Social Science blog

Exploring Social Science at the British Library

15 posts categorized "Humanities"

30 June 2024

Pride beyond June: readings in LGBT+ history, culture and theory

As Pride Month’s celebration of Lesbian, Gay, Bisexual, Transgender, and Queer communities comes to a close, this post picks out some of the books currently available to readers in the British Library.  Although our digital collections are not yet available following the cyber incident, our contemporary print collections in St Pancras offer a wide range of approaches to LGBT+ culture and history.  The books featured below are just a selection of more recent publications that are held in St Pancras and should be available to order to our reading rooms.

Our collections are particularly strong for their international coverage.   If you are keen to learn more about the development of transnational campaigns for LGBT+ rights from the mid-nineteenth century onwards, Laura Belmonte’s history of the international LGBT rights movement offers a good starting point.  The book celebrates the growing reach of struggles against homophobia but also flags up continuing threats to LGBT+ rights.

 

Int LGBT movt

The international LGBT rights movement : a history. Laura A., Belmonte. London ; New York : Bloomsbury Academic, 2021.  Shelfmark YC.2022.a.6510

 

Another historical work, providing an international perspective spanning from Finland to New Zealand, the UK and USA, and focused on the first decade after the second World War is Queer 1950s: Rethinking Sexuality in the Postwar Years, edited by Heike Bauer and Matt Cook.   Collected essays examine the legacy of the 1950s and challenge preconceptions about this period.

 

Queer 1950s

Queer 1950s: Rethinking Sexuality in the Postwar Years, edited by H. Bauer and M. Cook. Basingstoke : Palgrave Macmillan, 2012.  Shelfmark YC.2022.a.1503

 

The work of activists, artists and academics comes together in another ground-breaking collection comprising essays, poems. literary analysis, ethnographies and methodological questions exploring LGBT+ experiences in the Caribbean.   The book aims to disrupt conventional understandings of the Caribbean as deeply homophobic by focusing on LGBT+ agency.

 

Byond Homophobia

Beyond Homophobia: centring LGBTQ experiences in the Anglophone Caribbean, edited by Mojo Anderson and Erin C MacLeod.  Shelfmark YC.2021.a.5033

 

Still in the Caribbean, and focusing on the Hispanic nation of the Dominican Republic, Streetwalking by Ana-Mauríne Lara presents the varied strategies employed by LGBTQ community leaders in the Dominican Republic in their struggle for recognition, and rights. Lara employs Maria Lugones's theorisation of streetwalker strategies and Audre Lorde's theorisation of silence and action to explore the exercise of power and agency among the LGBTQ community of the Dominican Republic.

 

Streetwalking

Streetwalking : LGBTQ lives and protest in the Dominican Republic, by Lara, Ana-Mauríne.  New Brunswick : Rutgers University Press, 2021.  Shelfmark YC.2022.a.1315.

 

Published within Northwestern University Press' 'Critical Insurgencies' series of literary studies, Emilio Amideo's Queer Tidalectics brings a range of theoretical perspectives to bear on Black diasporic experience and aesthetics.   The book looks at the work of Anglophone writers James Baldwin, Jackie Kay, Thomas Glave, and Shani Mootoo. In particular, it explores their use of the idea of fluidity as a means to evade and overcome sexual, gender and racial boundaries. Amideo employs the theoretical perspectives of Sara Ahmed, Édouard Glissant and Edward Kamau Brathwaite, among others, in a fascinating and probing contribution to Black queer studies. 

 

Queer Tidalectics

Queer Tidalectics: Linguistic and Sexual Fluidity in Contemporary Black Diasporic Literature by Emilio Amideo. Northwestern University Press, 2021. Shelfmark YC.2022.a.5531



The Library's shelves are rich in academic studies applying theoretical approaches to a range of contemporary questions. But it's not all heavy theory: there are a broad range of more accessible texts waiting to be ordered up to our reading rooms. Georges-Claude Guilbert's book, Gay icons: the (mostly) female entertainers gay men love, provides a readable consideration of the way superstars and divas contribute to gay culture. The book focuses on individuals including Mae West, Julie Andrews, Britney Spears, RuPaul, and Cher to consider their appeal and what it is that makes them icons. This book is just one of many that consider gay or Queer icons in cinema, music and the arts. Other books to address this theme include The little book of queer icons by Samuel Alexander (London: Summersdale, 2019, shelfmark YC.2019.a.9751) and Heroes and exiles: gay icons through the ages, by Tom Ambrose (London: New Holland, 2010, shelfmark YC.2011.a.3923).

 
 
Gay icons
 

Gay icons: the (mostly) female entertainers gay men love, by Georges-Claude Guilbert. Jefferson, North Carolina: McFarland, 2018  Shelfmark YC.2021.a.4232

 

Jeffrey Brown turns his gaze to the superheroes of popular media, including Hollywood films, TV series and comics, arguing that beyond the struggles of good versus evil, the superhero genre has always been about gender ideals: how men and women are supposed to look, act, and interact with each other. Superhero comics may reinforce sex roles, but their emphasis on transformation and body swaps can also work to blur gender binaries. Similarly, the importance of homosocial bonding adds another layer of complexity to the portrayal of gender identity within the genre. 

 
Superheroes

Love, sex, gender and super-heroes, by Jeffrey A. Brown. New Brunswick: Rutgers University Press, 2022. Shelfmark YC.2023.a.518

 

The books featured here are just a few that stood out on a walk along the shelves where some of the more recent print publications are stored in our basements.  When access to our digital collections returns, and when we are again able to offer readers access to the thousands of books kept in our automated storage buildings, readers will regain access to newer works alongside our historical collections.   For now, the Library's temporary catalogue allows readers to find the books and journals that arrived in the Library up to April 2023. The catalogue uses colour coding - red, orange, and green - to indicate whether a book or periodical should be available to readers. We may not yet be able to give access to the whole of our collections, but the books on the shelves at St Pancras allow scope for wide reading and study across the humanities and social sciences.

