Untold lives blog

189 posts categorized "South Asia"

15 September 2020

Hunter, Campbell, and the politics of archiving famine

In the suffocating heat and violent downpours of early August, 1866, Sir William Hunter, his wife, infant son, and a Portuguese nurse, journeyed to Midnapur in Bengal, where Hunter had been appointed Inspector of Schools for the South-Western Division.  They travelled by road in their victoria driven by Hunter himself.  The carriage and horses were crammed on a ferry by which they crossed the torrential river Damodar.  The crossing took fourteen hours, and Hunter drove on until the route was cut off by a chasm created by the floods.  Horses unhitched, the carriage was dragged down the bank to the other side of the chasm.  They reached a rest house which offered little provision.  They travelled again, until, hungry and exhausted, they finally arrived at their destination.

Sir William Hunter driving a carriage with his wife, infant son, and a Portuguese nurse, journeying to Midnapur in heat and violent downpours.Sir William Hunter driving a carriage with his wife, infant son, and a Portuguese nurse, journeying to Midnapur in heat and violent downpours.  Image reproduced by the kind permission of the artist ©Argha Manna.

Hunter then left at once to survey the area as the government was anxious to learn about the effect of the Orissa famine on schools in neighbouring districts.  To his horror, he found Bishnupur, the ancient capital of Birbhum, a ‘city of paupers’, as he noted in his letter to the Director of Public Instruction.  The famine relief operations were disrupted by a cholera outbreak.  At his own expense, Hunter set up a temporary orphanage for starving children who roamed the streets, feeding on worms and snails.

The author of The Annals of Bengal - a text often mined for information on the notorious famines in Orissa (1866) and in Bengal (1769-70) - was not simply an excavator of archives.  An aspect of his life not often told seems to be epitomised by this stark physical encounter with famine-affected areas, which officers like Hunter (and their families) could not avoid.  For Hunter, writing the famous Annals was punctuated by such experiences, as he developed his comparative analytical methods, placing side by side archival findings which allowed him to reconstruct the 1770 Bengal famine, and his immediate knowledge of the Orissa famine a century later.

Head and shoulders portrait of Sir William Hunter, dressed in a formal jacket and tie.Portrait of Sir William Hunter. Image reproduced by the kind permission of the artist ©Argha Manna.

These two famines are infamous events in the history of British administration of the Bengal Presidency.  The first resulted in the loss of 10 million lives, and yet the East India Company’s revenue increased in that famine year; during the second, 200 million pounds of rice were exported to Britain while a million starved to death in Orissa.  Hunter’s analytical method relied on recovering local ecology, history, and demography, loosely modelled on the English annals of parishes.  As Hunter wrote to Cecil Beadon in 1868, ‘My business is with the people’ - a rather risky remark perhaps in an epistle to the former lieutenant-governor of Bengal, recently deposed for his mishandling of the Orissa famine and scant attention to the suffering of ‘the people’.  Moreover, Hunter’s approach was analogical, comparing not only past and present famines, but British and Indian models of record keeping; and, finally, it was predictive.  Hunter believed that better administration and prevention of future famines were possible through historically informed reflection on current experience ….

Portrait of Sir George Campbell to the waist, seated with a stick in his left hand and dressed in an informal shirt and jacket.

Portrait of Sir George Campbell.  Image reproduced by the kind permission of the artist ©Argha Manna.

For the rest of this story about Hunter’s differences with his contemporary Sir George Campbell who also shaped interpretations of the Orissa and Bengal famines; their negotiations with colonial governance; their lasting impression on archiving famine; and their publication of a little-known collaborative collection of records of the Bengal Famine of 1769-70, see the full article on the Famine Tales project blog Food Security: Past and Present.

Ayesha Mukherjee
Associate Professor of Early Modern Literature and Culture in the Department of English and Film, College of Humanities, University of Exeter, and the Principal Investigator for the AHRC projects Famine and Dearth in India and Britain, 1550-1800, and Famine Tales from India and Britain.

