Untold lives blog

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27 January 2022

The 1914 United Missionary Exhibition 'Other Lands in Leicester': a global and colonial aspiration

In April 1914 the newly built De Montfort Hall in Leicester hosted a United Missionary Exhibition.  ‘Other Lands in Leicester’ was described as ‘A picturesque and vivid representation of work in many lands’.  The exhibition was deliberately fixed during Easter week, between 6 and 16 April, as this is the most important celebration for the Christian religion, and this period must have been thought of as ideal for attracting visitors from all over the country and engaging more volunteers.  The aim was to educate and inspire the public about missionary work abroad.

Advert for ‘Other Lands in Leicester’ at the De Montfort Hall in April 1914Leicester Daily Post, Thursday 19 March 1914, The British Newspaper Archive.

Missionary exhibitions aimed to bring different fields of activity together in one city.   Visitors could tour the colonised world without travelling, through the convenience of a settled exhibition organized by comfortable explanatory pavilions.  In the ethnographic and anthropological museums emerging at the beginning of the 20th century, it was common practice to collect and reframe objects based on colonial contemporary categories.  Material culture circulated in international exhibitions, which emerged around the 1840s and lasted until the 1960s, albeit with substantial changes due to mutations in ideology, politics, and taste after the Second World War.  Both museums and these events played a crucial role in shaping knowledge around the relationship between Britain and Empire through the use of material culture, and therefore the history of collections and taste is closely linked with the objects arrived in Europe through colonial missions abroad.

The concept of a standalone exhibition of missionary objects began with the first independent missionary exhibition organised by the London Missionary Society in 1908 with the name ‘The Orient in London’.  This – and ‘Africa and the East’ the following year, still in London - set the pattern for other exhibitions in Europe and the United States.  These were events to display and sell objects produced before and after the arrival of missionaries.

But what was the idea behind such huge object-based lessons?

While the broader public participated in missionary exhibitions for elements of spectacle, amusement, and exoticism, the Church wanted to show the success of missionary work in converting local population to Christianity, and therefore justify the cost of the Empire and raise funds for further missions.

In ‘Other Lands in Leicester’, three different ecclesiastical institutions – the Baptist Missionary Society, the London Missionary Society, and the Wesleyan Methodist Missionary Society - gathered together to show their union and will in achieving the goal of the evangelization of the Empire.  This ‘union’, which saw no major divisions between different branches of the Christian Church, might be considered as the will to foster an imperial civilising mission toward ‘the heathens’.   An article inThe Leicester Mail  clarifies that the exhibition’s scope was ‘Not merely the show, but the coming into contact with the nations that would be represented’.

Plan of the Hall at the United Missionary Exhibition in Leicester 1914Plan of the Hall at the United Missionary Exhibition. It is possible to see evocative sections dedicated to the display of a Chinese Tea Garden, a Congo Village, or a Malagasy Market. The Exhibition Herald, 3, February 1914,  The Record Office for Leicestershire, Leicester and Rutland, box 4D56/91.

But who decided the narrative in the representation of those nations?  How could missionary exhibitions be neutral if they were imperial institutions that conveyed a religious, artistic and political message?

Around 1200 stewards were hired at Leicester with the purpose of explaining the exhibits to the public.  This suggests that objects were used as a means to educate visitors in Leicester about their global place, and to illustrate the national progress and religious success of Christianity through missions.

Maria Chiara Scuderi
AHRC PhD researcher – University of Leicester

Further reading:
Leicester Daily Post, Thursday 19 March 1914, The British Newspaper Archive.
The Leicester Mail, Thursday 4 March 1913, The British Newspaper Archive.
The Exhibition Herald, 1, October 1913, The Record Office for Leicestershire, Leicester and Rutland, box 4D56/91.
The Exhibition Herald, 3, February 1914, The Record Office for Leicestershire, Leicester and Rutland, box 4D56/91.
Corbey, R., Weener, F., K., 2015, ‘Collecting while converting: missionaries and ethnographics’, Journal of Art Historiography, 12, pp. 1-14.
Filipová, M., 2016, Cultures of International Exhibitions 1840-1940. Great Exhibitions in the Margins, London: Routledge.
Groten, M., 2018. ‘Difference Between the Self and the Heathen. European Imperial Culture in Dutch Missionary Exhibitions, 1909–1957’, Journal of Imperial and Commonwealth History, 47,3, pp. 490-513.
Hasinoff, E. L., 2011, Faith in Objects. American Missionary Exposition in the Early 20th century, New York: Palgrave Macmillan.
Jacobs, K., Knowles, C., Wingfield, C., 2015, Trophies, Relics and Curious? Missionary Heritage from Africa and the Pacific, London: Sidestone.
Longair, S., McAleer, J., 2012, Curating Empire, Museums and the British imperial experience, Manchester: Manchester United Press.
McAleer, J., Mackenzie, J., M., 2015, Exhibiting Empire. Cultures of display and the British Empire, Manchester: Manchester University Press.

 

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