31 March 2022
Visualising Victorian News
Back in 2016 we wrote a post on this blog entitled News is Beautiful. It looked at the art of infographics and data visualisations in explaining the news of today. How interesting it would be, we speculated, if the infographic artists of today could work with data from historical newspapers. What would the results look like and what would we learn from them? Six years on, we have some answers.
Advocates of Freedom infographic by Ciaran Hughes
On 1 April 2022 a small exhibition opens at the British Library's St Pancras site, entitled Visualising Victorian News. Inspired by the questions we raised back in 2016, a project was established as part of the Library's Heritage Made Digital programme to commission three infographic designers to work with data derived from nineteenth-century British newspapers digitised by the British Library to illustrate significant news themes from the Victorian era. The three artists we commissioned were Tiziana Alocci, Ciaran Hughes and Erik Nylund.
The work began in 2018 with the intention of exhibiting the results in the summer of 2020. Covid-19 put paid to such plans, but the extra two years turned out to be necessary for the learning process we needed to go through. Our original plan was to work from the raw text created by by the process of digitising a newspaper (known as OCR, or Optical Character Recognition), extracting keywords to show patterns of development that we could ask the designers to express visually. It soon became clear that the raw text, though forming an essential component, was too impressionistic on its own and needed to be supported by data from other sources. We learned the importance of have a strong story; of having datasets that complemented and contrasted with each other, enabling comparisons to be made clear; and of the balance required between text, tables and image.
We learned that some stories that we would like to have told did not have the right datasets available. We learned that some datasets were of great interest as datasets, but did not necessarily produce satisfactory stories. Crucially, we learned the importance of working with researchers who had already used data in their work, or who had produced datasets as an output of their research. They could supply the materials needed and explain the themes and arguments that such such data could best serve. Above all we learned that most important of all was a productive, co-operative relationship with the designers, sharing ideas and understanding by the process of building up a complex design what would work best in telling the story.
Visualising Victorian News is the result. There are seven designs, on the themes of Abolitionism, Newspapers, Crime, War, Health, Machines and Tea. Each uses data from digitised newspapers, augmented by data from other sources, to illustrate these news themes. Each follows the original brief we gave to the designers, of looking striking from a distance, then to be full of information for the viewer to discover as they get up close. Each design is accompanied by a panel naming the artist, researchers, data sources and other sources. The designs are on display in the upper ground area of our entrance hall. The exhibition is free, and runs to 21 August 2022, accompanying our major exhibition on British news, Breaking the News, which opens on 22 April and run to the same date.
As it says on the introductory panel of the exhibition, when we digitise a historic object, we do not simply reproduce what the original looks like, but that we untap a wealth of new information from the data it provides. To digitise is to create new histories.
To accompany the exhibition there is an event being held at the Library on 26 April, 19:15-21:00, Beautiful News / Visualising Victorian News. This will bring together the three designers behind our exhibition and David McCandless, the 'king of infographics', whose bestselling books Information is Beautiful and Knowledge is Beautiful have been joined by his latest, very appropriate title, Beautiful News. There will be a special viewing of the exhibition beforehand with the designers present between 17.45 – 19.00.
- Visualising Victorian News exhibition: https://www.bl.uk/events/visualising-victorian-news
- Beautiful News event: https://www.bl.uk/events/beautiful-news-visualising-victorian-news
- David McCandless's Beautiful News: https://informationisbeautiful.net/beautifulnews
- Tiziana Alocci: https://www.tizianaalocci.com
- Ciaran Hughes: https://www.ciaranhughes.design
- Erik Nylund: http://eriknylund.se
07 September 2020
The news from Leeds
Announced as it was in the middle of March of this year, it is possible that not all may have read of the British Library's ambitions to extend its operations in some form through a new public space in Leeds. The government has made a £25 million commitment, as part of the West Yorkshire Devolution deal, to establish a British Library North in Leeds City Centre. Exploratory discussions are underway between Leeds City Council and the British Library and property developer CEG about the Grade 1 listed Temple Works site over the potential for its occupancy by the British Library.
From a Tiziana Alocci infographic on the Crimean War
As part of this process, we have been working with various Leeds organisations and group to explore shared interests through a programme of public events. One of these, the Leeds Digital Festival, takes place 21 September-2 October, and features two events (among 294) that feature the British Library news collections. As we digitise more and more of our news collections, and as research applications of a digital news library continue to develop and challenge us, we are pleased to be able to showcase two particularly interesting events that emphasise creativity and new thinking.
