THE BRITISH LIBRARY

Maps and views blog

4 posts categorized "South Asia"

25 November 2020

King's Topographical Collection: curator's pick

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In October we released 18,000 digital images of early maps and views from the Topographical Collection of George III. View the collection on Flickr Commons, and access images via the maps and views' catalogue records on Explore. Here's my choice of five compelling maps from the collection. 

1. Plan of Manila, 1739.

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D. Antonio de Roxas, Manila, c. 1739

This is the only recorded example of this 1739 edition of the 1717 town plan of Manila in the Philippines. Manila was, and is, a key international centre of trade, and the map was actually produced in the town (in a tiny vignette we can see a copy being presented by the Spanish governor of the Philippines to King Philip V of Spain). There’s probably no better image of a bustling commercial site, proof that a town is not just about its architecture and layout, but its people and processes too. This map has additional resonance, because Manila was besieged and looted by the British in 1762, and annotations in the map’s bottom right refer to aspects of the battle. Could it be George himself annotating the map according to reports he had received of the battle? 

D. Antonio Fernandez de Roxas, TOPOGRAPHIA DE LA CIUDAD DE MANILA : CAPITAL de las yslas Philipinas

Manila: Hipoloto Ximenez, [around 1739].

Maps K.Top 116.40

2. Map and survey of Plymouth Harbour, 1780

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Matthew Dixon, Plan of Plymouth, 1780.

This is the map that reminds me most of the strong links between mathematics and art in maps. It’s a large and serious military drawing, officially commissioned and with an accompanying report, of a key strategic naval installation and site of British maritime strength and power. It was drawn up as part of the earliest mapping activities for what would become the Ordnance Survey a few years later, enacted in response to the threat of invasion from Napoleonic France. So why is it so stunningly and mesmerizingly beautiful? It’s a question that should infuriate everyone who sees maps purely as cold communicators of facts and 'data.'

Matthew Dixon, Colonel, surveyor.
‘A General Plan with a Project for the Defence of the Arsenals of Plymouth, / By Lieut: Colonel Dixon Chief Engineer of the Plymouth Division. Revised and corrected by Geo. Beck Jan. 1780.

Maps K.Top 11.79.2.TAB

 

3. Aquatint view of Kingston-upon-Thames, 1813

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Thomas Horner, Kingston-upon-Thames, 1813.

Thomas Horner, Kingston upon Thames. 1813

Maps K.Top 40.15.3.11.TAB

Is it a map or is it a view? What is that ominous large shadow looming in, Holbein-like, from stage left? Who cares! This is an intriguing and brilliantly composed aquatint print showing a collection of views of picturesque Kingston-upon-Thames. From above, in profile, from a distance away, it’s a multi-faceted image that invites us to dissolve our perception of the differences between vistas and to see them as a combined and rounded description of a place. Cartographic cubism! As Horner himself wrote, ‘…the whole, blended into one design by a picturesque fore-ground, forms a faithful view of the parish.’ It’s a joyous visual experience, with a few intrigues and little jokes (note the bungling surveyor- stonemasons in the foreground) thrown in for good measure.

4. India, 1619

Maps_k_top_115_22
William Baffin, Map of the Mughal Empire, 1619.

This is a portentous map - the earliest British printed map of part of India. It marks the beginning of British cartographic involvement in India that would reach new levels of science-led imperial control through mapping by 1900. The Roe-Baffin map was produced following the earliest English trade mission to the Mughal empire. It has a stellar cast: Sir Thomas Roe, the diplomat who headed up the embassy. William Baffin, the navigator who went on to attempt to locate the North West Passage (Baffin Island is named after him). Reynold Elstrack, one of the earliest native English engravers.

The map was one of very few English-produced maps to provide a model for later Dutch atlas maps by Blaeu, Janssonius and others. English mapmakers were more often the copycats. The engraving of a Mughal seal has been expertly assessed by the British Library’s Dr Annabel Gallop.

William Baffin, 1584-1622, cartographer. A Description of East India conteyninge th'Empire of the Great Mogoll. / William Baffin deliniauit, et excudebat. ; Renold Elstrack sculp.

[London] : Are to be Sold in Pauls Church yarde. by Thomas Sterne Globemaker., [1619]

Maps K.Top 115.22

5. The United States of America, 1782

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John Mitchell, Map of the British Colonies in North America..., 1775 (updated to 1782).