Illustrations by Argha Manna
Graphic artist and journalist based in Calcutta, currently creating a graphic narrative of the 1770 Bengal famine for the Famine Tales from India and Britain project.

With grateful thanks to Dr Antonia Moon for drawing my attention to IOR/V/ 27/830/14 and to Professor Swapan Chakravorty for directing me to valuable sources on colonial archiving policies in India.

 

08 September 2020

Captain Charles Foulis and Commodore George Anson

Charles Foulis (c.1714 – 1783) became wealthy from his maritime career with the East India Company.  For his second voyage he served as first mate under Captain Robert Jenkins on the Harrington bound for St Helena, Bombay and China.  The ship arrived at Bombay at the end of July 1742 and had an encounter with Angria’s pirate ships whilst returning from Tellicherry.

On 18 December 1742, Captain Jenkins died of ‘a feaver and flux’ and was buried with military honours in Bombay.  Foulis took over as captain of the Harrington and sailed for China, his first voyage east of India.

Portrait of George Anson, three-quarters length standing to left, looking towards the viewer, holding a telescope in both hands, his left elbow resting on a grassy ledge beside his hat, wearing a suit with sword and wig.Portrait of George Anson, 1747 - Courtesy of  British Museum CC BY-NC-SA 4.0

Meanwhile, Commodore George Anson (1697-1762) was continuing a voyage around the world in the Centurion, the last remaining ship of his small fleet.  When the Centurion called at Macao in November 1742, neither the Europeans nor the Chinese wanted this armed warship to approach Canton and threaten the delicate trade balance.  However, she was badly in need of repair, water and stores, and assistance was reluctantly given.  She departed on 19 April 1743, supposedly for England.  There was huge consternation when she returned nearly three months later, towing the Spanish treasure galleon Covadonga as her ‘prize’ worth about £60 million in today’s money.

Anson made his way up river towards Canton, threatening violence to the Chinese officials who tried to stop him.  When the Harrington arrived on 17 July, Captain Foulis was caught up as a pawn in the affair, torn between his respect for Anson and his responsibility to the East India Company.

Foulis went on board the Centurion to discuss the situation with Anson.  Eventually on 28-29 July the Centurion was allowed upstream and Harrington, with a local pilot aboard, guided her through the channels.  After delicate negotiations, Anson was permitted to visit Canton for a meeting with the Chinese officials.

The Centurion left China in December 1743 and the Harrington at the end of January 1744. On 4 July Anson’s magnificent procession of 32 wagons of treasure passed through the streets of London on its way to the Tower.

Introductory page of the journal and log of the Anson 1746Introductory page of the journal and log of the Anson 1746 - IOR/L/MAR/B/549A Public Domain Creative Commons Licence

Foulis’s next voyage was in the 1746/7 season as captain of the Anson, under the management of David Crichton, a relative of his wife.  The Anson had a battle with the French outside Bombay but the captain got his papers and treasure landed before the ship was captured.  Foulis managed to return to England and on 2 November 1748 the East India Company Court of Directors agreed that Captain Foulis had ‘done his Duty and behaved like a Gallant and Discreet Officer and is Justly entitled to the Courts Favour’.

From 1750 to 1755 Foulis captained the Lord Anson for two uneventful voyages before retiring from the sea to manage voyages for the East India Company.  Between 1759 and his death in 1783 he managed 38 voyages made by 12 ships and was a significant figure in the shipping lobby.

The memorial erected by Captain Robert Preston to Charles Foulis in St.Mary’s church, Woodford, Essex.

The memorial erected by Captain Robert Preston to Charles Foulis in St.Mary’s church, Woodford, Essex, as a testimony of his gratitude. Foulis had managed three voyages which Preston made as captain and then worked with him in the City. In his will Foulis named Preston as his ‘residuary legatee and executor’. Author;'s photograph. Public Domain Creative Commons Licence

Charles Foulis had other connections with the East India Company: his sister Margaret married William George Freeman, a director in 1769, 1774-76 and 1778-81.  His wife had a sister who married Andrew Moffatt of Cranbrook House in Ilford, another Principal Managing Owner who was involved in shipping insurance.

