06 October 2020
What if your home had ears?
We have all spent much more time at home since coronavirus abruptly changed our daily lives this spring. Perhaps, like me, you’ve paid more attention to the sounds within your house - the whistle of the kettle, the clack of the keyboard, the grumble of bored children, the chirp of birds outside. I’ve also been contemplating how we occupy our domestic space: who cooks and washes up, where do children play, which creatures live in and near our home and how has this changed within our own lifetimes? For the new British Library web resource, If Homes Had Ears we have delved into the vast treasures of the Library’s Sound Archive to explore the sonic landscape of the home. Key to this resource are the voices and memories of people speaking about home life over the last 140 years. We invite you to open your ears, draw back the curtains, and listen, discuss and reflect upon what makes a home.
If Homes Had Ears is grouped into five areas found in most homes: the bedroom, bathroom, kitchen, living room and the garden. There are three discursive and thought-provoking articles for each space, and the web resource features over 70 fascinating audio clips to intrigue the listener. We hope the sound clips we will be a springboard for reflection and discussion and will provoke the listener to think of their own experiences.
No web resource on the home can ever cover all types of experience, but we have worked hard to try and ensure a variety of voices and sounds from different UK regions and nations, and stories from people who have migrated to the UK. We have included examples of different social-economic situations, ethnic backgrounds, cultures, genders and time periods. The oldest recording is a 1911 edition of the popular song ‘When Father Papered the Parlour’, but we also explore the memories of a Welsh seamstress recalling her childhood in the 1880s. The most recent material was recorded in spring 2020 on memories of gardening.
I love this clip of Marjorie Atkinson describing the scullery in her family’s home in the North East of England in the 1920s:
What would children today make of the scullery in Marjorie’s home? In contrast, what might be the reaction of listeners from older generations to sisters Yasmin and Lana speaking in 2015 about sharing a bedroom?
In this extract Immunologist Dr Donald Palmer recalls the front room of his family’s home in London, a space of great importance to his parents who had migrated from Jamaica in the 1960s:
For each room we have created a short montage of audio clips, brilliantly animated by students from the London College of Communication, who have responded to these audio soundscapes creatively and with sensitivity. Here is Jachym’s animation of the sounds of the kitchen:
There is plenty of family friendly material (my children have been singing ‘Beans, beans good for the heart’ for weeks!), but we have not shied away from difficult topics too – as the home is not always a place of happy memories. In this extract Tricia Thorpe describes an incident when she was resident in a psychiatric unit as a teenager in the 1980s:
There are also clips discussing menstruation, abortion, aging, family structures in the LGTBQ communities and funeral rites. Where we feature this more challenging content, this is flagged in both the introduction to the clips and the audio item descriptions, so that listeners (and their teachers or caregivers) can decide whether listening is appropriate.
This resource has been over two years in the making and is part of the 5 year Unlocking Our Sound Heritage Project funded by the National Lottery Heritage Fund. It has been a true collaboration led by Mary Stewart (Oral History), Holly Gilbert (Digital and Multimedia Collections), Harriet Roden and Charmaine Wong (both from the Learning Team) with invaluable input from Megan Steinberg (former Learning Assistant), Chandan Mahal (Learning Projects Manager) and latterly Yrja Thorsdottir (Learning Team). Enormous thanks to colleagues from all across the Sound Archive for content suggestions and the support of the Unlocking Our Sound Heritage Intellectual Property Team, Web and Learning Teams. The greatest thanks, as always, must go to the speakers, sound recordists, performers and musicians – as without them there would no sounds in our archive to unlock.
Blogpost by Mary Stewart, Curator of Oral History.