This is a map with a story and a reminder of the power – and paranoia – that can be associated with maps. John Mitchell’s map of ‘the dominions of North America’ is a tremendous cartographic achievement in its level of description of this vast area. Yes, standing on the shoulders of earlier maps, but adding a vast quantity of descriptive notes and even including naming Native American nations (who were nevertheless ignored in what followed).

On another level, this late edition of the map is a piece of history, being the copy used by the British delegation at the 1782 Treaty of Paris where the terms of the peace following Britain’s defeat at the hands of the United States were established. The map has been marked up in red to show the lines of the new border the British would be happy with. But at the conference they realised that they didn’t have to cede quite as much as they had drawn. The map suggests that Upper Canada (much of modern-day Ontario) was also available to the USA. So later the British government ordered the British Museum to lock the map away so that nobody, particularly no inquisitive Americans, might see it and demand any more.

It was hidden from view until the early 20th century.  

John Mitchell, 1711-1768, cartograph.er. A MAP of the BRITISH COLONIES in North America…

[London] : Publish'd by the Author Feb.ry 13.th 1755 according to Act of Parliament : Printed for Jefferys & Faden Geographers to the KING at the corner of S.t Martins Lane Charing Cross London, [about 1775, with annotations to 1782].

Maps K.Top 118.49.b.

 

Tom Harper

 

13 October 2020

The K.Top: 18,000 digitised maps and views released

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Today we release 18,000 digital images of historic maps, views and texts from the Topographical Collection of King George III into the public domain.

The collection has been digitised as part of a seven-year project to catalogue, conserve and digitise the collection which was presented to the Nation in 1823 by King George IV. This is the first of two planned image releases.

The images are made available on the image sharing site Flickr, which links to fully searchable catalogue records on Explore the British Library.

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The 'Duke's plan of New York. London, 1664. Maps K.Top 121.35.

For the first time, anybody who wishes to can remotely view, search, research and enjoy one of the world’s richest and most varied public collections of the history of place.

The idea of remote or virtual travelling is a particularly common one today thanks to the seamless interfaces of online map viewer that simulate the idea of airborne travel and evoke the excitement of discovery. However, the idea of virtual travel has a long history, and is well illustrated by the travel-averse king who resided in his palaces and viewed the world through his collection of maps and views. This is the Google Earth of the late 18th century and the journeys it can take you on are no less informative, intriguing, and instructive of the many facets of past eras.

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Thomas Milne, Milne's plan of the cities of London and Westminster.... 1800

 What is K.Top?

The King’s Topographical Collection (K.Top) is one part of the Geographical Collection of King George III (the other parts are the Maritime and Military collections). The nucleus of the collection was assembled from 1660, but added to considerably after 1760 by the king’s librarians and agents. The collection was presented to the British Museum (from 1973 British Library) as a distinct part of the King's Library in 1823,. For more on the history of the collection see this post by Felicity Myrone.

What is in it?

It’s probably easier to list what isn’t in this collection. It totals around 40,000 printed and manuscript maps, views, charts, texts, architectural plans, prints, atlases and ephemera. The collection is arranged geographically, with around 40% dedicated to the British Isles, one third covering the Europe of the Grand Tour, and 10% for British areas of influence such as North America, the West Indies and India.

Maps K.Top 23.21.2.h.
Nicholas Hawksmoor, 'The West front of Waping (Wapping) Church Stepney,' Aug. 1714. Maps K.Top 23.21.2.h.

 What themes does it include? 

Too many to mention, but here’s a sample: landscape, tourism, antiquarianism, architecture, rural life, fine art, agriculture, medieval and church studies, urban planning and development, industrialisation – canals and transport, military history, the history of collecting, the history of cartography, the Grand Tour, royal palaces and stately homes, science and invention, the history of exploration, American Independence. 

As a product of the 16th-19th centuries, the collection is also associated with imperialism, and the role of maps in facilitating imperialist activities both practically and ideologically. We hope that the release of this material will facilitate research and greater understanding of these aspects of the past.  

How can I access it?

18,000 images are available via the file-sharing site Flickr, which you can find here https://www.flickr.com/photos/britishlibrary/albums/72157716220271206

Images from the collection are also tagged George III Topographical Collection https://www.flickr.com/photos/tags/georgeiiitopographicalcollection

There are links to full Marc cataloguing records on Explore the British Library. To view a digital image from the catalogue record on Explore, select 'I Want This' and then 'View Online Digital Item.'