 
 
 
 
 
 
 
 

 

 

01 March 2021

History in the Making: 40 years on from the Black People’s Day of Action

This post highlights a small selection of items in the Library’s collections of interest to anyone wanting to know more about the educators and activists behind the Black People’s Day of Action on 2nd March 1981.

On that day, around 20,000 people from across the UK marched from New Cross to Hyde Park, crossing Blackfriars bridge and bringing parts of central London to a standstill on a weekday.  The demonstration took place six weeks after the devasting New Cross fire (also referred to as the Deptford Fire) that claimed the lives of 13 young black people at a house party celebrating Yvonne Ruddock’s 16th birthday and the 18th birthday of her friend Angela Jackson.  In the face of official indifference, the march channelled the anger and grief of a community into a political action that marked a turning point for black people in Britain.

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Poster held by the George Padmore Institute featured on the Library’s Windrush Stories website. The poster was not used once the death toll of 13 became clear. Another young person who experienced the trauma of the fire died two years later.

 

There are numerous accounts of the New Cross Fire and of the Black People’s Day of Action online, including Nadine White’s extended article, which is accompanied by a short film.  The film gives voice to a survivor of the fire and three women who joined in organising the Day of Action. Commemoration leaves further traces online such as this event marking 30 years on the Black History Studies website.  This year, UCL is marking the 40th anniversary with an event, podcast, and online exhibition of photographs. 

Online events have given a wider reach to conversations and memorialisation, particularly where they have been recorded and made available for later listening.  At a recent event made available through Westminster University’s ‘Black History Year’ site, Leila Hassan Howe, who was a member of the New Cross Massacre Action Committee, recalled the context to the Day of Action and spoke about her personal journey to activism.

What can resources in the Library add to the accounts available by searching online? 

For anyone wanting to go further into this history, it’s no surprise that the Library holds books written by people involved in organising the Black People's Day of Action. The Library also holds some of the newsletters and journals produced at the time. A small number of oral history recordings held by the Library and some recordings of events are available online and can be accessed while the Library is still closed.

To pick out just two accounts in books, in Black British History: new perspectives, edited by Hakim Adi and published by Zed Press, Carol Pierre describes how the fire, along with the movement of solidarity afterwards left “an indelible imprint on a community”. 

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 Black British History: New Perspectives from Roman times to the present day. ELD.DS.396110

A detailed account is also given in Robin Bunce and Paul Field’s Renegade: the life and times of Darcus Howe.  Bunce and Field describe the way Darcus Howe spoke at meetings across the north of England, accompanied by Gus John who was based in Manchester at that time.  Gus John has held professorial positions including Associate Professor of Education at the UCL Institute of Education in London.  In December 2016, Professor Gus John delivered the British Library Lecture ‘Changing Britannia through the Arts and Activism’ to mark 50 Years since the founding of New Beacon Books. This post describes the background to the event.

Renegade cover

Renegade: the life and times of Darcus Howe.  ELD.DS.110104 and YC.2018.a.2504

Nadine White’s article mentioned above shows how the organisation of the march marked a first step into political action for some of those involved.  But many of the core group within the New Cross Massacre Action Committee had worked together as part of the Alliance linking the Race Today collective with the Black Parents Movement, Black Youth Movement and Bradford Black Collective. 

Race Today cover

An issue of Race Today featuring the Black Parents Movement. P.523/84

The Action Committee emerged from a meeting on 25 January 1981 in Lewisham.  Led by John La Rose and Darcus Howe, it also included Leila Hassan and other members of the Race Today collective.  Linton Kwesi Johnson and Farrukh Dhondy were part of the collective. Each of them feature extensively in the Library’s collections.  As a group their actions were informed by an exchange of ideas and experience.  They were engaged in teaching (mainly through supplementary schools), discussion groups, research, reading and publishing. The work of Trinidadian intellectual CLR James was an important influence.

The British Library holds much of this publishing output and also fosters research on these collections, particularly those that are harder to find elsewhere.  In 2019 Emma Abotsi worked in the Library as British Sociological Association Fellow exploring independent community publications relating to education. This blog post describes one aspect of the work she did.  

Currently, UCL doctoral student Naomi Oppenheim is working with the Library on a collaborative doctoral partnership focused on Caribbean diaspora publishing and activism. Naomi is leading on a project supported by the Eccles Centre to collect oral histories through conversations about Caribbean food shedding light on wider aspects of life, history and politics. She has recently written about the ‘Caribbean Foodways at the British Library’ project.

Selected publications and recordings by John La Rose, Darcus Howe, Leila Hassan Howe and Linton Kwesi Johnson

 John La Rose

John La Rose (1927-2006), who founded New Beacon books (pictured in this Wasafiri article ) with Sarah White in 1966, was an educator, mentor and friend to the members of the organising committee.  As a poet, writer, activist and publisher, John La Rose was at the heart of key movements advancing the cause of black people in Britain, in education, the arts and culture, for four decades.  His works in the Library range from poetry, to interviews and newsletters.

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The New Cross Massacre Story: interviews with John La Rose YK.2013.a.19831.  This book is still available from the George Padmore Institute, along with The Black Peoples Day of Action 02.03.1981 (Café Press, 2020)  by Vron Ware which contains contains black and white photographs taken by Vron Ware on the day.

A. New Beacon Review No 1 Jacket

New Beacon Reviews, first collection 1968-,  P.901/409.

The Library holds a recording (C1172/14 and C1172/15) of John La Rose interviewed by Ron Ramdin (author of The Making of the Black Working Class in Britain, 1987, reissued by Verso in 2017).  He can also be heard giving the welcome address, introductions and thanks on recordings from the International Book Fairs of Black Radical and Third World Books.  These were ground-breaking events that John La Rose organised jointly with Jessica Huntley of Bogle L’Ouverture Publications between 1982 and 1995.  (The Library also holds an oral history interview with Jessica Huntley and Eric Huntley, who jointly founded Bogle L’Ouverture publishing.)