Georgina Green
Independent scholar


Further reading:
IOR/L/MAR/B/654D Journal of the Harrington 1741-1744
IOR/L/MAR/B/549A Journal of the Anson 1746-1747
IOR/B/70 East India Company Court of Directors’ Minute Book
Sally Rousham (ed.), The Greatest Treasure - Philip Saumarez and the voyage of the Centurion (Guernsey Museum, 1994)
Glyn Williams, The Prize of all the Oceans (Harper Collins, 1999)

 

02 September 2020

Nil Darpan: the Indigo Revolt and the trial of Reverend James Long

Nil Darpan (sometimes Nil Durpan) or The Indigo Planting Mirror was a Bengali play written by Dinabandhu Mitra in 1858-59.  The drama was written in the context of social agitation in Bengal, known as the Indigo Revolt.  The play examines the treatment of the Indian peasantry or ryots by the indigo planters.  It was first published in 1860.

Indigo Factory Bengal, 1863, showing layout and work on different processesWilliam Simpson - Indigo Factory Bengal, 1863 (shelfmark WD 1017) Images Online

Mitra’s play shone a light on the behaviour of certain European indigo planters, the worst excesses of which were further exposed by an official report of the 1861 Indigo Commission.  Ryots were forced to plant indigo, a crop which was in demand by the international textile industry but which degraded the land.  They had to take out loans and sell the crop to planters at fixed (low) prices, forcing them into a cycle of debt and economic dependence that was often enforced with violence.  The play reflected the realities of intimidation, exploitation, violence (including sexual violence), and lack of redress through the judicial system experienced by many in Bengal.

Title page of Nil Durpan and portrait of  author Dinabandhu MitraTitle page of Nil Darpan and portrait of Dinabandhu Mitra from Ramtanu Lahiri, Brahman and reformer. A history of the renaissance in Bengal, from the Bengali ... Edited by Sir Roper Lethbridge (London : Swan Sonnenschein & Co, 1907.), p.94. 

In 1861 Mitra sent a copy of his play to Reverend James Long, who had run the Church Missionary Society school in Calcutta where Mitra was educated.  James Long, an Anglo-Irish priest, had been in India since 1840, and was particularly interested in what he called the ‘Native Press’.  Long had previously assembled lists of books and other publications in Bengali.  He believed that vernacular writings were an important barometer of the feelings of Indian people, and that they had often been ignored by those in power.  Long mentioned the play to William Scott Seton Karr, Secretary to the Government of Bengal, who in turn brought it to the attention of Lieutenant Governor Sir John Peter Grant.  Grant requested an English translation of Nil Darpan, which Long arranged, and which was almost certainly carried out by Michael Madhusudan Dutt.  The translation was edited by Long who also provided his own introduction.  500 copies were printed, and some copies were distributed by Long in official Government envelopes.  This action appeared to give the translation official sanction.

Portrait of Michael Madhusudan Dutt and bust of James Long in KolkataPortrait of Michael Madhusudan Dutt from Ramtanu Lahiri, Brahman and reformer, p.30, and bust of James Long in Kolkata via Wikimedia Commons

Nil Darpan quickly reached the attention of both the indigo planters and the pro-planter press, who felt that they had been defamed by the play, and by Long’s introduction and by Mitra’s original preface.  As a result James Long was taken to court by Walter Brett, proprietor of the Englishman newspaper, together with the Landholders Association of British India and the general body of indigo planters.  The trial for libel took place in July 1861, and there was much sympathy expressed for James Long.  Yet he was found guilty, sentenced to one month in jail and fined 1,000 rupees.  The Bengali author Kaliprasanna Singha immediately paid the fine on Long’s behalf.