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Molo di Napoli, con terribile eruzione del Vesuvio mandata fuori la sera de 15 del mese di Giugno, 1794. Maps K.Top 83.61.k.

 How about georeferencing?

Glad you asked. For those of you who like a challenge, we have made all of the maps from this release available on our Georeferencer Tool.  See how you get on with geolocating the maps. Some will be easier than others.

What can I do with the images?

You are free to study, enjoy, download and remix these images as you see fit. When doing so, please bear in mind any potential cultural or other sensitivities associated with them. Importantly, we’d really like to know what you are doing with the images so please let us know @BLMaps or by emailing maps@bl.uk, we’d love to hear from you.

Maps_k_top_6_17
[Thamesis Desriptio] / Robert Adams authore 1588. Maps K.Top 6.17.

 

Who do we have to thank?

So very many people. Here goes:

Generous trusts and individuals including the American Trust for the British Library, Art Scholars Charitable Trust, Blue Rubicon, Viscountess Boyd Charitable Trust, Christies Education, Coles Medlock Charitable Foundation, Cornwall Heritage Trust, Cumberland and Westmorland Antiquarian and Archaeological Society, Daniel Crouch Rare Books, Dunard Fund, The Eccles Centre for American Studies, Englefield Charitable Trust, Edward and Dorothy Cadbury Trust, Hadfield Trust, John R Murray Charitable Trust, Ken Biggs Charitable Trust, Samuel H Kress Foundation, Langtree Trust, London Historians Ltd, London Topographical Society, Maunby Investment Management Ltd , PH Charitable Trust, Peck Stacpoole Foundation,  Pitt Rivers Charitable Trust, Reed Foundation, Sylvia Ioannou Foundation, Swire Charitable Trust, Swinton Charitable Trust, Trefoil Trust, Turtleton Charitable Trust, Cyrus Alai, Caroline and Peter Batchelor, Michael Buehler, Tom Boyd, Richard H Brown, Claire Gapper, William B Ginsberg, Jaime Gonzalez, Martin Halusa, Jerome S Handler, Peter Holland, Tina Holland, Arthur Holzheimer, J Michael Horgan, John Leighfield, Norman Leventhal, Sri Prakash Lohia, Tom and Hilary Lynch, Lynda Partridge, Robert E Pierce, Carolyn Ritchie, David Rumsey,  J T Touchton, Tony and Maureen Wheeler, Peter A Woodsford and others who wish to remain anonymous.

Dedicated project staff Felicity Myrone, Hugh Brown, Alex Ault, Mercedes Ceron, Kate Marshall, Magdalena Kowalczuk, Oliver Flory, Grant Lewis, Rebecca Whiteley, Marianne Yule, Sileas Wood, Tom Drysdale, Tamara Tubb, Fred Smith, Jeremy Brown and Emily Roy.

Also very dedicated British Library colleagues Louise Ashton, Filipe Bento, Kate Birch, Michele Burton, April Carlucci, Alan Danskin, Silvia Dobrovich, Adrian Edwards, Roger Gavin, Tony Grant, Karl Harris, Mahendra Mahey, Scot McKendrick, Victoria Morris, Magdalena Peszko, Gethin Rees, Sandra Tuppen, Mia Ridge and Joanna Wells.

And finally, none of this would have been possible without the efforts of Peter Barber, Head of British Library Map Collections until his retirement in 2015, in promoting the research value, relevance and importance of the King’s Topographical Collection to existing and new audiences.

08 July 2020

World Map World Cup: Group 4

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We have come to the fourth and final qualifying group of our British Library world map world cup, and in it we have four extraordinary and breathtaking examples of cartography from between the 11th and 20th centuries. I hope the following descriptions, links and images will provide you with what you need to make your difficult choice.

Vote for your favourite over on Twitter (@BLMaps). The top two maps will go through to the quarter finals tomorrow, Friday July 10th. 