On 2 March 2021, the George Padmore Institute launched its new website with a film about the Institute’s New Cross Massacre Action Committee archive collection

The film Dream to Change the World: A Tribute to John La Rose, directed by Horace Ové can be viewed online.

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Dream to change the world: the life and legacy of John La Rose.  YK.2019.b.783 

Darcus Howe

Born in Trinidad, Darcus Howe was a broadcaster, writer and racial justice campaigner. He edited Race Today and was chairman of the Notting Hill Carnival.  Steve McQueen’s film Mangrove, part of the Small Axe series available on BBC iPlayer, dramatises Howe’s experiences as one of the 'Mangrove Nine', charged with “inciting a riot” following a demonstration in defence of the Mangrove restaurant in Notting Hill which had been targeted by police raids.

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Darcus Howe: a political biography. Held by the Library at ELD.DS.79837 and YC.2014.a.8855. Bloomsbury have made this book available free online.

Many of Darcus Howe’s publications are held by the Library along with sound recordings from conferences and events. Although the Library tries to collect UK and Irish publications as fully as possible under Legal Deposit, some books are missed, as are many small-circulation magazines and newsletters.  In writing this post, I have come across a small number of titles from the prolific output of people around Race Today, the Institute for Race Relations and the George Padmore Institute that the Library still needs to add to its collections.

 

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From Bobby to Babylon was originally published in 1988, but is not held by the Library. It has recently been reissued and will be added to the collections when we return from lockdown.

Outside the Library, on British Library Sounds, you can listen to Darcus Howe discussing the work of CLR James with Farrukh Dhondy, recorded in 1992.

 

Leila Hassan Howe

Leila Hassan Howe can be found in the British Library catalogue under the name Leila Hassan. Her writing for Race Today is featured in the magazine and in an anthology published in 2019 by Pluto Press, and a booklet authored by Farrukh Dhondy to which she and British Black Panther member Barbara Beese contributed.  The Library also holds poetry recordings introduced by Leila Hassan on behalf of Creation for Liberation Society and the Poetry Society. Recorded in London in 1985, they feature the poetry of Amryl Johnson, Jean ‘Binta’ Breeze, Maya Angelou and Alice Walker. Sadly, these fascinating recordings are only available in the Library.

Here to fight  RT

Here to stay, here to fight: a Race Today anthology. ELD.DS.456429 and X.529/70862

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The Black explosion in British schools, by Farrukh Dhondy with Leila Hassan and Barbara Beese. X.529/70862  63 pages.

 

Linton Kwesi Johnson

Linton Kwesi Johnson was awarded the PEN Pinter Prize in 2020 in recognition of his work.  In making the award, the judges said:

 ‘Linton Kwesi Johnson is a poet, reggae icon, academic and campaigner, whose impact on the cultural landscape over the last half century has been colossal and multi-generational. His political ferocity and his tireless scrutiny of history are truly Pinteresque, as is the humour with which he pursues them.’

The presentation event, including an introduction by Paul Gilroy, was hosted by the British Library and can be viewed on the British Library player

IMG_0100

Voices of the Living and the Dead  YD.2009.a.903

In 1974 Race Today / Towards Racial Justice published Linton Kwesi Johnson’s first poetry collection, Voices of the Living and the Dead.  Between then and now his poetry has been published in print and recorded, performed over dub-reggae.  These recordings (also held by the Library) were mostly in collaboration with producer and artist Dennis Bovell.

This exceptionally rich blog post by Sarah O'Reilly includes selections from her oral history interview with Linton Kwesi Johnson, held by the Library. 

Dread poetry and freedom

Dread poetry & freedom. ELD.DS.333758

 

I have flagged up just a few of the many publications held by the Library that shed light on the events of 1981, but for now the Library is closed and many of these books cannot be accessed. A number of independent bookshops feature an impressive range of titles available to buy or to access through public libraries.

New Beacon Books

Screengrab showing small selection of the non-fiction books available from New Beacon books.

The Londonist published a list of black owned bookshops in London, some of which sell online, and across the country members of the Alliance of Radical Booksellers may also stock these items.  Presses such as Pluto and Verso sell online. 

 

Open access books : Knowledge Unlatched

I noted above the biography of Darcus Howe made freely available by Bloomsbury. The Library is committed to open access publishing and is one of 630 libraries working with Knowledge Unlatched to make books freely available online to read and download. The books that are 'unlatched' cover a very wide range of disciplines and languages.  The Knowledge Unlatched collection features some titles that are relevant to anyone interested in Britain’s black history, for example:

Heidi Safia Mirza: Young, Female and Black. (Routledge, 1992)

Colin Chambers: Black and Asian Theatre In Britain. (Routledge, 2020)

Gerald Horne: Paul Robeson: the artist as revolutionary. (Pluto, 2016). 

Charles Forsdick and Christian Høgsbjerg: Toussaint L’Ouverture: A Black Jacobin in the age of revolutions (Pluto Press, 2017)

Britain, France and the decolonization of Empire – future imperfect? (UCL, 2017)

The Black People's Day of Action marked a turning point in the challenge to racism in Britain. For those of us who remember these events, the sources of information above reveal far more than was reported by a hostile press. For those born later who approach these events as history, these sources may be a starting point to find out more and draw parallels with more recent experiences.

28 April 2020

Finding Emmeline Pankhurst

In this blog post, Katrina Georgiades, in our Government and Official Publications team, explores our collections of Electoral Registers to find information relating to a key figure in the fight for women's right to vote.

image of title page for Electoral Register for Aldersgate Within and Without

The modern UK electoral register is published on an annual basis and provides a list of all those eligible to vote in local government and parliamentary elections. As the British Library is home to an extensive collection of registers (as well as the nation’s only complete collection of electoral registers from 1947 onwards) our holdings provide a unique starting point for anyone looking to discover more about how the democratic process has evolved over time and adapted to changes in the cultural and political climate. Inspired by the preparations for our exhibition on women’s rights activism “Unfinished Business “ I decided to learn more about how the registers can be used to demonstrate the changes in women’s rights through the knowledge they preserve about individuals and their private histories. My goal was to trace the whereabouts of one of the most famous women’s activists of all time: Emmeline Pankhurst, the founder of the Women's Social and Political Union (WSPU).

