeu (lots of Blaeu), Jan Janssonius (again, lots of Jansson), Abraham Ortelius (a few Ortelius atlases here), Jodocus and Henricus Hondius, John Speed, Moses Pitt, Thomas Jefferys, Mary Anne Rocque, Nicolas Sanson, Pierre du Val, Herman Moll and others. Most have never been released in their entirety anywhere online before.
Albums of 16th century prints and drawings of Roman architecture and antiquities assembled by Cassiano dal Pozzo.
How can you access them?
The first release of 17,000 images - the collection of individual maps and views, was released in one big bundle. It made sense to release this disparate group of items this way, but we appreciate that searching Flickr for specific images is not especially easy (see below, Explore, for a solution. Of course, it can be interesting to browse if you are not sure where you want to end up!).
Responding to your feedback, this second release has organised the bound atlases and volumes of prints into separate albums. The images within the albums retain the order in which they are encountered in the physical copy. The titles of the albums are made up of the constituent volume's author, title, date and shelfmark, so we hope this will make the searching experience a good one. Batching into 500 or fewer images will make downloading easier for you too.
Every image on Flickr is accompanied by metadata which includes a link to the corresponding British Library Explore catalogue record. The links are reciprocal, meaning that you can search for specific items via Explore (key tip: add ‘George III’ to your search term (free text) in order to bring up only maps and views in the K.Top). When you have found the record for the item you require (look for the record for the volume or album, rather than the record for an individual map of view within that volume, which will not contain the digital link), select ‘I Want this’ and then ‘View Digital Item’, which will take you to the relevant image(s) on Flickr.
We hope you will find everything to your liking. However, as with any large release of digital images, you may encounter the odd hiccup for which we apologise. Please get in touch with us and we’ll do our best to put it right.
Although Flickr Commons now includes pretty much everything from the Topographical Collection, there is a small handful of images which we have still to release. We're working on it!
In due course, all of this content will become available on the British Library’s own dedicated Universal Viewer, while a dataset of the entire collection will also be released on the British Library's research repository.
We are keen to hear how you are using it so please let us know and provide feedback via social media @BLMaps or by emailing us at email@example.com.
Finally, a word of thanks to our colleagues at British Library Labs for their tireless perfectionism and dedication in developing these Flickr pages.
Now off you go and explore.
14 July 2021
I’m delighted that 1,277 maps from our War Office Archive have been added to the Georeferencer in the last few days. These military intelligence maps relate to Eastern Africa, particularly modern-day Ethiopia, Kenya, Malawi, Mozambique, Somaliland, Tanzania, Uganda, Zimbabwe and parts of South Africa. The British Library has catalogued, conserved and digitised the archive with generous funding from the Indigo Trust. You can find out more about the maps here https://www.bl.uk/collection-guides/war-office-archive.
Detail of Umkamba Prov. part of (Central), Capt. Bertram Dickson, 1901. BL Maps WOMAT/AFR/BEA/54
The maps are already accessible on the web through several different channels. A Google Map index shows the central point of each map sheet and provides links to catalogue records and high-resolution digital images, viewable on Digitised Manuscripts or available for download from Wikimedia Commons. You can also download text that has been extracted from the images using computer vision. However, we hope that the rich geospatial data provided by volunteers on the Georeferencer platform will open up these maps to new forms of research and discovery.
In terms of the Georeferencer project as a whole we now have 63902 maps georeferenced on the platform which is an amazing achievement. An exciting new project, ‘Machines Reading Maps’ [https://www.turing.ac.uk/research/research-projects/machines-reading-maps] based at the Alan Turing Institute is also now using our georeferenced Goad fire insurance maps. Thanks to all those who contributed to their georeferencing, they have been used by several research projects and are an invaluable resource.
01 July 2021
One-Fifth of the Earth’s Surface is a digital audio-visual, multimedia web experience by artists Hakeem Adam and Maxwell Mutanda. Commissioned by Abandon Normal Devices and York Mediale, the work is, as the title suggests, an exploration of the ‘power of water as a dynamic and fluid archive’ with the Atlantic Ocean its main subject.