AI and the Headline Archive (24 September, 12:00-13:00 - tickets still available)
As part of the Heritage Made Digital newspapers project, where we are digitising poor condition out-of-copyright newspapers, we are keen to share in imaginative ways of extracting and re-using the data. For this events we have been working with artists Tom Schofield, Sam Skinner and Nathan Jones from Torque Editions, who are using artificial intelligence and speed reading technology to explore aspects of our nineteenth-century newspaper collections, focussing on headlines and story titles. This event will discuss how new discoveries can be made about human-computer reading capacity and media flows by applying artistic and ‘hacker’ techniques to historical data.
Creating Captivating Data Visualisations (29 September 13:00-16:00 - sold out)
In May 2021 the British Library will be hosting a small exhibition on infographics on nineteenth-century themes, created out of newspaper data and other datasets. We have worked with three designers on this projectors, one of whom, the award-winning information designer Tiziana Alocci with host this workshops, together with the British Library's Lead Curator, News, Luke McKernan, Alocci will lead attendees through a hands on, practical workshop in the creative process behind effective data visualisation, exploring best practices in the industry and how to make such work stand out. This project reflects our great interest in showing how historical news resources can be illuminated through current news applications, and in demonstrating creative applications of news data.
The Leeds development is one part of still larger plans to transform the British Library's existing site in the north of England, at Boston Spa in Yorkshire. Thanks to the Chancellor’s commitment, announced in the March budget, to invest up to £95 million, we will be able to renew and develop our Boston Spa site for the 21st century, securing its ability to store and make available our ever-growing national collection for generations to come. It is at Boston Spa that the majority of the nation's newspaper collection is held, in the National Newspaper Building.
Creating Captivating Data Visualisations has sold out already, but tickets are still available for AI and the Headline Archive, which is a free event. Do join us if you can, as we explore how today's technologies can make yesterday's news speak to us in new and exciting ways.
17 November 2017
Newspaper art, by its very nature, is an ephemeral art form, sprawling in number and fleeting in effect, so it is no easy task to research the field of Victorian Graphic Journalism. The role of Special Artist – or artist-reporter – as a recognized profession came into existence in the mid-nineteenth century. The seminal event in its early history was the founding of the Illustrated London News in 1842, and that of its chief rival, the Graphic, in 1869.
William Simpson, 'H.R.H, The Prince of Wales at the School Children’s Fete Bombay, 10th November 1875', 1875, pencil with grey wash and white, ©CSG CIC, Glasgow Museums and Libraries Collection: The Mitchell Library, Special Collections
The critical innovation that made it possible was the discovery of a wood engraving technique by Thomas Bewick, back in 1791, which enabled images to be printed simultaneously alongside text. But it was not until Herbert Ingram, the founding editor of the ILN, seized on its potential, that the pictorial press came into its own. Ingram formalized the practice of publishing images to accompany newsworthy events. As one of the leading Special Artists, William Simpson, would reflect, you did ‘not hear of the Special Correspondent during the wars of Napoleon, but between 1815 and 1854 a great change had taken place in the character and position of the newspaper press. It was this change that evolved the “Special” (Notes and Recollections of My Life, 1889, National Library of Scotland).
Acknowledging that historical events had previously been illustrated, Simpson identified that the key distinction was that the artist was now expected:
‘to be always on the spot, jotting down in his sketch-book what he saw with his own eyes. … [he] sees what takes place, and his work is immediately given forth to the world, so that its accuracy can be tested even by the actors in the historical event.’
Convinced of the importance of the new profession of which they were part, because it meant accurate, visual records existed of all the most newsworthy events of Queen Victoria’s reign and – most importantly – had been communicated back to the British public through the medium of the press, Simpson and his journalistic colleagues, all household names in their day, believed that their work would be highly prized by ‘future historians’. However, contrary to their expectation, they, and the imagery they produced, have been largely forgotten. If they are remembered, it is as pioneering war artists – rightly so, as the Crimean War of 1854 marked the point at which the fledgling profession truly took off. Yet my research into their work over the past decade has revealed that the scope of what they achieved is even greater. I now share their conviction that they deserve to be celebrated - in tandem with their counterparts, the special correspondents - as the progenitors of our modern media world.
Part of the reason for their neglect comes back to the relative inaccessibly of the art form they created, the sheer scale of its production and the wrongful assumption that the original sketches were destroyed in the process. However, pockets of the original artwork do still exist, such as this evocative sketch by William Simpson of the Prince of Wales presiding over the School Children’s Fete in Mumbai in November 1875, now in the collection of the Mitchell Library in Glasgow (see above).
