THE BRITISH LIBRARY

Sound and vision blog

296 posts categorized "Contemporary Britain"

20 January 2020

Recording of the week: night in a várzea forest by boat

Add comment

This week’s selection comes from Cheryl Tipp, Curator of Wildlife & Environmental Sounds.

Rainforests are noisy places, even after dark. This recording was made in one of the Amazon’s many várzea or floodplain forests, in the dead of night, by wildlife sound recordist Ian Christopher Todd. Based in a boat in the middle of the Amazon River, our recordist found himself surrounded by a cacophony of sound.

Night in a várzea forest recorded by Ian Christopher Todd (BL shelfmark 201326)

Giant Marine Toad

The rattling calls of Giant Marine Toads (Bufo marinus) can be heard alongside the calls of other amphibians. In the distance, unknown sounds emerge from the darkness beyond, creating a multi-layered soundscape. And, as with many recordings of this type, the more you listen the more you’ll hear.

Follow @CherylTipp and @soundarchive for all the latest news.

13 January 2020

Recording of the week: Pinglish code-switching

Add comment

This week's selection comes from Jonnie Robinson, Lead Curator of Spoken English.

Hot Chapati
CC BY-NC-ND 2.0 Adam Cohn

Many bilingual speakers demonstrate a fascinating tendency to code-switch – that is they alternate between different languages as circumstance dictates, generally subconsciously and often within the same utterance.

Listen to Code Switching (BL reference C1442/1578)

Listen to this young British Asian female from Leeds describe her use of gunnhnā [= ‘to knead’], āttā [= ‘flour’], seknā [= ‘to toast’] and rotī [= ‘chapati’]. What is particularly interesting is the way she instinctively applies English grammar to Punjabi words by, for instance, adding the conventional English plural suffix <-s> to form rotīs, the regular past tense suffix <-ed> to create gunned and a more typically English sounding infinitive form sek: “I’ve gunned the āttā and I’ll sek the rotīs later”.

Follow @VoicesofEnglish and @soundarchive for all the latest news.

06 January 2020

Recording of the week: why you should listen to the common eider duck

Add comment

This week's selection comes from Eve-Marie Oesterlen, Lead Metadata Manager for the Unlocking Our Sound Heritage.

As Lead Metadata Manager for the Unlocking Our Sound project I have less time than I would like to listen to the sonic treasures we retrieve from the vaults. One of my guilty pleasures, however, is occasionally lingering in the corridor where the sound engineers’ studios are located to catch snippets of the sounds that are currently being digitised.

My favourite serendipitous discovery so far has been the call of the common eider duck. The UK’s heaviest and fastest flying duck, the eider is perhaps most well-known for its incredibly light and insulating feathers, the eiderdown, which has allegedly kept many a Vikings’ bed warm. Nowadays, the small soft feathers are mainly used as fill for luxury duvets.

illustration of the Common Eider Duck
Illustration from Coloured figures of the birds of the British Islands, issued by Lord Lilford https://www.biodiversitylibrary.org/bibliography/69277#/summary

In the excerpt below, you can listen to a flock of eider ducks or Somateria mollissima, as they are officially called, as recorded by wildlife recordist Richard Margoschis in the Scottish Highlands in 1984. The catalogue entry for this recording (WS5360 C7), copied below, illustrates the lyrical and sometimes (unintentionally) humorous quality of the metadata that is used to describe the wonderful wildlife sound recordings held by the British Library.

Species heading: Somateria mollissima : Common Eider - Anatidae
Habitat type: Temperate estuary. Tide rising.
No. age, sex: Ca.30, both sexes calling
Recording date: 1984-05-01
Sound quality: Sea heard swirling around jetty
Recording circumstances: Weather conditions: sunny & warm, light breeze
Local time: 13.00
Behavioural note: More male than female present. Some, all male, flew away. More available.

Eider 022A-WS5360XXXXXX-0107M0

I dare you not to be charmed by this lovely chorus of gregarious ah-hoos. It is guaranteed to blow anyone’s winter blues away; we all need some ah-hoo in our lives.

Follow @BLSoundHeritage and @soundarchive for all the latest news.