The British Library has been involved in providing resources for the project, and a number of maps from the Topographical Collection of George III, digitised and released as Public Domain on Flickr have been included in the exhibit, along with sound recordings from the Library’s Sound Archive.
I was interested to see how maps would be deployed in the piece. There are a multitude of maps that show the Atlantic Ocean, its coasts, and the infinite network of rivers and arteries which feed it (a number of maps along these lines, created by Adam in Mapbox, are embedded in the artwork). Maps not only visualise the Atlantic Ocean, but influence how it is navigated, experienced and memorialised, and this role of maps is also explored in One-Fifth of the Earth’s Surface.
The online exhibition is split into sections, including: Memory, Analogue of Rivers, Ports, Navigation and Cartography, each constructed using various audio-visual elements that build, overlap and occasionally interrupt. Navigation is not straightforward, almost, at times, like fighting against the waves. Early maps appear in a number of places, particularly in the Archive section where they form part of the artists’ research materials. It is immersive, unpredictable digital art.
The creative potential of maps and mapping is limitless, and there is no better time to use them when so many are available from opened-up archives, where traditional and digital techniques are within reach, and when there is so much they can be used to say.
20 May 2021
As the maps reading room is now open again to readers, we’d like to point you in the direction of the digital maps viewer. Before you read on please note that the viewer is only available on-site in the maps reading room, you must book a space in advance of your visit by following the instructions here.
The digital maps viewer allows readers to browse maps and geospatial data that the library has collected over the last twenty years using a ‘slippy’ maps interface similar to Google, Bing or Apple maps. Snapshots of Ordnance Survey Great Britain Master Map and Ordnance Survey Northern Ireland Large Scale mapping are added every year and the 2020 versions are now accessible to readers in the viewer alongside older versions.
Whilst the library has been closed we have been busy gathering new data and we’re happy to announce that 36 new environmental and heritage datasets are now available to view. These include British Geological Survey open datasets and heritage datasets from Historic England, Historic Environment Scotland, Northern Ireland Department for Communities, the Royal Commission for the Ancient and Historical Monuments of Wales and CADW.
Furthermore 523 charts of the Western Isles of Scotland published by Antares (http://www.antarescharts.com) are also now accessible. These beautiful, very large scale charts and related pilotage information are created by yachtsmen. Antares tell us that:
‘All our charts have been compiled from our own surveys. Surveys are made by criss-crossing an area in an inflatable boat equipped with an accurate gps (+/- 2m), depth sounder and data logger. Soundings are fed into surveying software, reduced to chart datum by deducting the height of the tide and then plotted to make the chart.’
For more information on the fascinating process used of creating the charts please see http://www.antarescharts.co.uk/index_files/Making_the_charts.htm
Please note that a booking is required to use the viewer. To book speak to reading room staff on arrival in the maps reading room. Do please be aware that at busy times there may be a wait or you could be asked to come back on another day.
Gethin Rees, Lead curator of digital mapping
25 November 2020
In October we released 18,000 digital images of early maps and views from the Topographical Collection of George III. View the collection on Flickr Commons, and access images via the maps and views' catalogue records on Explore. Here's my choice of five compelling maps from the collection.
1. Plan of Manila, 1739.
This is the only recorded example of this 1739 edition of the 1717 town plan of Manila in the Philippines. Manila was, and is, a key international centre of trade, and the map was actually produced in the town (in a tiny vignette we can see a copy being presented by the Spanish governor of the Philippines to King Philip V of Spain). There’s probably no better image of a bustling commercial site, proof that a town is not just about its architecture and layout, but its people and processes too. This map has additional resonance, because Manila was besieged and looted by the British in 1762, and annotations in the map’s bottom right refer to aspects of the battle. Could it be George himself annotating the map according to reports he had received of the battle?
D. Antonio Fernandez de Roxas, TOPOGRAPHIA DE LA CIUDAD DE MANILA : CAPITAL de las yslas Philipinas
Manila: Hipoloto Ximenez, [around 1739].