Nil Darpan was the first play to be staged commercially at the National Theatre in Calcutta; it was one of a number of politicised plays which provoked the Government of India into enacting restrictive censorship measures on Indian theatre via the 1876 Dramatic Performances Act.

Lesley Shapland
Cataloguer, India Office Records

Further Reading:
Nil Darpan or the Indigo Planting Mirror, A Drama. Translated from the Bengali by A Native (Calcutta: C.H. Manuel, 1861)
Statement of the Rev. J. Long His Connection With The Nil Darpan (Calcutta: Sanders, Cox and Co., 1861)
Claire Pamment (2009) 'Police of Pig and Sheep: Representations of the White Sahib and the construction of theatre censorship in colonial India', South Asian Popular Culture, 7:3, 233-245.
Geoffrey A. Oddie, Missionaries, Rebellion and Protonationalism: James Long of Bengal 1814-87 (London: Routledge, 1999)

 

27 August 2020

Collections in the UK on Indian Independence and Partition

The India Office Records and Private Papers, held at the British Library, contains one of the largest archives outside South Asia of records relating to the Indian independence struggle, and the eventual partition of pre-1947 India into the independent states of India and Pakistan.  This includes official government records, as well as significant collections of private papers.

Photograph of Mahatma Gandhi and Lord Pethick-Lawrence, the Secretary of State for IndiaMahatma Gandhi and Lord Pethick-Lawrence, the Secretary of State for India, 18 April 1946 - Photo 134/2(19) Images Online c13486-31

 

However, there are also a wealth of records on this subject to be found in local archives, libraries, and record offices around the UK.  Here are a just a few examples of some of the wonderful collections available to be explored.

There are of course many libraries in London which hold collections relating to Indian Independence, including the National Archives, the Parliamentary Archives, the Marx Memorial Library, and the London School of Economics Library. There are also a great many important collections to be found at Oxford and Cambridge, for instance:
• The Bodleian Library in Oxford holds the papers of Clement Richard Attlee, British Prime Minister 1945-1951, along with the papers of several British politicians who were involved with Indian affairs and Indian civil servants.
• Cambridge University holds the papers of many British politicians involved in the administration of British India, while the Centre for South Asian Studies holds the private papers of many members of the India Civil Service and their families, and officers and other ranks who served in the Armed Forces in India at the time of Independence.

Pandit Jawaharlal Nehru & Mr M.A. Jinnah walking together in the grounds of Viceregal Lodge, SimlaPandit Jawaharlal Nehru & Mr M.A. Jinnah walking together in the grounds of Viceregal Lodge, Simla,  11 May 1946 - Photo 134/2(28) Images Online c13486-35

 

Elsewhere around the UK are wonderful collections on this subject, here are just a few examples:
• The Keep Archive Centre in Brighton, which holds a collection of letters from Gandhi to Madeleine Slade (often known as Mirabehn), many written while he was at Yeravda Prison and during his period of fasting; and a collection of official papers and reports accumulated by Major-General Thomas Wynford Rees, Commander of the Punjab Boundary Force, August and September 1947.
• Correspondence between Jawaharlal Nehru and Eleanor Rathbone, May-Nov 1941, at University of Liverpool, Special Collections & Archives.
• The Mountbatten Papers and the papers of Lieutenant Colonel Nawab Sir Malik K H Tiwana (relating to the Punjab and its partition), both collections at the University of Southampton.
• Papers of Dr V.N. Sharma, Director General of Hospitals in India which include photocopies of letters and photographs sent to him by Subhas Chandra Bose at Hull History Centre.
• Quit India poster (Bombay, 1942) at West Glamorgan Archive Service.