It is the digital innovations of the twenty-first century that are providing the means for us to look back and reassess the advances of the nineteenth – not only in terms of locating the images in digital form, but also by providing platforms in which to group, analyze and ultimately represent them as a reconstituted body of work. Picturing the News: the Art of Victorian Graphic Journalism, the online exhibition I have co-curated with Cathy Waters, is one result. Professor Waters and I will be talking about ‘Rediscovering the Art of Victorian Graphic Journalism’ as part of the AHRC’s Being Human Festival in the Foyle Room at the British Library on Thursday 23 November. If you cannot get there but are interested in learning more about the subject, please visit https://research.kent.ac.uk/victorianspecials/.
Ruth Brimacombe, Freelance Curator and Art Historian
23 October 2017
Rediscovering the art of Victorian graphic journalism
Writing in the Guardian earlier this month, Roy Greenslade queried what it is about ‘fake news’ that draws such widespread public attention: is it ‘a wilful desire to reject “boring” reality and choose its “exciting” opposite?’ he asks. The question of how to picture the news in a compelling way – so that it remains accurate as to the facts, while imaginatively transporting newspaper readers to the scenes and events described – goes back to the emergence of the first special correspondents and special artists who worked for the metropolitan press in the second half of the nineteenth century. Who were these newspaper pioneers and how can they help us to understand continuing debates about the media today?
Image courtesy of the British Cartoon Archive, University of Kent, www.cartoons.ac.uk
William Howard Russell is probably the only one of the first generation of special correspondents who is now widely remembered, largely as a result of his famous reports from the Crimean War for the Times. Russell’s despatches from the front were gripping, eye-witness accounts that brought the war home to British readers and galvanized public opposition to the Government’s mishandling of the campaign. His narratives of spectacle, heroism and suffering established him as the Times’s leading ‘special’.
Reporting from the seat of war was undoubtedly the assignment that most tested the special correspondent’s mettle. However, when no war was afoot, they had to turn their hand to cover all manner of events in any location at home or abroad as required by their newspaper. Their versatility was key; and at least equal in fame to Russell on this score from the 1860s onwards was George Augustus Sala: ‘the chief of travelled specials’, as he was later described. Sala’s potential as a ‘travelling correspondent’ was first demonstrated in 1856-7 when Dickens sent him to St Petersburg to obtain material for a series of papers on Russian life and manners for his weekly periodical, Household Words. Sala’s colourful, descriptive style, cultivated as a contributor to Dickens’s journal, flourished when he began work as a special for the fledgling Daily Telegraph in 1857. Although he reported on a number of wars, including the American Civil, Austro-Italian and Franco-Prussian wars, special correspondents were also required, as he wrote in 1871, to ‘be Jack of all trades, and master of all – that are journalistic’: ‘to “do” funerals as well as weddings, state-banquets, Volunteer reviews, Great Exhibitions, remarkable trials, christenings, coronations, ship-launches, agricultural shows, royal progresses, picture-shows, first-stone layings, horse-races and hangings’.
While not all of the journalists who worked as specials became so famous in their own day as Russell and Sala, what distinguished their correspondence was its mobility, versatility and descriptive power: an ability to observe and seize upon events wherever they happened, rendering them for the press in sufficiently graphic prose so as to transport readers through vivid eye-witness accounts. These qualities were also features of the New Journalism – a development famously criticised by Matthew Arnold in 1887 as part of a commercially driven press deploying sensational reportage to sell newspapers (a debate that remains familiar today).
But for its proponents, special correspondence was a new technology – like the railroad or the telegraph, with both of which it was closely associated – that brought the world closer, shrinking space and time and conveying readers to distant places. In fulfilling the often arduous demands of their role, these journalists sometimes became newsworthy in their own right. Indeed, speaking at an anniversary dinner of the Newspaper Press Fund in 1878, Lord Salisbury described the special correspondent as one who ‘seems to be forced to combine in himself the power of a first-class steeple-chaser with the power of the most brilliant writer – the most wonderful physical endurance with the most remarkable mental vigour’.
Some of the remarkable achievements of this forgotten breed of journalists will be rediscovered as part of Being Human: A Festival of the Humanities on Thursday 23 November from 6-8 pm when Dr Ruth Brimacombe and I discuss our online exhibition, Picturing the News, in the Foyle Room of the British Library.
Booking for this free event is available here.
18 October 2017
Newspaper data and news identity
Below is the text of a short paper I gave recently at 'Language Matters', the 5th Transfopress Encounter in Paris. Transfopress is an international network of archivists, librarians and scholars interested in the study of foreign language press. The subject of this conference was printed news in English abroad and foreign-language publishing in the English-speaking world. My talk was on newspaper data and news identity.
Abend naies: The Jewish Evening News (London), 11 December 1914 and Al-Arab (London), 2 June 1977
The British Library holds one of the world’s largest newspaper collections. It has some 60 million issues dating from the 1620s to the present day. The collection is fairly comprehensive from 1840, certainly so from 1869 when legal deposit was instituted, and publishers of British and Irish newspapers were required to send one copy of each issue to the Library. 1,400 additional titles are added each week, along with a web news collection that archives over 2,000 news sites on a frequent basis, and a growing television and radio news collection.