2. Map and survey of Plymouth Harbour, 1780
This is the map that reminds me most of the strong links between mathematics and art in maps. It’s a large and serious military drawing, officially commissioned and with an accompanying report, of a key strategic naval installation and site of British maritime strength and power. It was drawn up as part of the earliest mapping activities for what would become the Ordnance Survey a few years later, enacted in response to the threat of invasion from Napoleonic France. So why is it so stunningly and mesmerizingly beautiful? It’s a question that should infuriate everyone who sees maps purely as cold communicators of facts and 'data.'
Matthew Dixon, Colonel, surveyor.
‘A General Plan with a Project for the Defence of the Arsenals of Plymouth, / By Lieut: Colonel Dixon Chief Engineer of the Plymouth Division. Revised and corrected by Geo. Beck Jan. 1780.’
3. Aquatint view of Kingston-upon-Thames, 1813
Thomas Horner, Kingston upon Thames. 1813
Is it a map or is it a view? What is that ominous large shadow looming in, Holbein-like, from stage left? Who cares! This is an intriguing and brilliantly composed aquatint print showing a collection of views of picturesque Kingston-upon-Thames. From above, in profile, from a distance away, it’s a multi-faceted image that invites us to dissolve our perception of the differences between vistas and to see them as a combined and rounded description of a place. Cartographic cubism! As Horner himself wrote, ‘…the whole, blended into one design by a picturesque fore-ground, forms a faithful view of the parish.’ It’s a joyous visual experience, with a few intrigues and little jokes (note the bungling surveyor- stonemasons in the foreground) thrown in for good measure.
4. India, 1619
This is a portentous map - the earliest British printed map of part of India. It marks the beginning of British cartographic involvement in India that would reach new levels of science-led imperial control through mapping by 1900. The Roe-Baffin map was produced following the earliest English trade mission to the Mughal empire. It has a stellar cast: Sir Thomas Roe, the diplomat who headed up the embassy. William Baffin, the navigator who went on to attempt to locate the North West Passage (Baffin Island is named after him). Reynold Elstrack, one of the earliest native English engravers.
The map was one of very few English-produced maps to provide a model for later Dutch atlas maps by Blaeu, Janssonius and others. English mapmakers were more often the copycats. The engraving of a Mughal seal has been expertly assessed by the British Library’s Dr Annabel Gallop.
William Baffin, 1584-1622, cartographer. A Description of East India conteyninge th'Empire of the Great Mogoll. / William Baffin deliniauit, et excudebat. ; Renold Elstrack sculp.
[London] : Are to be Sold in Pauls Church yarde. by Thomas Sterne Globemaker., 
5. The United States of America, 1782
This is a map with a story and a reminder of the power – and paranoia – that can be associated with maps. John Mitchell’s map of ‘the dominions of North America’ is a tremendous cartographic achievement in its level of description of this vast area. Yes, standing on the shoulders of earlier maps, but adding a vast quantity of descriptive notes and even including naming Native American nations (who were nevertheless ignored in what followed).
On another level, this late edition of the map is a piece of history, being the copy used by the British delegation at the 1782 Treaty of Paris where the terms of the peace following Britain’s defeat at the hands of the United States were established. The map has been marked up in red to show the lines of the new border the British would be happy with. But at the conference they realised that they didn’t have to cede quite as much as they had drawn. The map suggests that Upper Canada (much of modern-day Ontario) was also available to the USA. So later the British government ordered the British Museum to lock the map away so that nobody, particularly no inquisitive Americans, might see it and demand any more.
It was hidden from view until the early 20th century.
John Mitchell, 1711-1768, cartograph.er. A MAP of the BRITISH COLONIES in North America…
[London] : Publish'd by the Author Feb.ry 13.th 1755 according to Act of Parliament : Printed for Jefferys & Faden Geographers to the KING at the corner of S.t Martins Lane Charing Cross London, [about 1775, with annotations to 1782].
16 October 2020
We have just released 18,000 digital images of early maps and views from the Topographical Collection of George III for you to peruse and study.