30 December 2019

Recording of the week: Wax cylinder recordings of Nigerian music

Add comment

This week's selection comes from Dr Janet Topp Fargion, Lead Curator of World and Traditional Music.

Northcote Whitridge Thomas
Northcote Whitridge Thomas

The Library’s World and Traditional Music collections include some of the world’s earliest ethnographic recordings, made on wax cylinders. Amongst these is a collection of recordings made between 1909 and 1915 by the colonial anthropologist, Northcote Whitridge Thomas, during his work in Southern Nigeria and Sierra Leone. To learn more about the recordings and to engage researchers and original community members with the sounds, the Library has partnered with the ‘Museum Affordances’ project, funded by the UK’s Arts & Humanities Research Council and led by Paul Basu at SOAS University of London.

As part of the project, Samson Uchenna Eze, musicologist and lecturer in the Department of Music at the University of Nigeria, Nsukka, chose some of Thomas' recordings to explore through transcription of the lyrics and music, and through engaging musicians in Nigeria to re-record them.

The song Igbo bu Igbo (Great Igbo) [NWT 417; C51/2277], is a call to Igbo people to remember their identity and ‘return to [their] truthful ways’. Prof. Eze writes: ‘In this song the female singer repeats the phrase [Great Igbo (all Igbo), come and hear the truth] several times and improvises in the internal variation section, calling on neighbouring villages to come and hear the truth’.

Listen to Igbo by Igbo (BL shelfmark C51/2277)

[Re:]Entanglements is the website of the Museum Affordances project. Prof. Eze has written a blog showcasing some of his work with the recordings.

Follow @reentanglements, @BL_WorldTrad and @soundarchive for all the latest news.

23 December 2019

Recording of the week: painting Winston Churchill

Add comment Comments (0)

This week's selection comes from Cathy Courtney, Project Director for Artists’ Lives, and Camille Johnston, Oral History Assistant Archivist.

Elsbeth Juda (1911-2014), was born in Germany. She and her husband Hans Juda (referred to as ‘Hansie’ in this audio extract) settled in England as the threat of Nazism grew in Europe. Elsbeth became a respected photographer, under the name ‘Jay’, mainly known for her fashion images, many of them taken for Ambassador magazine. She and Hans were at the centre of a closely knit group of international friends and her Artists’ Lives recording is full of lively glimpses of many of these figures. Among them are the painters Francis Bacon (1909-1992) and Graham Sutherland (1903-1880).

At Lord Beverbrook’s suggestion Graham Sutherland was commissioned to paint the portrait of Sir Winston Churchill in 1954, to celebrate the former prime minister’s 80th birthday. Churchill was by this time in poor health and Sutherland’s sittings with him at his home, Chartwell in Kent, were difficult. In desperation the artist asked Elsbeth Juda to accompany him on one occasion, to help cheer Churchill and also to photograph him so that Sutherland had reference material to use back in his studio. When the portrait was ready Sutherland took the precaution of inviting the art historian Kenneth Clark and Churchill’s wife, Clementine, to view it at his home, Trottiscliffe in Kent. Both visitors were happy with what they saw.

Winston Churchill
         British Government [Public domain]

The portrait was unveiled at Westminster Hall in front of a large audience. Churchill hated it and it was later destroyed by Clementine. Along with Juda’s photographs, her account in her Artists’ Lives recording is also of special value as evidence of a vanished work of art. Tantalisingly, her account tells how she and Hans tried to save the portrait by buying it themselves and for a short time it seemed they had rescued it. There are varying accounts of how the painting was destroyed and whether Clementine did it herself or asked an employee to carry out the act.

Juda refers to Churchill wearing a ‘zoot’ suit for his sittings. The National Portrait Gallery information clarifies this was a siren suit, a deluxe peacetime version of his war outfit. Also mentioned in the extract is the Churchill's London home at 28 Hyde Park Gate, where they were neighbours of the Judas.

Elsbeth Juda on Churchill

Elsbeth Juda was recorded by National Life Stories for Artists’ Lives in sessions between 2001-2003. The interviewer was Cathy Courtney. For more information about this recording see the Sound and Moving Image Catalogue. This clip features on the British Library website Voices of art, as part of an article by Helena Cuss that explores the links between Artists’ Lives oral history recordings and the collection at the National Portrait Gallery.