Around two-thirds of the newspaper collection is British or Irish titles. Most overseas newspapers are now taken on only in electronic form or on microfilm, but we nevertheless have substantial holdings of overseas newspapers in English and other languages. This includes an extensive collection of newspapers from Commonwealth countries which were formerly received through colonial copyright deposit.
Our goal is to move from being a newspaper library to being a news library, reflecting the great changes taking place in the world of news today. In doing so we have had to ask questions about what the nature of news is. The definition we use is that news is information of current interest for a specific audience. Such a definition can be applied across different news media and suggests ways of linking them up, but also challenges the idea of what news is, since it can be applied more widely that that just those media we commonly identify as ‘news’. Anything can be thought of as contributing to 'news' if it helps inform our world. In particular, it draws attention to communities seeking out news that is meaningful to them, and asks how we should be expressing such audience identification in our catalogue.
British Library title-level list of newspapers (a work in progress)
These issues have come to the fore in a project we have been undertaking, to produce a single title-level listing of all newspapers at the British Library (around 34,000 titles). Producing such a listing from a catalogue built up over many decades and from diverse collections has been challenging. It ought to be a simple case for a national library to produce a single listing of the newspapers that it holds, but in practice a significant number of newspapers have been classified as journals, or even books, on our system. Ensuring that we identify every newspaper as a newspaper has involved some prolonged research, in particular working with areas of the Library that cover particular geographical areas or communities.
For example, over the past year the News section in which I work has been working with our Asian & African department to identify Indian newspapers in the collection. Many of these had been classified as Journals on our catalogue, making discovery difficult for anyone looking for Indian newspapers without a specific title in mind. Multiple standards had been applied to the cataloguing of newspapers in the past, and there were additional problem particular to newspapers, such as changes of title and similarity of titles to other newspaper series. Previous investigations had indicated that we held some 214 Indian newspaper titles; in the end, 234 were identified by a research fellow, Junaid ul-Hassan. Each title was reclassified on our catalogue, the result being that what had previously been a buried newspaper collection has been opened up for researchers.
Map of Indian newspapers held by the British Library
The Indian newspaper records each come with geographical codings, meaning that we can produce a map of their distribution, while research by Junaid into contemporary reference sources has given us a greater picture of what was published overall, from which we may judge how selective and representative our collection of Indian newspapers might be.
A significant number of our newspaper records still require better or more consistent geographical identifiers before we can say with confidence how many newspapers we have from different countries or parts of those countries, or before we can produce further maps such as we have for Indian newspapers. But what about diaspora newspapers? We have many newspapers past and present that have been published for and by different immigrant or ethnic communities within the UK. How does our catalogue reflect the existence of newspapers published by the different communities within the United Kingdom, be they identified by race, religion or particular political persuasion?
The short answer is that we cannot. There is no means of extracting information for the British Library catalogue that will identify all news published for immigrant or ethnic communities, whether in English or other languages. Our catalogue does not work that way. The newspaper titles are there, but but they are not classified in a form that would help us locate them. It is possible to identify some newspapers published in the United Kingdom by the language in which they were printed, which is one way of narrowing down diaspora newspapers, but it is an incomplete solution, since many will have been published in English.
The British Library catalogue primarily identifies a newspaper by its title, date range, place of publication and its geographical coverage. Traditionally, this has been enough. It is not the function of a research library to do the researcher's work for them. We provide the basic list, comprehensively compiled and accurately described, and you must do the rest. You must know what it is that you are looking for.
But one can argue that such an ordering of the data is a form of suppressing identity. The catalogue becomes a political tool, creating conformity of identity through rules of description. Such an ordering reinforces the suppression of difference.
The function of the catalogue as something that replicates society's power structures is well known. Catalogues and classification systems are never the value-free orderings of information that they advertise themselves as being, but are instead profoundly imbued with the values of the dominant society that maintains them.
There is an argument, therefore, that the newspaper catalogue could be doing more to identify different forms of newspaper by their audience and purpose, to counteract this impulse towards conformity.
Should this be a component of news cataloguing, and if so how should it be implemented, both for future news publications and retrospectively? How do we identify a news community, and how do we determine what their understanding of the news was, and from what sources they gained the fullest picture of the world in which they found themselves? As said, the definition of news we are employing is that news is information of current interest for a specific audience. This suggests that identification of audience should be playing a far greater part in how we catalogue newspapers than is currently the case. Cataloguing by nation and geographical area presupposes that all news is geographically determined, but this is not so. Those specific audiences may be determined by gender, age, special interest, belief, language or ethnicity. A community-led understanding of the news may be the necessary way forward - both in how we manage news collections today, and how we revisit the discoverability of our historical news archives.
