Theatre of Sound. An interview with Aleks Kolkowski
Theatre of Sound is a nine-minute video which highlights the creative re-use of archival sound recordings in the field of sound art and music composition. It also touches on the use of early audio recording technologies in contemporary performance. These topics are illustrated with video documentation of two projects developed by composer/musician and sound artist Aleks Kolkowski.
Sound and Music
With Larry Achiampong, Aleks Kolkowski is one of two Sound and Music-Embedded Programme composers-in-residence at the British Library Sound Archive. This is a twelve-month residency for composers and creative artists, sponsored by Sound and Music, a national charity for musicians, and funded by The Esmée Fairbairn Foundation.
Besides being a composer and a musician, Aleks Kolkowski is an expert on historical recording techniques. He makes audio recordings on wax cylinders and on acetate discs, and creates public performances using these techniques, in collaboration with poets, musicians and artists. Many of the recordings are available to listen to online through his website Phonographies.
Save Our Sounds
The Library has embarked on a preservation programme: Save our Sounds, which is a 15 year project to digitize and preserve as much as possible of the nation's rare and unique sound recordings, not just from the Library’s collections but also from partner collections across the UK.
It is an aim of the programme to raise understanding, usage and public enjoyment of audio heritage more generally. And in this respect, the work of Aleks Kolkowski at the British Library Sound Archive supports the programme, by exposing the history of sound recording in a performative way.
Aleks's work is helping to create awareness and interest among different generations of new audiences. He has also contributed to the Sound Archive by adding his own collection of recordings made at the Library's studio, which will eventually be available online through the British Library Sounds website.
I have been documenting the performances and other creative outputs of Aleks at the Library since February to produce this video which I presented in Copenhagen at the performance archives conference SIBMAS 2016.
In addition the video features archival recordings and documentation from the Bishop Sound Company collection of sound effects for theatre, which dates from the early 1940s till the end of 1960s. The sound effects were recorded direct onto lacquer discs and then pressed to 78 rpm shellac for hire or sale. There are more than 3000 discs and hundreds of open-reel tapes in the collection. Aleks will be re-using this material in one of his future projects.
It has been very positive and enjoyable for me and other Sound Archive colleagues to work with our two composers-in-residence Aleks and Larry. Artists challenge people to see collections differently. They revive interest in collections and create awareness in ways that can't be done from inside the archive. They also contribute to reaching new audiences, who perhaps would not have come into contact with the collections otherwise.