As far as private and royal map collections go, the K.Top is one of the most well-known and best preserved of those assembled before the mid-19th century. It's also one of the more unusual and idiosyncratic due to its inclusion of a variety of other items besides maps and views (collectively known as 'ephemera.'). And it has an interesting custodial history following its presentation in the 1820s. Here are ten things you may not know about it.
1. A single piece of acquisition evidence survives for the collection, an invoice for a map of New Hampshire of 1761 (Maps K.Top 120.25) made out by the mapmaker Thomas Jefferys to the King's advisor the Earl of Bute.
2. The collection includes many official and governmental maps (such as this map of part of the coast of New England) which were presumably lent to the King for consultation but for one reason or another not returned.
3. The bulk of the collection of single-sheet maps and views are contained in 250 massive guard volumes that were created in the 1960s.
4. The collection is a distinct part of the larger King’s Library, but a number of volumes were separated from it and are now housed in the King's Library proper. Other items also found their way into the Western Manuscripts collection and the British Museum's Department of Prints and Drawings.
5. 'Top' stands for 'Topographical'. There’s also a Maritime (also in the British Library) and a Military collection (part of the Royal Collection in Windsor). However and most helpfully, the Topographical Collection also contains sea charts and military charts.
6. The king is rumoured to have kept the maps adjacent to his private chambers in Buckingham Palace.
7. Prior to 1828 the collection was given a geographical arrangement, which involved dismembering and redistributing of the contents of bound atlases including at least two Italian made-to-order atlases of the 16th century.
8. It includes the largest atlas in the world up to 2012, the Klencke Atlas.
10. A number of maps thought to be by the 16th century Flemish mapmaker Abraham Ortelius, including this map of Ancient Britain, were recently discovered to be late 17th century pirated copies after Ortelius, probably by the English mapmaker John Overton (see the notes to Maps C.49.e.74 for further information) .
13 October 2020
Today we release 18,000 digital images of historic maps, views and texts from the Topographical Collection of King George III into the public domain.
The collection has been digitised as part of a seven-year project to catalogue, conserve and digitise the collection which was presented to the Nation in 1823 by King George IV. This is the first of two planned image releases.
For the first time, anybody who wishes to can remotely view, search, research and enjoy one of the world’s richest and most varied public collections of the history of place.
The idea of remote or virtual travelling is a particularly common one today thanks to the seamless interfaces of online map viewer that simulate the idea of airborne travel and evoke the excitement of discovery. However, the idea of virtual travel has a long history, and is well illustrated by the travel-averse king who resided in his palaces and viewed the world through his collection of maps and views. This is the Google Earth of the late 18th century and the journeys it can take you on are no less informative, intriguing, and instructive of the many facets of past eras.
What is K.Top?
The King’s Topographical Collection (K.Top) is one part of the Geographical Collection of King George III (the other parts are the Maritime and Military collections). The nucleus of the collection was assembled from 1660, but added to considerably after 1760 by the king’s librarians and agents. The collection was presented to the British Museum (from 1973 British Library) as a distinct part of the King's Library in 1823,. For more on the history of the collection see this post by Felicity Myrone.
What is in it?
It’s probably easier to list what isn’t in this collection. It totals around 40,000 printed and manuscript maps, views, charts, texts, architectural plans, prints, atlases and ephemera. The collection is arranged geographically, with around 40% dedicated to the British Isles, one third covering the Europe of the Grand Tour, and 10% for British areas of influence such as North America, the West Indies and India.
What themes does it include?
Too many to mention, but here’s a sample: landscape, tourism, antiquarianism, architecture, rural life, fine art, agriculture, medieval and church studies, urban planning and development, industrialisation – canals and transport, military history, the history of collecting, the history of cartography, the Grand Tour, royal palaces and stately homes, science and invention, the history of exploration, American Independence.
As a product of the 16th-19th centuries, the collection is also associated with imperialism, and the role of maps in facilitating imperialist activities both practically and ideologically. We hope that the release of this material will facilitate research and greater understanding of these aspects of the past.
How can I access it?