One of the major growth areas for news in the UK is hyperlocal news. Hundreds of news websites, and in some cases newspapers, have been published independently on an amateur or semi-professional basis, that are aimed at small communities across the UK. Most of these hyperlocals are geographically based, as their name suggests, but they indicate the ways in which traditional structures for the production, ownership and identity of news are changing. they suggest that news is something that comes from us, however we choose to identify ourselves, rather than something that is decided for us. This is the logic of social media, where each of us selects the news world that is meaningful to them.
Another imperative is the direction in which digital libraries are going. As with some other national libraries, the British Library is now archiving its national portion of the Web, including newspaper websites and other news sites. The figures involved are overwhelming, with the number of pages being archived each now to be counted in the billions. Indeed, the amounts of published content coming in across all formats is growing at a rate beyond the comprehension of the ordinary researcher. When we curators at the Library give talks to people about what we are collecting you can see their eyes glaze over. There is too much to take in.
In such a world, there is a paradox. The more we acquire the harder it is to find the resource to make discovery through our catalogues practical, yet the greater the imperative must be to enhance discovery for those who do not need to discover everything, just something.
As collections grow exponentially, so does the need to contextualise them also grow. This cannot be managed by humans, at the rate things are going. It will need to come from algorithms, automated topic extraction, mapping tools and other forms of artificial intelligence. The future of cataloguing is automation, and in such a world it will be our job, as curators, to ensure that the machines address the right needs.
Those of us who manage news archives must rethink how we are managing them. When discoverability becomes overwhelming, and when traditional cataloguing structures hide records that do not conform, such as diaspora newspapers, then we must question what we are doing - and make changes. There will always be the single list of every title that we hold, because ultimately an archive is a collection of discrete objects, each identifiable by a title and a date. But we must think for whom the news has been shaped and published. We must produce discovery tools that bring to the fore different parts of the collection - a multi-faceted approach to replace the linear. We must be mindful of the identity of the news that we archive, without which it is not going to be news at all.
24 February 2015
Talking about things local
Last year we wrote a post on how we were archiving community news websites, or hyperlocal sites, as part of our non-print legal deposit web archiving plans. Part of the great upheaval taking place at the moment in how news is produced, distributed, consumed and shared is the rise in self-produced news web services, usually serving a small community. The trend started in America, where it was given the name 'hyperlocal', and has spread vigorously to the UK, where it has caught the eye of funding bodies, academics and campaigners.
The British Library's strategy for news collection extends beyond newspapers to encompass all forms in which the news is produced and communicated across the UK. So it is important that we capture hyperlocal sites, just the same as we are capturing newspapers, the websites of newspapers, television and radio news. Sites such as The City Talking (Leeds), Brixton Blog, Papur Dre (Caernarfon)), Little Bit of Stone (Stone in Staffordshire) and Port Talbot MagNet are redefining what news is and who owns it.
The blog post attracted some interest, and since writing it we have - with the help of Dave Harte of Birmingham City University - identified some 500 hyperlocal websites from across the UK that we have now started archiving on a regular basis, and tagging as hyperlocal sites so that they and the phenomenon can be more easily traced by researchers in the future.
As part of our commitment to hyperlocal news, we are delighted to be playing host on Saturday 28 February to an 'unconference' organised by hyperlocal champions Talk About Local. An unconference is a conference without an agenda, as the idea is that the audience turns up and decides what the day should be about. So we can't tell you as such what is going to feature during the day, but the Talk About Local blog suggests that themes could include the upcoming general election, crowdfunding, the BBC and local news, working with the police, and working with local newspapers. Many of those attending will be producers of hyperlocal sites - a community of their own - and it is going to be exciting to see how this new newsform, still on a few years old, is shaping up to manage the great challenge of reporting the worlds most immediately around us today.
Tickets for the unconference (named #TAL15) can be booked here.
15 October 2014
Newspaper reading rooms - a subversive history
The third in our series of lectures named after the 19th century journalist WT Stead is to be given by Professor Aled Gruffydd Jones, newspaper historian and head of the National Library of Wales, on 21 November 2014 at the British Library. Entitled 'Newspaper reading rooms and civic engagement: a subversive history,' it will look the history of the newspaper reading room and their relation to civil society.
The Old Newspaper Reading Room in the British Museum, Bloomsbury. Sell's Dictionary of the World's Press 1893. Copyright ©1999, The British Library Board
Newspaper readings rooms in the UK since the eighteenth-century have come in all shapes and sizes, from local literary societies and miners' institutes to august national institutions like the British Museum. Often they allowed access to both a range of relatively immediate information about the contemporary world and to the past. In both senses, they could serve as spaces not only for the quiet consumption of information but also for the development of creativity, the deepening of civic engagement and the enhancement of public education in the broadest sense.