The first standardized form of electoral registration in the UK was introduced with the Reform Act of 1832. Its introduction in effect conferred the right to vote upon those whose name was included within its pages, explicitly barring all women from electing members of parliament (see Johnston, 21). From 1903 onwards Emmeline Pankhurst and her fellow campaigners in the WSPU fought for the parliamentary franchise to be extended to women. It wasn’t however until the Representation of the People Act in 1918 that the parliamentary franchise was granted to (some) women over the age of 30 and the names of women began to appear on the registers as evidence of their right to vote for MPs.

Electoral registers are arranged by polling district and published separately for individual parliamentary constituencies. Entries for voters are recorded in order of address. During the First World War Ms Pankhurst established a nursery and adoption home for orphaned children near her house at 50 Clarendon Road, Holland Park. 50 Clarendon Road remained Ms Pankhurst’s dwelling until 1919 when she departed for Canada. My search therefore began with a hunt for her address. Parliamentary constituencies are by no means static and are continuously updated to include changing areas and demographics. During Ms Pankhurst’s period of residence 50 Clarendon Road in fact straddled the division between two constituencies that now no longer exist: the boroughs of North Kensington and South Kensington in London - neither register is included in the British Library’s holdings.

After the war Ms Pankhurst undertook a significant amount of travelling, lecturing and touring within the USA and Canada. Upon her return to England in 1926 she moved in with her sister Ada Goulden Bach at 2 Elsham Road Kensington. At this point she began campaigning on behalf of the Conservative party for the constituency of Whitechapel and St George’s in Stepney (again no longer in existence). By 1927 she and her sister were living at 35 Gloucester, Pimlico and by March 1928 she had moved to lodgings within her prospective constituency at 9 High Street Wapping. Sadly her health failed her before she could face the electorate and she moved to a nursing home in Hampstead less than three months later. Despite being present in the ladies’ gallery at its second reading, (see Purvis, 348) she did not live to witness the 1928 Reform Act (which granted the franchise to both sexes on an equal basis) become law later that year.

Given the substantial amount of relocating that Ms Pankhurst undertook during this time I imagined that finding a record for her in any of the registers during this period would prove a challenge. Luckily the library holds a substantial collection of electoral registers on microfilm and I was able to locate a copy of the 1928 register for Whitechapel & St. George’s Stepney Division. Instead of Emmeline Pankhurst I found entries for a Mr and Mrs Chipperfield. A letter written by Ms Pankhurst to one Esther Greg helped to explain my discovery: ‘You will be amused at my quarters over a hairdressers shop. His wife is my landlady and their name is Chipperfield. It sounds like Dickens. They are a nice couple and are good Conservatives …’ (Pankhurst quoted in Purvis p.350).

Beyond preserving print copies, the Library is actively involved in digitising its holdings of Electoral Registers, many of which are now accessible through databases such as FindmyPast. The database (which is accessible in the Library reading rooms) did not however return any results and it became necessary to expand the search beyond our collection. On the morning of the 10th March I took a trip to the London Metropolitan Archives. On their premises I was able to access digitized records from a 1918 register. Under the entry for 50 Clarendon Road, Holland Park I finally found what I had been searching for: evidence of Ms Pankhurst’s right to exercise the democratic privilege the suffragettes had campaigned so long for.

References

English Heritage, “PANKHURST, Emmeline (1858-1928) & PANKHURST, Dame Christabel (1880-1958)”, https://www.english-heritage.org.uk/. Web. 06 March 2020.

Johnston, Neil, “The History of the Parliamentary Franchise”, https://commonslibrary.parliament.uk/research-briefings, 2013. Web. 29 Feb 2020.

Oxford Dictionary of National Biography, “Pankhurst [nee Goulden], Emmeline”, https://doi.org/10.1093/ref:odnb/35376. Web. 28 April 2020.

Purvis, June, Emmeline Pankhurst: A Biography, London: Routledge, 2002.

The British Library, Parliamentary Constituencies and their Registers since 1832, 2015. https://www.bl.uk/collection-guides/uk-electoral-registers Web. 27 Feb 2020.

26 February 2020

Propaganda and Ideology in Everyday Life

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Extrème défense! World War One postcard, from the British Library's collection

Our free online course Propaganda and Ideology in Everyday Life will be running for 5 weeks from Monday 2nd March. You can find out more and join this course at https://www.futurelearn.com/courses/propaganda

The course is for anyone interested in news, current affairs, politics and history. Over five weeks, we examine how "big political" ideas get expressed and repeated in different cultures and societies around the world, and what that means for our everyday experience. We explore ideas around freedom, justice, community, place and commerce. On the face of it, these themes appear universal - few people disagree that freedom is a good thing. However, definitions of freedom vary, and there are competing views about who and what should be prioritised when freedom is considered.

In our course, we are interested in how this is experienced in people's lives today. Our learners come from around the world, from a wide variety of backgrounds and political beliefs. Current news stories often point to a sharp polarisation of opinion, in particular in online communication and social media. As course leaders, we believe that online education can counter this, by providing a space in which people can respectfully explore and describe differences of opinions and belief - as well as understanding shared values. This is something that we have experienced, and learnt from, in earlier versions of this course.

Propaganda and Ideology in Everyday Life draws on the collections and expertise of the British Library, and combines this with current research from the University of Nottingham's Centre for the Study of Political Ideologies. In the course, you will see examples from our map collections and Chinese collections, as well as examples from modern British publications. Our course leaders are the co-directors of the Centre: Maiken Umbach, Professor of Modern History, and Mathew Humphrey, Professor of Political Theory. Maiken and Mathew are joined by Ian Cooke, Head of Contemporary British Publications at the British Library.  

