21 October 2019
Spare Rib archive - possible suspension of access UPDATE
Update (26th January, 2020): Further to our previous updates, the Government has committed to delivering the EU Withdrawal Agreement by 31 January 2020, after which the transition period will apply. The Spare Rib digital archive is expected to remain available until the end of the transition period on 31 December 2020. Further details will follow as these are confirmed. Original text of post as follows:
In February 2019 the British Library determined that if the UK leaves the European Union (EU) without a deal it will be necessary to remove from access the full run of digitised Spare Rib magazines hosted on the Jisc Journals platform. If the UK were to exit the EU on 31 October without a deal, therefore, the Spare Rib digital resource will no longer be available as of this date. Should a Withdrawal Agreement be finalised before that date, the resource will remain available until at least the end of the transition period.
The decision to close down the Spare Rib resource once the UK has left the EU was made on the basis of the copyright status of the digitised magazine, which relies heavily on EU orphan works directive. This directive allows in-copyright material held by cultural institutions to be made available where rights holders cannot, after due diligence searches, be identified. Spare Rib was published between 1972 and 1993 and as a consequence its content is still in copyright.
When we digitised the magazine the Library sought the permission of rights-holders for their work to feature in the online archive. We successfully obtained permission from 1080 contributors. Around 57% of the magazine however – some 11,000 articles and images from 2,700 contributors – benefits from EU orphan works protection. Should the UK leave the EU this legal exception will no longer apply and we have therefore taken the decision that the resource will need to be closed.
The closure of the Spare Rib digital resource will be felt by the many students, researchers and activists who use it and for this we apologise. As some compensation we can confirm that the British Library Spare Rib site, with contextual essays and selected magazine content will remain accessible.
For additional background and context about the Spare Rib digital archive and its potential suspension please see the British Library’s blog from February 2019.
11 July 2019
What is a Manifesto ... ?
Gay Liberation Front, Manifesto. London: Gay Liberation Front. 1971
The origins of writing and the reason why we write are central themes around which the Making Your Mark exhibition revolves. Encompassing the act of writing and the mediums used from carvings, scrolls, papyri, typing, print and digital. The exhibition is divided into different chapters, featuring a section on ‘People and Writing’ that considers the methods and purposes of various types of documents which are utilised as tools of power. Publications that reflect this include charters, petitions, pamphlets and treaties. Another such ubiquitous document that is congruous with this section is the manifesto.
A manifesto is a unique way of communicating which addresses an audience and asks them to unite to take action and change something. In this sense, the manifesto is an historical artifact and political tool within the history of radical democracy. The earliest examples can be traced back to Europe of the 16th Century; most famous manifestos include the Declaration of Independence and the Communist Party Manifesto. The concept of a manifesto is a little bit like a pamphlet, which were often homemade and distributed by hand in public places; likewise the manifesto is a public announcement often printed in newspapers or journals.
Manifest der Kommunistischen Partei, (Manifesto of the Communist Party). London : gedruckt in der Office der 'Bildungs-Gesellschaft für Arbeiter' von J. E. Burghard, 
There is no definite style or format. What all manifestos share is a call to its reader to unite and join together to make a change. Manifestos are frequently written during unsettled periods, often by small groups of people who want to challenge the status qua. Throughout history the authors vary from political parties, art movements and individuals. Developed as a text, the manifesto fuses art and politics to create a type of modernist literature. Studies of this particular writing form has lead researchers to consider it a genre within its own right.
A manifesto proves that writing is a tool of power and can be used to intervene and demonstrate against dominant systems. The phrasing used is often pleading, attacking, protesting and opposing in tone and declaring the intention of the writer. Any subject, cause or social group can write their own manifesto, but it is always written from an opposing position implying an ‘us’ and ‘them’. The style is often short and repetitive that attempts to get its message across and encourage readers to agree.
The texts broadcast ideals demanding the reader seize the moment to change the future. In this way, the writing is an activist text, inciting readers to take practical action to make decisions for themselves. This articulation must however be recognised by the audience or subject it addresses in order to function.
Where and when and who wrote manifestos are dependent on power struggles and an urge for change. The manifesto can appear under threat in this age of social media where a blue thumb can signify individual consent. Yet the desire to transform injustices and ignorance exists now more than ever. In these unsettled times, there are a lot people who still want to change things. If you were to write your own manifesto, what might it include and why?
This post has been written by Rachel Brett, Reference Specialist for Humanities at the British Library. Rachel frequently delivers discovery sessions on art, fashion and related subjects, and contributes to the Library's Doctoral Open Days.
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