The Newsroom at the British Library, St Pancras
Professor Jones's talk will look at the history of newspaper reading rooms, the role the collective reading of the Press has played in the building of civil society, and the creative challenges posed to the cultural and civic world they represented by the digital technologies and platforms that are a growing part of their current manifestation. The British Library's own Newsroom, opened earlier this year, is only the latest expression of a long and important tradition, fitted out for a digital age and hopefully playing its own part in contributing to the growth and maintenance of civil society.
Professor Aled Gruffydd Jones is Chief Executive of the National Library of Wales and a notable cultural historian, who has published on has published widely on newspaper and journalism history, the history of modern Wales, labour history, tand on the relationship between Wales, the British Empire and the Indian sub-continent. His publicati0ns include Powers of the Press: Newspapers, Power and the Public in Nineteenth-century England and Press, Politics and Society: History of Journalism in Wales. His is a broadcaster and columnist, and was the joint organiser of the first Welsh International Film Festival and co-founder of the film and video arts collective, Creu Cof. He has also acted as an advisor to the British Library on its newspaper digitisation plans.
This will be the third in our series of W.T. Stead lectures, named after the 19th century journalist William Thomas Stead, which have looked at news past, present and future. The previous lectures were given by James Harding, head of BBC News, and Emily Bell, director of the Tow Center for Digital Journalism at the University of Columbia.
The lecture will be from 18:00 on 21 November 2014 at the British Library at St Pancras, in the staff restaurant area on the first floor. Details of how to book for the event are on our What's On pages.
10 July 2014
Newspapers in Europe and the Digital Agenda for Europe
Europeana Newspapers is a three-year project (running to Jan 2015) which aims to
- Aggregate 18 million historic newspaper pages for Europeana and The European Library
- Convert 10 million newspaper pages to full text
- Create a special content viewer to improve online newspaper browsing
- Build tools that will allow professionals to better assess the quality of newspaper digitisation in relation to level of detail, speed and costs
As part of the British Library's contribution to the Europeana Newspapers project, we will be hosting a workshop entitled Newspapers in Europe and the Digital Agenda for Europe, 29-30 September 2014. Registration for the event is now open, and here's the agenda:
29 September: What is the value of newspapers?
13.00 – 13.15 Welcome
Caroline Brazier (The British Library)
Marieke Willems (LIBER)
13.15 – 13.30 Europeana Newspapers Project
Hans-Jörg Lieder (Berlin State Library, Coordinator of Europeana Newspapers
13.30 – 13.45 The Digital Agenda for Europe
Krzysztof Nichczyński (European Commission DGCONNECT)
13.45 – 15.30 Panel discussion: What is the value of newspapers?
Tim Sherrat (Trove), Toine Pieters (University of Utrecht), Alastair Dunning (The
European Library), Clemens Neudecker (Berlin State Library & Coordination of
Europeana Newspapers Project), Max Kaiser (National Library of Austria)
15.30 – 16.00 Coffee
16.00 – 16.45 Break-out session: What is the value of newspapers?
16.45 – 17.15 Reporting back from break-out groups
17.15 – 17.30 Wrapping up
19.30 Dinner (participant’s own expenses)
30 September: Barriers to improving access to digitised newspapers
9.00 – 9.30 What helps the Europeana Newspapers project and its partners to improve access to
digitised newspapers and what stops them?
Marieke Willems (LIBER)
9.30 – 10.15 Break-out session: Roadmap for policy makers
10.15 – 10.45 Coffee
10.45 – 11.00 Reporting back from break-out groups
11.00 – 13.00 Panel Discussion: How to overcome barriers to improving access to digitised
Kristiina Hormia-Poutanen (National Library of Finland and LIBER president), Lucie
Guibault (University of Amsterdam), European Newspaper Publishing Association,
Patrick Fleming (The British Library), Krzysztof Nichczyński (European Commission
DGCONNECT, Henning Scholz (Europeana)
13.00 – 13.15 Wrapping up
13.15 – 14.00 Brown bag lunch
Hope to see you there.
13 June 2014
St Pancras Intelligencer no. 22
Welcome to the latest edition of the St Pancras Intelligencer, our weekly round-up of news about news - stories about news production, publications, apps, digitised resources, events and what is happening with the newspaper collection (and other news collections) at the British Library.
Stop sharing this photograph of antisocial newspaper readers: This much retweeted and shared photograph of a train carriage full of newspaper readers has been viewed by many as a comment on an anti-social past age. Medium makes a strong argument why this is a complete misunderstanding of how a newspaper is consumed.