We are excited to start meeting our new learners on Monday 2nd March. You can join at https://www.futurelearn.com/courses/propaganda

11 July 2019

What is a Manifesto ... ?

Gay-liberation-websmall

Gay Liberation Front, Manifesto. London: Gay Liberation Front. 1971

The origins of writing and the reason why we write are central themes around which the Making Your Mark exhibition revolves. Encompassing the act of writing and the mediums used from carvings, scrolls, papyri, typing, print and digital. The exhibition is divided into different chapters, featuring a section on ‘People and Writing’ that considers the methods and purposes of various types of documents which are utilised as tools of power. Publications that reflect this include charters, petitions, pamphlets and treaties. Another such ubiquitous document that is congruous with this section is the manifesto.

A manifesto is a unique way of communicating which addresses an audience and asks them to unite to take action and change something. In this sense, the manifesto is an historical artifact and political tool within the history of radical democracy. The earliest examples can be traced back to Europe of the 16th Century; most famous manifestos include the Declaration of Independence and the Communist Party Manifesto. The concept of a manifesto is a little bit like a pamphlet, which were often homemade and distributed by hand in public places; likewise the manifesto is a public announcement often printed in newspapers or journals.

Communist-party-manifesto-front-cover-websmall

Manifest der Kommunistischen Partei, (Manifesto of the Communist Party). London : gedruckt in der Office der 'Bildungs-Gesellschaft für Arbeiter' von J. E. Burghard, [1848] 

There is no definite style or format. What all manifestos share is a call to its reader to unite and join together to make a change. Manifestos are frequently written during unsettled periods, often by small groups of people who want to challenge the status qua. Throughout history the authors vary from political parties, art movements and individuals. Developed as a text, the manifesto fuses art and politics to create a type of modernist literature. Studies of this particular writing form has lead researchers to consider it a genre within its own right.

A manifesto proves that writing is a tool of power and can be used to intervene and demonstrate against dominant systems. The phrasing used is often pleading, attacking, protesting and opposing in tone and declaring the intention of the writer. Any subject, cause or social group can write their own manifesto, but it is always written from an opposing position implying an ‘us’ and ‘them’. The style is often short and repetitive that attempts to get its message across and encourage readers to agree.

The texts broadcast ideals demanding the reader seize the moment to change the future. In this way, the writing is an activist text, inciting readers to take practical action to make decisions for themselves. This articulation must however be recognised by the audience or subject it addresses in order to function.

Where and when and who wrote manifestos are dependent on power struggles and an urge for change. The manifesto can appear under threat in this age of social media where a blue thumb can signify individual consent. Yet the desire to transform injustices and ignorance exists now more than ever. In these unsettled times, there are a lot people who still want to change things. If you were to write your own manifesto, what might it include and why?

This post has been written by Rachel Brett, Reference Specialist for Humanities at the British Library. Rachel frequently delivers discovery sessions on art, fashion and related subjects, and contributes to the Library's Doctoral Open Days

03 September 2018

Learning from the Past: our new course for curious researchers starts today

Learning-from-past-forweb

Our free online course starts today. Learning from the Past is  for anyone interested in studying the past, what historians do, and why and how research on the past matters for understanding the world today. The course runs for 3 weeks, and is the second course produced by the University of Nottingham in partnership with the British Library.

Over three weeks, this course will introduce the ways in which historians conduct research, and the materials that are used to understand the past. Throughout the course, examples from across the Library’s varied collections are examined by curators and researchers. The course will also do two other important things. First, it will show the challenges that historians face in understanding and decoding the records of the past: books, archives, photographs, maps, recorded sound and digital records. Second, it will discuss how a study of the past helps us contextualise the issues of today. For example, we cannot fully understand the radical shift in our impact on the environment without knowing how societies in the past used natural resources.

The origins for this course come from our earlier work on the course Propaganda and Ideology in Everyday Life – which sought to explain how contemporary political research provides insight into the values and philosophies that lie at the heart of international debates, co-operation and conflict. We also sought to show how education, and in this case online learning platforms, can be used as a space where people with different ideas and opinions can communicate with each other, understand those differences and also see where there are points of agreement.

The response from learners to this course was incredible. Over the weeks, we saw conversations emerge between participants from around the world on “big political issues” but also in the more personal sphere: the gardens in their towns, food that reminded them of home, and the books and photographs that they always carry with them. We also saw that learners were enthusiastic to follow the debates that drew on current research, and followed links to academic texts where we made them available.

So, we wanted to produce a course that supported this desire for access to the ‘cutting edge’ of historical research, but also took the time to describe the practicalities of research. How do you decide what questions you are going to ask in your research? How can you find the materials that will help you to answer those questions? And how will you avoid the pitfalls of taking the records of the past at face value? Learning from the Past brings together researchers from the University of Nottingham and University of Birmingham, as well as curators from the British Library. Over the 3 weeks of the course, we will look at the materials and methods that researchers employ.

The first day of a new course is always exciting. I've been following our first steps for learners to introduce themselves and their research interests. There's lots of interest in family history and local history, but also other topics such as history of science or a general interest in how researchers work and analyse evidence. A lot of learners want to know more about how to use libraries and archives, and are interested in the practical elements of the course. 

A big topic for our first week is on the significance of language, and language change, in communicating ideas and values. I'm currently enjoying the discussion thread on 'what three words would you use to introduce yourself to a visitor from Mars'?   

If you’re interested in how historians work, thinking about starting your own research project, want inspiration for your existing work, or want to know why history matters today, join in the discussion at Learning from the Past: A guide for the curious Researcher. No need to worry if you're reading this after 3rd September - you can join any time before the course ends on 23rd September.  

19 December 2017

The Judicial Committee of the Privy Council: a short introduction, sources for research and appeal case metadata.

Over the next few weeks, here on the Social Science blog and on the Digital Scholarship blog, Jonathan Sims and Sarah Middle will discuss work done at the British Library to provide insights into appeal cases heard by the Judicial Committee of the Privy Council (JCPC).  