Map showing India and Pakistan boundaries, dated 1947Map showing India and Pakistan boundaries, dated 1947 - Maps MOD OR 6409 Images Online B20151-85

In recent years there has been many fascinating projects to collect oral histories relating to independence and partition.  To name just three:
• The Memories of Partition Project Archive, a project to record the memories of those affected by the 1947 Partition of India is held at the Ahmed Iqbal Ullah Race Relations Resource Centre, University of Manchester.
• The White Line - Here, There, Then, Now Oral History Project, in which interviews were carried out with people who eventually migrated to Huddersfield to record their memories of pre-Partition, the Partition era and what happened afterwards, is held at Heritage Quay, University of Huddersfield.
• India: A People Partitioned Oral Archive at the School of Oriental and African Studies (SOAS).


John O’Brien
India Office Records

Further Reading:
Indian Independence Collection Guide 
Archives HUB 
AIM25 
The National Archives (TNA) Discovery
Scottish Archive Network 
List of UK archives 
Chris Cook (ed), The Routledge Guide to British Political Archives: Sources since 1945 (Routledge, 2006)

25 August 2020

The Temples of Mahabalipuram and the early days of Heritage Conservation

A Privy Council appeal from 1893 reveals an attempt to preserve historic monuments in India at a time when British heritage conservation was in its infancy.

Appeals to the British Privy Council are available for free on the website of the British and Irish Legal Information Institute (BAILII) and include many cases from British India.  This appeal concerns an area of land on the east coast of India containing a quarry and a group of temples then known as the Seven Pagodas of Mahabalipuram.  It was purchased by the British government from the Mudaliar family around 1890.

Mahavellipore. The Five RathsThe Pancha Ratha or Pandava Rathas, at Mamallapuram near Madras from James Fergusson's Illustrations of the Rock Cut Temples of India (X590) Online Gallery  Public Domain Creative Commons Licence

The monuments near the town of Mahabalipuram were created in 630-668 CE and now form a UNESCO World Heritage site.  They consist of several raths, or monolithic temples, and caves cut into the rock.    The site is famed for a sculpted frieze depicting the Descent of the Ganges.  After visiting in 1841 James Fergusson, architectural historian, described the sculpture as ‘the most remarkable thing of its class in India’.

The rock sculpture of Arjuna’s Penance, MahabalipuramThe rock sculpture of Arjuna’s Penance, Mahabalipuram (WD 4206) Images Online Public Domain Creative Commons Licence

The Privy Council appeal brought by the Mudaliars concerns the value of the rock remaining in the quarry.  The judgment was given in the Mudaliars’ favour.  However, the document begins by describing the temples, not the quarry: ‘the Government of India is desirous of saving from destruction, and of preserving as public monuments, certain works… known as the Seven Pagodas of Mahabalipuram'.

There were worries that the structures were in danger.  The appeal mentions that the Mudaliars had begun using explosives in the quarry, so ‘local authorities felt alarmed and advised the Government to interfere’.

While government intervention was common in India, in the United Kingdom the rights of landowners made the purchase of sites for their preservation more difficult.  The British Ancient Monuments Protection Act was enacted in 1882 to survey and record the locations of ancient sites, but had no powers to force their purchase.

Mahavallipore. Cave with a structural VimanaCave with a structural Vimana at Mahabalipuram from James Fergusson's Illustrations of the Rock Cut Temples of India (X590) Online Gallery  Public Domain Creative Commons Licence

Fergusson, who described the temples in the appeal, travelled India in the 1830s and 1840s.  From 1845 he used a camera lucida to sketch Indian architecture for publications like his Illustrations of the Rock Cut Temples of India.  Many of these illustrations are available to view on the British Library website.

In the preface to a later edition, Fergusson notes that his images had captured the British imagination: ‘In consequence of the interest which these publications excited among those interested in the study of Indian Antiquities, a memorial was addressed to the Court of Directors of the East India Company, praying them to take steps to prevent further desecration and destruction of these venerable monuments of the past'.

Books like Fergusson’s publicised the value of historic monuments and increased pressure for their preservation.  In 1895 the National Trust was founded and was soon followed by additional conservation legislation in the UK.