... what you are seeing in that picture of “antisocial” people reading newspapers is actually an eminently social activity: citizens keeping themselves informed so they can participate in the civic discourse of their community.
Enabling access to digitised historic newspapers: We held a Europeana Newspapers event here at the British Library, on assorted issues relating to the digitisation of newspapers, with interesting contrasts between traditional browsing and big data analytical approaches, and between free and paid access services. The link is to a Storify collection of tweets, links and slideshows from the day (fun to put together - will be doing more of these).
Broadcasting D-Day: The BBC's recreation of radio broadcasts from D-Day by using digitised scripts and actors (Benedict Cumberbatch, Toby Jones, Patrick Stewart) made a powerful impact and was a fitting tribute on the 70th anniversary of the landings. The BBC radio scripts come from the British Library, and this post gives the background.
Digital News Report 2014: Eagerly devoured and much commented upon has been the latest annual Reuters Institute Digital News Report, the result of a survey of digital news consumption in UK, US, Germany, France, Italy, Spain, Brazil, Japan, Denmark and Finland. Among the key findings are:
- The use of smartphones and tablets has jumped significantly in the past year, with fewer people using their computers for news
- More than a third of online news users across all countries (39%) use two or more digital devices each week for news and a fifth (20%) now say their mobile phone is their primary access point
- US social sharing news sites like Huffington Post and Buzzfeed are beginning to make inroads around the world, with new formats and a fresh tone of voice aimed at younger people
- Even so, traditional brands remain strong in most markets, with cross-platform newspaper reach averaging 75% in most countries
- The number of people paying for digital news (11% average) has remained stable over the past 12 months, although there is a significant switch to more valuable ongoing digital subscription in most countries
- Of those paying for news in all countries, 59% are paying for an ongoing subscription (43% 2013). Of those who are not paying, 15% say they are likely to pay in the future
- Facebook is by far the most important network for news everywhere
- Although Twitter is widely used in the US, Spain, and the UK, it is far less influential in many other European countries. Google+ is emerging as increasingly important for news, along with messaging application WhatsApp
Robert Peston’s speech: Hotly discussed all week has been Robert Peston's British Journalism Review Charles Wheeler lecture, where he queries James Harding's statement (given in his WT Stead lecture at the British Library), "I think this is the most exciting time to be a journalist since the advent of television". Peston is not so sanguine, seeing threats in online culture, reader power, and the power of the public relations industry. He concludes:
...we don’t yet have what you might call a stable ecosystem in news. The poll-tax funded BBC is one kind of news-media model. The loss-making Guardian, funded by vast private-equity capital gains, is another. The Daily Mail another still. And Quartz, Huffington Post and BuzzFeed something different again. There is diversity – which all ecologists would tell you is vital to long-term survival. But there is also pollution, from a dangerous elision between news that pays and news that matters.
Why would anyone want to be a journalist?: But then there's Sarah Hartley at Contributoria, who speaks to several journalists about the hazards and frustrations of their occupation, and finds the answer to her question in these words from photographer Giles Duley (a triple-amputee after stepping on an IED in Afghanistan):
It’s about storytelling for me. There are these incredible stories out there and I think I follow a tradition that started around camp fires, in caves around ten thousands of years ago and there’s an innate need for people to tell stories and to hear stories and I just love being part of that tradition and so I’ll carry on doing it.
The Sun Launches A £4.2 Billion Marketing Campaign?: The Sun is delivering a free special World Cup issue to 22 million UK homes over a 48-hour period (avoiding Hillsborough). Chris Brace at the Brown Moses blog notes that the giveway lacks the imprint that identifies the publication as a newspaper. The fine for breaching this legal requirement can be up to £200 per copy. 200 x 22M = £4.4Bn. That's a quite fine...
Not Everyone Is Happy About The Sun’s “This Is Our England” Front Page: Patrick Smith at Buzzfeed rounds up some less than complimentary reactions to the great free Sun giveaway. There's even a @PostTheSunBack campaign.
Internet not responsible for dying newspapers, new study finds: Riding against the general trend of argument is a paper by University of Chicago Booth School of Business Professor Matthew Gentzkow, which says that comparisons between the internet and newspaper are based on some false assumptions. ScienceDaily summarises these.
A year on Guardian continues to face derision from Fleet Street rivals over Edward Snowden revelations: Press Gazette reviews the opinions expressed about Edward Snowden in other British newspapers, which are distinctly unimpressed.
Time Inc. Has a Big Problem - So Does Digital Journalism: Derek Thompson at The Atlantic feels that the future looks bright for digital journalism as a product, but dim for large-scale digital journalism as a business.
