Recording of the week: The first recording of a complete piano concerto
This week's selection comes from Jonathan Summers, Curator of Classical Music Recordings.
Lockdown has given us the chance to listen to music while working from home and revisit well known recordings that we may not have had the opportunity to hear for a while. Recently I listened again to the first complete recording of a piano concerto – Beethoven’s famous 'Emperor', recorded for HMV in April 1922 by Frederic Lamond (1868-1948) with the Royal Albert Hall and conducted by Eugene Goossens.
Lamond was a pupil of the great Franz Liszt, studying with him in Weimar during the last few years of Liszt’s life. I actually wrote the notes for a CD reissue of this recording on the Biddulph label way back in 1998. What strikes me now is not so much the poor quality of the acoustic recording, but the rhythmic drive of the performance and particularly the orchestra; Goossens’s youthful energy is evident throughout the recording.
Eugene Goossens (1893-1962), born just down the road from the British Library in Camden Town, was not even thirty when the recording was made. He was from a family of Belgian musicians who began his musical life as a violinist. His grandfather conducted the first English performance of Wagner’s Tannhäuser in 1882 while Eugene gave the British premiere of Stravinsky’s Rite of Spring in June 1921 with the composer present. Quite a feat for a novice conductor in this first year! Ten months later he made this recording.
Lamond gives a majestic performance, full of power, virility, nobility and authority. The rudimentary recording process, whereby the players had to gather around a recording horn that collected the sound waves in the room, has managed to capture a good deal of detail without any use of electricity. One hundred years after the event, we can still enjoy the vitality and informed performance of the greatest musicians.