As part of an AHRC Cultural Engagement project grant awarded to City University and partially funded by the National Folk Music Fund, ethnomusicologist Andrew Pace, has engaged in a project to catalogue thousands of paper and photographic files from Peter Kennedyâ€™s collection of British and Irish folk music held at the British Library.
This month we have launched a unique website - www.peterkennedyarchive.org - in which listeners can retrace the chronology and geographical routes of Kennedy's extensive field recording activity. In the text below, Andrew describes the project and walks us through the website's main features.
Peter Kennedy was one of the most prolific collectors of British and Irish folk music and customs from the 1950s up until his death in 2006. Working closely with other collectors of his generation, such as Alan Lomax, Sean Oâ€™Boyle and Hamish Henderson, he recorded hundreds of traditional performers â€˜in the fieldâ€™, including Margaret Barry, Fred Jordan, Paddy Tunney, Harry Cox, Frank and Francis McPeake and Jack Armstrong. In 2008 his collection came under the care of the World and Traditional Music section of the British Library.
Iâ€™ve been working on Peterâ€™s sizeable collection periodically since 2010, cataloguing thousands of audio tapes and photographs of traditional performers and uploading some of this material to Sounds. In fact, just this month an additional 500 photographs and 70 audio recordings from Peterâ€™s collection have been added to the existing collection available online.
However, Peterâ€™s paper files, comprising song texts, scores, contracts, draft manuscripts and a large amount of correspondence between himself and performers, collectors, institutions and enquirers, hadnâ€™t been catalogued. This is the task that Iâ€™ve been undertaking since January. All of these papers will be uploaded to the Libraryâ€™s catalogue in due course.
Amongst these papers I discovered 31 reports written by Peter for the BBCâ€™s â€˜Folk Music and Dialect Recording Schemeâ€™, a project on which he was working during the 1950s. Across 180 typewritten pages, Peter describes his daily itinerary recording traditional performers around the UK and Ireland between 1952 and 1962. Full of anecdotes and insightful information about the musicians he recorded - including confirmation of when and where he recorded them - these documents reveal a great deal about Peterâ€™s fieldwork during this period.
I decided to use these reports as the basis for a new website which brings these narratives together with all of the audio recordings and photographs from Peterâ€™s collection that have been digitised so far: www.peterkennedyarchive.org.
These reports feature â€˜hotspotsâ€™ placed over the names of the more than 650 musicians that Peter recorded during these trips. Clicking on the name of a performer reveals any sound recordings or photographs taken of them by Peter on that particular day that are available to view and listen to on Sounds. Additionally, links to entries in the British Libraryâ€™s catalogue are provided for any related material that hasnâ€™t yet been digitised, such as Peterâ€™s tapes or BBC transcription discs.
What makes this website unique is the way it contextualises recordings and photographs of performers with Peterâ€™s own notes about them. Whilst the British Libraryâ€™s catalogue is useful as a search tool, it doesnâ€™t reveal how a collection was formed and developed â€“ and it doesnâ€™t tell us very much about who created it. This new website gives us a better idea of whatâ€™s in this collection by refocusing attention on Peter as a recordist and reconstituting his material into a form that better resembles how he created it.
I hope www.peterkennedyarchive.org will prove useful to researchers and musicians alike and encourage more people to explore Peterâ€™s collection at the British Library. As more of his field recordings are digitised and attached to the site, it should become an increasingly valuable resource
- Andrew Pace
Find out more about the work of the British Libary's Sound Archive and the new Save our Sounds programme online.