Victorian Meme Machine: Bob Nicholson of Edge Hill University is one of two winners of our BL Labs competition for innovative ideas to use digital collections. His Victorian Meme Machine will create an extensive database of Victorian jokes, drawn from newspapers etc, and pair them with an appropriate image drawn from BL and other digital collections.
Annotating the news: Intriguing piece by Jihii Jolly for Columbia Journalism Review on student news literacy and annotation tools.
The BBC was impervious to the launch of Sky News. Now they have to take notice: Ian Burrell at The Independent interviews Sky News editor John Ryley, who is full of plans, is disparagaing of ITV's attitude towards news, and states firmly: “The future for news is on mobile.”
European newspapers search for ways to survive digital revolution: A Guardian survey of how newspapers in Spain, France and Germany are struggling (belatedly) to find ways to make money as print sales plummet.
16 Pictures Of Beyoncé Where She’s Not Sinking In Quicksand: The Onion has launched Clickhole, its parody site for 'clickbait' viral sites like Buzzfeed and Upworthy. Not super-funny yet, but we have hope.
Why banish words from the front page?: The sharply opinionated Grey Cardigan on The Spin Alley blog is critical of sloppy front page design in some UK regional newspapers, and thoughtful on the reasons why.
Newspaper printed with ink that repels mosquitoes: This is such a heartening story - a Sri Lankan newspaper has come up with Mawbima Mosquito Repellent Paper, printed using bug-repelling ink, as part of campaign to help prevent the spread of Dengue fever. Probably a bit of a preservation challenge though...
Chatting with bots: How Slack is changing how newsrooms talk amongst themselves: Nieman Journalism Lab on Slack, a chat application being used in the newsrooms of The Times, BuzzFeed, The Atlantic, Quartz, Slate, NBC News, The Guardian and more.
Kevin Turvey investigates ... the media: RIP Kevin Turvey, peerless investigative reporter from Reddtich, aka Rik Mayall.
29 May 2014
Enabling access to digitised historic newspapers
Enabling access to digitised historic newspapers is an event being organised as part of the Europeana Newspapers Project with the aim to raise awareness of Europeana Newspapers and the value of collaboration to make historic newspapers content available online. It takes place at the British Library Conference Centre on 9 June 2014. There will be presentations from the UK partners in the Europeana Newspapers Project, The European Library and newspapers researchers.
The British Library is one of the partners in Europeana Newspapers, a three-year project running to January 2015 which aims to aggregate 18 million historic newspaper pages for Europeana and The European Library from across Europeana newspaper collections, and to convert 10 million of those newspaper pages to full text. Our role in the network is a relatively minor one, cheifly participating in the promotional work of the project and hosting this June event. The project is led by the Berlin State Library, and there are 18 project partners, 11 associate partners and 22 networking partners.
There are a few tickets left (at the time of typing ), which can be booked through this link.
09:30 -10:00 Arrival and Registrations (refreshments)
10:00-10:10 Welcome and aims of the day
10:10-10:30 News collections at the British Library (Dr Luke McKernan, British Library)
10:35-11:00 The British Newspaper Archive: Tales of the unexpected (Dr Ed King, Independent researcher)
11:10-11:40 Digital research and newspapers (Paul Gooding, Digital Preservation Coalition; Dr Ulrich Tiedau, University College London)
11:40-12:00 Welsh Newspapers Online (Alan Vaughan Hughes, National Library of Wales)
12:00-13:00 Lunch (provided)
13:00-13:30 Europeana Newspapers Project: an overview (Dr Rossitza Atanassova, British Library)
13:30-14:00 Europeana Newspapers browser (Alastair Dunning, The European Library)
14:00-14:30 Europeana Newspapers: evaluation and quality assessment (University of Salford)
14:30-15:00 Coffee break
15:00-16:00 Digitising and researching historic newspapers collections: panel discussion with Dr James Mussell, University of Leeds; Professor Lorna Hughes, University of Wales; DC Thomson Family History and others TBC
16:00 – End of the official programme
16:00-17:00 - Drinks and nibbles
The Newsroom blog recent posts
- Visualising Victorian News
- The news from Leeds
- The artist-reporter
- Rediscovering the art of Victorian graphic journalism
- Newspaper data and news identity
- Talking about things local
- Newspaper reading rooms - a subversive history
- Newspapers in Europe and the Digital Agenda for Europe
- St Pancras Intelligencer no. 22
- Enabling access to digitised historic newspapers
- British Newspaper Archive
- Broadcast News
- Catalogues and databases
- Digital scholarship
- Family history
- Research collaboration
- Social media
- St Pancras Intelligencer
- Text mining
- User-generated content
- Visual arts