Follow @BL_OralHistory and @soundarchive for all the latest news.

20 December 2019

British Library Sports Word Of The Year 2019

Add comment

Jonnie Robinson, Lead Curator of Spoken English, writes:

This year marks the sixth annual British Library Sports Word of the Year (SWOTY) review. While I can’t claim it’s a major fixture on the annual awards circuit, six does, at least, have some sporting significance: six games in a tennis set; six pockets on a snooker table; and six cricket balls in an over (well until next year’s Hundred, that is). This annual review takes its inspiration from the BBC Sports Personality of the Year (SPOTY) and various Word of the Year nominations. Firstly, then, congratulations to Ben Stokes for winning SPOTY 2019, and to the equally magnificent Dina Asher-Smith for running him close (actually if they’d had to race there might well have been a different outcome!); and to they and climate emergency for emerging as Word(s) of the Year according to Merriam-Webster and Oxford dictionaries respectively.

And so to the ten candidates for SWOTY 2019, selected from a personal scrapbook of words and phrases that caught my attention on broadcast and social media platforms and in the mainstream press during the last twelve months:

January (Marina Hyde reflecting on the European PGA decision to stage a prestigious golf tournament in Saudi Arabia, Guardian Sport): Understanding the wider issue of sportswashing ought not be beyond your ken, either.

ScrapbookApril (Tanya Aldred previewing the 2019 county cricket season, Guardian Sport): If you thought the tension of Dom Bess’s heave at Ciderabad last September couldn’t be beaten, just watch and wait.

May (Richard Barnes reviewing Tottenham Hotspur’s 2018-19 season, Guardian Sport): Biggest surprise: our ability to find a way in the Champions League against the odds. Very unSpursy.

June (Vic Marks reporting on England versus Afghanistan at ICC Cricket World Cup, Guardian Sport): This made it the six-iest match in World Cup history.

July (Athar Ali Khan analysing bar chart of England’s runs per over versus Bangladesh at ICC Cricket World Cup, Sky Sports): Look at those big overs in the middle Manhattans.

August (Phil Tufnell reflecting on fading light during England versus Australia Lord’s Test, BBC Radio 5 Live Sports Extra): It’s getting a bit Noah’s out here.

September (Paul Farbrace describing outgoing England coach Trevor Bayliss, BBC Radio 5 Live Sports Extra): He absolutely loves the game ... he's a cricket nuffy.

September (Jamie Jackson describing James Maddison’s performance for Leicester City against Manchester United, Guardian Sport): Maddison could be spied in the classic trequartista position.

October (Sean Ingle quoting Daryll Neita’s assessment of World Athletics 200m champion Dina Asher-Smith, Guardian Sport): She’s a G. You are doing bits, darling.

November (Gerard Meagher quoting Siya Kolisi’s comments on the impact of South Africa’s triumph at IRB Rugby World Cup, Guardian Sport): We appreciate all the support – people in the taverns, in the shebeens, farms, homeless people and people in the rural areas.

This year’s list namechecks five sports with one entry each for golf, athletics and rugby union; two for football; and five for cricket. The dominance of cricket can probably be attributed to England’s triumphant World Cup on home soil and to the fact it represents an extremely rich source of innovative and specialist terminology. As ever, the selection illustrates a range of linguistic phenomena and encompasses dialect, slang and jargon; it includes a loan word; and, for the first time, examples of the potential of morphological creativity. Of the ten nominations, seven straddle the blurred lines between sporting jargon (i.e. specialised vocabulary), dialect (i.e. localised variants) and slang (i.e. informal forms): sportswashing, Ciderabad, unSpursy, six-iest, Manhattan, nuffy and trequartista. The other three occupy a similarly undefined position on the dialect-slang continuum but are not restricted to sporting contexts: Noah’s, do bits and shebeen; they qualify, however, as they demonstrate how sporting discourse in the press and on broadcast and social media – especially interviews with athletes, live commentaries etc. – gives vernacular English a mainstream platform.