1.Beatus of Liébana world map. Drawn in Burgos, Spain, between 1091 and 1109 (Add.MS 11695)

Blog add ms 11695

The 15 surviving 'Beatus' maps are included in textual commentaries on the Apocalypse of St John (from the New Testament Book of Revelation) written by the Spanish theologian Beatus of Liébana (fl.776–86). The British Library’s example, arguably more powerful and brooding than the others, is a diagrammatic image with powerful pictorial elements. These include fishes swimming in the sea encircling the world, the‘molehill’ mountains and the unforgettable image of the Garden of Eden at the top of the map, in the east. It was produced in northern Spain (in the monastery of San Domingo de Silos) in around 1109, and as a result reflects Islamic pictorial influences that had spread from northern Africa.

Link to digitised example: https://www.bl.uk/collection-items/beatus-world-map

Further reading: Peter Barber, 'Medieval world maps; in Paul Harvey, The Hereford World Map: medieval world maps and their contexts (London: British LIbrary, 2006).

David Woodward, 'Medieval Mappamundi' in The History of Cartography volume one (Chicago: CHicago University Press, 1987).

 

2. The Contarini-Rosselli world map. Engraving, published in Florence in 1506 (Maps C.2.cc.4).

Blog maps c.2.cc.4

This is the earliest surviving printed map to show any part of the Americas. It was published in Florence in 1506, only a decade or so after Christopher Columbus's first voyage in 1492. The map, which is by the Venetian Giovanni Matteo Contarini and Florentine Francesco Rosselli, has been celebrated for its American content ever since this only known copy was purchased by the British Museum in 1922. But it is an extremely early and partial glimpse of eastern America: Newfoundland and Labrador are shown cemented on to Kamchatka, Cuba and Hispaniola are floating next to Japan, and South America is joined to the vast Southern Continent.

Link to digital copy: https://www.bl.uk/collection-items/first-known-printed-world-map-showing-america

Further reading: Patrick Gautier Dalché, 'The Reception of Ptolemy’s Geography (End of the Fourteenth to Beginning of the Sixteenth Century)' in The history of cartography volume three: cartography in the European Renaissance part one (Chicago: Chicago University Press, 2010).

3. Aḍhāīdvīpa. Painted in Rajasthan in 1830 (Add.Or. 1814).

Add.Or 1814 blog with title

This is a map showing the structure of the world of Jainism, a religious system founded in northern India in the sixth or seventh century BCE. The map, which is in Sanskrit, was painted onto cloth in Rajasthan in 1830, and like many of the European medieval mappamundi, it illustrates a fusion of human and sacred geography. At the centre is the recognisable, terrestrial world of people (Mount Meru is at the centre, as it is in the Korean Ch’ ōnhado  maps). Surrounding it is the spiritual world: green concentric-ringed continents illustrated by lunar symbols and separated by fish-filled oceans, beyond which is the outer land of the jinas or prophets.

Link to digital copy: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_Or_1814

Further reading: Joseph E. Schwartzburg, 'Cosmological mapping' in The history of cartography volume two, book one: cartography in the traditional Islamic and South Asian societies (Chicago: Chicago University Press, 1994).

 

4. Self determination world map, by F. Klimesch. Published in Berlin in around 1919 (Maps CC.5.b.29).

Blog maps CC.5.b.29

The only 20th century world map to make it into our World Map World Cup competition (not that there aren't many great 20th century world maps, just a mere 16 places to fill), is a German map produced in the wake of the peace treaties following the defeat of Germany and the end of the Great War, 1914-1918. It shows the victorious allies Britain, France, Russia and the USA as soldier figures, holding leashes attached to their respective national beasts. These beasts have been placed over the colonies they controlled. 

The title explains why: 'What would be left of the entente if it made serious the right of self-determination of their own people and let go of the reins!' The map calls out the Allies' decision to confiscate German colonies under the principle of 'self determination,' but to retain theirs regardless. Given the century-long process of decolonisation that ensued, and ensues, the map is profoundly and powerfully prescient. 

Link to digitised copy: https://www.bl.uk/collection-items/was-von-der-entente

Further reading: Judith Tyner, 'Persuasive cartography' in The history of cartography volume six: cartography in the twentieth century (Chicago: Chicago University Press, 2017), 1087-1094. 

 

07 July 2020

World Map World Cup: Group 3

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Welcome to Group three of the British Library's world map world cup competition, where you get to select our favourite historic world map for us. 

This group contains some astonishing artefacts from the last one thousand years, and I'm happy to provide further information on them  to help you make up your mind.