To start us off, here is some background about the Judicial Committee (JCPC) itself with signposts to resources to support your research, and a brief consideration of whether metadata describing Privy Council appeal cases and judgments can be exploited more effectively.

The court and its jurisdiction

The Privy Council has long acted as a final court of appeal for an extraordinarily wide range of legal cases including both civil and criminal appeals. Details of the wide jurisdiction, current role and powers of the Judicial Committee of the Privy Council (JCPC) are set out on its website. Perhaps foremost among these is the Judicial Committee’s role to act as a final appeal court for a number of Commonwealth countries. Hearings are often filmed and made available online.

CourtRm3

Courtroom three at the Supreme Court, London

Today the Judicial Committee of the Privy Council (JCPC) shares a home with the Supreme Court at the Middlesex Guildhall in Parliament Square, London, where appeals to the JCPC are typically heard in Courtroom Three. However until early this century JCPC hearings took place in a chamber accessed via an unobtrusive door to the Privy Council offices in Downing Street, opposite the Foreign and Commonwealth Office. The Soane Museum’s website includes drawings from Sir John’s designs for these offices (see below, Soane …). However the grandeur evident in drawings and in an 1846 illustration (see below, Sitting …) gave way to more cramped and modest conditions by the time of a 1921 appeal against the judgment of the Lincoln Consistory Court (see below, Archdeacon …).  Depicting an earlier era, Christian Schussele’s mid nineteenth century painting Benjamin Franklin appearing before the Privy Council, depicts a rich and vivid spectacle of the court sitting in 1774 in the Royal Cockpit. (See below, Isaacson.)

IMG_1765

The corner of Downing Street and Whitehall

The origins of the Privy Council’s jurisdiction are introduced on the JCPC website, and background commentary about the Privy Council records at the UK National Archives suggests that the Council's judicial function had become distinguishable from legislative and administrative roles by the sixteenth century. With the creation of the Judicial Committee in 1833 during the Lord Chancellorship of Henry Brougham colonial appeals to the Privy Council were ensured to be heard by professional lawyers, (see below Lobban) and by the start of the twentieth century the JCPC “was the final appellate court over a vast global Empire” of colonies, possessions and self-governing Dominions. (Mohr) A YouTube video embedded on the JCPC website provides a brief and engaging history of the court and its jurisdiction.

Biographical information about Privy Council judges can be found across the British Library collections. Archival collections including the Coleridge Family Papers. (MS 85495-86488), Hardwicke Papers (including five, indexed volumes of “appeal-causes before the Privy Council, 1722-1769”, Add. MS 36,216 - 36,220.), India Office Records and private papers, papers of several Lord Chancellors and Prime Ministers (for example, Robert Peel Add 40181 - 40617 and William Gladstone Add. 44086-44835) offer glimpses into the lives and work of  Privy Council judges, the judicial business of the Privy Council, and sometimes into specific cases. These can be searched on the archives catalogue. Photographs and biographical detail of the first colonial judges appointed to the Judicial Committee including Henry De Villiers (South Africa), Samuel James Way (Australia), Samuel Strong (Canada), and Ameer Ali (India) can be found in British Library’s journal and newspaper collections.

Speaking in 2013 and highlighting the modern internationalism of today’s JCPC, Lord Neuberger drew attention to the long-standing position that, although usually sitting for convenience in Westminster, the JCPC applies the law of the state in question.  The Privy Council has considered law from varied locations and legal traditions including Common Law, acts of the Oireachtas from the Irish Free State, French, Spanish and Romano-Dutch law, Venetian and Sardinian law, customary law from Africa, Ottoman and Chinese law, and Hindu, Islamic and Buddhist law from India. (Haldane p. 154) Research indicates that the huge majority of cases originated in India, with the next highest number attributed to Canada. (See Richardson and below Campbell)

Calcutta

High Court, Calcutta, now Kolkata. (Photo Stretton, W.G., 1875, British Library Online Gallery)

Rangoon

Recorder’s Court, Rangoon, now Yangon (Photo Jackson, J. 1868, British Library Online Gallery)

The JCPC has heard appeals from courts closer to London too. These include Admiralty and Prize appeals, cases from ecclesiastical courts, and cases pertaining to issues of congenital or temporary mental ill-health, jurisdictions inherited from the High Court of Delegates in the 1830s. During the twentieth century, the court also heard certain cases concerning patents and copyright, and appeals in disciplinary cases from a small number of professional bodies.

Getting to grips with Privy Council appeals, judgments and printed case papers

A snapshot cross section of the court’s caseload is given in Alex Giles’ blog piece Stories from the Empire: Privy Council Cases 1917-1920 while the cultural and international legal significance of particular cases are vividly brought to life in panels from the 2014 exhibition A Court at the Crossroads of Empire: Stories from the Judicial Committee of the Privy Council through the stories of individual litigants and lawyers.

 A more comprehensive representation of the JCPC case load than the selective coverage distributed throughout numerous law reports can be found in collections of official transcripts of the judgments. Very substantial collections are available online and bound into volumes of case papers. The website of the British and Irish Legal Information Institute BAILII provides easy access to a collection of judgment transcripts digitised from the JCPC’s own collection. More or less equivalent is the collection of judgments bound in with the British Library volumes of JCPC case papers, although some variations in coverage and numbering are evident in comparison with the BAILII set.  

In turn, the case papers, which sometimes amount to thousands of pages for an individual case, provide far more insight to individual cases and the operation of justice than the judgments are capable of offering. Largely made up of records of proceedings reprinted and authenticated from those in the originating courts and distributed for the purposes of the Privy Council appeal hearings, they provide rare opportunities to examine historical law in action in courts around the world. As Weait says of transcripts of criminal trials and their value for teaching law, (see below) the case papers reflect the vibrant dispute, and dialogue of proceedings providing opportunity to take a “critically reflective stance” on the “distillation, reduction and abstraction” of process that is provided in “monologue” appellate judgments.