In the light of increased corporate sponsorship of sport and the expansion to new territories of prestigious international sporting events it’s not surprising that sportswashing [= ‘a strategy whereby a nation or corporation leverages sport to enhance its reputation’] has made the headlines this year. Sport frequently serves as a legitimate tool for soft diplomacy, but sportswashing – recorded in the MacMillan Dictionary from 2018 – describes a deliberate policy of harnessing sport’s popular appeal and wholesome image to deflect criticism from a regime or company’s corrupt or unethical behaviour.

From a British point of view we might justifiably consider nuffy [= ‘person with particular passion/obsession’] Australian dialect, but the Macquarie Dictionary categorises it as ‘colloquial’ and even includes cricket nuffy as one of its examples of typical usage. Likewise, shebeen [= ‘illicit drinking den (esp. in South African townships)’] is classified as South African English in the OED. Both forms demonstrate the ‘World Englishes’ dimension of cricket and rugby as sports predominantly played in Commonwealth countries, as does the initially puzzling Ciderabad [= ‘Somerset County Cricket ground, Taunton’]. This is a wonderful example of wordplay containing multiple layers of cultural reference and requires considerable knowledge of cricket to deconstruct and interpret. Firstly, one needs to know that Taunton and Somerset, in the heart of England’s West Country, are synonymous with cider production and consumption and, secondly, that cricket pitches there have recently been unusually receptive to spin bowling. Finally, one needs to be familiar with cricket in the subcontinent, where pitches – such as the Test ground at Hyderabad in India – are traditionally associated with dry, dusty conditions ideally suited to spin bowling. To capture all that implicit knowledge in a single word is pure genius.

Two entries reveal a similar kind of linguistic playfulness, but rather than exploiting a phonological association, unSpursy and six-iest require imaginative grammatical manipulation. For many years, Tottenham Hotspur – nicknamed Spurs – have played attractive football but ultimately failed to win trophies, despite frequently coming agonisingly close. As a result many football fans, including Tottenham’s own supporters, have adopted the word Spursy [= ‘the tendency to falter when within reach of success’], such that it has attracted the attention of Collins Dictionary. As an adjective, Spursy adheres to normal English rules of derivation so additional forms can be generated. In this year’s Guardian I’ve spotted the noun Spursiness – note the adherence to English orthography in the substitution of a medial <i> for the adjectival suffix <y> – and, here, unSpursy, with its cheeky nod to the non-conformist conventions of e-publishing whereby a capital letter (denoting the underlying proper noun, Spurs) appears word-medially. On the other hand, six-iest [= ‘match with the highest total number of boundary sixes’] is a nonce-formation based on the number six with an unconventional superlative suffix added. The inspiration here is, I suspect, similar idiosyncratic sporting superlatives – to British English speakers anyway – such as US English winningest [= ‘individual athlete/team with the most victories’], but with the additional appeal of a phonological similarity with sexiest, capturing the notion that a game featuring such a high number of risky shots must be the most exciting and glamorous.

The term Manhattan appears to be widely used among cricket statisticians and commentators, and thus probably constitutes cricketing jargon. Modern sports analysis relishes a data visualisation tool and cricket has embraced this technological development enthusiastically. The wagon wheel [= ‘visual representation of direction of batsman’s run-scoring shots’] has been around for some time, but until this year’s ICC World Cup I was completely unaware of the Manhattan [= ‘bar chart showing rate of progress by runs per over’] and its counterpart, the worm [= ‘line chart showing rate of progress by runs per over’]. I’d be intrigued to know if either term is used by mathematicians more broadly.

Manhattan
Due to the prominent role played by the British in codifying football, English dominates much of its associated specialist terminology so it’s rare for non-English words to enter football jargon, hence the inclusion here of the Italian loan word trequartista [= ‘attacking midfielder, playmaker’]. The greater presence in recent years of European footballers and coaches in the UK has meant an increased appetite for European tactics and, hence, the vocabulary to describe these innovations. In addition to trequartista, Guardian articles have this year featured the words rondo [= ‘training drill in which players seek to keep possession of the ball in an enclosed space’], regista [= ‘deep-lying midfield playmaker’] and raumdeuter [= ‘player who reads (and exploits) tight spaces’], from Spanish, Italian and German respectively. All three appear in numerous online glossaries of football and – more importantly – in spontaneous conversations about the game among English fans.