When you have done so, vote for your favourite over on Twitter (@BLMaps). The two maps with the most votes will go through to the quarter finals on Friday.

1. The Anglo-Saxon World Map. Drawn in Canterbury between 1025 and 1050 (Cotton MS Tiberius B.V.).

Blog cotton ms tiberius bv

For a world map containing such a quantity of information, the Anglo-Saxon world map is extraordinarily early. Much of this information relates to the Roman world: key walled towns such as Alexandria, Rome, Constantinople, the Pillars of Hercules at the bottom edge marking the limit of the world as known to Europeans, and lines marking the division of Roman provinces. Its genesis is possibly the first century map ordered by Julius Caesar. At any rate, the people who made the map would have felt themselves still to be living in the great Roman era.

Link to digitised copy: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Cotton_MS_Tiberius_B_V/1

Further reading: Peter Barber, 'Medieval world maps; in Paul Harvey, The Hereford World Map: medieval world maps and their contexts (London: British LIbrary, 2006).

David Woodward, 'Medieval Mappamundi' in The History of Cartography volume one (Chicago: CHicago University Press, 1987).

 

2. The Martellus world map. Drawn by Henricus Martellus Germanus in Florence, around 1490 (Add. MS 15760).  

Blog add ms 15760

Henricus Martellus, or to give him his proper name Heinrich Hammer's world map is very similar to the 2nd century geographical picture presented by Claudius Ptolemy (see group one). But there are some updates. For example, Scandinavia appears, as do features taken from an account of the journey of Marco Polo. But the most momentous update is the one that shows the Indian Ocean not as an inland sea, but open, with the southern tip of South Africa navigable. Martellus knew this, because Bartholomeu Dias had sailed around it in 1488. The effect was to contest the hallowed ancient perception of the world, literally cutting part of the map's border away in the process.  

Link to digital copy: https://www.bl.uk/collection-items/world-map-by-henricus-martellus

Further reading: Nathalie Bouloux, ‘L’ Insularium illustratum d’Henricus Martellus’ in The Historical Review 9 (2012).

 

3. Chinese globe, by Manuel Dias and Niccolo Longobardo. Made in Beijing in 1623 (Maps G.35.)

Blog maps g.35

This earliest surviving Chinese globe was constructed in Beijing by Italian Jesuits, most probably for a scholarly audience, in order to demonstrate geodetic principles such as longitude, latitude, meridians and parallels. Much of the globe, including large passages of text, derives from the giant world map by Matteo Ricci of 1602. But if you want to show things relating to the spherical nature of the earth, you really need a sphere in order to do it properly, hence the globe.

Geodesy had been known in China well before Europe, and we know that globes were also constructed before his one (though they have not survived), but such things were not part of Chinese culture at this time. The 'gift' of scientific enlightenment was used as a Trojan horse by the Jesuits to impose their religion upon China.

Link to digitised copy: https://www.bl.uk/collection-items/chinese-terrestrial-globe

Further reading: Wallis, Helen and E.D. Grinstead, ‘A Chinese Terrestrial Globe A.D.1623’ in British Museum Quarterly, XXV (1962).

 

4. World map by Antonio Sanches, drawn in Lisbon in 1623 (Add. MS 22874)

Blog add ms 22874

This is an extraordinarily beautiful, large world map, emphasising coasts and navigational features. Delicate and elegant, blues and golds, painted and coloured with consummate skill. This indicates that it was not intended to go on board a ship. It presents the Portuguese view of the word, celebrating Portuguese influence well beyond Iberia with the Quinas (Portuguese arms) stamped upon areas as far afield as South America and China. The map also contains a significant (to say the least) quantity of religious imagery, the spread of Catholicism being a pillar of this world view, and violently enforced. Ironically, given the confidence this map oozes, by 1623 Portuguese dominance in world affairs was being increasingly contested by that European upstart, the Dutch.

Link to digital copy: https://eresources.nlb.gov.sg/printheritage/detail/93fd9675-b190-4dd2-a485-6bc1c78f8276.aspx

Further reading: Maria Fernanda Alegria, Suzanne Daveau, João Carlos Garcia, Francesc Relaño,,  Portuguese Cartography in the Renaissance in The history of cartography volume three: cartography in the European Renaissance (Chicago: Chicago University Press, 2010).