However, as studies of legal case files also suggest, the printed records of proceedings also offer material traces of how law absorbs and constructs the wider social world through authenticated documentary and sworn evidence. It was the level of detail in spatial representations demanded of documentary evidence that one researcher valued. The information was simply unavailable elsewhere. Valued too was the archive of nuanced language and insight on private devotional practices that offered a reflection of a less homogenous, cultural identity than had commonly circulated in contemporary political narrative.  Further insights afforded by the case papers are illustrated in another of Giles’ blog pieces and in summaries of talks by legal historians at a symposium held at the Institute of Advanced Legal Studies.

The few accessible and comprehensive sets of these internationally significant papers are all located in Britain, distributed to archival collections following the disposal of the appeals.  This includes of course the British Library set. (Please note that printed cases and records of proceedings for selected cases beyond the scope of this set can also be found among the Hardwicke papers and India Office Records at the British Library.)  A catalogue entry on the National Archives website helpfully places another set of the printed case papers in context of the wider collections of Privy Council records, although it does not currently facilitate access to the individual cases. Fortunately, free online access to a subset of the case papers is provided by BAILII (British and Irish Legal Information Institute). Case papers for a small selection of appeals are also provided on Exeter University website Privy Council Papers.  

Elsewhere online resources have focused on cases from specific geographical areas and historical periods. These include the Ames Foundation’s Annotated Digital Catalogue of Colonial Appeals (see below, O’Connor and Bilder) whose principal project provides digital images of printed cases in appeals from the American colonies prior to independence, and draws extensive metadata for each case from Privy Council records including the Acts of the Privy Council of England (Colonial Series) and the original Privy Council Registers  and the relevant parts of the PC 1 series (see below, Privy …). Another example is that provided by Macquarie University, which provides detailed information about pre-1850 Australian cases. Additionally, the Anglo-Indian Legal History site by Mitch Fraas contains data about the first 50 appeals from India (1679-1774).

For the final part of today’s blog we look at the how the metadata that describes the nineteenth and twentieth century judgments underpins some of the online services described above, how it facilitates discovery of and access to these resources, and how it might be further exploited.

Exploiting the appeal case metadata for collection discovery and research

The relevant section of BAILII (British and Irish Legal Information Institute) allows the user to search the text of the JCPC judgments, browse the judgments by year and view digitised versions of case documents, where available (see Whittle’s article for more information). Access to the BAILII documents is additionally provided by the LawCite search interface from AustLII, the Australasian Legal Information Institute. Many of the BAILII cases can also be explored and accessed based on the geographical location of the originating courts and the year of the JCPC judgment via a resource provided by IALS (Institute of Advanced Legal Studies), as well as via the University of Exeter’s Privy Council Papers resource.

Map

IALS visualises selected JCPC cases based on their geographical location and judgment year

The brief details describing each appeal case, its judgments and case papers (the metadata) in several of the above online resources is based on information used to identify and manage collections of judgments and case papers formerly housed at the Privy Council Office in Downing Street. Initially in Microsoft Word documents, these were donated to several institutions including the British Library.

In a single document E.C. Stretton recorded the contents of 137 volumes entitled Printed Cases in Indian and Colonial Appeals (now part of the series PCAP 6 covering cases heard between 1792 and 1878 in the catalogue of the UK National Archives). In addition to the origin of the appeal and details of the parties and documents included for each case in a particular volume, the Stretton metadata also includes, in some cases, information about the outcome of the appeal and the names of presiding Privy Council judges.  Much of this information is now searchable in the catalogue of Exeter University’s Privy Council Papers resource.

Additional annual documents that acted as an index to cases decided between 1860 and 1998, providing basic data in a tabular structure, also underpins some of these online resources. While acting as a helpful finding aid used to identify the year and judgment number of a given case the detail and structure of this data made it immediately obvious that the information could be used to ask questions about the whole body of cases.

With such a huge body of cases to negotiate, stretching over so many years, would an approach that offers some perspective on the case load as a whole be valuable?  Giles suggests that there were around 140 cases per year between 1917 and 1920 - we have seen their wide geographical and cultural scope - and behind each case lies a rich and extensive source in the case papers.

At the British Library this tabular metadata was converted to a spreadsheet that forms the basis for data visualisation experiments that will be outlined in future blog posts.  Drawing inspiration from digital humanities projects we wondered how this structured data could be exploited to ask questions about the JCPC case load as a whole or to facilitate discovery and retrieval of judgments and case papers relevant to particular research interests. Could the data facilitate easier understanding of the geographic distribution of the origins of the appeals, or demonstrate how this distribution was structured by year? Could it help to investigate typical duration of cases (from appeal year to judgment year) and explore relationships between duration and the distance of the originating court from Westminster? Could we determine which appellants or respondents occurred most frequently in the dataset? What other connections and relationships could be discovered to facilitate research or help with identification of relevant appeals and case papers for further investigation?

This is the first in a series of posts about a project to make information about JCPC appeal cases easier to discover. Later posts on the Digital Scholarship blog will look at ways of visualising the information about them:

Many of the resources discussed above are signposted in a collection guide on the British Library website: Judicial Committee of the Privy Council appeal cases.

Further Reading

Some of the resources listed below contain links to online subscription websites. If you or you institution do not have a subscription to these websites they can be accessed in the British Library reading rooms.

The image also can be seen on Leslie Katz’ blog 

  • Soane Museum: collections online: drawings http://collections.soane.org/drawings : architectural & other: office of works : London, Board of Trade and Privy Council Offices, Whitehall & Downing Street: designs for new offices and scheme for the improvement of Downing Street, 1823-33 (284 catalogued drawings)
  • Weait, M (2012) Criminal Law: Thinking about Criminal Law from a Trial Perspective, p163, in Hunter, C Integrating Socio-Legal Studies into the Law Curriculum (Palgrave Macmillan)

01 September 2017

Bringing Voices Together: the importance of independent Black publishing

A guest post by Kadija George   

Kadija George, FRSA is a Birmingham University alumni and currently an AHRC/TECHNE scholarship PhD candidate at Brighton University researching Black British Publishers.  She is the Publications Manager for Peepal Tree’s Inscribe imprint, an editor of several groundbreaking anthologies and publisher of SABLE LitMag.  She is a Fellow of the George Bell Institute and a Fellow of the Kennedy Arts Centre of Performance Arts Management. 