18,000 images are available via the file-sharing site Flickr, which you can find here https://www.flickr.com/photos/britishlibrary/albums/72157716220271206
Images from the collection are also tagged George III Topographical Collection https://www.flickr.com/photos/tags/georgeiiitopographicalcollection
There are links to full Marc cataloguing records on Explore the British Library. To view a digital image from the catalogue record on Explore, select 'I Want This' and then 'View Online Digital Item.'
How about georeferencing?
Glad you asked. For those of you who like a challenge, we have made all of the maps from this release available on our Georeferencer Tool. See how you get on with geolocating the maps. Some will be easier than others.
What can I do with the images?
You are free to study, enjoy, download and remix these images as you see fit. When doing so, please bear in mind any potential cultural or other sensitivities associated with them. Importantly, we’d really like to know what you are doing with the images so please let us know @BLMaps or by emailing firstname.lastname@example.org, we’d love to hear from you.
Who do we have to thank?
So very many people. Here goes:
Generous trusts and individuals including the American Trust for the British Library, Art Scholars Charitable Trust, Blue Rubicon, Viscountess Boyd Charitable Trust, Christies Education, Coles Medlock Charitable Foundation, Cornwall Heritage Trust, Cumberland and Westmorland Antiquarian and Archaeological Society, Daniel Crouch Rare Books, Dunard Fund, The Eccles Centre for American Studies, Englefield Charitable Trust, Edward and Dorothy Cadbury Trust, Hadfield Trust, John R Murray Charitable Trust, Ken Biggs Charitable Trust, Samuel H Kress Foundation, Langtree Trust, London Historians Ltd, London Topographical Society, Maunby Investment Management Ltd , PH Charitable Trust, Peck Stacpoole Foundation, Pitt Rivers Charitable Trust, Reed Foundation, Sylvia Ioannou Foundation, Swire Charitable Trust, Swinton Charitable Trust, Trefoil Trust, Turtleton Charitable Trust, Cyrus Alai, Caroline and Peter Batchelor, Michael Buehler, Tom Boyd, Richard H Brown, Claire Gapper, William B Ginsberg, Jaime Gonzalez, Martin Halusa, Jerome S Handler, Peter Holland, Tina Holland, Arthur Holzheimer, J Michael Horgan, John Leighfield, Norman Leventhal, Sri Prakash Lohia, Tom and Hilary Lynch, Lynda Partridge, Robert E Pierce, Carolyn Ritchie, David Rumsey, J T Touchton, Tony and Maureen Wheeler, Peter A Woodsford and others who wish to remain anonymous.
Dedicated project staff Felicity Myrone, Hugh Brown, Alex Ault, Mercedes Ceron, Kate Marshall, Magdalena Kowalczuk, Oliver Flory, Grant Lewis, Rebecca Whiteley, Marianne Yule, Sileas Wood, Tom Drysdale, Tamara Tubb, Fred Smith, Jeremy Brown and Emily Roy.
Also very dedicated British Library colleagues Louise Ashton, Filipe Bento, Kate Birch, Michele Burton, April Carlucci, Alan Danskin, Silvia Dobrovich, Adrian Edwards, Roger Gavin, Tony Grant, Karl Harris, Mahendra Mahey, Scot McKendrick, Victoria Morris, Magdalena Peszko, Gethin Rees, Sandra Tuppen, Mia Ridge and Joanna Wells.
And finally, none of this would have been possible without the efforts of Peter Barber, Head of British Library Map Collections until his retirement in 2015, in promoting the research value, relevance and importance of the King’s Topographical Collection to existing and new audiences.
Maps and views blog recent posts
- Radical mapping
- George III's maps and views: 32,000 images released on Flickr Commons
- Adding 1,277 East African maps to Georeferencer
- One-Fifth of the World's Surface
- New Digital Maps available on Reading Room Terminal
- King's Topographical Collection: curator's pick
- 10 things you may not know about the King's Topographical Collection
- The K.Top: 18,000 digitised maps and views released
- Goad Maps on Layers of London
- Automated text extraction from colonial-era maps of eastern Africa