Finally, we turn to two slang terms: Noah’s and do bits. The former confirms our enduring enthusiasm for rhyming slang – Noah’s is, underlyingly, Noah’s ark [= ‘dark’], but the conventions of rhyming slang dictate that the rhyming element (ark) is omitted. Green's Dictionary of Slang records Noah’s [= ‘lark, prank’] from 1891; [= ‘park’] from 1924; and (in Australian English) [= ‘shark’] from 1963, but has no record in this sense, while the New Partridge Dictionary of Slang and Unconventional English (2006) records Noah’s ark [= ‘dark’] from 1934 – coincidentally including a citation from 1992 in a cricketing context. The endlessly productive and light-hearted nature of rhyming slang explains its continued appeal. The quote from Daryll Neita, by contrast, is a fantastic example of current British urban slang: do bits [= ‘to do well, to succeed’] is first recorded by Green in 2017 – Dary’lls use of G [= ‘term of praise’] in the same breath, by the way, is also cited from 1991.

All of this year’s entries are captured in The British Library’s Contemporary British collections, making the Library an incomparable resource for anyone interested in monitoring vernacular language. And so to the winner: well … my head tells me it should be sportswashing as I sense sports governing bodies should respond to calls for greater social responsibility, but hey – it’s Christmas – so I’m going with Ciderabad. Because it’s brilliant.

CIDERABADFollow Spoken English collections at https://twitter.com/VoicesofEnglish

 

16 December 2019

Recording of the week: PTOOFF!

Add comment

This week's selection comes from Steve Cleary, Lead Curator of Literary and Creative Recordings.

Apologies, this may be our shortest ever 'Recording of the Week'. It does however provide an excuse to highlight a colourful product of the late 1960s countercultural arts scene centred in and around Ladbroke Grove, London.

PTOOFF! was the debut album by The Deviants, a bluesy psychedelic rock band led by singer Mick Farren (1943-2013). Our copy of the LP came to the Library in 2013, as part of the Barry Miles collection. Miles, as he was usually known, helped found the influential underground newspaper International Times, to which Farren also contributed. In the 1970s, Farren became a regular staff writer for the weekly New Musical Express, and then a novelist and also non-fiction writer. He continued to pursue music on the side throughout his life.

The LP was released independently on the band's own label, Underground Impresarios. It was distributed by mail order through adverts in International Times, and by underground retail outlets.

PTOOFF! album cover art

The vividly coloured cartoon sleeve (by ‘Kipps’, aka Pete Broxton) unfolds to become a six-panel poster. Our copy is the original issue, with brown ink used for the inside print (subsequent issues used blue ink). Reissues of the album shouldn't be hard to find but for copyright reasons we can provide only a short audio excerpt here.

So please enjoy the first five (sardonic) seconds of a true underground classic.

Listen to the first few seconds of the LP

Follow @BL_DramaSound and @soundarchive for all the latest news.

09 December 2019

Recording of the week: sheep gathering in Wales

Add comment Comments (0)

This week's selection comes from Cheryl Tipp, Curator of Wildlife & Environmental Sounds.

Most of the library's wildlife recordings focus on the sounds of wild animals, whether that be singing birds in the Australian outback, echolocating dolphins in the Caribbean Sea or stridulating insects in the English countryside.

It's not all about wildlife though; a little corner of the collection is dedicated to the sounds of domesticated animals.

The following excerpt belongs to a series of recordings made by Richard Margoschis in the summer of 1994 near the Welsh village of Pontrhydfendigaid. Over the course of 3 days, a staggering 3000 sheep were rounded up by farmers and brought down from the mountains for shearing. Margoschis used sound to document each stage of the process and the result is a sequence of sonic snapshots that take the listener from the open countryside right into the shearing shed.

Two sheep

This particular example, recorded as the sheep were being gathered, throws us right into the middle of an energetic soundscape; the sounds of bleating sheep are joined by the excited barks of sheepdogs, as well as the shouts and whistles from farmers on horseback as they work together to round up the flock.

Sheep gathering recorded by Richard Margoschis (BL shelfmark 43558)

This recording, together with its counterparts, presents an evocative and alternative glimpse into the working life of farmers during this busy period in the agricultural calendar. The entire series can be listened to onsite at the British Library.

Follow @CherylTipp and @soundarchive for all the latest news.