Meanwhile, the Archaeological Survey of India, whose records are held at the British Library, took over the preservation of the site at Mahabalipuram.  The monuments were maintained in the intervening years and are now the main tourist attraction in the area.

Matthew Waters
Cataloguer, Modern Archives & Manuscripts

Further reading:
Privy Council Appeal: Secretary of State for India in Council v Shanmugaraya Mudaliar and others (Madras) 
J. Fergusson (1841) Illustrations of the rock cut temples of India (Vol.1), London – Preface from 1864 edition
Memoirs of the Archaeological Survey of India, 1925-1932 (IOR/V/21/99)

 

13 August 2020

‘Black Peggy’ and the Foundling Hospital

In 1793 the London Foundling Hospital received a petition from ‘Black Peggy’, a native of Bengal.

‘Being a poor unfortunate girl just arrived at the age of fourteen was on my voyage to England with Mrs Harding, unhappily seduced by my fellow servant James Murray by a false promise of marriage, but on our arrival at Ostend he knowing of my pregnancy left me friendless and unprotected.  Nothing but the kind humanity of my mistress could have supported me through this scene of misery and repentance and who is still inclin’d to be my friend could I conceal my disgrace by your benevolence.  This gentleman urges me in the most supplicating manner to entreat and solicit your generous aid and protection to the unhappy infant of your very humble petitioner.’

Peggy’s mistress, Mrs Elizabeth Harding of 2 Buckingham Street, recommended acceptance of the child because of the girl’s penitence and past good conduct.  On 4 May 1793 Peggy’s two-month-old daughter was admitted to the Hospital as Foundling No.18142.  She was baptised with the name Jane Williams and sent as a nurse child to Dorking.  Sadly Jane died a year later and was buried at St Martin’s Church in Dorking on 11 May 1794.

Foundling Hospital Chapel with children filing in.sFoundling Hospital Chapel – British Library Crach.1.Tab.4.b.3. Public Domain Creative Commons Licence

It is not clear whether Peggy was of Asian or African descent.  African slaves were brought to Bengal in the 18th century.

I believe that Peggy’s mistress was the wife of Thomas Harding an officer in the East India Company’s Bengal Army.  In May 1794 Elizabeth Harding was granted permission by the East India Company Court of Directors to return to her husband in India.  At the same time Thomas Parry Esq, (the Company director?), was authorised to return a black servant named Peggy to Bengal on the Royal Admiral with no expense to be incurred by the Company.

Extract from East India Company Court of Directors' Minutes for 7 May 1794IOR/B/119 p.93 East India Company Court of Directors' Minutes 7 May 1794  Public Domain Creative Commons Licence

In the passenger list for the Royal Admiral, Peggy is recorded as the servant to Mrs Anna Maria Freeman who was returning to her husband in Bengal.  The ship sailed from Plymouth in August 1794 and the two women landed at Calcutta in February 1795.

The homeward passenger list for the Royal Admiral shows Anna Maria Freeman and her black servant, now named as Peggy Harding.  This link to her previous mistress surely confirms that this is the Foundling Hospital’s ‘Black Peggy’?  What had happened to cause Mrs Freeman to leave again for England on the Royal Admiral in August 1795?  Did she discover that her husband had died in her absence?  Frustratingly I have been unable to identify with any certainty who her husband was.

Passenger list homeward of ship Royal Admiral 1795IOR/L/MAR/B/338G Passenger list homeward of ship Royal Admiral 1795 Public Domain Creative Commons Licence


Mrs Freeman and Peggy left the ship in the Bristol Channel on 8 January 1796.  Less than a month later Anna Maria Freeman, described as a widow, married William Fairfax in Bristol.  Fairfax had been first mate in the Royal Admiral on the 1794-1796 voyage to India and back.

For now, the story of Peggy ends here.   Perhaps she is the black female servant called Peggy who sailed on the Houghton to Bengal in the spring of 1797?

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
IOR/L/MAR/B/338G Journal of Royal Admiral for 1794-1796 voyage with passenger lists.