Why do we need Black publishers if one of our societal objectives is to nurture a diverse society in Britain? Because diversity is paralleled with having options; we need gay publishers, women publishers as well as Black publishers.

This does not mean though that Black publishers (or any other ‘minority’ publisher) should be eschewed as being ghettoised, but rather as specialised. Therefore, when Shappi Khorsandi, withdrew her longlisted novel, Nina Is Not OK, for consideration for the Jhalak Prize, saying that, she “felt like my skin colour was up for an award rather than my book” [i] , she assumed that being nominated for the prize would place her in a category that would stigmatise her or limit her audience, yet such prizes highlight the books for what they are – good work, well written. With just 51 books being nominated though, it should shame the mainstream white dominated publishing industry in Britain into doing better with regards to publishing Black writers; an estimated 184,000 books were published in 2013 in the UK. [ii]

Aside from this, there are five broad reasons rationalising the need for, and increased awareness of Black publishers:-

Black publishers take on writers without shock or stereotype. If a writer approaches a Black publisher with a ‘thirty something’ love story between a devout Muslim and a devout Christian who live happily ever, this does not present a story that is unrealistic to a Black publisher; they understand that it is an ordinary part of everyday life (which means that Black writers' work is humorous at times, too). These are black lives, and they matter without the need to challenge the writer’s credentials, their authenticity or the need to be validated by white expertise.

They are also often the only ones willing to take the risk to publish work that is viewed as ‘experimental’, giving the writer permission to be who they are, to write what they want. The best of such work, which often does not easily fit into any one genre is published by independent Black press or is self-published, such as Walter Moseley’s The graphomanic’s primer: a semi surrealist memoir  (Black Classic Press) or Tim Fielder’s Matty’s Rocket, (dieselfunk.com).

Secondly, publishing is more than the physical product for Black publishers as there is the equal need to educate the Black community. This was contained in John La Rose’s 'Dream to Change the World' when he established New Beacon Books in 1966.

Those who migrated to Britain in the 1950’s, who were to become publishers, were equally activists in the community. Social justice work was an integral aspect of their work, supporting the lives of those of African descent who (im)migrated to Britain from the West Indies, Africa and Asia and for the human rights of communities and activists abroad who were under attack, such as Ngũgĩ  wa Thiong’o and Angela Davies (West Indian Digest, Vol. 1, no 8, Nov/Dec 1971). They were at the forefront of campaigns such as the New Cross Massacre (The New Cross Massacre Story (New Beacon 1981), and challenged authorities regarding the murder of Stephen Lawrence - Black Deaths in Police Custody and Human Rights: The Failure of the Stephen Lawrence Inquiry by David Mayberry (Hansib Publications, 1993).

  New Cross Frt Cvr 

The New Cross Massacre Story (New Beacon 1981)

The third factor is that they are information providers, utilising the pamphlet as a tool to send out political and social messages, such as the Pan African Association in 1898 announcing the need for a conference to address the dire position of black people in the world. The practical outcome was the first Pan African conference in 1900. Similarly, informing the community of how West Indian children were being (dis)educated in British Schools sparked a movement that started in late 1960’s and carried on until the mid-1980’s that comprised establishing supplementary schools and led to associations of black professionals and the black family to reverse this situation. How the West Indian Child is made Educationally Sub-normal in the British School System (1971) by Bernard Coard (New Beacon) originated as a paper at a conference.

Fourthly, black publishers claim and re-claim the printing of classic texts that may otherwise have remained invisible. New Beacon’s re-publishing Froudacity by JJ Thomas (1969) with an introductory essay by CLR James, ‘The West Indian Intellectual’ are two classic works between one cover. Walter Rodney’s The Groundings with My Brothers, was originally printed on a Gestetner, by Bogle L’Ouverture (1969), a title which, along with his next book, How Europe Underdeveloped Africa(1972), remain in high demand.

 

A_%20Froudacity%20Jacket

Froudacity / JJ Thomas (1969)

 

Finally, Black publishers ensure the visibility of Black people’s lives in British history.

Not telling the Black British story denies all British people of their true history: 

…the idea of not accepting inhibiting traditions, but being constantly inventive and novel; because one of the problems I can see facing West Indians in Britain in future, is the inhibiting tradition of the education system. This not only affects West Indians as you all ready realise, but ordinary Britons, but it is the rupture of the traditions which underline this tradition which will be important... (John La Rose – letter to Kamau Brathwaite - 24 Feb 1969 - GPI Institute GB2904 LRA/01/143/04)

This underlines the work undertaken by David Olusaga in his TV series and accompanying book, Black and British, A Forgotten History (shortlisted for the Jhalak Prize) in which he disrupts the telling of British history.  His core point is this; it is not possible to tell British history without telling the story of Black British history which is not just about the people who live(d) in Britain, but those in Africa, the Caribbean and Asia too. When Britain became an empire, their colonies would forever be a part of British history. This history includes the history of the book.  Olusaga also pointed out that it is novels such as Andrea Levy’s Small Island that tell important aspects of Black history. [iv]

This is why the ‘Bringing Voices Together’ networking event is needed, because the British Library is surely the first place for people to visit to find out about the history of the book in Britain, and that history needs to ensure the inclusivity of the history of Black British books and publishers, so that it is not as Olusaga says, a ‘deliberately forgotten’ history. (David Olusaga, Brighton University, 30 November 2016)

Related posts: Bringing Voices Together: Inclusivity in Independent Publishing in Contemporary Britain, 7th September

Related links: All about African publishers

Twitter: @kadijattug

 

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