London Metropolitan Archives Foundling Hospital records - Petition of 'Black Peggy' is in A/FH/A08/001/001/018 Petitions admitted to ballot 1792-1793.

Forgotten Foundlings: black lives and the eighteenth-century Foundling Hospital.

06 August 2020

John Dean: Celebrity shipwreck survivor of the 1740s

On 17 September 1740, the East India Company’s Court of Directors in London received word that a man had returned from the dead.  That man, John Dean, miraculously survived the shipwreck of the Sussex, an East India Company ship that sank, along with its cargo, off the coast of Madagascar in March 1738.  It took Dean 16 months, most of which was spent walking across Madagascar, to find a European ship to rescue him.  That ship transported him from Madagascar to Bombay, where his story was transcribed, then sent on to the East India Company in London.

By the time Dean reached London in September 1741, a year had passed since the Company’s Court of Directors had learned of his survival, and his story had been published at least twice as a 22 page booklet.  Soon after his return, a risqué mezzotint portrait of a shirtless John Dean was also published in London, showing him standing on a rocky shoreline, holding a spear, with the Sussex sinking in the background.  This rugged image of Dean most likely increased his celebrity, and parallels were made between his story and Daniel Defoe’s book Robinson Crusoe.

Portrait of John Dean, three-quarter length, holding a spear, leaning back to the right against a rock, an axe and rolled mat beside him, a knife in his belt, wearing only a tattered pair of shorts, gesturing and looking to left, a ship tossed in heavy waves in the background.Mezzotint of John Dean, c.1743 © The Trustees of the British Museum  1364161001 (CC BY-NC-SA 4.0) (Another copy -British Library P553)

What is most interesting about John Dean’s story is that the East India Company controlled it.  On 19 September 1740, two days after the Court of Directors first received Dean’s account from Bombay, the Company’s Committee of Lawsuits put forward that 'a Bill be filed at Chancery against the Captain of the Sussex'.   John Dean’s survival had enormous value to the East India Company because Francis Gostling, the captain of the Sussex, who had also survived the shipwreck, had given a different version of events when he returned to London a few months after the Sussex sank, in the summer of 1738.  As punishment for the deaths at sea of sixteen men from his crew (one of whom was John Dean), Gostling was removed from the Company’s service, but he was absolved of losing the Sussex’s valuable cargo.  However, Dean’s account described Gostling’s actions on board the sinking ship as dishonourable, and made him out as directly contributing to the deaths of the abandoned crew.

Armed with John Dean’s story, the East India Company ruined Francis Gostling by ordering £25,000 in compensation for the Sussex’s lost cargo.  After their success at the King’s Bench in May 1743, the Company commissioned Willem Verelst on 16 June 1743 to paint not one, but three portraits of John Dean.  Two of these portraits still exist, and show a happy, healthy man, respectfully dressed in smart working class attire, carrying a hat and a walking stick in one hand and a letter of reference in the other.  They contrast with the mezzotint portrait from 1741 by showing a man who had comfortably returned to civilization.  In 1744 Dean was appointed as an elder porter at the East India Company’s Drug Warehouse, and in December 1747 he died, probably when he was in his early 40s.

Portrait of John Dean, three quarter length,  dressed in smart working class attire, carrying a hat and a walking stick in one hand and a letter of reference in the other.Oil painting of John Dean by Willem Verelst, commissioned 1743. British Library F19  BL - Images Online 

It seems to me that the portraits of John Dean say more about the East India Company than they do about the man shown in the painting.  Do you agree?

Jennifer Howes
Art Historian specialising in South Asia

Further reading:
'History of John Dean', The Gentleman’s Magazine, July 1807, p.606.
A True and Genuine Narrative of the whole affair relating to the Ship Sussex as sent to the Directors of the Honourable East India Company; From the Time she was deserted by the Officers, and greatest part of the Crew, till she was unfortunately wreck’d on the Bassas De India... By John Dean, The only surviving person of them all (London, 1740)
Account of John Dean’s story, dated Bombay December 1739, being read at East India House, 17 September 1740, BL – IOR/B/66, f.84.
Account of a bill being filed against Captain Francis Gostling, 19 September 1740, BL – IOR/B/66, f.151.
Account of John Dean’s first appearance before the Court of Directors on 2 September 1741, BL - IOR/B/66, f.366.
John Dean’s appointment as an Elder Porter, Friday 15 March, 1744, BL – IOR/B/68, f.243.
“Warrant be made out to Mr. William Verelst for Fifty Guineas for painting two originals and one copy of John Deane late belonging to the Ship Sussex...” , 17 June 1743, BL - IOR/B/67, f.333.

 

04 August 2020

Two portrait painters on a passage to India

In these times of lockdown and social distancing, unable to visit friends and family, many of us have become used to keeping in touch in other novel ways.  In somewhat of the same manner, digitised India Office Records shed light on a method in the 18th century by which families separated from each other by the vast distances of a growing empire kept in touch: the portrait miniature.  As the East India Company established its domains in India and increasing numbers of families were residing there for long periods of time, a demand grew for miniature portraits which could be easily sent back to loved ones in Britain.

To meet this demand required the skills and expertise of portrait painters in India to undertake commissions from those wealthy enough to afford them.  These painters, like anyone else, had to be given permission to proceed to India by the Court of the East India Company.  Two such painters were Diana Hill and George Carter.

On 14 September 1785 the Court ordered that George Carter be ‘permitted to proceed to India to practice as a Portrait Painter’ and seven days later the same order was issued for Diana Hill.

Minutes of East India Company Court of Directors, 14 September 1785, giving George Carter permission to travelMinutes of East India Company Court of Directors, 14 September 1785, giving George Carter permission to travel - IOR/B/101 p.396 Public Domain Creative Commons Licence

Minutes of East India Company Court of Directors,, 21 September 1785, giving Diana Hill permission to travelMinutes of East India Company Court of Directors,, 21 September 1785, giving Diana Hill permission to travel - IOR/B/101 p.416 Public Domain Creative Commons Licence

Their passage to India took them to Bushire on the Persian coast where they required further clearance.  A letter in 1786 from Rawson Hart Boddam, Robert Sparks, and Richard Church of the Public Department at Bombay Castle to Edward Galley, the Resident at Bushire, records that ‘Mr George Carter and Mrs Diana Hill Portrait Painters have our leave to proceed to India to practice their profession’.

Extract from letter sent in 1786 from Bombay to the Resident at Bushire about George Carter and Diana HillExtract from letter sent in 1786 from Bombay to the Resident at Bushire about George Carter and Diana Hill - IOR/R/15/1/4, f 61 Public Domain Creative Commons Licence

Once in India, they were commissioned to paint many miniature portraits – examples of Diana Hill’s are held at the V&A Museum and George Carter’s at the National Portrait Gallery, London.

Portrait miniature of an unknown girl, watercolour on ivory. The girl is wearing a very large white bonnet with pink ribbons.Portrait miniature of an unknown girl, watercolour on ivory, painted by Mrs Diana Hill (1760?-1844). British School, painted in India, ca. 1785-1790. Image courtesy of V&A Museum.

With museums and galleries opening again we can appreciate at first hand the skills of such painters who helped families separated by thousands of miles keep in touch in the late 18th century.

Dr Francis Owtram
Gulf History Specialist, British Library/Qatar Foundation Partnership

Further reading:
Mildred Archer, India and British Portraiture 1770-1825 (Sotheby’s Publications, 1979).
These snippets of George Carter and Diana Hill’s passage to India are contained in the British Library, India Office Records and Private Papers.  The Minutes of the Court of Directors in IOR/B have been digitised as part of Adam Matthew Digital’s East India Company resource (free access in British Library Reading Rooms).   IOR/R/15/1/4 is available on the Qatar Digital Library.

 

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